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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E8BC8 it is the complementary color #817437. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E8BC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E8BC8 shade: #838BC3, #949DD6, #A5AFE9, #B6C1FC and #C7D3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E8BC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E8BC8 shade: #7E8BC8, #6D79B5, #5C67A2, #4B558F and #3A437C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E8BC8 shade: #7E8BC7, #857EC7, #997EC7, #AC7EC7 and #C07EC7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E8BC8 shade: #7E8BC7 and #7E7EC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E8BC8 shade matches the following richer shades: #7E8BC7, #6F81D6, #6078E5 and #516EF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E8BC8 shade: #7E8BC7, #8D95B9, #9C9EAA, #ABA89B and #B9B18C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E8BC8 shade: #7EB3C7, #7E9FC7, #7E8BC7, #847EC7 and #987EC7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E8BC8 shade: #495AAA, #6171BB, #7E8BC7, #9BA5D4 and #B8BFE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E8BC8 shade: #7E8BC8, #C77EC6 and #A9C77E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E8BC8 shade: #7E8BC8, #C77E8B and #8BC77E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E8BC8 shade: #7E8BC8, #C77EC6, #C7BA7E and #7EC77F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E8BC8 shade: #7E8BC8, #C77EB0, #C7BA7E and #7EC795

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 31 / 0 / 22

HEX #7E8BC8

RGB 126 139 200

HSL 229.46, 0.4%, 0.64%

LAB 59.04, 10.28, -33.1

 

Complementary color

CMYK 0 / 10 / 57 / 49

HEX #817437

RGB 129 116 55

HSL 49.46, 0.4%, 0.36%

LAB 48.8, -3.31, 35.05

 

CMYK 33 / 29 / 0 / 24

HEX #838BC3

RGB 131 139 195

HSL 232.5, 0.35%, 0.64%

LAB 59.19, 10.36, -30.02

 

CMYK 31 / 27 / 0 / 16

HEX #949DD6

RGB 148 157 214

HSL 231.82, 0.45%, 0.71%

LAB 65.95, 9.87, -30.08

 

CMYK 29 / 25 / 0 / 9

HEX #A5AFE9

RGB 165 175 233

HSL 231.18, 0.61%, 0.78%

LAB 72.59, 9.44, -30.17

 

CMYK 28 / 23 / 0 / 1

HEX #B6C1FC

RGB 182 193 252

HSL 230.57, 0.92%, 0.85%

LAB 79.11, 9.06, -30.29

 

CMYK 22 / 17 / 0 / 0

HEX #C7D3FF

RGB 199 211 255

HSL 227.14, 1%, 0.89%

LAB 84.97, 5.06, -22.82

 

CMYK 37 / 31 / 0 / 22

HEX #7E8BC8

RGB 126 139 200

HSL 229.46, 0.4%, 0.64%

LAB 59.04, 10.28, -33.1

 

CMYK 40 / 33 / 0 / 29

HEX #6D79B5

RGB 109 121 181

HSL 230, 0.33%, 0.57%

LAB 52.13, 10.9, -33.14

 

CMYK 43 / 36 / 0 / 36

HEX #5C67A2

RGB 92 103 162

HSL 230.57, 0.28%, 0.5%

LAB 45.06, 11.65, -33.23

 

CMYK 48 / 41 / 0 / 44

HEX #4B558F

RGB 75 85 143

HSL 231.18, 0.31%, 0.43%

LAB 37.8, 12.56, -33.4

 

CMYK 53 / 46 / 0 / 51

HEX #3A437C

RGB 58 67 124

HSL 231.82, 0.36%, 0.36%

LAB 30.33, 13.73, -33.65

 

CMYK 37 / 30 / 0 / 22

HEX #7E8BC7

RGB 126 139 199

HSL 229.32, 0.39%, 0.64%

LAB 59, 10.01, -32.6

 

