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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E9C22 it is the complementary color #8163DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E9C22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E9C22 shade: #839C1D, #94AE30, #A5C043, #B6D256 and #C7E469

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E9C22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E9C22 shade: #7E9C22, #6D8A0F, #5C7800, #4B6600 and #3A5400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E9C22 shade: #7D9A21, #9A9721, #9A7721, #9A5621 and #9A3621

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E9C22 shade: #7D9A21, #5C9A21, #3B9A21, #219A28 and #219A49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E9C22 shade matches the following richer shades: #7D9A21, #84A912 and #8CB903

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E9C22 shade: #7D9A21, #758B31, #6D7C40, #656C4F and #5E5D5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E9C22 shade: #9A7621, #9A9621, #7E9A21, #5E9A21 and #3E9A21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E9C22 shade: #465713, #61781A, #7D9A21, #98BC29 and #AED43B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E9C22 shade: #7E9C22, #219A56 and #86219A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E9C22 shade: #7E9C22, #217E9A and #9A217E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E9C22 shade: #7E9C22, #219A56, #3E219A and #9A2166

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E9C22 shade: #7E9C22, #219A7A, #3E219A and #9A2142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 78 / 39

HEX #7E9C22

RGB 126 156 34

HSL 74.75, 0.64%, 0.37%

LAB 60.18, -27.16, 55.73

 

Complementary color

CMYK 42 / 55 / 0 / 13

HEX #8163DD

RGB 129 99 221

HSL 254.75, 0.64%, 0.63%

LAB 50.47, 40.42, -58.54

 

CMYK 16 / 0 / 81 / 39

HEX #839C1D

RGB 131 156 29

HSL 71.81, 0.69%, 0.36%

LAB 60.51, -25.26, 57.67

 

CMYK 15 / 0 / 72 / 32

HEX #94AE30

RGB 148 174 48

HSL 72.38, 0.57%, 0.44%

LAB 67.11, -26.02, 58.07

 

CMYK 14 / 0 / 65 / 25

HEX #A5C043

RGB 165 192 67

HSL 72.96, 0.5%, 0.51%

LAB 73.61, -26.59, 57.71

 

CMYK 13 / 0 / 59 / 18

HEX #B6D256

RGB 182 210 86

HSL 73.55, 0.58%, 0.58%

LAB 80.02, -27.02, 56.95

 

CMYK 13 / 0 / 54 / 11

HEX #C7E469

RGB 199 228 105

HSL 74.15, 0.69%, 0.65%

LAB 86.33, -27.35, 55.99

 

CMYK 19 / 0 / 78 / 39

HEX #7E9C22

RGB 126 156 34

HSL 74.75, 0.64%, 0.37%

LAB 60.18, -27.16, 55.73

 

CMYK 21 / 0 / 89 / 46

HEX #6D8A0F

RGB 109 138 15

HSL 74.15, 0.8%, 0.3%

LAB 53.45, -26.3, 54.51

 

CMYK 23 / 0 / 100 / 53

HEX #5C7800

RGB 92 120 0

HSL 74, 1%, 0.24%

LAB 46.59, -25.16, 51.49

 

CMYK 26 / 0 / 100 / 60

HEX #4B6600

RGB 75 102 0

HSL 75.88, 1%, 0.2%

LAB 39.58, -23.65, 45.65

 

CMYK 31 / 0 / 100 / 67

HEX #3A5400

RGB 58 84 0

HSL 78.57, 1%, 0.16%

LAB 32.35, -22.11, 39.62

 

CMYK 19 / 0 / 79 / 40

HEX #7D9A21

RGB 125 154 33

HSL 74.38, 0.65%, 0.37%

LAB 59.51, -26.65, 55.4

 

CMYK 0 / 2 / 79 / 40

HEX #9A9721

RGB 154 151 33

HSL 58.51, 0.65%, 0.37%

LAB 60.88, -12.45, 57.48

 

