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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E7C03 it is the complementary color #8183FC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E7C03. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E7C03 shade: #837C00, #948E11, #A5A024, #B6B237 and #C7C44A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E7C03. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E7C03 shade: #7E7C03, #6D6A00, #5C5800, #4B4600 and #3A3400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E7C03 shade: #7C7A03, #7C5903, #7C3903, #7C1803 and #7C0303

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E7C03 shade: #7C7A03, #5D7C03, #3C7C03, #1C7C03 and #037C0A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E7C03 shade matches the following richer shades: #7C7A03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E7C03 shade: #7C7A03, #71700D, #676617, #5D5C22 and #53522C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E7C03 shade: #7C3903, #7C5903, #7C7A03, #5E7C03 and #3D7C03

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E7C03 shade: #2B2B01, #545202, #7C7A03, #A4A104 and #CCC905

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E7C03 shade: #7E7C03, #037C19 and #49037C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E7C03 shade: #7E7C03, #037C7A and #7A037C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E7C03 shade: #7E7C03, #037C19, #03057C and #7C0366

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E7C03 shade: #7E7C03, #037C3D, #03057C and #7C0341

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 98 / 51

HEX #7E7C03

RGB 126 124 3

HSL 59.02, 0.95%, 0.25%

LAB 50.52, -11.64, 55.02

 

Complementary color

CMYK 49 / 48 / 0 / 1

HEX #8183FC

RGB 129 131 252

HSL 239.02, 0.95%, 0.75%

LAB 59.82, 30.67, -60.82

 

CMYK 0 / 5 / 100 / 49

HEX #837C00

RGB 131 124 0

HSL 56.79, 1%, 0.26%

LAB 50.97, -9.35, 56.14

 

CMYK 0 / 4 / 89 / 42

HEX #948E11

RGB 148 142 17

HSL 57.25, 0.79%, 0.32%

LAB 57.73, -10.89, 58.87

 

CMYK 0 / 3 / 78 / 35

HEX #A5A024

RGB 165 160 36

HSL 57.67, 0.64%, 0.39%

LAB 64.38, -12.16, 60.04

 

CMYK 0 / 2 / 70 / 29

HEX #B6B237

RGB 182 178 55

HSL 58.11, 0.54%, 0.46%

LAB 70.91, -13.19, 60.1

 

CMYK 0 / 2 / 63 / 22

HEX #C7C44A

RGB 199 196 74

HSL 58.56, 0.53%, 0.54%

LAB 77.35, -14.04, 59.55

 

CMYK 0 / 2 / 98 / 51

HEX #7E7C03

RGB 126 124 3

HSL 59.02, 0.95%, 0.25%

LAB 50.52, -11.64, 55.02

 

CMYK 0 / 3 / 100 / 57

HEX #6D6A00

RGB 109 106 0

HSL 58.35, 1%, 0.21%

LAB 43.59, -9.85, 49.86

 

CMYK 0 / 4 / 100 / 64

HEX #5C5800

RGB 92 88 0

HSL 57.39, 1%, 0.18%

LAB 36.47, -7.93, 43.95

 

CMYK 0 / 7 / 100 / 71

HEX #4B4600

RGB 75 70 0

HSL 56, 1%, 0.15%

LAB 29.1, -5.9, 37.78

 

CMYK 0 / 10 / 100 / 77

HEX #3A3400

RGB 58 52 0

HSL 53.79, 1%, 0.11%

LAB 21.41, -3.73, 29.9

 

CMYK 0 / 2 / 98 / 51

HEX #7C7A03

RGB 124 122 3

HSL 59.01, 0.95%, 0.25%

LAB 49.75, -11.49, 54.36

 

CMYK 0 / 28 / 98 / 51

HEX #7C5903

RGB 124 89 3

HSL 42.64, 0.95%, 0.25%

LAB 40.31, 7.44, 47.42

 

CMYK 0 / 54 / 98 / 51

HEX #7C3903

RGB 124 57 3

HSL 26.78, 0.95%, 0.25%

LAB 32.3, 26.21, 41.91

 

CMYK 0 / 81 / 98 / 51

HEX #7C1803

RGB 124 24 3

HSL 10.41, 0.95%, 0.25%

LAB 26.58, 41.43, 37.46

 

CMYK 0 / 98 / 98 / 51

HEX #7C0303

RGB 124 3 3

HSL 0, 0.95%, 0.25%

LAB 24.82, 46.43, 35.83

 

CMYK 0 / 2 / 98 / 51

HEX #7C7A03

RGB 124 122 3

HSL 59.01, 0.95%, 0.25%

LAB 49.75, -11.49, 54.36

 

CMYK 25 / 0 / 98 / 51

HEX #5D7C03

RGB 93 124 3

HSL 75.37, 0.95%, 0.25%

LAB 47.94, -26.62, 51.92

 

CMYK 52 / 0 / 98 / 51

HEX #3C7C03

RGB 60 124 3

HSL 91.74, 0.95%, 0.25%

LAB 46.15, -39.27, 49.74

 

CMYK 77 / 0 / 98 / 51

HEX #1C7C03

RGB 28 124 3

HSL 107.6, 0.95%, 0.25%

LAB 45.18, -47.32, 48.55

 

CMYK 98 / 0 / 92 / 51

HEX #037C0A

RGB 3 124 10

HSL 123.47, 0.95%, 0.25%

LAB 44.88, -49.88, 46.7

 

CMYK 0 / 2 / 98 / 51

HEX #7C7A03

RGB 124 122 3

HSL 59.01, 0.95%, 0.25%

LAB 49.75, -11.49, 54.36

 

