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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7EAFE0 it is the complementary color #81501F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7EAFE0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7EAFE0 shade: #83AFDB, #94C1EE, #A5D3FF, #B6E5FF and #C7F7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7EAFE0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7EAFE0 shade: #7EAFE0, #6D9DCD, #5C8BBA, #4B79A7 and #3A6794

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7EAFE0 shade: #7FAFE0, #7F95E0, #837FE0, #9D7FE0 and #B77FE0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7EAFE0 shade: #7FAFE0, #7F95E0 and #7F7FE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7EAFE0 shade matches the following richer shades: #7FAFE0, #72AFEC and #66AFF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7EAFE0 shade: #7FAFE0, #8CAFD3, #99AFC6, #A6AFB9 and #B2AFAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7EAFE0 shade: #7FE0DC, #7FC9E0, #7FAFE0, #7F96E0 and #827FE0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7EAFE0 shade: #3D86D0, #5E9BD8, #7FAFE0, #A0C4E8 and #C2D9F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7EAFE0 shade: #7EAFE0, #C37FE0 and #D6E07F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7EAFE0 shade: #7EAFE0, #E07FAF and #AFE07F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7EAFE0 shade: #7EAFE0, #C37FE0, #E0AF7F and #9CE07F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7EAFE0 shade: #7EAFE0, #E07FE0, #E0AF7F and #7FE07F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 22 / 0 / 12

HEX #7EAFE0

RGB 126 175 224

HSL 210, 0.61%, 0.69%

LAB 69.81, -3.51, -29.75

 

Complementary color

CMYK 0 / 38 / 76 / 49

HEX #81501F

RGB 129 80 31

HSL 30, 0.61%, 0.31%

LAB 38.73, 16.1, 36.17

 

CMYK 40 / 20 / 0 / 14

HEX #83AFDB

RGB 131 175 219

HSL 210, 0.55%, 0.69%

LAB 69.89, -3.59, -26.85

 

CMYK 38 / 19 / 0 / 7

HEX #94C1EE

RGB 148 193 238

HSL 210, 0.73%, 0.76%

LAB 76.44, -3.87, -27.05

 

CMYK 35 / 17 / 0 / 0

HEX #A5D3FF

RGB 165 211 255

HSL 209.33, 1%, 0.82%

LAB 82.81, -4.61, -26.31

 

CMYK 29 / 10 / 0 / 0

HEX #B6E5FF

RGB 182 229 255

HSL 201.37, 1%, 0.86%

LAB 88.54, -9.29, -17.53

 

CMYK 22 / 3 / 0 / 0

HEX #C7F7FF

RGB 199 247 255

HSL 188.57, 1%, 0.89%

LAB 94.26, -13.51, -8.88

 

CMYK 44 / 22 / 0 / 12

HEX #7EAFE0

RGB 126 175 224

HSL 210, 0.61%, 0.69%

LAB 69.81, -3.51, -29.75

 

CMYK 47 / 23 / 0 / 20

HEX #6D9DCD

RGB 109 157 205

HSL 210, 0.49%, 0.62%

LAB 63.15, -3.1, -29.6

 

CMYK 51 / 25 / 0 / 27

HEX #5C8BBA

RGB 92 139 186

HSL 210, 0.41%, 0.55%

LAB 56.37, -2.61, -29.47

 

CMYK 55 / 28 / 0 / 35

HEX #4B79A7

RGB 75 121 167

HSL 210, 0.38%, 0.47%

LAB 49.45, -1.98, -29.37

 

CMYK 61 / 30 / 0 / 42

HEX #3A6794

RGB 58 103 148

HSL 210, 0.44%, 0.4%

LAB 42.37, -1.16, -29.29

 

CMYK 43 / 22 / 0 / 12

HEX #7FAFE0

RGB 127 175 224

HSL 210.31, 0.61%, 0.69%

LAB 69.86, -3.26, -29.66

 