CMYK 0 / 23 / 79 / 40

HEX #9A7721

RGB 154 119 33

HSL 42.64, 0.65%, 0.37%

LAB 52.03, 5.13, 49.36

 

CMYK 0 / 44 / 79 / 40

HEX #9A5621

RGB 154 86 33

HSL 26.28, 0.65%, 0.37%

LAB 43.71, 23.97, 41.36

 

CMYK 0 / 65 / 79 / 40

HEX #9A3621

RGB 154 54 33

HSL 10.41, 0.65%, 0.37%

LAB 37.15, 40.63, 34.72

 

CMYK 19 / 0 / 79 / 40

HEX #7D9A21

RGB 125 154 33

HSL 74.38, 0.65%, 0.37%

LAB 59.51, -26.65, 55.4

 

CMYK 40 / 0 / 79 / 40

HEX #5C9A21

RGB 92 154 33

HSL 90.74, 0.65%, 0.37%

LAB 57.56, -39.58, 52.87

 

CMYK 62 / 0 / 79 / 40

HEX #3B9A21

RGB 59 154 33

HSL 107.11, 0.65%, 0.37%

LAB 56.24, -49.64, 51.15

 

CMYK 79 / 0 / 74 / 40

HEX #219A28

RGB 33 154 40

HSL 123.47, 0.65%, 0.37%

LAB 55.67, -54.22, 47.9

 

CMYK 79 / 0 / 53 / 40

HEX #219A49

RGB 33 154 73

HSL 139.83, 0.65%, 0.37%

LAB 56, -50.22, 33.27

 

CMYK 19 / 0 / 79 / 40

HEX #7D9A21

RGB 125 154 33

HSL 74.38, 0.65%, 0.37%

LAB 59.51, -26.65, 55.4

 

CMYK 22 / 0 / 89 / 34

HEX #84A912

RGB 132 169 18

HSL 74.7, 0.81%, 0.37%

LAB 64.42, -31.45, 63.63

 

CMYK 24 / 0 / 98 / 27

HEX #8CB903

RGB 140 185 3

HSL 74.84, 0.97%, 0.37%

LAB 69.67, -35.85, 70.04

 

CMYK 19 / 0 / 79 / 40

HEX #7D9A21

RGB 125 154 33

HSL 74.38, 0.65%, 0.37%

LAB 59.51, -26.65, 55.4

 

CMYK 16 / 0 / 65 / 45

HEX #758B31

RGB 117 139 49

HSL 74.67, 0.48%, 0.37%

LAB 54.52, -21.58, 44.07

 

CMYK 12 / 0 / 48 / 51

HEX #6D7C40

RGB 109 124 64

HSL 75, 0.32%, 0.37%

LAB 49.54, -15.71, 30.76

 

CMYK 6 / 0 / 27 / 58

HEX #656C4F

RGB 101 108 79

HSL 74.48, 0.16%, 0.37%

LAB 44.31, -8.16, 15.38

 

CMYK 1 / 2 / 0 / 63

HEX #5E5D5F

RGB 94 93 95

HSL 270, 0.01%, 0.37%

LAB 39.64, 0.82, -1.01

 

CMYK 0 / 23 / 79 / 40

HEX #9A7621

RGB 154 118 33

HSL 42.15, 0.65%, 0.37%

LAB 51.77, 5.7, 49.11

 

CMYK 0 / 3 / 79 / 40

HEX #9A9621

RGB 154 150 33

HSL 58.02, 0.65%, 0.37%

LAB 60.6, -11.92, 57.23

 

CMYK 18 / 0 / 79 / 40

HEX #7E9A21

RGB 126 154 33

HSL 73.88, 0.65%, 0.37%

LAB 59.58, -26.23, 55.49

 

CMYK 39 / 0 / 79 / 40

HEX #5E9A21

RGB 94 154 33

HSL 89.75, 0.65%, 0.37%

LAB 57.66, -38.86, 53

 

CMYK 60 / 0 / 79 / 40

HEX #3E9A21

RGB 62 154 33

HSL 105.62, 0.65%, 0.37%

LAB 56.33, -48.88, 51.27

 

