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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7EB60B it is the complementary color #8149F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7EB60B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7EB60B shade: #83B606, #94C819, #A5DA2C, #B6EC3F and #C7FE52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7EB60B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7EB60B shade: #7EB60B, #6DA400, #5C9200, #4B8000 and #3A6E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7EB60B shade: #7EB70A, #ADB70A, #B7920A, #B7640A and #B7350A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7EB60B shade: #7EB70A, #50B70A, #21B70A, #0AB722 and #0AB750

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7EB60B shade matches the following richer shades: #7EB70A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7EB60B shade: #7EB70A, #79A71A, #73972A, #6E8839 and #697849

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7EB60B shade: #B7910A, #AEB70A, #80B70A, #52B70A and #24B70A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7EB60B shade: #486906, #639008, #7EB70A, #99DE0C and #AEF222

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7EB60B shade: #7EB60B, #0AB763 and #A80AB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7EB60B shade: #7EB60B, #0A80B7 and #B70A80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7EB60B shade: #7EB60B, #0AB763, #410AB7 and #B70A5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7EB60B shade: #7EB60B, #0AB797, #410AB7 and #B70A2A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 94 / 29

HEX #7EB60B

RGB 126 182 11

HSL 79.65, 0.89%, 0.38%

LAB 67.96, -39.86, 67.41

 

Complementary color

CMYK 47 / 70 / 0 / 4

HEX #8149F4

RGB 129 73 244

HSL 259.65, 0.89%, 0.62%

LAB 46.93, 60.52, -77.24

 

CMYK 28 / 0 / 97 / 29

HEX #83B606

RGB 131 182 6

HSL 77.39, 0.94%, 0.37%

LAB 68.24, -38.01, 68.35

 

CMYK 26 / 0 / 88 / 22

HEX #94C819

RGB 148 200 25

HSL 77.83, 0.78%, 0.44%

LAB 74.62, -39.03, 71.17

 

CMYK 24 / 0 / 80 / 15

HEX #A5DA2C

RGB 165 218 44

HSL 78.28, 0.7%, 0.51%

LAB 80.92, -39.83, 72.62

 

CMYK 23 / 0 / 73 / 7

HEX #B6EC3F

RGB 182 236 63

HSL 78.73, 0.82%, 0.59%

LAB 87.14, -40.45, 73.12

 

CMYK 22 / 0 / 68 / 0

HEX #C7FE52

RGB 199 254 82

HSL 79.19, 0.99%, 0.66%

LAB 93.29, -40.94, 73

 

CMYK 31 / 0 / 94 / 29

HEX #7EB60B

RGB 126 182 11

HSL 79.65, 0.89%, 0.38%

LAB 67.96, -39.86, 67.41

 

CMYK 34 / 0 / 100 / 36

HEX #6DA400

RGB 109 164 0

HSL 80.12, 1%, 0.32%

LAB 61.48, -38.67, 63.33

 

CMYK 37 / 0 / 100 / 43

HEX #5C9200

RGB 92 146 0

HSL 82.19, 1%, 0.29%

LAB 54.9, -37.26, 57.86

 

CMYK 41 / 0 / 100 / 50

HEX #4B8000

RGB 75 128 0

HSL 84.84, 1%, 0.25%

LAB 48.18, -35.8, 52.26

 

CMYK 47 / 0 / 100 / 57

HEX #3A6E00

RGB 58 110 0

HSL 88.36, 1%, 0.22%

LAB 41.3, -34.24, 46.55

 

CMYK 31 / 0 / 95 / 28

HEX #7EB70A

RGB 126 183 10

HSL 79.77, 0.9%, 0.38%

LAB 68.26, -40.32, 67.77

 

CMYK 5 / 0 / 95 / 28

HEX #ADB70A

RGB 173 183 10

HSL 63.47, 0.9%, 0.38%

LAB 71.4, -21.02, 71.58

 

CMYK 0 / 20 / 95 / 28

HEX #B7920A

RGB 183 146 10

HSL 47.17, 0.9%, 0.38%

LAB 62.21, 2.8, 65.04

 

CMYK 0 / 45 / 95 / 28

HEX #B7640A

RGB 183 100 10

HSL 31.21, 0.9%, 0.38%

LAB 50.92, 28.18, 56.91

 

CMYK 0 / 71 / 95 / 28

HEX #B7350A

RGB 183 53 10

HSL 14.91, 0.9%, 0.38%

LAB 42.21, 50.68, 51.1

 

CMYK 31 / 0 / 95 / 28

HEX #7EB70A

RGB 126 183 10

HSL 79.77, 0.9%, 0.38%

LAB 68.26, -40.32, 67.77

 

CMYK 56 / 0 / 95 / 28

HEX #50B70A

RGB 80 183 10

HSL 95.72, 0.9%, 0.38%

LAB 66.21, -55.49, 65.26

 

CMYK 82 / 0 / 95 / 28

HEX #21B70A

RGB 33 183 10

HSL 112.02, 0.9%, 0.38%

LAB 65.13, -64.63, 63.93

 

CMYK 95 / 0 / 81 / 28

HEX #0AB722

RGB 10 183 34

HSL 128.32, 0.9%, 0.38%

LAB 65, -65.52, 58.89

 

CMYK 95 / 0 / 56 / 28

HEX #0AB750

RGB 10 183 80

HSL 144.28, 0.9%, 0.38%

LAB 65.37, -60.91, 41.11

 

CMYK 31 / 0 / 95 / 28

HEX #7EB70A

RGB 126 183 10

HSL 79.77, 0.9%, 0.38%

LAB 68.26, -40.32, 67.77

 

