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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7EC21A it is the complementary color #813DE5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7EC21A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7EC21A shade: #83C215, #94D428, #A5E63B, #B6F84E and #C7FF61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7EC21A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7EC21A shade: #7EC21A, #6DB007, #5C9E00, #4B8C00 and #3A7A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7EC21A shade: #7DC01A, #AAC01A, #C0AA1A, #C07D1A and #C0501A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7EC21A shade: #7DC01A, #50C01A, #23C01A, #1AC03D and #1AC06A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7EC21A shade matches the following richer shades: #7DC01A and #80D208

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7EC21A shade: #7DC01A, #7AAF2C, #769D3D, #738B4F and #707A61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7EC21A shade: #C0AA1A, #AAC01A, #7EC01A, #51C01A and #25C01A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7EC21A shade: #4E7810, #659C15, #7DC01A, #94E123 and #A5E647

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7EC21A shade: #7EC21A, #1AC07E and #C01AC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7EC21A shade: #7EC21A, #1A7EC0 and #C01A7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7EC21A shade: #7EC21A, #1AC07E, #5C1AC0 and #C01A5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7EC21A shade: #7EC21A, #1AC0B0, #5C1AC0 and #C01A2A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 87 / 24

HEX #7EC21A

RGB 126 194 26

HSL 84.29, 0.76%, 0.43%

LAB 71.62, -44.65, 67.95

 

Complementary color

CMYK 44 / 73 / 0 / 10

HEX #813DE5

RGB 129 61 229

HSL 264.29, 0.76%, 0.57%

LAB 43.74, 62.26, -73.98

 

CMYK 32 / 0 / 89 / 24

HEX #83C215

RGB 131 194 21

HSL 81.85, 0.8%, 0.42%

LAB 71.87, -42.96, 69.22

 

CMYK 30 / 0 / 81 / 17

HEX #94D428

RGB 148 212 40

HSL 82.33, 0.68%, 0.49%

LAB 78.19, -43.76, 70.87

 

CMYK 28 / 0 / 74 / 10

HEX #A5E63B

RGB 165 230 59

HSL 82.81, 0.77%, 0.57%

LAB 84.44, -44.37, 71.47

 

CMYK 27 / 0 / 69 / 3

HEX #B6F84E

RGB 182 248 78

HSL 83.29, 0.92%, 0.64%

LAB 90.61, -44.82, 71.4

 

CMYK 22 / 0 / 62 / 0

HEX #C7FF61

RGB 199 255 97

HSL 81.27, 1%, 0.69%

LAB 93.68, -40.36, 67.65

 

CMYK 35 / 0 / 87 / 24

HEX #7EC21A

RGB 126 194 26

HSL 84.29, 0.76%, 0.43%

LAB 71.62, -44.65, 67.95

 

CMYK 38 / 0 / 96 / 31

HEX #6DB007

RGB 109 176 7

HSL 83.79, 0.92%, 0.36%

LAB 65.21, -43.67, 65.33

 

CMYK 42 / 0 / 100 / 38

HEX #5C9E00

RGB 92 158 0

HSL 85.06, 1%, 0.31%

LAB 58.72, -42.37, 60.82

 

CMYK 46 / 0 / 100 / 45

HEX #4B8C00

RGB 75 140 0

HSL 87.86, 1%, 0.27%

LAB 52.12, -40.86, 55.33

 

CMYK 52 / 0 / 100 / 52

HEX #3A7A00

RGB 58 122 0

HSL 91.48, 1%, 0.24%

LAB 45.38, -39.22, 49.75

 

CMYK 35 / 0 / 86 / 25

HEX #7DC01A

RGB 125 192 26

HSL 84.22, 0.76%, 0.43%

LAB 70.96, -44.17, 67.37

 

CMYK 11 / 0 / 86 / 25

HEX #AAC01A

RGB 170 192 26

HSL 67.95, 0.76%, 0.43%

LAB 73.75, -26.4, 70.84

 