CMYK 0 / 2 / 98 / 51

HEX #7C7A03

RGB 124 122 3

HSL 59.01, 0.95%, 0.25%

LAB 49.75, -11.49, 54.36

 

CMYK 0 / 1 / 88 / 56

HEX #71700D

RGB 113 112 13

HSL 59.4, 0.79%, 0.25%

LAB 45.81, -10.96, 48.73

 

CMYK 0 / 1 / 78 / 60

HEX #676617

RGB 103 102 23

HSL 59.25, 0.63%, 0.25%

LAB 41.92, -9.74, 41.83

 

CMYK 0 / 1 / 63 / 64

HEX #5D5C22

RGB 93 92 34

HSL 58.98, 0.46%, 0.25%

LAB 38.02, -8.1, 32.67

 

CMYK 0 / 1 / 47 / 67

HEX #53522C

RGB 83 82 44

HSL 58.46, 0.31%, 0.25%

LAB 34.1, -5.97, 22.38

 

CMYK 0 / 54 / 98 / 51

HEX #7C3903

RGB 124 57 3

HSL 26.78, 0.95%, 0.25%

LAB 32.3, 26.21, 41.91

 

CMYK 0 / 28 / 98 / 51

HEX #7C5903

RGB 124 89 3

HSL 42.64, 0.95%, 0.25%

LAB 40.31, 7.44, 47.42

 

CMYK 0 / 2 / 98 / 51

HEX #7C7A03

RGB 124 122 3

HSL 59.01, 0.95%, 0.25%

LAB 49.75, -11.49, 54.36

 

CMYK 24 / 0 / 98 / 51

HEX #5E7C03

RGB 94 124 3

HSL 74.88, 0.95%, 0.25%

LAB 48.01, -26.19, 52

 

CMYK 51 / 0 / 98 / 51

HEX #3D7C03

RGB 61 124 3

HSL 91.24, 0.95%, 0.25%

LAB 46.2, -38.94, 49.8

 

CMYK 0 / 0 / 98 / 83

HEX #2B2B01

RGB 43 43 1

HSL 60, 0.95%, 0.09%

LAB 16.72, -6.15, 23.62

 

CMYK 0 / 2 / 98 / 67

HEX #545202

RGB 84 82 2

HSL 58.54, 0.95%, 0.17%

LAB 33.82, -8.37, 40.97

 

CMYK 0 / 2 / 98 / 51

HEX #7C7A03

RGB 124 122 3

HSL 59.01, 0.95%, 0.25%

LAB 49.75, -11.49, 54.36

 

CMYK 0 / 2 / 98 / 36

HEX #A4A104

RGB 164 161 4

HSL 58.88, 0.95%, 0.33%

LAB 64.48, -13.88, 66.75

 

CMYK 0 / 1 / 98 / 20

HEX #CCC905

RGB 204 201 5

HSL 59.1, 0.95%, 0.41%

LAB 78.82, -16.68, 78.78

 

CMYK 0 / 2 / 98 / 51

HEX #7E7C03

RGB 126 124 3

HSL 59.02, 0.95%, 0.25%

LAB 50.52, -11.64, 55.02

 

CMYK 98 / 0 / 80 / 51

HEX #037C19

RGB 3 124 25

HSL 130.91, 0.95%, 0.25%

LAB 44.95, -49.01, 42.55

 

CMYK 41 / 98 / 0 / 51

HEX #49037C

RGB 73 3 124

HSL 274.71, 0.95%, 0.25%

LAB 19.79, 49.35, -50.64

 

CMYK 0 / 2 / 98 / 51

HEX #7E7C03

RGB 126 124 3

HSL 59.02, 0.95%, 0.25%

LAB 50.52, -11.64, 55.02

 

CMYK 98 / 0 / 2 / 51

HEX #037C7A

RGB 3 124 122

HSL 179.01, 0.95%, 0.25%

LAB 46.76, -28.67, -7.16

 

CMYK 2 / 98 / 0 / 51

HEX #7A037C

RGB 122 3 124

HSL 299.01, 0.95%, 0.25%

LAB 28.53, 56.75, -36.04

 

CMYK 0 / 2 / 98 / 51

HEX #7E7C03

RGB 126 124 3

HSL 59.02, 0.95%, 0.25%

LAB 50.52, -11.64, 55.02

 

CMYK 98 / 0 / 80 / 51

HEX #037C19

RGB 3 124 25

HSL 130.91, 0.95%, 0.25%

LAB 44.95, -49.01, 42.55

 

CMYK 98 / 96 / 0 / 51

HEX #03057C

RGB 3 5 124

HSL 239.01, 0.95%, 0.25%

LAB 13.13, 44.36, -61.89

 

CMYK 0 / 98 / 18 / 51

HEX #7C0366

RGB 124 3 102

HSL 310.91, 0.95%, 0.25%

LAB 27.6, 53.82, -23.38

 

CMYK 0 / 2 / 98 / 51

HEX #7E7C03

RGB 126 124 3

HSL 59.02, 0.95%, 0.25%

LAB 50.52, -11.64, 55.02

 

CMYK 98 / 0 / 51 / 51

HEX #037C3D

RGB 3 124 61

HSL 148.76, 0.95%, 0.25%

LAB 45.32, -44.39, 26.22

 

CMYK 98 / 96 / 0 / 51

HEX #03057C

RGB 3 5 124

HSL 239.01, 0.95%, 0.25%

LAB 13.13, 44.36, -61.89

 

CMYK 0 / 98 / 48 / 51

HEX #7C0341

RGB 124 3 65

HSL 329.26, 0.95%, 0.25%

LAB 25.96, 49.54, -1.25

 

Description

Color code: HEX #7E7C03 | qconv.com Color code: HEX #7E7C03 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 124 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 124 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 98 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 98% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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