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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7EDFEE it is the complementary color #812011. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7EDFEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7EDFEE shade: #83DFE9, #94F1FC, #A5FFFF, #B6FFFF and #C7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7EDFEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7EDFEE shade: #7EDFEE, #6DCDDB, #5CBBC8, #4BA9B5 and #3A97A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7EDFEE shade: #7CDEED, #7CC0ED, #7CA1ED, #7C82ED and #947CED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7EDFEE shade: #7CDEED, #7CC0ED, #7CA1ED, #7C82ED and #7C7CED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7EDFEE shade matches the following richer shades: #7CDEED and #70E7F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7EDFEE shade: #7CDEED, #88D5E2, #94CDD6, #A0C4CA and #ABBBBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7EDFEE shade: #7CEDC0, #7CEDDE, #7CDEED, #7CC0ED and #7CA2ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7EDFEE shade: #33CCE4, #57D5E9, #7CDEED, #A0E7F2 and #C5F0F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7EDFEE shade: #7EDFEE, #A27CED and #EDCF7C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7EDFEE shade: #7EDFEE, #ED7CDE and #DEED7C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7EDFEE shade: #7EDFEE, #A27CED, #ED8B7C and #C8ED7C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7EDFEE shade: #7EDFEE, #C47CED, #ED8B7C and #A5ED7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 6 / 0 / 7

HEX #7EDFEE

RGB 126 223 238

HSL 188.04, 0.77%, 0.71%

LAB 83.64, -24.73, -16.22

 

Complementary color

CMYK 0 / 75 / 87 / 49

HEX #812011

RGB 129 32 17

HSL 8.04, 0.77%, 0.29%

LAB 28.75, 40.54, 33.54

 

CMYK 44 / 4 / 0 / 9

HEX #83DFE9

RGB 131 223 233

HSL 185.88, 0.7%, 0.71%

LAB 83.7, -24.88, -13.47

 

CMYK 41 / 4 / 0 / 1

HEX #94F1FC

RGB 148 241 252

HSL 186.35, 0.95%, 0.78%

LAB 89.97, -24.91, -14

 

CMYK 35 / 0 / 0 / 0

HEX #A5FFFF

RGB 165 255 255

HSL 180, 1%, 0.82%

LAB 94.63, -26.76, -8.53

 

CMYK 29 / 0 / 0 / 0

HEX #B6FFFF

RGB 182 255 255

HSL 180, 1%, 0.86%

LAB 95.45, -22.28, -7.23

 

CMYK 22 / 0 / 0 / 0

HEX #C7FFFF

RGB 199 255 255

HSL 180, 1%, 0.89%

LAB 96.36, -17.48, -5.78

 

CMYK 47 / 6 / 0 / 7

HEX #7EDFEE

RGB 126 223 238

HSL 188.04, 0.77%, 0.71%

LAB 83.64, -24.73, -16.22

 

CMYK 50 / 6 / 0 / 14

HEX #6DCDDB

RGB 109 205 219

HSL 187.64, 0.6%, 0.64%

LAB 77.3, -24.59, -15.7

 

CMYK 54 / 7 / 0 / 22

HEX #5CBBC8

RGB 92 187 200

HSL 187.22, 0.5%, 0.57%

LAB 70.86, -24.37, -15.14

 

CMYK 59 / 7 / 0 / 29

HEX #4BA9B5

RGB 75 169 181

HSL 186.79, 0.42%, 0.5%

LAB 64.33, -24.06, -14.54

 

CMYK 64 / 7 / 0 / 36

HEX #3A97A2

RGB 58 151 162

HSL 186.35, 0.47%, 0.43%

LAB 57.7, -23.6, -13.89

 

CMYK 48 / 6 / 0 / 7

HEX #7CDEED

RGB 124 222 237

HSL 187.96, 0.76%, 0.71%

LAB 83.25, -24.95, -16.29

 

CMYK 48 / 19 / 0 / 7

HEX #7CC0ED

RGB 124 192 237

HSL 203.89, 0.76%, 0.71%

LAB 74.89, -9.57, -29

 

