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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E6F74 it is the complementary color #81908B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E6F74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E6F74 shade: #836F6F, #948182, #A59395, #B6A5A8 and #C7B7BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E6F74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E6F74 shade: #7E6F74, #6D5D61, #5C4B4E, #4B393B and #3A2728

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E6F74 shade: #7C6E72, #7C6E6F and #7C6E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E6F74 shade: #7C6E72, #7C6E76, #7C6E7A, #7A6E7C and #766E7C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E6F74 shade matches the following richer shades: #7C6E72, #8F5B6C, #A24866, #B5355F and #C82259

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E6F74 shade: #7C6E72, #698179, #56947F, #43A785 and #30BA8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E6F74 shade: #7C6E7A, #7C6E76, #7C6E72, #7C6E6F and #7C716E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E6F74 shade: #50474A, #665A5E, #7C6E72, #908287 and #A4989C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E6F74 shade: #7E6F74, #7C7A6E and #6E787C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E6F74 shade: #7E6F74, #727C6E and #6E727C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E6F74 shade: #7E6F74, #7C7A6E, #6E7C77 and #6E707C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E6F74 shade: #7E6F74, #797C6E, #6E7C77 and #706E7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 8 / 51

HEX #7E6F74

RGB 126 111 116

HSL 340, 0.06%, 0.46%

LAB 48.34, 6.79, -0.63

 

Complementary color

CMYK 10 / 0 / 3 / 44

HEX #81908B

RGB 129 144 139

HSL 160, 0.06%, 0.54%

LAB 58.49, -6.42, 0.81

 

CMYK 0 / 15 / 15 / 49

HEX #836F6F

RGB 131 111 111

HSL 0, 0.08%, 0.47%

LAB 48.69, 7.85, 2.91

 

CMYK 0 / 13 / 12 / 42

HEX #948182

RGB 148 129 130

HSL 356.84, 0.08%, 0.54%

LAB 55.69, 7.41, 2.12

 

CMYK 0 / 11 / 10 / 35

HEX #A59395

RGB 165 147 149

HSL 353.33, 0.09%, 0.61%

LAB 62.54, 7.03, 1.38

 

CMYK 0 / 9 / 8 / 29

HEX #B6A5A8

RGB 182 165 168

HSL 349.41, 0.1%, 0.68%

LAB 69.24, 6.69, 0.68

 

CMYK 0 / 8 / 6 / 22

HEX #C7B7BB

RGB 199 183 187

HSL 345, 0.13%, 0.75%

LAB 75.82, 6.38, 0.02

 

CMYK 0 / 12 / 8 / 51

HEX #7E6F74

RGB 126 111 116

HSL 340, 0.06%, 0.46%

LAB 48.34, 6.79, -0.63

 

CMYK 0 / 15 / 11 / 57

HEX #6D5D61

RGB 109 93 97

HSL 345, 0.08%, 0.4%

LAB 41.13, 7.21, 0.11

 

CMYK 0 / 18 / 15 / 64

HEX #5C4B4E

RGB 92 75 78

HSL 349.41, 0.1%, 0.33%

LAB 33.68, 7.71, 0.91

 

CMYK 0 / 24 / 21 / 71

HEX #4B393B

RGB 75 57 59

HSL 353.33, 0.14%, 0.26%

LAB 25.97, 8.33, 1.81

 

CMYK 0 / 33 / 31 / 77

HEX #3A2728

RGB 58 39 40

HSL 356.84, 0.2%, 0.19%

LAB 17.94, 9.12, 2.9

 

CMYK 0 / 11 / 8 / 51

HEX #7C6E72

RGB 124 110 114

HSL 342.86, 0.06%, 0.46%

LAB 47.82, 6.22, -0.22

 

CMYK 0 / 11 / 10 / 51

HEX #7C6E6F

RGB 124 110 111

HSL 355.71, 0.06%, 0.46%

LAB 47.73, 5.66, 1.44

 

