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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E97DC it is the complementary color #816823. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E97DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E97DC shade: #8397D7, #94A9EA, #A5BBFD, #B6CDFF and #C7DFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E97DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E97DC shade: #7E97DC, #6D85C9, #5C73B6, #4B61A3 and #3A4F90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E97DC shade: #7E97DB, #7F7EDB, #987EDB, #B17EDB and #CA7EDB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E97DC shade: #7E97DB and #7E7EDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E97DC shade matches the following richer shades: #7E97DB, #7191E9 and #648BF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E97DC shade: #7E97DB, #8C9DCE, #99A3C1, #A6AAB4 and #B3B0A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E97DC shade: #7EC9DB, #7EB0DB, #7E97DB, #7E7EDB and #977EDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E97DC shade: #3E63CA, #5E7DD3, #7E97DB, #9FB1E4 and #BFCBED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E97DC shade: #7E97DC, #D57EDB and #BCDB7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E97DC shade: #7E97DC, #DB7E97 and #97DB7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E97DC shade: #7E97DC, #D57EDB, #DBC37E and #85DB7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E97DC shade: #7E97DC, #DB7EC6, #DBC37E and #7EDB94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 31 / 0 / 14

HEX #7E97DC

RGB 126 151 220

HSL 224.04, 0.57%, 0.68%

LAB 63.12, 8.9, -37.92

 

Complementary color

CMYK 0 / 19 / 73 / 49

HEX #816823

RGB 129 104 35

HSL 44.04, 0.57%, 0.32%

LAB 45.21, 2.16, 40.91

 

CMYK 39 / 30 / 0 / 16

HEX #8397D7

RGB 131 151 215

HSL 225.71, 0.51%, 0.68%

LAB 63.23, 8.81, -34.95

 

CMYK 37 / 28 / 0 / 8

HEX #94A9EA

RGB 148 169 234

HSL 225.35, 0.67%, 0.75%

LAB 69.9, 8.29, -34.96

 

CMYK 35 / 26 / 0 / 1

HEX #A5BBFD

RGB 165 187 253

HSL 225, 0.96%, 0.82%

LAB 76.46, 7.83, -35.01

 

CMYK 29 / 20 / 0 / 0

HEX #B6CDFF

RGB 182 205 255

HSL 221.1, 1%, 0.86%

LAB 82.29, 3.29, -27.02

 

CMYK 22 / 13 / 0 / 0

HEX #C7DFFF

RGB 199 223 255

HSL 214.29, 1%, 0.89%

LAB 88.03, -1.25, -18.19

 

CMYK 43 / 31 / 0 / 14

HEX #7E97DC

RGB 126 151 220

HSL 224.04, 0.57%, 0.68%

LAB 63.12, 8.9, -37.92

 

CMYK 46 / 34 / 0 / 21

HEX #6D85C9

RGB 109 133 201

HSL 224.35, 0.46%, 0.61%

LAB 56.33, 9.6, -37.98

 

CMYK 49 / 37 / 0 / 29

HEX #5C73B6

RGB 92 115 182

HSL 224.67, 0.38%, 0.54%

LAB 49.39, 10.43, -38.1

 

CMYK 54 / 40 / 0 / 36

HEX #4B61A3

RGB 75 97 163

HSL 225, 0.37%, 0.47%

LAB 42.29, 11.46, -38.27

 

CMYK 60 / 45 / 0 / 44

HEX #3A4F90

RGB 58 79 144

HSL 225.35, 0.43%, 0.4%

LAB 35.01, 12.76, -38.5

 

CMYK 42 / 31 / 0 / 14

HEX #7E97DB

RGB 126 151 219

HSL 223.87, 0.56%, 0.68%

LAB 63.08, 8.62, -37.43

 

CMYK 42 / 42 / 0 / 14

HEX #7F7EDB

RGB 127 126 219

HSL 240.65, 0.56%, 0.68%

LAB 56.63, 23.53, -47.57

 

CMYK 31 / 42 / 0 / 14

HEX #987EDB

RGB 152 126 219

HSL 256.77, 0.56%, 0.68%

LAB 58.71, 30.11, -44.16

 

CMYK 19 / 42 / 0 / 14

HEX #B17EDB

RGB 177 126 219

HSL 272.9, 0.56%, 0.68%

LAB 61.12, 37.15, -40.2

 

CMYK 8 / 42 / 0 / 14

HEX #CA7EDB

RGB 202 126 219

HSL 289.03, 0.56%, 0.68%

LAB 63.83, 44.46, -35.76

 

CMYK 42 / 31 / 0 / 14

HEX #7E97DB

RGB 126 151 219

HSL 223.87, 0.56%, 0.68%

LAB 63.08, 8.62, -37.43

 

CMYK 42 / 42 / 0 / 14

HEX #7E7EDB

RGB 126 126 219

HSL 240, 0.56%, 0.68%

LAB 56.56, 23.28, -47.7

 

CMYK 42 / 31 / 0 / 14

HEX #7E97DB

RGB 126 151 219

HSL 223.87, 0.56%, 0.68%

LAB 63.08, 8.62, -37.43

 

CMYK 52 / 38 / 0 / 9

HEX #7191E9

RGB 113 145 233

HSL 224, 0.73%, 0.68%

LAB 61.35, 13.15, -47.97

 

CMYK 59 / 43 / 0 / 4

HEX #648BF6

RGB 100 139 246

HSL 223.97, 0.89%, 0.68%

LAB 59.73, 18.19, -57.76

 

CMYK 42 / 31 / 0 / 14

HEX #7E97DB

RGB 126 151 219

HSL 223.87, 0.56%, 0.68%

LAB 63.08, 8.62, -37.43

 