CMYK 48 / 32 / 0 / 7

HEX #7CA1ED

RGB 124 161 237

HSL 220.35, 0.76%, 0.71%

LAB 66.44, 7.58, -42.12

 

CMYK 48 / 45 / 0 / 7

HEX #7C82ED

RGB 124 130 237

HSL 236.81, 0.76%, 0.71%

LAB 58.38, 25.7, -54.85

 

CMYK 38 / 48 / 0 / 7

HEX #947CED

RGB 148 124 237

HSL 252.74, 0.76%, 0.71%

LAB 58.81, 34.91, -54.06

 

CMYK 48 / 6 / 0 / 7

HEX #7CDEED

RGB 124 222 237

HSL 187.96, 0.76%, 0.71%

LAB 83.25, -24.95, -16.29

 

CMYK 48 / 19 / 0 / 7

HEX #7CC0ED

RGB 124 192 237

HSL 203.89, 0.76%, 0.71%

LAB 74.89, -9.57, -29

 

CMYK 48 / 32 / 0 / 7

HEX #7CA1ED

RGB 124 161 237

HSL 220.35, 0.76%, 0.71%

LAB 66.44, 7.58, -42.12

 

CMYK 48 / 45 / 0 / 7

HEX #7C82ED

RGB 124 130 237

HSL 236.81, 0.76%, 0.71%

LAB 58.38, 25.7, -54.85

 

CMYK 48 / 48 / 0 / 7

HEX #7C7CED

RGB 124 124 237

HSL 240, 0.76%, 0.71%

LAB 56.89, 29.25, -57.23

 

CMYK 48 / 6 / 0 / 7

HEX #7CDEED

RGB 124 222 237

HSL 187.96, 0.76%, 0.71%

LAB 83.25, -24.95, -16.29

 

CMYK 55 / 7 / 0 / 2

HEX #70E7F9

RGB 112 231 249

HSL 187.88, 0.92%, 0.71%

LAB 85.72, -28.59, -18.94

 

CMYK 48 / 6 / 0 / 7

HEX #7CDEED

RGB 124 222 237

HSL 187.96, 0.76%, 0.71%

LAB 83.25, -24.95, -16.29

 

CMYK 40 / 6 / 0 / 11

HEX #88D5E2

RGB 136 213 226

HSL 188.67, 0.61%, 0.71%

LAB 80.91, -20.46, -13.9

 

CMYK 31 / 4 / 0 / 16

HEX #94CDD6

RGB 148 205 214

HSL 188.18, 0.45%, 0.71%

LAB 78.93, -16.12, -10.37

 

CMYK 21 / 3 / 0 / 21

HEX #A0C4CA

RGB 160 196 202

HSL 188.57, 0.28%, 0.71%

LAB 76.81, -10.64, -6.99

 

CMYK 10 / 2 / 0 / 25

HEX #ABBBBE

RGB 171 187 190

HSL 189.47, 0.13%, 0.71%

LAB 74.77, -4.88, -3.4

 

CMYK 48 / 0 / 19 / 7

HEX #7CEDC0

RGB 124 237 192

HSL 156.11, 0.76%, 0.71%

LAB 86.34, -42.62, 11.94

 

CMYK 48 / 0 / 6 / 7

HEX #7CEDDE

RGB 124 237 222

HSL 172.04, 0.76%, 0.71%

LAB 87.06, -35.86, -2.72

 

CMYK 48 / 6 / 0 / 7

HEX #7CDEED

RGB 124 222 237

HSL 187.96, 0.76%, 0.71%

LAB 83.25, -24.95, -16.29

 

CMYK 48 / 19 / 0 / 7

HEX #7CC0ED

RGB 124 192 237

HSL 203.89, 0.76%, 0.71%

LAB 74.89, -9.57, -29

 

CMYK 48 / 32 / 0 / 7

HEX #7CA2ED

RGB 124 162 237

HSL 219.82, 0.76%, 0.71%

LAB 66.7, 7.01, -41.7

 

