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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E8394 it is the complementary color #817C6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E8394. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E8394 shade: #83838F, #9495A2, #A5A7B5, #B6B9C8 and #C7CBDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E8394. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E8394 shade: #7E8394, #6D7181, #5C5F6E, #4B4D5B and #3A3B48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E8394 shade: #7F8394, #807F94, #857F94, #8B7F94 and #917F94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E8394 shade: #7F8394 and #7F7F94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E8394 shade matches the following richer shades: #7F8394, #6C79A7, #596FBA, #4664CD and #335AE0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E8394 shade: #7F8394, #928E81, #A5986E, #B8A25B and #CBAD48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E8394 shade: #7F8F94, #7F8994, #7F8494, #7F7F94 and #857F94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E8394 shade: #575B69, #6A6F7F, #7F8394, #9599A7 and #ACAFB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E8394 shade: #7E8394, #937F94 and #8C947F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E8394 shade: #7E8394, #947F84 and #84947F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E8394 shade: #7E8394, #937F94, #948F7F and #7F947F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E8394 shade: #7E8394, #947F8E, #948F7F and #7F9484

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 11 / 0 / 42

HEX #7E8394

RGB 126 131 148

HSL 226.36, 0.09%, 0.54%

LAB 54.87, 1.82, -9.74

 

Complementary color

CMYK 0 / 4 / 17 / 49

HEX #817C6B

RGB 129 124 107

HSL 46.36, 0.09%, 0.46%

LAB 52, -1.19, 9.97

 

CMYK 8 / 8 / 0 / 44

HEX #83838F

RGB 131 131 143

HSL 240, 0.05%, 0.54%

LAB 55.11, 2.47, -6.44

 

CMYK 9 / 8 / 0 / 36

HEX #9495A2

RGB 148 149 162

HSL 235.71, 0.07%, 0.61%

LAB 62, 2.27, -6.94

 

CMYK 9 / 8 / 0 / 29

HEX #A5A7B5

RGB 165 167 181

HSL 232.5, 0.1%, 0.68%

LAB 68.73, 2.07, -7.44

 

CMYK 9 / 8 / 0 / 22

HEX #B6B9C8

RGB 182 185 200

HSL 230, 0.14%, 0.75%

LAB 75.33, 1.89, -7.93

 

CMYK 9 / 7 / 0 / 14

HEX #C7CBDB

RGB 199 203 219

HSL 228, 0.22%, 0.82%

LAB 81.82, 1.71, -8.41

 

CMYK 15 / 11 / 0 / 42

HEX #7E8394

RGB 126 131 148

HSL 226.36, 0.09%, 0.54%

LAB 54.87, 1.82, -9.74

 

CMYK 16 / 12 / 0 / 49

HEX #6D7181

RGB 109 113 129

HSL 228, 0.08%, 0.47%

LAB 47.81, 2.03, -9.31

 

CMYK 16 / 14 / 0 / 57

HEX #5C5F6E

RGB 92 95 110

HSL 230, 0.09%, 0.4%

LAB 40.55, 2.26, -8.89

 

CMYK 18 / 15 / 0 / 64

HEX #4B4D5B

RGB 75 77 91

HSL 232.5, 0.1%, 0.33%

LAB 33.05, 2.51, -8.48

 

CMYK 19 / 18 / 0 / 72

HEX #3A3B48

RGB 58 59 72

HSL 235.71, 0.11%, 0.25%

LAB 25.25, 2.81, -8.09

 

CMYK 14 / 11 / 0 / 42

HEX #7F8394

RGB 127 131 148

HSL 228.57, 0.09%, 0.54%

LAB 54.95, 2.16, -9.61

 

CMYK 14 / 14 / 0 / 42

HEX #807F94

RGB 128 127 148

HSL 242.86, 0.09%, 0.54%

LAB 53.93, 4.82, -11.14

 