CMYK 0 / 11 / 86 / 25

HEX #C0AA1A

RGB 192 170 26

HSL 52.05, 0.76%, 0.43%

LAB 69.49, -5.73, 68.08

 

CMYK 0 / 35 / 86 / 25

HEX #C07D1A

RGB 192 125 26

HSL 35.78, 0.76%, 0.43%

LAB 57.99, 18.69, 58.71

 

CMYK 0 / 58 / 86 / 25

HEX #C0501A

RGB 192 80 26

HSL 19.52, 0.76%, 0.43%

LAB 48.28, 42.39, 50.73

 

CMYK 35 / 0 / 86 / 25

HEX #7DC01A

RGB 125 192 26

HSL 84.22, 0.76%, 0.43%

LAB 70.96, -44.17, 67.37

 

CMYK 58 / 0 / 86 / 25

HEX #50C01A

RGB 80 192 26

HSL 100.48, 0.76%, 0.43%

LAB 69.1, -58.21, 65.03

 

CMYK 82 / 0 / 86 / 25

HEX #23C01A

RGB 35 192 26

HSL 116.75, 0.76%, 0.43%

LAB 68.12, -66.53, 63.79

 

CMYK 86 / 0 / 68 / 25

HEX #1AC03D

RGB 26 192 61

HSL 132.65, 0.76%, 0.43%

LAB 68.21, -64.99, 52.78

 

CMYK 86 / 0 / 45 / 25

HEX #1AC06A

RGB 26 192 106

HSL 148.92, 0.76%, 0.43%

LAB 68.72, -58.76, 32.38

 

CMYK 35 / 0 / 86 / 25

HEX #7DC01A

RGB 125 192 26

HSL 84.22, 0.76%, 0.43%

LAB 70.96, -44.17, 67.37

 

CMYK 39 / 0 / 96 / 18

HEX #80D208

RGB 128 210 8

HSL 84.36, 0.93%, 0.43%

LAB 76.5, -50.89, 74.58

 

CMYK 35 / 0 / 86 / 25

HEX #7DC01A

RGB 125 192 26

HSL 84.22, 0.76%, 0.43%

LAB 70.96, -44.17, 67.37

 

CMYK 30 / 0 / 75 / 31

HEX #7AAF2C

RGB 122 175 44

HSL 84.27, 0.6%, 0.43%

LAB 65.73, -37.1, 57.57

 

CMYK 25 / 0 / 61 / 38

HEX #769D3D

RGB 118 157 61

HSL 84.38, 0.44%, 0.43%

LAB 60.16, -29.06, 44.83

 

CMYK 17 / 0 / 43 / 45

HEX #738B4F

RGB 115 139 79

HSL 84, 0.28%, 0.43%

LAB 54.74, -19.29, 29.26

 

CMYK 8 / 0 / 20 / 52

HEX #707A61

RGB 112 122 97

HSL 84, 0.11%, 0.43%

LAB 49.77, -8.57, 12.46

 

CMYK 0 / 11 / 86 / 25

HEX #C0AA1A

RGB 192 170 26

HSL 52.05, 0.76%, 0.43%

LAB 69.49, -5.73, 68.08

 

CMYK 11 / 0 / 86 / 25

HEX #AAC01A

RGB 170 192 26

HSL 67.95, 0.76%, 0.43%

LAB 73.75, -26.4, 70.84

 

CMYK 34 / 0 / 86 / 25

HEX #7EC01A

RGB 126 192 26

HSL 83.86, 0.76%, 0.43%

LAB 71.02, -43.8, 67.44

 

CMYK 58 / 0 / 86 / 25

HEX #51C01A

RGB 81 192 26

HSL 100.12, 0.76%, 0.43%

LAB 69.13, -57.95, 65.07

 

CMYK 81 / 0 / 86 / 25

HEX #25C01A

RGB 37 192 26

HSL 116.02, 0.76%, 0.43%

LAB 68.14, -66.29, 63.82

 