CMYK 43 / 33 / 0 / 12

HEX #7F95E0

RGB 127 149 224

HSL 226.39, 0.61%, 0.69%

LAB 62.83, 11.46, -40.58

 

CMYK 42 / 43 / 0 / 12

HEX #837FE0

RGB 131 127 224

HSL 242.47, 0.61%, 0.69%

LAB 57.45, 25.36, -49.06

 

CMYK 30 / 43 / 0 / 12

HEX #9D7FE0

RGB 157 127 224

HSL 258.56, 0.61%, 0.69%

LAB 59.64, 32.16, -45.45

 

CMYK 18 / 43 / 0 / 12

HEX #B77FE0

RGB 183 127 224

HSL 274.64, 0.61%, 0.69%

LAB 62.19, 39.44, -41.26

 

CMYK 43 / 22 / 0 / 12

HEX #7FAFE0

RGB 127 175 224

HSL 210.31, 0.61%, 0.69%

LAB 69.86, -3.26, -29.66

 

CMYK 43 / 33 / 0 / 12

HEX #7F95E0

RGB 127 149 224

HSL 226.39, 0.61%, 0.69%

LAB 62.83, 11.46, -40.58

 

CMYK 43 / 43 / 0 / 12

HEX #7F7FE0

RGB 127 127 224

HSL 240, 0.61%, 0.69%

LAB 57.15, 24.38, -49.56

 

CMYK 43 / 22 / 0 / 12

HEX #7FAFE0

RGB 127 175 224

HSL 210.31, 0.61%, 0.69%

LAB 69.86, -3.26, -29.66

 

CMYK 52 / 26 / 0 / 7

HEX #72AFEC

RGB 114 175 236

HSL 210, 0.76%, 0.69%

LAB 69.68, -2.88, -36.55

 

CMYK 59 / 30 / 0 / 2

HEX #66AFF9

RGB 102 175 249

HSL 210.2, 0.92%, 0.69%

LAB 69.7, -1.35, -43.63

 

CMYK 43 / 22 / 0 / 12

HEX #7FAFE0

RGB 127 175 224

HSL 210.31, 0.61%, 0.69%

LAB 69.86, -3.26, -29.66

 

CMYK 34 / 17 / 0 / 17

HEX #8CAFD3

RGB 140 175 211

HSL 210.42, 0.45%, 0.69%

LAB 70.13, -3.23, -22.06

 

CMYK 23 / 12 / 0 / 22

HEX #99AFC6

RGB 153 175 198

HSL 210.67, 0.28%, 0.69%

LAB 70.53, -2.52, -14.23

 

CMYK 10 / 5 / 0 / 27

HEX #A6AFB9

RGB 166 175 185

HSL 211.58, 0.12%, 0.69%

LAB 71.06, -1.13, -6.19

 

CMYK 0 / 2 / 3 / 30

HEX #B2AFAD

RGB 178 175 173

HSL 24, 0.03%, 0.69%

LAB 71.65, 0.7, 1.39

 

CMYK 43 / 0 / 2 / 12

HEX #7FE0DC

RGB 127 224 220

HSL 177.53, 0.61%, 0.69%

LAB 83.44, -29.54, -6.99

 

CMYK 43 / 10 / 0 / 12

HEX #7FC9E0

RGB 127 201 224

HSL 194.23, 0.61%, 0.69%

LAB 77.08, -17.1, -18.64

 

CMYK 43 / 22 / 0 / 12

HEX #7FAFE0

RGB 127 175 224

HSL 210.31, 0.61%, 0.69%

LAB 69.86, -3.26, -29.66

 

CMYK 43 / 33 / 0 / 12

HEX #7F96E0

RGB 127 150 224

HSL 225.77, 0.61%, 0.69%

LAB 63.1, 10.88, -40.17

 

CMYK 42 / 43 / 0 / 12

HEX #827FE0

RGB 130 127 224

HSL 241.86, 0.61%, 0.69%

LAB 57.37, 25.11, -49.19

 

