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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E818A it is the complementary color #817E75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E818A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E818A shade: #838185, #949398, #A5A5AB, #B6B7BE and #C7C9D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E818A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E818A shade: #7E818A, #6D6F77, #5C5D64, #4B4B51 and #3A393E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E818A shade: #7E818A, #7E7E8A, #827E8A, #857E8A and #887E8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E818A shade: #7E818A and #7E7E8A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E818A shade matches the following richer shades: #7E818A, #6A779E, #566DB2, #4363C6 and #2F59D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E818A shade: #7E818A, #928B76, #A69563, #B99F4F and #CDA93B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E818A shade: #7E888A, #7E848A, #7E818A, #7E7E8A and #817E8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E818A shade: #56595F, #6A6D75, #7E818A, #94969E and #A9ABB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E818A shade: #7E818A, #8A7E8A and #868A7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E818A shade: #7E818A, #8A7E81 and #818A7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E818A shade: #7E818A, #8A7E8A, #8A877E and #7F8A7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E818A shade: #7E818A, #8A7E87, #8A877E and #7E8A81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 7 / 0 / 46

HEX #7E818A

RGB 126 129 138

HSL 225, 0.05%, 0.52%

LAB 54, 0.76, -5.24

 

Complementary color

CMYK 0 / 2 / 9 / 49

HEX #817E75

RGB 129 126 117

HSL 45, 0.05%, 0.48%

LAB 52.81, -0.57, 5.29

 

CMYK 2 / 3 / 0 / 48

HEX #838185

RGB 131 129 133

HSL 270, 0.02%, 0.51%

LAB 54.26, 1.55, -1.9

 

CMYK 3 / 3 / 0 / 40

HEX #949398

RGB 148 147 152

HSL 252, 0.02%, 0.59%

LAB 61.16, 1.35, -2.51

 

CMYK 4 / 4 / 0 / 33

HEX #A5A5AB

RGB 165 165 171

HSL 240, 0.03%, 0.66%

LAB 67.91, 1.16, -3.1

 

CMYK 4 / 4 / 0 / 25

HEX #B6B7BE

RGB 182 183 190

HSL 232.5, 0.06%, 0.73%

LAB 74.53, 0.99, -3.67

 

CMYK 5 / 4 / 0 / 18

HEX #C7C9D1

RGB 199 201 209

HSL 228, 0.1%, 0.8%

LAB 81.03, 0.82, -4.23

 

CMYK 9 / 7 / 0 / 46

HEX #7E818A

RGB 126 129 138

HSL 225, 0.05%, 0.52%

LAB 54, 0.76, -5.24

 

CMYK 8 / 7 / 0 / 53

HEX #6D6F77

RGB 109 111 119

HSL 228, 0.04%, 0.45%

LAB 46.91, 0.94, -4.7

 

CMYK 8 / 7 / 0 / 61

HEX #5C5D64

RGB 92 93 100

HSL 232.5, 0.04%, 0.38%

LAB 39.62, 1.14, -4.14

 

CMYK 7 / 7 / 0 / 68

HEX #4B4B51

RGB 75 75 81

HSL 240, 0.04%, 0.31%

LAB 32.08, 1.35, -3.55

 

CMYK 6 / 8 / 0 / 76

HEX #3A393E

RGB 58 57 62

HSL 252, 0.04%, 0.23%

LAB 24.24, 1.6, -2.95

 

CMYK 9 / 7 / 0 / 46

HEX #7E818A

RGB 126 129 138

HSL 225, 0.05%, 0.52%

LAB 54, 0.76, -5.24

 

CMYK 9 / 9 / 0 / 46

HEX #7E7E8A

RGB 126 126 138

HSL 240, 0.05%, 0.52%

LAB 53.16, 2.49, -6.48

 

CMYK 6 / 9 / 0 / 46

HEX #827E8A

RGB 130 126 138

HSL 260, 0.05%, 0.52%

LAB 53.5, 3.94, -5.95

 

CMYK 4 / 9 / 0 / 46

HEX #857E8A

RGB 133 126 138

HSL 275, 0.05%, 0.52%

LAB 53.75, 5.03, -5.54

 

CMYK 1 / 9 / 0 / 46

HEX #887E8A

RGB 136 126 138

HSL 290, 0.05%, 0.52%

LAB 54.02, 6.13, -5.12

 

CMYK 9 / 7 / 0 / 46

HEX #7E818A

RGB 126 129 138

HSL 225, 0.05%, 0.52%

LAB 54, 0.76, -5.24

 

CMYK 9 / 9 / 0 / 46

HEX #7E7E8A

RGB 126 126 138

HSL 240, 0.05%, 0.52%

LAB 53.16, 2.49, -6.48

 

CMYK 9 / 7 / 0 / 46

HEX #7E818A

RGB 126 129 138

HSL 225, 0.05%, 0.52%

LAB 54, 0.76, -5.24

 

CMYK 33 / 25 / 0 / 38

HEX #6A779E

RGB 106 119 158

HSL 225, 0.21%, 0.52%

LAB 50.37, 4.81, -22.55

 

CMYK 52 / 39 / 0 / 30

HEX #566DB2

RGB 86 109 178

HSL 225, 0.37%, 0.52%

LAB 47.14, 11.42, -39.35

 

CMYK 66 / 50 / 0 / 22

HEX #4363C6

RGB 67 99 198

HSL 225.34, 0.53%, 0.52%

LAB 44.51, 20.73, -55.21

 

CMYK 78 / 59 / 0 / 15

HEX #2F59D9

RGB 47 89 217

HSL 225.18, 0.69%, 0.52%

LAB 42.4, 31.48, -69.59

 