CMYK 78 / 11 / 0 / 11

HEX #33CCE4

RGB 51 204 228

HSL 188.14, 0.77%, 0.55%

LAB 75.76, -30.54, -23.02

 

CMYK 63 / 9 / 0 / 9

HEX #57D5E9

RGB 87 213 233

HSL 188.22, 0.77%, 0.63%

LAB 79.33, -28.75, -20.21

 

CMYK 48 / 6 / 0 / 7

HEX #7CDEED

RGB 124 222 237

HSL 187.96, 0.76%, 0.71%

LAB 83.25, -24.95, -16.29

 

CMYK 34 / 5 / 0 / 5

HEX #A0E7F2

RGB 160 231 242

HSL 188.05, 0.76%, 0.79%

LAB 87.5, -19.37, -12.39

 

CMYK 20 / 3 / 0 / 3

HEX #C5F0F7

RGB 197 240 247

HSL 188.4, 0.76%, 0.87%

LAB 92.09, -12.29, -7.96

 

CMYK 47 / 6 / 0 / 7

HEX #7EDFEE

RGB 126 223 238

HSL 188.04, 0.77%, 0.71%

LAB 83.64, -24.73, -16.22

 

CMYK 32 / 48 / 0 / 7

HEX #A27CED

RGB 162 124 237

HSL 260.18, 0.76%, 0.71%

LAB 60.08, 38.45, -51.96

 

CMYK 0 / 13 / 48 / 7

HEX #EDCF7C

RGB 237 207 124

HSL 44.07, 0.76%, 0.71%

LAB 84.01, -0.08, 44.9

 

CMYK 47 / 6 / 0 / 7

HEX #7EDFEE

RGB 126 223 238

HSL 188.04, 0.77%, 0.71%

LAB 83.64, -24.73, -16.22

 

CMYK 0 / 48 / 6 / 7

HEX #ED7CDE

RGB 237 124 222

HSL 307.96, 0.76%, 0.71%

LAB 67.79, 56.27, -30.95

 

CMYK 6 / 0 / 48 / 7

HEX #DEED7C

RGB 222 237 124

HSL 67.96, 0.76%, 0.71%

LAB 90.58, -21.03, 52.66

 

CMYK 47 / 6 / 0 / 7

HEX #7EDFEE

RGB 126 223 238

HSL 188.04, 0.77%, 0.71%

LAB 83.64, -24.73, -16.22

 

CMYK 32 / 48 / 0 / 7

HEX #A27CED

RGB 162 124 237

HSL 260.18, 0.76%, 0.71%

LAB 60.08, 38.45, -51.96

 

CMYK 0 / 41 / 48 / 7

HEX #ED8B7C

RGB 237 139 124

HSL 7.96, 0.76%, 0.71%

LAB 67.97, 35.69, 24.17

 

CMYK 16 / 0 / 48 / 7

HEX #C8ED7C

RGB 200 237 124

HSL 79.65, 0.76%, 0.71%

LAB 89.07, -29.4, 50.48

 

CMYK 47 / 6 / 0 / 7

HEX #7EDFEE

RGB 126 223 238

HSL 188.04, 0.77%, 0.71%

LAB 83.64, -24.73, -16.22

 

CMYK 17 / 48 / 0 / 7

HEX #C47CED

RGB 196 124 237

HSL 278.23, 0.76%, 0.71%

LAB 63.56, 47.5, -46.23

 

CMYK 0 / 41 / 48 / 7

HEX #ED8B7C

RGB 237 139 124

HSL 7.96, 0.76%, 0.71%

LAB 67.97, 35.69, 24.17

 

CMYK 30 / 0 / 48 / 7

HEX #A5ED7C

RGB 165 237 124

HSL 98.23, 0.76%, 0.71%

LAB 87.01, -41.89, 47.49

 

Description

Color code: HEX #7EDFEE | qconv.com Color code: HEX #7EDFEE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 223 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 223 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 6 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 6% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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