CMYK 33 / 37 / 0 / 22

HEX #857EC7

RGB 133 126 199

HSL 245.75, 0.39%, 0.64%

LAB 56.12, 19.61, -37.06

 

CMYK 23 / 37 / 0 / 22

HEX #997EC7

RGB 153 126 199

HSL 262.19, 0.39%, 0.64%

LAB 57.86, 25.45, -34.2

 

CMYK 14 / 37 / 0 / 22

HEX #AC7EC7

RGB 172 126 199

HSL 277.81, 0.39%, 0.64%

LAB 59.72, 31.25, -31.17

 

CMYK 4 / 37 / 0 / 22

HEX #C07EC7

RGB 192 126 199

HSL 294.25, 0.39%, 0.64%

LAB 61.87, 37.5, -27.67

 

CMYK 37 / 30 / 0 / 22

HEX #7E8BC7

RGB 126 139 199

HSL 229.32, 0.39%, 0.64%

LAB 59, 10.01, -32.6

 

CMYK 37 / 37 / 0 / 22

HEX #7E7EC7

RGB 126 126 199

HSL 240, 0.39%, 0.64%

LAB 55.56, 17.66, -37.97

 

CMYK 37 / 30 / 0 / 22

HEX #7E8BC7

RGB 126 139 199

HSL 229.32, 0.39%, 0.64%

LAB 59, 10.01, -32.6

 

CMYK 48 / 40 / 0 / 16

HEX #6F81D6

RGB 111 129 214

HSL 229.51, 0.56%, 0.64%

LAB 56.02, 16.38, -45.8

 

CMYK 58 / 48 / 0 / 10

HEX #6078E5

RGB 96 120 229

HSL 229.17, 0.72%, 0.64%

LAB 53.58, 23.36, -58.18

 

CMYK 67 / 55 / 0 / 4

HEX #516EF4

RGB 81 110 244

HSL 229.33, 0.88%, 0.64%

LAB 51.19, 32.02, -70.46

 

CMYK 37 / 30 / 0 / 22

HEX #7E8BC7

RGB 126 139 199

HSL 229.32, 0.39%, 0.64%

LAB 59, 10.01, -32.6

 

CMYK 24 / 19 / 0 / 27

HEX #8D95B9

RGB 141 149 185

HSL 229.09, 0.24%, 0.64%

LAB 62.22, 5.12, -19.65

 

CMYK 8 / 7 / 0 / 33

HEX #9C9EAA

RGB 156 158 170

HSL 231.43, 0.08%, 0.64%

LAB 65.3, 1.68, -6.48

 

CMYK 0 / 2 / 9 / 33

HEX #ABA89B

RGB 171 168 155

HSL 48.75, 0.09%, 0.64%

LAB 68.77, -1.26, 7.09

 

CMYK 0 / 4 / 24 / 27

HEX #B9B18C

RGB 185 177 140

HSL 49.33, 0.24%, 0.64%

LAB 72, -3.15, 20

 

CMYK 37 / 10 / 0 / 22

HEX #7EB3C7

RGB 126 179 199

HSL 196.44, 0.39%, 0.64%

LAB 70.04, -12.35, -15.69

 

CMYK 37 / 20 / 0 / 22

HEX #7E9FC7

RGB 126 159 199

HSL 212.88, 0.39%, 0.64%

LAB 64.45, -1.44, -24.18

 

CMYK 37 / 30 / 0 / 22

HEX #7E8BC7

RGB 126 139 199

HSL 229.32, 0.39%, 0.64%

LAB 59, 10.01, -32.6

 

CMYK 34 / 37 / 0 / 22

HEX #847EC7

RGB 132 126 199

HSL 244.93, 0.39%, 0.64%

LAB 56.04, 19.33, -37.19

 

CMYK 24 / 37 / 0 / 22

HEX #987EC7

RGB 152 126 199

HSL 261.37, 0.39%, 0.64%

LAB 57.77, 25.15, -34.35

 

