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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7EE40B it is the complementary color #811BF4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7EE40B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7EE40B shade: #83E406, #94F619, #A5FF2C, #B6FF3F and #C7FF52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7EE40B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7EE40B shade: #7EE40B, #6DD200, #5CC000, #4BAE00 and #3A9C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7EE40B shade: #7EE40A, #B9E40A, #E4D50A, #E49A0A and #E4600A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7EE40B shade: #7EE40A, #43E40A, #0AE40C, #0AE447 and #0AE482

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7EE40B shade matches the following richer shades: #7EE40A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7EE40B shade: #7EE40A, #7DD11E, #7CBE31, #7AAA44 and #799758

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7EE40B shade: #E4D60A, #B9E40A, #7FE40A, #44E40A and #0AE40A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7EE40B shade: #529607, #68BD08, #7EE40A, #92F424 and #A6F64B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7EE40B shade: #7EE40B, #0AE49C and #E40AD6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7EE40B shade: #7EE40B, #0A7FE4 and #E40A7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7EE40B shade: #7EE40B, #0AE49C, #700AE4 and #E40A53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7EE40B shade: #7EE40B, #0AE4DD, #700AE4 and #E40A12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 95 / 11

HEX #7EE40B

RGB 126 228 11

HSL 88.2, 0.91%, 0.47%

LAB 81.81, -58.47, 78.5

 

Complementary color

CMYK 47 / 89 / 0 / 4

HEX #811BF4

RGB 129 27 244

HSL 268.2, 0.91%, 0.53%

LAB 41.19, 77.13, -86.66

 

CMYK 43 / 0 / 97 / 11

HEX #83E406

RGB 131 228 6

HSL 86.22, 0.95%, 0.46%

LAB 82.01, -56.95, 79.18

 

CMYK 40 / 0 / 90 / 4

HEX #94F619

RGB 148 246 25

HSL 86.61, 0.92%, 0.53%

LAB 88.1, -58.03, 82.33

 

CMYK 35 / 0 / 83 / 0

HEX #A5FF2C

RGB 165 255 44

HSL 85.59, 1%, 0.59%

LAB 91.55, -55.35, 82.05

 

CMYK 29 / 0 / 75 / 0

HEX #B6FF3F

RGB 182 255 63

HSL 82.81, 1%, 0.62%

LAB 92.5, -48.62, 78.23

 

CMYK 22 / 0 / 68 / 0

HEX #C7FF52

RGB 199 255 82

HSL 79.42, 1%, 0.66%

LAB 93.57, -41.38, 73.28

 

CMYK 45 / 0 / 95 / 11

HEX #7EE40B

RGB 126 228 11

HSL 88.2, 0.91%, 0.47%

LAB 81.81, -58.47, 78.5

 

CMYK 48 / 0 / 100 / 18

HEX #6DD200

RGB 109 210 0

HSL 88.86, 1%, 0.41%

LAB 75.67, -57.14, 74.36

 

CMYK 52 / 0 / 100 / 25

HEX #5CC000

RGB 92 192 0

HSL 91.25, 1%, 0.38%

LAB 69.45, -55.56, 69.21

 

CMYK 57 / 0 / 100 / 32

HEX #4BAE00

RGB 75 174 0

HSL 94.14, 1%, 0.34%

LAB 63.15, -53.83, 63.99

 

CMYK 63 / 0 / 100 / 39

HEX #3A9C00

RGB 58 156 0

HSL 97.69, 1%, 0.31%

LAB 56.76, -51.88, 58.71

HEX #3A9C00

CMYK 45 / 0 / 96 / 11

HEX #7EE40A

RGB 126 228 10

HSL 88.07, 0.92%, 0.47%

LAB 81.81, -58.48, 78.58

 

CMYK 19 / 0 / 96 / 11

HEX #B9E40A

RGB 185 228 10

HSL 71.83, 0.92%, 0.47%

LAB 84.91, -37.31, 82.34

 

CMYK 0 / 7 / 96 / 11

HEX #E4D50A

RGB 228 213 10

HSL 55.87, 0.92%, 0.47%

LAB 84.02, -12.34, 83.07

 

CMYK 0 / 32 / 96 / 11

HEX #E49A0A

RGB 228 154 10

HSL 39.63, 0.92%, 0.47%

LAB 69.2, 18.37, 72.36

 

CMYK 0 / 58 / 96 / 11

HEX #E4600A

RGB 228 96 10

HSL 23.67, 0.92%, 0.47%

LAB 56.96, 48.06, 64.2

 

CMYK 45 / 0 / 96 / 11

HEX #7EE40A

RGB 126 228 10

HSL 88.07, 0.92%, 0.47%

LAB 81.81, -58.48, 78.58

 

CMYK 71 / 0 / 96 / 11

HEX #43E40A

RGB 67 228 10

HSL 104.31, 0.92%, 0.47%

LAB 80.01, -72.98, 76.38

 

CMYK 96 / 0 / 95 / 11

HEX #0AE40C

RGB 10 228 12

HSL 120.55, 0.92%, 0.47%

LAB 79.37, -78.66, 75.41

 

CMYK 96 / 0 / 69 / 11

HEX #0AE447

RGB 10 228 71

HSL 136.79, 0.92%, 0.47%

LAB 79.62, -75.51, 61.01

 

CMYK 96 / 0 / 43 / 11

HEX #0AE482

RGB 10 228 130

HSL 153.03, 0.92%, 0.47%

LAB 80.27, -67.5, 35.16

 

CMYK 45 / 0 / 96 / 11

HEX #7EE40A

RGB 126 228 10

HSL 88.07, 0.92%, 0.47%

LAB 81.81, -58.48, 78.58

 