CMYK 10 / 14 / 0 / 42

HEX #857F94

RGB 133 127 148

HSL 257.14, 0.09%, 0.54%

LAB 54.35, 6.57, -10.47

 

CMYK 6 / 14 / 0 / 42

HEX #8B7F94

RGB 139 127 148

HSL 274.29, 0.09%, 0.54%

LAB 54.87, 8.7, -9.63

 

CMYK 2 / 14 / 0 / 42

HEX #917F94

RGB 145 127 148

HSL 291.43, 0.09%, 0.54%

LAB 55.42, 10.86, -8.76

 

CMYK 14 / 11 / 0 / 42

HEX #7F8394

RGB 127 131 148

HSL 228.57, 0.09%, 0.54%

LAB 54.95, 2.16, -9.61

 

CMYK 14 / 14 / 0 / 42

HEX #7F7F94

RGB 127 127 148

HSL 240, 0.09%, 0.54%

LAB 53.84, 4.48, -11.27

 

CMYK 14 / 11 / 0 / 42

HEX #7F8394

RGB 127 131 148

HSL 228.57, 0.09%, 0.54%

LAB 54.95, 2.16, -9.61

 

CMYK 35 / 28 / 0 / 35

HEX #6C79A7

RGB 108 121 167

HSL 226.78, 0.25%, 0.54%

LAB 51.44, 6.68, -26.12

 

CMYK 52 / 40 / 0 / 27

HEX #596FBA

RGB 89 111 186

HSL 226.39, 0.41%, 0.54%

LAB 48.31, 13.45, -42.14

 

CMYK 66 / 51 / 0 / 20

HEX #4664CD

RGB 70 100 205

HSL 226.67, 0.57%, 0.54%

LAB 45.39, 23.05, -57.81

 

CMYK 77 / 60 / 0 / 12

HEX #335AE0

RGB 51 90 224

HSL 226.47, 0.74%, 0.54%

LAB 43.36, 33.79, -72.01

 

CMYK 14 / 11 / 0 / 42

HEX #7F8394

RGB 127 131 148

HSL 228.57, 0.09%, 0.54%

LAB 54.95, 2.16, -9.61

 

CMYK 0 / 3 / 12 / 43

HEX #928E81

RGB 146 142 129

HSL 45.88, 0.07%, 0.54%

LAB 59.01, -0.9, 7.45

 

CMYK 0 / 8 / 33 / 35

HEX #A5986E

RGB 165 152 110

HSL 45.82, 0.23%, 0.54%

LAB 63, -1.74, 23.87

 

CMYK 0 / 12 / 51 / 28

HEX #B8A25B

RGB 184 162 91

HSL 45.81, 0.4%, 0.54%

LAB 67.12, -1.33, 39.61

 

CMYK 0 / 15 / 65 / 20

HEX #CBAD48

RGB 203 173 72

HSL 46.26, 0.56%, 0.54%

LAB 71.59, -0.55, 54.35

 

CMYK 14 / 3 / 0 / 42

HEX #7F8F94

RGB 127 143 148

HSL 194.29, 0.09%, 0.54%

LAB 58.32, -4.65, -4.61

 

CMYK 14 / 7 / 0 / 42

HEX #7F8994

RGB 127 137 148

HSL 211.43, 0.09%, 0.54%

LAB 56.63, -1.27, -7.11

 

CMYK 14 / 11 / 0 / 42

HEX #7F8494

RGB 127 132 148

HSL 225.71, 0.09%, 0.54%

LAB 55.23, 1.59, -9.2

 

CMYK 14 / 14 / 0 / 42

HEX #7F7F94

RGB 127 127 148

HSL 240, 0.09%, 0.54%

LAB 53.84, 4.48, -11.27

 

CMYK 10 / 14 / 0 / 42

HEX #857F94

RGB 133 127 148

HSL 257.14, 0.09%, 0.54%

LAB 54.35, 6.57, -10.47

 