CMYK 9 / 7 / 0 / 46

HEX #7E818A

RGB 126 129 138

HSL 225, 0.05%, 0.52%

LAB 54, 0.76, -5.24

 

CMYK 0 / 5 / 19 / 43

HEX #928B76

RGB 146 139 118

HSL 45, 0.11%, 0.52%

LAB 57.93, -1.06, 12.18

 

CMYK 0 / 10 / 40 / 35

HEX #A69563

RGB 166 149 99

HSL 44.78, 0.27%, 0.52%

LAB 62.09, -1.03, 28.7

 

CMYK 0 / 14 / 57 / 27

HEX #B99F4F

RGB 185 159 79

HSL 45.28, 0.43%, 0.52%

LAB 66.27, -0.32, 44.64

 

CMYK 0 / 18 / 71 / 20

HEX #CDA93B

RGB 205 169 59

HSL 45.21, 0.59%, 0.52%

LAB 70.64, 1.71, 58.96

 

CMYK 9 / 1 / 0 / 46

HEX #7E888A

RGB 126 136 138

HSL 190, 0.05%, 0.52%

LAB 55.97, -3.22, -2.33

 

CMYK 9 / 4 / 0 / 46

HEX #7E848A

RGB 126 132 138

HSL 210, 0.05%, 0.52%

LAB 54.84, -0.95, -4

 

CMYK 9 / 7 / 0 / 46

HEX #7E818A

RGB 126 129 138

HSL 225, 0.05%, 0.52%

LAB 54, 0.76, -5.24

 

CMYK 9 / 9 / 0 / 46

HEX #7E7E8A

RGB 126 126 138

HSL 240, 0.05%, 0.52%

LAB 53.16, 2.49, -6.48

 

CMYK 7 / 9 / 0 / 46

HEX #817E8A

RGB 129 126 138

HSL 255, 0.05%, 0.52%

LAB 53.41, 3.58, -6.08

 

CMYK 9 / 6 / 0 / 63

HEX #56595F

RGB 86 89 95

HSL 220, 0.05%, 0.35%

LAB 37.75, 0.16, -3.87

 

CMYK 9 / 7 / 0 / 54

HEX #6A6D75

RGB 106 109 117

HSL 223.64, 0.05%, 0.44%

LAB 46.02, 0.58, -4.84

 

CMYK 9 / 7 / 0 / 46

HEX #7E818A

RGB 126 129 138

HSL 225, 0.05%, 0.52%

LAB 54, 0.76, -5.24

 

CMYK 6 / 5 / 0 / 38

HEX #94969E

RGB 148 150 158

HSL 228, 0.05%, 0.6%

LAB 62.15, 0.88, -4.45

 

CMYK 5 / 3 / 0 / 31

HEX #A9ABB1

RGB 169 171 177

HSL 225, 0.05%, 0.68%

LAB 69.99, 0.46, -3.33

 

CMYK 9 / 7 / 0 / 46

HEX #7E818A

RGB 126 129 138

HSL 225, 0.05%, 0.52%

LAB 54, 0.76, -5.24

 

CMYK 0 / 9 / 0 / 46

HEX #8A7E8A

RGB 138 126 138

HSL 300, 0.05%, 0.52%

LAB 54.2, 6.87, -4.83

 

CMYK 3 / 0 / 9 / 46

HEX #868A7E

RGB 134 138 126

HSL 80, 0.05%, 0.52%

LAB 56.83, -3.78, 5.91

 

CMYK 9 / 7 / 0 / 46

HEX #7E818A

RGB 126 129 138

HSL 225, 0.05%, 0.52%

LAB 54, 0.76, -5.24

 

CMYK 0 / 9 / 7 / 46

HEX #8A7E81

RGB 138 126 129

HSL 345, 0.05%, 0.52%

LAB 53.93, 5.12, 0.02

 

CMYK 7 / 0 / 9 / 46

HEX #818A7E

RGB 129 138 126

HSL 105, 0.05%, 0.52%

LAB 56.44, -5.66, 5.29

 

CMYK 9 / 7 / 0 / 46

HEX #7E818A

RGB 126 129 138

HSL 225, 0.05%, 0.52%

LAB 54, 0.76, -5.24

 

CMYK 0 / 9 / 0 / 46

HEX #8A7E8A

RGB 138 126 138

HSL 300, 0.05%, 0.52%

LAB 54.2, 6.87, -4.83

 

CMYK 0 / 2 / 9 / 46

HEX #8A877E

RGB 138 135 126

HSL 45, 0.05%, 0.52%

LAB 56.32, -0.57, 5.23

 

CMYK 8 / 0 / 9 / 46

HEX #7F8A7E

RGB 127 138 126

HSL 115, 0.05%, 0.52%

LAB 56.28, -6.41, 5.05

 

CMYK 9 / 7 / 0 / 46

HEX #7E818A

RGB 126 129 138

HSL 225, 0.05%, 0.52%

LAB 54, 0.76, -5.24

 

CMYK 0 / 9 / 2 / 46

HEX #8A7E87

RGB 138 126 135

HSL 315, 0.05%, 0.52%

LAB 54.11, 6.27, -3.22

 

CMYK 0 / 2 / 9 / 46

HEX #8A877E

RGB 138 135 126

HSL 45, 0.05%, 0.52%

LAB 56.32, -0.57, 5.23

 

CMYK 9 / 0 / 7 / 46

HEX #7E8A81

RGB 126 138 129

HSL 135, 0.05%, 0.52%

LAB 56.29, -6.19, 3.32

 

Description

Color code: HEX #7E818A | qconv.com Color code: HEX #7E818A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 129 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 129 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 7 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 7% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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