CMYK 35 / 0 / 87 / 53

HEX #4E7810

RGB 78 120 16

HSL 84.23, 0.76%, 0.27%

LAB 45.76, -30.53, 46.9

 

CMYK 35 / 0 / 87 / 39

HEX #659C15

RGB 101 156 21

HSL 84.44, 0.76%, 0.35%

LAB 58.6, -37.7, 57.35

 

CMYK 35 / 0 / 86 / 25

HEX #7DC01A

RGB 125 192 26

HSL 84.22, 0.76%, 0.43%

LAB 70.96, -44.17, 67.37

 

CMYK 34 / 0 / 84 / 12

HEX #94E123

RGB 148 225 35

HSL 84.32, 0.76%, 0.51%

LAB 81.98, -49.4, 75.38

 

CMYK 28 / 0 / 69 / 10

HEX #A5E647

RGB 165 230 71

HSL 84.53, 0.76%, 0.59%

LAB 84.51, -43.67, 67.43

 

CMYK 35 / 0 / 87 / 24

HEX #7EC21A

RGB 126 194 26

HSL 84.29, 0.76%, 0.43%

LAB 71.62, -44.65, 67.95

 

CMYK 86 / 0 / 34 / 25

HEX #1AC07E

RGB 26 192 126

HSL 156.14, 0.76%, 0.43%

LAB 69.06, -54.86, 22.36

 

CMYK 0 / 86 / 0 / 25

HEX #C01AC0

RGB 192 26 192

HSL 300, 0.76%, 0.43%

LAB 46.65, 76.43, -47.56

 

CMYK 35 / 0 / 87 / 24

HEX #7EC21A

RGB 126 194 26

HSL 84.29, 0.76%, 0.43%

LAB 71.62, -44.65, 67.95

 

CMYK 86 / 34 / 0 / 25

HEX #1A7EC0

RGB 26 126 192

HSL 203.86, 0.76%, 0.43%

LAB 50.63, -3.27, -42.07

 

CMYK 0 / 86 / 34 / 25

HEX #C01A7E

RGB 192 26 126

HSL 323.86, 0.76%, 0.43%

LAB 43.44, 67.86, -13.03

 

CMYK 35 / 0 / 87 / 24

HEX #7EC21A

RGB 126 194 26

HSL 84.29, 0.76%, 0.43%

LAB 71.62, -44.65, 67.95

 

CMYK 86 / 0 / 34 / 25

HEX #1AC07E

RGB 26 192 126

HSL 156.14, 0.76%, 0.43%

LAB 69.06, -54.86, 22.36

 

CMYK 52 / 86 / 0 / 25

HEX #5C1AC0

RGB 92 26 192

HSL 263.86, 0.76%, 0.43%

LAB 31.39, 61.63, -73.03

 

CMYK 0 / 86 / 52 / 25

HEX #C01A5C

RGB 192 26 92

HSL 336.14, 0.76%, 0.43%

LAB 42.34, 64.76, 6.55

 

CMYK 35 / 0 / 87 / 24

HEX #7EC21A

RGB 126 194 26

HSL 84.29, 0.76%, 0.43%

LAB 71.62, -44.65, 67.95

 

CMYK 86 / 0 / 8 / 25

HEX #1AC0B0

RGB 26 192 176

HSL 174.22, 0.76%, 0.43%

LAB 70.21, -42.47, -3.11

 

CMYK 52 / 86 / 0 / 25

HEX #5C1AC0

RGB 92 26 192

HSL 263.86, 0.76%, 0.43%

LAB 31.39, 61.63, -73.03

 

CMYK 0 / 86 / 78 / 25

HEX #C01A2A

RGB 192 26 42

HSL 354.22, 0.76%, 0.43%

LAB 41.39, 62.03, 36.34

 

Description

Color code: HEX #7EC21A | qconv.com Color code: HEX #7EC21A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 194 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 194 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 87 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 87% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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