CMYK 17 / 13 / 0 / 59

HEX #575B69

RGB 87 91 105

HSL 226.67, 0.09%, 0.38%

LAB 38.77, 1.68, -8.53

 

CMYK 17 / 13 / 0 / 50

HEX #6A6F7F

RGB 106 111 127

HSL 225.71, 0.09%, 0.46%

LAB 46.93, 1.68, -9.47

 

CMYK 14 / 11 / 0 / 42

HEX #7F8394

RGB 127 131 148

HSL 228.57, 0.09%, 0.54%

LAB 54.95, 2.16, -9.61

 

CMYK 11 / 8 / 0 / 35

HEX #9599A7

RGB 149 153 167

HSL 226.67, 0.09%, 0.62%

LAB 63.31, 1.43, -7.81

 

CMYK 7 / 5 / 0 / 27

HEX #ACAFB9

RGB 172 175 185

HSL 226.15, 0.08%, 0.7%

LAB 71.51, 0.9, -5.47

 

CMYK 15 / 11 / 0 / 42

HEX #7E8394

RGB 126 131 148

HSL 226.36, 0.09%, 0.54%

LAB 54.87, 1.82, -9.74

 

CMYK 1 / 14 / 0 / 42

HEX #937F94

RGB 147 127 148

HSL 297.14, 0.09%, 0.54%

LAB 55.6, 11.58, -8.46

 

CMYK 5 / 0 / 14 / 42

HEX #8C947F

RGB 140 148 127

HSL 82.86, 0.09%, 0.54%

LAB 60.15, -6.86, 10.13

 

CMYK 15 / 11 / 0 / 42

HEX #7E8394

RGB 126 131 148

HSL 226.36, 0.09%, 0.54%

LAB 54.87, 1.82, -9.74

 

CMYK 0 / 14 / 11 / 42

HEX #947F84

RGB 148 127 132

HSL 345.71, 0.09%, 0.54%

LAB 55.22, 8.92, 0.27

 

CMYK 11 / 0 / 14 / 42

HEX #84947F

RGB 132 148 127

HSL 105.71, 0.09%, 0.54%

LAB 59.54, -9.86, 9.18

 

CMYK 15 / 11 / 0 / 42

HEX #7E8394

RGB 126 131 148

HSL 226.36, 0.09%, 0.54%

LAB 54.87, 1.82, -9.74

 

CMYK 1 / 14 / 0 / 42

HEX #937F94

RGB 147 127 148

HSL 297.14, 0.09%, 0.54%

LAB 55.6, 11.58, -8.46

 

CMYK 0 / 3 / 14 / 42

HEX #948F7F

RGB 148 143 127

HSL 45.71, 0.09%, 0.54%

LAB 59.41, -1.03, 9.17

 

CMYK 14 / 0 / 14 / 42

HEX #7F947F

RGB 127 148 127

HSL 120, 0.09%, 0.54%

LAB 59.18, -11.7, 8.62

 

CMYK 15 / 11 / 0 / 42

HEX #7E8394

RGB 126 131 148

HSL 226.36, 0.09%, 0.54%

LAB 54.87, 1.82, -9.74

 

CMYK 0 / 14 / 4 / 42

HEX #947F8E

RGB 148 127 142

HSL 317.14, 0.09%, 0.54%

LAB 55.51, 10.77, -5.11

 

CMYK 0 / 3 / 14 / 42

HEX #948F7F

RGB 148 143 127

HSL 45.71, 0.09%, 0.54%

LAB 59.41, -1.03, 9.17

 

CMYK 14 / 0 / 11 / 42

HEX #7F9484

RGB 127 148 132

HSL 134.29, 0.09%, 0.54%

LAB 59.3, -10.74, 5.96

 

Description

Color code: HEX #7E8394 | qconv.com Color code: HEX #7E8394 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 131 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 131 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 11 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 11% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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