CMYK 0 / 11 / 11 / 51

HEX #7C6E6E

RGB 124 110 110

HSL 0, 0.06%, 0.46%

LAB 47.7, 5.47, 2

 

CMYK 0 / 11 / 8 / 51

HEX #7C6E72

RGB 124 110 114

HSL 342.86, 0.06%, 0.46%

LAB 47.82, 6.22, -0.22

 

CMYK 0 / 11 / 5 / 51

HEX #7C6E76

RGB 124 110 118

HSL 325.71, 0.06%, 0.46%

LAB 47.94, 6.99, -2.43

 

CMYK 0 / 11 / 2 / 51

HEX #7C6E7A

RGB 124 110 122

HSL 308.57, 0.06%, 0.46%

LAB 48.06, 7.79, -4.64

 

CMYK 2 / 11 / 0 / 51

HEX #7A6E7C

RGB 122 110 124

HSL 291.43, 0.06%, 0.46%

LAB 47.94, 7.44, -6.03

 

CMYK 5 / 11 / 0 / 51

HEX #766E7C

RGB 118 110 124

HSL 274.29, 0.06%, 0.46%

LAB 47.57, 5.95, -6.62

 

CMYK 0 / 11 / 8 / 51

HEX #7C6E72

RGB 124 110 114

HSL 342.86, 0.06%, 0.46%

LAB 47.82, 6.22, -0.22

 

CMYK 0 / 36 / 24 / 44

HEX #8F5B6C

RGB 143 91 108

HSL 340.38, 0.22%, 0.46%

LAB 44.81, 23.83, -0.77

 

CMYK 0 / 56 / 37 / 36

HEX #A24866

RGB 162 72 102

HSL 340, 0.38%, 0.46%

LAB 43.18, 40.41, 0.84

 

CMYK 0 / 71 / 48 / 29

HEX #B5355F

RGB 181 53 95

HSL 340.31, 0.55%, 0.46%

LAB 43.06, 54.26, 5.42

 

CMYK 0 / 83 / 56 / 22

HEX #C82259

RGB 200 34 89

HSL 340.12, 0.71%, 0.46%

LAB 44.44, 64.87, 11.62

 

CMYK 0 / 11 / 8 / 51

HEX #7C6E72

RGB 124 110 114

HSL 342.86, 0.06%, 0.46%

LAB 47.82, 6.22, -0.22

 

CMYK 19 / 0 / 6 / 49

HEX #698179

RGB 105 129 121

HSL 160, 0.1%, 0.46%

LAB 51.93, -10.4, 1.46

 

CMYK 42 / 0 / 14 / 42

HEX #56947F

RGB 86 148 127

HSL 159.68, 0.26%, 0.46%

LAB 56.77, -25.18, 4.86

 

CMYK 60 / 0 / 20 / 35

HEX #43A785

RGB 67 167 133

HSL 159.6, 0.43%, 0.46%

LAB 62.1, -37.45, 9

 

CMYK 74 / 0 / 25 / 27

HEX #30BA8C

RGB 48 186 140

HSL 160, 0.59%, 0.46%

LAB 67.75, -47.14, 13.06

 

CMYK 0 / 11 / 2 / 51

HEX #7C6E7A

RGB 124 110 122

HSL 308.57, 0.06%, 0.46%

LAB 48.06, 7.79, -4.64

 

CMYK 0 / 11 / 5 / 51

HEX #7C6E76

RGB 124 110 118

HSL 325.71, 0.06%, 0.46%

LAB 47.94, 6.99, -2.43

 

CMYK 0 / 11 / 8 / 51

HEX #7C6E72

RGB 124 110 114

HSL 342.86, 0.06%, 0.46%

LAB 47.82, 6.22, -0.22

 

CMYK 0 / 11 / 10 / 51

HEX #7C6E6F

RGB 124 110 111

HSL 355.71, 0.06%, 0.46%

LAB 47.73, 5.66, 1.44

 

