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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E63DD it is the complementary color #819C22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E63DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E63DD shade: #8363D8, #9475EB, #A587FE, #B699FF and #C7ABFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E63DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E63DD shade: #7E63DD, #6D51CA, #5C3FB7, #4B2DA4 and #3A1B91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E63DD shade: #7E64DD, #9F64DD, #C064DD, #DD64D9 and #DD64B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E63DD shade: #7E64DD and #6464DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E63DD shade matches the following richer shades: #7E64DD, #7655EC and #6D45FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E63DD shade: #7E64DD, #8773CD, #9082BE, #9892AF and #A1A19F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E63DD shade: #648ADD, #646ADD, #7E64DD, #9E64DD and #BE64DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E63DD shade: #4C2AC3, #6342D5, #7E64DD, #9A86E4 and #B6A7EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E63DD shade: #7E63DD, #DD64AA and #7ADD64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E63DD shade: #7E63DD, #DD7E64 and #64DD7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E63DD shade: #7E63DD, #DD64AA, #C2DD64 and #64DD96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E63DD shade: #7E63DD, #DD6486, #C2DD64 and #64DDBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 55 / 0 / 13

HEX #7E63DD

RGB 126 99 221

HSL 253.28, 0.64%, 0.63%

LAB 50.19, 39.75, -59

 

Complementary color

CMYK 17 / 0 / 78 / 39

HEX #819C22

RGB 129 156 34

HSL 73.28, 0.64%, 0.37%

LAB 60.39, -25.9, 56

 

CMYK 39 / 54 / 0 / 15

HEX #8363D8

RGB 131 99 216

HSL 256.41, 0.6%, 0.62%

LAB 50.34, 39.51, -55.89

 

CMYK 37 / 50 / 0 / 8

HEX #9475EB

RGB 148 117 235

HSL 255.76, 0.75%, 0.69%

LAB 57.09, 38.38, -55.69

 

CMYK 35 / 47 / 0 / 0

HEX #A587FE

RGB 165 135 254

HSL 255.13, 0.98%, 0.76%

LAB 63.74, 37.34, -55.5

 

CMYK 29 / 40 / 0 / 0

HEX #B699FF

RGB 182 153 255

HSL 257.06, 1%, 0.8%

LAB 69.43, 31.95, -46.95

 

CMYK 22 / 33 / 0 / 0

HEX #C7ABFF

RGB 199 171 255

HSL 260, 1%, 0.84%

LAB 75.13, 26.77, -37.93

 

CMYK 43 / 55 / 0 / 13

HEX #7E63DD

RGB 126 99 221

HSL 253.28, 0.64%, 0.63%

LAB 50.19, 39.75, -59

 

CMYK 46 / 60 / 0 / 21

HEX #6D51CA

RGB 109 81 202

HSL 253.88, 0.53%, 0.55%

LAB 43.36, 41.08, -59.23

 

CMYK 50 / 66 / 0 / 28

HEX #5C3FB7

RGB 92 63 183

HSL 254.5, 0.49%, 0.48%

LAB 36.46, 42.5, -59.41

 

CMYK 54 / 73 / 0 / 36

HEX #4B2DA4

RGB 75 45 164

HSL 255.13, 0.57%, 0.41%

LAB 29.55, 43.91, -59.43

 

CMYK 60 / 81 / 0 / 43

HEX #3A1B91

RGB 58 27 145

HSL 255.76, 0.69%, 0.34%

LAB 22.75, 45, -59.03

 

CMYK 43 / 55 / 0 / 13

HEX #7E64DD

RGB 126 100 221

HSL 252.89, 0.64%, 0.63%

LAB 50.42, 39.17, -58.63

 

CMYK 28 / 55 / 0 / 13

HEX #9F64DD

RGB 159 100 221

HSL 269.26, 0.64%, 0.63%

LAB 53.71, 47.01, -53.17

 

CMYK 13 / 55 / 0 / 13

HEX #C064DD

RGB 192 100 221

HSL 285.62, 0.64%, 0.63%

LAB 57.6, 55.41, -46.75

 

CMYK 0 / 55 / 2 / 13

HEX #DD64D9

RGB 221 100 217

HSL 301.98, 0.64%, 0.63%

LAB 61.22, 62.28, -38.54

 

CMYK 0 / 55 / 17 / 13

HEX #DD64B8

RGB 221 100 184

HSL 318.35, 0.64%, 0.63%

LAB 59.84, 57.02, -21.95

 

CMYK 43 / 55 / 0 / 13

HEX #7E64DD

RGB 126 100 221

HSL 252.89, 0.64%, 0.63%

LAB 50.42, 39.17, -58.63

 

CMYK 55 / 55 / 0 / 13

HEX #6464DD

RGB 100 100 221

HSL 240, 0.64%, 0.63%

LAB 48.32, 33.74, -62.13

 

CMYK 43 / 55 / 0 / 13

HEX #7E64DD

RGB 126 100 221

HSL 252.89, 0.64%, 0.63%

LAB 50.42, 39.17, -58.63

 

CMYK 50 / 64 / 0 / 7

HEX #7655EC

RGB 118 85 236

HSL 253.11, 0.8%, 0.63%

LAB 47.5, 50.28, -71.85

 

CMYK 57 / 73 / 0 / 2

HEX #6D45FB

RGB 109 69 251

HSL 253.19, 0.96%, 0.63%

LAB 44.9, 61.43, -84.55

 

CMYK 43 / 55 / 0 / 13

HEX #7E64DD

RGB 126 100 221

HSL 252.89, 0.64%, 0.63%

LAB 50.42, 39.17, -58.63

 