CMYK 31 / 0 / 95 / 28

HEX #7EB70A

RGB 126 183 10

HSL 79.77, 0.9%, 0.38%

LAB 68.26, -40.32, 67.77

 

CMYK 28 / 0 / 84 / 35

HEX #79A71A

RGB 121 167 26

HSL 79.57, 0.73%, 0.38%

LAB 63.16, -34.71, 60.55

 

CMYK 24 / 0 / 72 / 41

HEX #73972A

RGB 115 151 42

HSL 79.82, 0.56%, 0.38%

LAB 57.99, -28.85, 50.53

 

CMYK 19 / 0 / 58 / 47

HEX #6E8839

RGB 110 136 57

HSL 79.75, 0.41%, 0.38%

LAB 53.19, -22.3, 38.7

 

CMYK 13 / 0 / 39 / 53

HEX #697849

RGB 105 120 73

HSL 79.15, 0.24%, 0.38%

LAB 48.16, -14.09, 24

 

CMYK 0 / 21 / 95 / 28

HEX #B7910A

RGB 183 145 10

HSL 46.82, 0.9%, 0.38%

LAB 61.95, 3.35, 64.85

 

CMYK 5 / 0 / 95 / 28

HEX #AEB70A

RGB 174 183 10

HSL 63.12, 0.9%, 0.38%

LAB 71.48, -20.59, 71.67

 

CMYK 30 / 0 / 95 / 28

HEX #80B70A

RGB 128 183 10

HSL 79.08, 0.9%, 0.38%

LAB 68.37, -39.55, 67.91

 

CMYK 55 / 0 / 95 / 28

HEX #52B70A

RGB 82 183 10

HSL 95.03, 0.9%, 0.38%

LAB 66.28, -54.94, 65.35

 

CMYK 80 / 0 / 95 / 28

HEX #24B70A

RGB 36 183 10

HSL 110.98, 0.9%, 0.38%

LAB 65.17, -64.26, 63.98

 

CMYK 31 / 0 / 94 / 59

HEX #486906

RGB 72 105 6

HSL 80, 0.89%, 0.22%

LAB 40.4, -26.22, 44.63

 

CMYK 31 / 0 / 94 / 44

HEX #639008

RGB 99 144 8

HSL 79.85, 0.89%, 0.3%

LAB 54.68, -33.46, 56.52

 

CMYK 31 / 0 / 95 / 28

HEX #7EB70A

RGB 126 183 10

HSL 79.77, 0.9%, 0.38%

LAB 68.26, -40.32, 67.77

 

CMYK 31 / 0 / 95 / 13

HEX #99DE0C

RGB 153 222 12

HSL 79.71, 0.9%, 0.46%

LAB 81.31, -46.89, 78.55

 

CMYK 28 / 0 / 86 / 5

HEX #AEF222

RGB 174 242 34

HSL 79.62, 0.89%, 0.54%

LAB 88.27, -47.15, 81.48

 

CMYK 31 / 0 / 94 / 29

HEX #7EB60B

RGB 126 182 11

HSL 79.65, 0.89%, 0.38%

LAB 67.96, -39.86, 67.41

 

CMYK 95 / 0 / 46 / 28

HEX #0AB763

RGB 10 183 99

HSL 150.87, 0.9%, 0.38%

LAB 65.62, -57.86, 31.96

 

CMYK 8 / 95 / 0 / 28

HEX #A80AB7

RGB 168 10 183

HSL 294.8, 0.9%, 0.38%

LAB 41.15, 73.17, -51.31

 

CMYK 31 / 0 / 94 / 29

HEX #7EB60B

RGB 126 182 11

HSL 79.65, 0.89%, 0.38%

LAB 67.96, -39.86, 67.41

 

CMYK 95 / 30 / 0 / 28

HEX #0A80B7

RGB 10 128 183

HSL 199.08, 0.9%, 0.38%

LAB 50.6, -8.74, -36.96

 

CMYK 0 / 95 / 30 / 28

HEX #B70A80

RGB 183 10 128

HSL 319.08, 0.9%, 0.38%

LAB 40.97, 68.43, -18.19

 

CMYK 31 / 0 / 94 / 29

HEX #7EB60B

RGB 126 182 11

HSL 79.65, 0.89%, 0.38%

LAB 67.96, -39.86, 67.41

 

CMYK 95 / 0 / 46 / 28

HEX #0AB763

RGB 10 183 99

HSL 150.87, 0.9%, 0.38%

LAB 65.62, -57.86, 31.96

 

CMYK 64 / 95 / 0 / 28

HEX #410AB7

RGB 65 10 183

HSL 259.08, 0.9%, 0.38%

LAB 26.04, 61.24, -76.66

 

CMYK 0 / 95 / 49 / 28

HEX #B70A5E

RGB 183 10 94

HSL 330.87, 0.9%, 0.38%

LAB 39.74, 65.15, 1.31

 

CMYK 31 / 0 / 94 / 29

HEX #7EB60B

RGB 126 182 11

HSL 79.65, 0.89%, 0.38%

LAB 67.96, -39.86, 67.41

 

CMYK 95 / 0 / 17 / 28

HEX #0AB797

RGB 10 183 151

HSL 168.9, 0.9%, 0.38%

LAB 66.65, -46.27, 5.4

 

CMYK 64 / 95 / 0 / 28

HEX #410AB7

RGB 65 10 183

HSL 259.08, 0.9%, 0.38%

LAB 26.04, 61.24, -76.66

 

CMYK 0 / 95 / 77 / 28

HEX #B70A2A

RGB 183 10 42

HSL 348.9, 0.9%, 0.38%

LAB 38.64, 62.15, 32.81

 

Description

Color code: HEX #7EB60B | qconv.com Color code: HEX #7EB60B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 182 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 182 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 94 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 94% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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