CMYK 0 / 9 / 11 / 51

HEX #7C716E

RGB 124 113 110

HSL 12.86, 0.06%, 0.46%

LAB 48.54, 3.71, 3.2

 

CMYK 0 / 11 / 7 / 69

HEX #50474A

RGB 80 71 74

HSL 340, 0.06%, 0.3%

LAB 31.13, 4.4, -0.42

 

CMYK 0 / 12 / 8 / 60

HEX #665A5E

RGB 102 90 94

HSL 340, 0.06%, 0.38%

LAB 39.49, 5.64, -0.52

 

CMYK 0 / 11 / 8 / 51

HEX #7C6E72

RGB 124 110 114

HSL 342.86, 0.06%, 0.46%

LAB 47.82, 6.22, -0.22

 

CMYK 0 / 10 / 6 / 44

HEX #908287

RGB 144 130 135

HSL 338.57, 0.06%, 0.54%

LAB 55.73, 6.22, -0.77

 

CMYK 0 / 7 / 5 / 36

HEX #A4989C

RGB 164 152 156

HSL 340, 0.06%, 0.62%

LAB 63.96, 5.13, -0.51

 

CMYK 0 / 12 / 8 / 51

HEX #7E6F74

RGB 126 111 116

HSL 340, 0.06%, 0.46%

LAB 48.34, 6.79, -0.63

 

CMYK 0 / 2 / 11 / 51

HEX #7C7A6E

RGB 124 122 110

HSL 51.43, 0.06%, 0.46%

LAB 51.07, -1.51, 6.84

 

CMYK 11 / 3 / 0 / 51

HEX #6E787C

RGB 110 120 124

HSL 197.14, 0.06%, 0.46%

LAB 49.74, -2.85, -3.47

 

CMYK 0 / 12 / 8 / 51

HEX #7E6F74

RGB 126 111 116

HSL 340, 0.06%, 0.46%

LAB 48.34, 6.79, -0.63

 

CMYK 8 / 0 / 11 / 51

HEX #727C6E

RGB 114 124 110

HSL 102.86, 0.06%, 0.46%

LAB 50.83, -6.54, 6.38

 

CMYK 11 / 8 / 0 / 51

HEX #6E727C

RGB 110 114 124

HSL 222.86, 0.06%, 0.46%

LAB 48.01, 0.65, -6.03

 

CMYK 0 / 12 / 8 / 51

HEX #7E6F74

RGB 126 111 116

HSL 340, 0.06%, 0.46%

LAB 48.34, 6.79, -0.63

 

CMYK 0 / 2 / 11 / 51

HEX #7C7A6E

RGB 124 122 110

HSL 51.43, 0.06%, 0.46%

LAB 51.07, -1.51, 6.84

 

CMYK 11 / 0 / 4 / 51

HEX #6E7C77

RGB 110 124 119

HSL 158.57, 0.06%, 0.46%

LAB 50.76, -6.22, 0.97

 

CMYK 11 / 10 / 0 / 51

HEX #6E707C

RGB 110 112 124

HSL 231.43, 0.06%, 0.46%

LAB 47.44, 1.83, -6.88

 

CMYK 0 / 12 / 8 / 51

HEX #7E6F74

RGB 126 111 116

HSL 340, 0.06%, 0.46%

LAB 48.34, 6.79, -0.63

 

CMYK 2 / 0 / 11 / 51

HEX #797C6E

RGB 121 124 110

HSL 72.86, 0.06%, 0.46%

LAB 51.39, -3.83, 7.26

 

CMYK 11 / 0 / 4 / 51

HEX #6E7C77

RGB 110 124 119

HSL 158.57, 0.06%, 0.46%

LAB 50.76, -6.22, 0.97

 

CMYK 10 / 11 / 0 / 51

HEX #706E7C

RGB 112 110 124

HSL 248.57, 0.06%, 0.46%

LAB 47.04, 3.74, -7.46

 

Description

Color code: HEX #7E6F74 | qconv.com Color code: HEX #7E6F74 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 111 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 111 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 8 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 8% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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