CMYK 20 / 0 / 78 / 66

HEX #465713

RGB 70 87 19

HSL 75, 0.64%, 0.21%

LAB 34.33, -17.26, 35.14

 

CMYK 19 / 0 / 78 / 53

HEX #61781A

RGB 97 120 26

HSL 74.68, 0.64%, 0.29%

LAB 47.04, -22.06, 45.39

 

CMYK 19 / 0 / 79 / 40

HEX #7D9A21

RGB 125 154 33

HSL 74.38, 0.65%, 0.37%

LAB 59.51, -26.65, 55.4

 

CMYK 19 / 0 / 78 / 26

HEX #98BC29

RGB 152 188 41

HSL 74.69, 0.64%, 0.45%

LAB 71.42, -31.41, 64.56

 

CMYK 18 / 0 / 72 / 17

HEX #AED43B

RGB 174 212 59

HSL 74.9, 0.64%, 0.53%

LAB 79.84, -32.91, 67.21

 

CMYK 19 / 0 / 78 / 39

HEX #7E9C22

RGB 126 156 34

HSL 74.75, 0.64%, 0.37%

LAB 60.18, -27.16, 55.73

 

CMYK 79 / 0 / 44 / 40

HEX #219A56

RGB 33 154 86

HSL 146.28, 0.65%, 0.37%

LAB 56.19, -47.99, 26.69

 

CMYK 13 / 79 / 0 / 40

HEX #86219A

RGB 134 33 154

HSL 290.08, 0.65%, 0.37%

LAB 34.98, 57.52, -44.17

 

CMYK 19 / 0 / 78 / 39

HEX #7E9C22

RGB 126 156 34

HSL 74.75, 0.64%, 0.37%

LAB 60.18, -27.16, 55.73

 

CMYK 79 / 18 / 0 / 40

HEX #217E9A

RGB 33 126 154

HSL 193.88, 0.65%, 0.37%

LAB 48.98, -16.53, -22.62

 

CMYK 0 / 79 / 18 / 40

HEX #9A217E

RGB 154 33 126

HSL 313.88, 0.65%, 0.37%

LAB 36.86, 57.33, -23.74

 

CMYK 19 / 0 / 78 / 39

HEX #7E9C22

RGB 126 156 34

HSL 74.75, 0.64%, 0.37%

LAB 60.18, -27.16, 55.73

 

CMYK 79 / 0 / 44 / 40

HEX #219A56

RGB 33 154 86

HSL 146.28, 0.65%, 0.37%

LAB 56.19, -47.99, 26.69

 

CMYK 60 / 79 / 0 / 40

HEX #3E219A

RGB 62 33 154

HSL 254.38, 0.65%, 0.37%

LAB 25.09, 45.27, -60.71

 

CMYK 0 / 79 / 34 / 40

HEX #9A2166

RGB 154 33 102

HSL 325.79, 0.65%, 0.37%

LAB 35.82, 54.23, -10.21

 

CMYK 19 / 0 / 78 / 39

HEX #7E9C22

RGB 126 156 34

HSL 74.75, 0.64%, 0.37%

LAB 60.18, -27.16, 55.73

 

CMYK 79 / 0 / 21 / 40

HEX #219A7A

RGB 33 154 122

HSL 164.13, 0.65%, 0.37%

LAB 56.92, -39.99, 7.69

 

CMYK 60 / 79 / 0 / 40

HEX #3E219A

RGB 62 33 154

HSL 254.38, 0.65%, 0.37%

LAB 25.09, 45.27, -60.71

 

CMYK 0 / 79 / 57 / 40

HEX #9A2142

RGB 154 33 66

HSL 343.64, 0.65%, 0.37%

LAB 34.7, 50.77, 11.38

 

Description

Color code: HEX #7E9C22 | qconv.com Color code: HEX #7E9C22 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 156 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 156 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 78 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 78% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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