CMYK 32 / 24 / 0 / 19

HEX #8C9DCE

RGB 140 157 206

HSL 224.55, 0.4%, 0.68%

LAB 65.08, 5.51, -27.04

 

CMYK 21 / 16 / 0 / 24

HEX #99A3C1

RGB 153 163 193

HSL 225, 0.24%, 0.68%

LAB 67.14, 2.93, -16.58

 

CMYK 8 / 6 / 0 / 29

HEX #A6AAB4

RGB 166 170 180

HSL 222.86, 0.09%, 0.68%

LAB 69.58, 0.57, -5.62

 

CMYK 0 / 2 / 7 / 30

HEX #B3B0A7

RGB 179 176 167

HSL 45, 0.07%, 0.68%

LAB 71.84, -0.56, 4.97

 

CMYK 42 / 8 / 0 / 14

HEX #7EC9DB

RGB 126 201 219

HSL 191.61, 0.56%, 0.68%

LAB 76.87, -18.65, -16.26

 

CMYK 42 / 20 / 0 / 14

HEX #7EB0DB

RGB 126 176 219

HSL 207.74, 0.56%, 0.68%

LAB 69.9, -5.43, -26.88

 

CMYK 42 / 31 / 0 / 14

HEX #7E97DB

RGB 126 151 219

HSL 223.87, 0.56%, 0.68%

LAB 63.08, 8.62, -37.43

 

CMYK 42 / 42 / 0 / 14

HEX #7E7EDB

RGB 126 126 219

HSL 240, 0.56%, 0.68%

LAB 56.56, 23.28, -47.7

 

CMYK 31 / 42 / 0 / 14

HEX #977EDB

RGB 151 126 219

HSL 256.13, 0.56%, 0.68%

LAB 58.62, 29.83, -44.31

 

CMYK 69 / 51 / 0 / 21

HEX #3E63CA

RGB 62 99 202

HSL 224.14, 0.57%, 0.52%

LAB 44.54, 21.39, -57.49

 

CMYK 55 / 41 / 0 / 17

HEX #5E7DD3

RGB 94 125 211

HSL 224.1, 0.57%, 0.6%

LAB 53.76, 14.05, -47.76

 

CMYK 42 / 31 / 0 / 14

HEX #7E97DB

RGB 126 151 219

HSL 223.87, 0.56%, 0.68%

LAB 63.08, 8.62, -37.43

 

CMYK 30 / 22 / 0 / 11

HEX #9FB1E4

RGB 159 177 228

HSL 224.35, 0.56%, 0.76%

LAB 72.51, 5.37, -27.61

 

CMYK 19 / 14 / 0 / 7

HEX #BFCBED

RGB 191 203 237

HSL 224.35, 0.56%, 0.84%

LAB 81.79, 2.92, -18.14

 

CMYK 43 / 31 / 0 / 14

HEX #7E97DC

RGB 126 151 220

HSL 224.04, 0.57%, 0.68%

LAB 63.12, 8.9, -37.92

 

CMYK 3 / 42 / 0 / 14

HEX #D57EDB

RGB 213 126 219

HSL 296.13, 0.56%, 0.68%

LAB 65.11, 47.71, -33.68

 

CMYK 14 / 0 / 42 / 14

HEX #BCDB7E

RGB 188 219 126

HSL 80, 0.56%, 0.68%

LAB 83.37, -25.13, 42.28

 

CMYK 43 / 31 / 0 / 14

HEX #7E97DC

RGB 126 151 220

HSL 224.04, 0.57%, 0.68%

LAB 63.12, 8.9, -37.92

 

CMYK 0 / 42 / 31 / 14

HEX #DB7E97

RGB 219 126 151

HSL 343.87, 0.56%, 0.68%

LAB 63.52, 38.86, 2.4

 

CMYK 31 / 0 / 42 / 14

HEX #97DB7E

RGB 151 219 126

HSL 103.87, 0.56%, 0.68%

LAB 81.15, -38.35, 39.02

 

CMYK 43 / 31 / 0 / 14

HEX #7E97DC

RGB 126 151 220

HSL 224.04, 0.57%, 0.68%

LAB 63.12, 8.9, -37.92

 

CMYK 3 / 42 / 0 / 14

HEX #D57EDB

RGB 213 126 219

HSL 296.13, 0.56%, 0.68%

LAB 65.11, 47.71, -33.68

 

CMYK 0 / 11 / 42 / 14

HEX #DBC37E

RGB 219 195 126

HSL 44.52, 0.56%, 0.68%

LAB 79.38, -0.91, 37.72

 

CMYK 39 / 0 / 42 / 14

HEX #85DB7E

RGB 133 219 126

HSL 115.48, 0.56%, 0.68%

LAB 80.27, -44.13, 37.7

 

CMYK 43 / 31 / 0 / 14

HEX #7E97DC

RGB 126 151 220

HSL 224.04, 0.57%, 0.68%

LAB 63.12, 8.9, -37.92

 

CMYK 0 / 42 / 10 / 14

HEX #DB7EC6

RGB 219 126 198

HSL 313.55, 0.56%, 0.68%

LAB 65.01, 45.84, -22.02

 

CMYK 0 / 11 / 42 / 14

HEX #DBC37E

RGB 219 195 126

HSL 44.52, 0.56%, 0.68%

LAB 79.38, -0.91, 37.72

 

CMYK 42 / 0 / 32 / 14

HEX #7EDB94

RGB 126 219 148

HSL 134.19, 0.56%, 0.68%

LAB 80.31, -42.7, 26.5

 

Description

Color code: HEX #7E97DC | qconv.com Color code: HEX #7E97DC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 151 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 151 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 31 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 31% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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