CMYK 57 / 47 / 0 / 33

HEX #495AAA

RGB 73 90 170

HSL 229.48, 0.4%, 0.48%

LAB 40.62, 17.83, -45.08

 

CMYK 48 / 40 / 0 / 27

HEX #6171BB

RGB 97 113 187

HSL 229.33, 0.4%, 0.56%

LAB 49.42, 14.43, -40.92

 

CMYK 37 / 30 / 0 / 22

HEX #7E8BC7

RGB 126 139 199

HSL 229.32, 0.39%, 0.64%

LAB 59, 10.01, -32.6

 

CMYK 27 / 22 / 0 / 17

HEX #9BA5D4

RGB 155 165 212

HSL 229.47, 0.4%, 0.72%

LAB 68.48, 6.93, -25.04

 

CMYK 18 / 15 / 0 / 12

HEX #B8BFE0

RGB 184 191 224

HSL 229.5, 0.39%, 0.8%

LAB 77.78, 4.34, -17.26

 

CMYK 37 / 31 / 0 / 22

HEX #7E8BC8

RGB 126 139 200

HSL 229.46, 0.4%, 0.64%

LAB 59.04, 10.28, -33.1

 

CMYK 0 / 37 / 1 / 22

HEX #C77EC6

RGB 199 126 198

HSL 300.82, 0.39%, 0.64%

LAB 62.63, 39.52, -25.88

 

CMYK 15 / 0 / 37 / 22

HEX #A9C77E

RGB 169 199 126

HSL 84.66, 0.39%, 0.64%

LAB 76.55, -22.52, 33.29

 

CMYK 37 / 31 / 0 / 22

HEX #7E8BC8

RGB 126 139 200

HSL 229.46, 0.4%, 0.64%

LAB 59.04, 10.28, -33.1

 

CMYK 0 / 37 / 30 / 22

HEX #C77E8B

RGB 199 126 139

HSL 349.32, 0.39%, 0.64%

LAB 60.72, 29.99, 4.89

 

CMYK 30 / 0 / 37 / 22

HEX #8BC77E

RGB 139 199 126

HSL 109.32, 0.39%, 0.64%

LAB 74.73, -33.23, 30.56

 

CMYK 37 / 31 / 0 / 22

HEX #7E8BC8

RGB 126 139 200

HSL 229.46, 0.4%, 0.64%

LAB 59.04, 10.28, -33.1

 

CMYK 0 / 37 / 1 / 22

HEX #C77EC6

RGB 199 126 198

HSL 300.82, 0.39%, 0.64%

LAB 62.63, 39.52, -25.88

 

CMYK 0 / 7 / 37 / 22

HEX #C7BA7E

RGB 199 186 126

HSL 49.32, 0.39%, 0.64%

LAB 75.31, -4.21, 32.11

 

CMYK 37 / 0 / 36 / 22

HEX #7EC77F

RGB 126 199 127

HSL 120.82, 0.39%, 0.64%

LAB 74.07, -37.32, 29.05

 

CMYK 37 / 31 / 0 / 22

HEX #7E8BC8

RGB 126 139 200

HSL 229.46, 0.4%, 0.64%

LAB 59.04, 10.28, -33.1

 

CMYK 0 / 37 / 12 / 22

HEX #C77EB0

RGB 199 126 176

HSL 318.9, 0.39%, 0.64%

LAB 61.83, 35.62, -14.63

 

CMYK 0 / 7 / 37 / 22

HEX #C7BA7E

RGB 199 186 126

HSL 49.32, 0.39%, 0.64%

LAB 75.31, -4.21, 32.11

 

CMYK 37 / 0 / 25 / 22

HEX #7EC795

RGB 126 199 149

HSL 138.9, 0.39%, 0.64%

LAB 74.48, -33.49, 17.99

 

Description

Color code: HEX #7E8BC8 | qconv.com Color code: HEX #7E8BC8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 139 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 139 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 31 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 31% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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