CMYK 34 / 44 / 0 / 20

HEX #8773CD

RGB 135 115 205

HSL 253.33, 0.47%, 0.63%

LAB 53.84, 28.24, -44.05

 

CMYK 24 / 32 / 0 / 25

HEX #9082BE

RGB 144 130 190

HSL 254, 0.32%, 0.63%

LAB 57.67, 18.22, -29.46

 

CMYK 13 / 17 / 0 / 31

HEX #9892AF

RGB 152 146 175

HSL 252.41, 0.15%, 0.63%

LAB 61.94, 8.11, -14.36

 

CMYK 0 / 0 / 1 / 37

HEX #A1A19F

RGB 161 161 159

HSL 60, 0.01%, 0.63%

LAB 66.19, -0.38, 1.03

 

CMYK 55 / 38 / 0 / 13

HEX #648ADD

RGB 100 138 221

HSL 221.16, 0.64%, 0.63%

LAB 58.14, 10.72, -46.42

 

CMYK 55 / 52 / 0 / 13

HEX #646ADD

RGB 100 106 221

HSL 237.02, 0.64%, 0.63%

LAB 49.78, 30.1, -59.76

 

CMYK 43 / 55 / 0 / 13

HEX #7E64DD

RGB 126 100 221

HSL 252.89, 0.64%, 0.63%

LAB 50.42, 39.17, -58.63

 

CMYK 29 / 55 / 0 / 13

HEX #9E64DD

RGB 158 100 221

HSL 268.76, 0.64%, 0.63%

LAB 53.6, 46.76, -53.35

 

CMYK 14 / 55 / 0 / 13

HEX #BE64DD

RGB 190 100 221

HSL 284.63, 0.64%, 0.63%

LAB 57.35, 54.89, -47.16

 

CMYK 61 / 78 / 0 / 24

HEX #4C2AC3

RGB 76 42 195

HSL 253.33, 0.65%, 0.46%

LAB 32.11, 54.54, -73.67

 

CMYK 54 / 69 / 0 / 16

HEX #6342D5

RGB 99 66 213

HSL 253.47, 0.64%, 0.55%

LAB 40.17, 50.78, -70.81

 

CMYK 43 / 55 / 0 / 13

HEX #7E64DD

RGB 126 100 221

HSL 252.89, 0.64%, 0.63%

LAB 50.42, 39.17, -58.63

 

CMYK 32 / 41 / 0 / 11

HEX #9A86E4

RGB 154 134 228

HSL 252.77, 0.64%, 0.71%

LAB 61.24, 28.35, -45.17

 

CMYK 23 / 29 / 0 / 8

HEX #B6A7EB

RGB 182 167 235

HSL 253.24, 0.63%, 0.79%

LAB 71.95, 19.38, -32.14

 

CMYK 43 / 55 / 0 / 13

HEX #7E63DD

RGB 126 99 221

HSL 253.28, 0.64%, 0.63%

LAB 50.19, 39.75, -59

 

CMYK 0 / 55 / 23 / 13

HEX #DD64AA

RGB 221 100 170

HSL 325.29, 0.64%, 0.63%

LAB 59.33, 55.01, -14.68

 

CMYK 45 / 0 / 55 / 13

HEX #7ADD64

RGB 122 221 100

HSL 109.09, 0.64%, 0.63%

LAB 80.05, -51.64, 49.85

 

CMYK 43 / 55 / 0 / 13

HEX #7E63DD

RGB 126 99 221

HSL 253.28, 0.64%, 0.63%

LAB 50.19, 39.75, -59

 

CMYK 0 / 43 / 55 / 13

HEX #DD7E64

RGB 221 126 100

HSL 12.89, 0.64%, 0.63%

LAB 62.69, 34.21, 30.14

 

CMYK 55 / 0 / 43 / 13

HEX #64DD7E

RGB 100 221 126

HSL 132.89, 0.64%, 0.63%

LAB 79.57, -53.99, 36.55

 

CMYK 43 / 55 / 0 / 13

HEX #7E63DD

RGB 126 99 221

HSL 253.28, 0.64%, 0.63%

LAB 50.19, 39.75, -59

 

CMYK 0 / 55 / 23 / 13

HEX #DD64AA

RGB 221 100 170

HSL 325.29, 0.64%, 0.63%

LAB 59.33, 55.01, -14.68

 

CMYK 12 / 0 / 55 / 13

HEX #C2DD64

RGB 194 221 100

HSL 73.39, 0.64%, 0.63%

LAB 84.02, -26.4, 55.49

 

CMYK 55 / 0 / 32 / 13

HEX #64DD96

RGB 100 221 150

HSL 144.79, 0.64%, 0.63%

LAB 79.97, -49.84, 24.83

 

CMYK 43 / 55 / 0 / 13

HEX #7E63DD

RGB 126 99 221

HSL 253.28, 0.64%, 0.63%

LAB 50.19, 39.75, -59

 

CMYK 0 / 55 / 39 / 13

HEX #DD6486

RGB 221 100 134

HSL 343.14, 0.64%, 0.63%

LAB 58.23, 50.55, 4.59

 

CMYK 12 / 0 / 55 / 13

HEX #C2DD64

RGB 194 221 100

HSL 73.39, 0.64%, 0.63%

LAB 84.02, -26.4, 55.49

 

CMYK 55 / 0 / 16 / 13

HEX #64DDBA

RGB 100 221 186

HSL 162.64, 0.64%, 0.63%

LAB 80.72, -42.28, 6.96

 

Description

Color code: HEX #7E63DD | qconv.com Color code: HEX #7E63DD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 99 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 99 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 55 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 55% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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