CMYK 45 / 0 / 96 / 11

HEX #7EE40A

RGB 126 228 10

HSL 88.07, 0.92%, 0.47%

LAB 81.81, -58.48, 78.58

 

CMYK 40 / 0 / 86 / 18

HEX #7DD11E

RGB 125 209 30

HSL 88.16, 0.75%, 0.47%

LAB 76.1, -51.01, 70.94

 

CMYK 35 / 0 / 74 / 25

HEX #7CBE31

RGB 124 190 49

HSL 88.09, 0.59%, 0.47%

LAB 70.41, -42.64, 60.44

 

CMYK 28 / 0 / 60 / 33

HEX #7AAA44

RGB 122 170 68

HSL 88.24, 0.43%, 0.47%

LAB 64.41, -33.01, 46.45

 

CMYK 20 / 0 / 42 / 41

HEX #799758

RGB 121 151 88

HSL 88.57, 0.26%, 0.47%

LAB 58.88, -21.89, 29.79

 

CMYK 0 / 6 / 96 / 11

HEX #E4D60A

RGB 228 214 10

HSL 56.15, 0.92%, 0.47%

LAB 84.28, -12.84, 83.27

 

CMYK 19 / 0 / 96 / 11

HEX #B9E40A

RGB 185 228 10

HSL 71.83, 0.92%, 0.47%

LAB 84.91, -37.31, 82.34

 

CMYK 44 / 0 / 96 / 11

HEX #7FE40A

RGB 127 228 10

HSL 87.8, 0.92%, 0.47%

LAB 81.85, -58.17, 78.63

 

CMYK 70 / 0 / 96 / 11

HEX #44E40A

RGB 68 228 10

HSL 104.04, 0.92%, 0.47%

LAB 80.03, -72.81, 76.41

 

CMYK 96 / 0 / 96 / 11

HEX #0AE40A

RGB 10 228 10

HSL 120, 0.92%, 0.47%

LAB 79.37, -78.69, 75.59

 

CMYK 45 / 0 / 95 / 41

HEX #529607

RGB 82 150 7

HSL 88.53, 0.91%, 0.31%

LAB 55.71, -42.38, 57.15

 

CMYK 45 / 0 / 96 / 26

HEX #68BD08

RGB 104 189 8

HSL 88.18, 0.92%, 0.39%

LAB 69.01, -50.6, 68.15

 

CMYK 45 / 0 / 96 / 11

HEX #7EE40A

RGB 126 228 10

HSL 88.07, 0.92%, 0.47%

LAB 81.81, -58.48, 78.58

 

CMYK 40 / 0 / 85 / 4

HEX #92F424

RGB 146 244 36

HSL 88.27, 0.9%, 0.55%

LAB 87.46, -57.61, 79.85

 

CMYK 33 / 0 / 70 / 4

HEX #A6F64B

RGB 166 246 75

HSL 88.07, 0.9%, 0.63%

LAB 89.17, -49.83, 70.74

 

CMYK 45 / 0 / 95 / 11

HEX #7EE40B

RGB 126 228 11

HSL 88.2, 0.91%, 0.47%

LAB 81.81, -58.47, 78.5

 

CMYK 96 / 0 / 32 / 11

HEX #0AE49C

RGB 10 228 156

HSL 160.18, 0.92%, 0.47%

LAB 80.71, -62.38, 22.49

 

CMYK 0 / 96 / 6 / 11

HEX #E40AD6

RGB 228 10 214

HSL 303.85, 0.92%, 0.47%

LAB 53.56, 87.65, -48.85

 

CMYK 45 / 0 / 95 / 11

HEX #7EE40B

RGB 126 228 11

HSL 88.2, 0.91%, 0.47%

LAB 81.81, -58.47, 78.5

 

CMYK 96 / 44 / 0 / 11

HEX #0A7FE4

RGB 10 127 228

HSL 207.8, 0.92%, 0.47%

LAB 52.78, 9.22, -59.04

 

CMYK 0 / 96 / 44 / 11

HEX #E40A7F

RGB 228 10 127

HSL 327.8, 0.92%, 0.47%

LAB 49.79, 77.97, -3.4

 

CMYK 45 / 0 / 95 / 11

HEX #7EE40B

RGB 126 228 11

HSL 88.2, 0.91%, 0.47%

LAB 81.81, -58.47, 78.5

 

CMYK 96 / 0 / 32 / 11

HEX #0AE49C

RGB 10 228 156

HSL 160.18, 0.92%, 0.47%

LAB 80.71, -62.38, 22.49

 

CMYK 51 / 96 / 0 / 11

HEX #700AE4

RGB 112 10 228

HSL 268.07, 0.92%, 0.47%

LAB 36.49, 75.05, -85.42

 

CMYK 0 / 96 / 64 / 11

HEX #E40A53

RGB 228 10 83

HSL 339.91, 0.92%, 0.47%

LAB 48.68, 74.97, 22.02

 

CMYK 45 / 0 / 95 / 11

HEX #7EE40B

RGB 126 228 11

HSL 88.2, 0.91%, 0.47%

LAB 81.81, -58.47, 78.5

 

CMYK 96 / 0 / 3 / 11

HEX #0AE4DD

RGB 10 228 221

HSL 178.07, 0.92%, 0.47%

LAB 82.26, -45.97, -9.53

 

CMYK 51 / 96 / 0 / 11

HEX #700AE4

RGB 112 10 228

HSL 268.07, 0.92%, 0.47%

LAB 36.49, 75.05, -85.42

 

CMYK 0 / 96 / 92 / 11

HEX #E40A12

RGB 228 10 18

HSL 357.8, 0.92%, 0.47%

LAB 47.95, 72.96, 56.55

 

Description

Color code: HEX #7EE40B | qconv.com Color code: HEX #7EE40B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 228 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 228 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 95 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 95% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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