CMYK 71 / 36 / 0 / 18

HEX #3D86D0

RGB 61 134 208

HSL 210.2, 0.61%, 0.53%

LAB 54.65, 1.68, -44.74

 

CMYK 56 / 28 / 0 / 15

HEX #5E9BD8

RGB 94 155 216

HSL 210, 0.61%, 0.61%

LAB 62.32, -2.03, -37.08

 

CMYK 43 / 22 / 0 / 12

HEX #7FAFE0

RGB 127 175 224

HSL 210.31, 0.61%, 0.69%

LAB 69.86, -3.26, -29.66

 

CMYK 31 / 16 / 0 / 9

HEX #A0C4E8

RGB 160 196 232

HSL 210, 0.61%, 0.77%

LAB 77.74, -3.69, -21.77

 

CMYK 19 / 10 / 0 / 6

HEX #C2D9F0

RGB 194 217 240

HSL 210, 0.61%, 0.85%

LAB 85.7, -2.89, -13.83

 

CMYK 44 / 22 / 0 / 12

HEX #7EAFE0

RGB 126 175 224

HSL 210, 0.61%, 0.69%

LAB 69.81, -3.51, -29.75

 

CMYK 13 / 43 / 0 / 12

HEX #C37FE0

RGB 195 127 224

HSL 282.06, 0.61%, 0.69%

LAB 63.48, 42.89, -39.15

 

CMYK 4 / 0 / 43 / 12

HEX #D6E07F

RGB 214 224 127

HSL 66.19, 0.61%, 0.69%

LAB 86.57, -17.5, 46.2

 

CMYK 44 / 22 / 0 / 12

HEX #7EAFE0

RGB 126 175 224

HSL 210, 0.61%, 0.69%

LAB 69.81, -3.51, -29.75

 

CMYK 0 / 43 / 22 / 12

HEX #E07FAF

RGB 224 127 175

HSL 330.31, 0.61%, 0.69%

LAB 65.06, 43.37, -8.9

 

CMYK 22 / 0 / 43 / 12

HEX #AFE07F

RGB 175 224 127

HSL 90.31, 0.61%, 0.69%

LAB 83.94, -32.16, 42.34

 

CMYK 44 / 22 / 0 / 12

HEX #7EAFE0

RGB 126 175 224

HSL 210, 0.61%, 0.69%

LAB 69.81, -3.51, -29.75

 

CMYK 13 / 43 / 0 / 12

HEX #C37FE0

RGB 195 127 224

HSL 282.06, 0.61%, 0.69%

LAB 63.48, 42.89, -39.15

 

CMYK 0 / 22 / 43 / 12

HEX #E0AF7F

RGB 224 175 127

HSL 29.69, 0.61%, 0.69%

LAB 74.85, 11.77, 31.42

 

CMYK 30 / 0 / 43 / 12

HEX #9CE07F

RGB 156 224 127

HSL 102.06, 0.61%, 0.69%

LAB 82.87, -38.78, 40.75

 

CMYK 44 / 22 / 0 / 12

HEX #7EAFE0

RGB 126 175 224

HSL 210, 0.61%, 0.69%

LAB 69.81, -3.51, -29.75

 

CMYK 0 / 43 / 0 / 12

HEX #E07FE0

RGB 224 127 224

HSL 300, 0.61%, 0.69%

LAB 66.83, 51.35, -33.68

 

CMYK 0 / 22 / 43 / 12

HEX #E0AF7F

RGB 224 175 127

HSL 29.69, 0.61%, 0.69%

LAB 74.85, 11.77, 31.42

 

CMYK 43 / 0 / 43 / 12

HEX #7FE07F

RGB 127 224 127

HSL 120, 0.61%, 0.69%

LAB 81.49, -47.9, 38.71

 

Description

Color code: HEX #7EAFE0 | qconv.com Color code: HEX #7EAFE0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 175 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 175 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 22 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 22% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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