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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E4FC3 it is the complementary color #81B03C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E4FC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E4FC3 shade: #834FBE, #9461D1, #A573E4, #B685F7 and #C797FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E4FC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E4FC3 shade: #7E4FC3, #6D3DB0, #5C2B9D, #4B198A and #3A0777

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E4FC3 shade: #7E50C3, #9D50C3, #BC50C3, #C350AA and #C3508B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E4FC3 shade: #7E50C3, #5F50C3 and #5050C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E4FC3 shade matches the following richer shades: #7E50C3, #7B3DD6, #772AE9 and #7317FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E4FC3 shade: #7E50C3, #8263B0, #85769D, #89898A and #8D9C77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E4FC3 shade: #505FC3, #5F50C3, #7E50C3, #9C50C3 and #BB50C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E4FC3 shade: #57318F, #6A3BAE, #7E50C3, #956ECD and #AB8DD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E4FC3 shade: #7E4FC3, #C3507E and #50C350

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E4FC3 shade: #7E4FC3, #C37E50 and #50C37E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E4FC3 shade: #7E4FC3, #C3507E, #95C350 and #50C395

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E4FC3 shade: #7E4FC3, #C3505B, #95C350 and #50C3B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 59 / 0 / 24

HEX #7E4FC3

RGB 126 79 195

HSL 264.31, 0.49%, 0.54%

LAB 44.19, 44.04, -53.76

 

Complementary color

CMYK 27 / 0 / 66 / 31

HEX #81B03C

RGB 129 176 60

HSL 84.31, 0.49%, 0.46%

LAB 66.55, -33.8, 52.42

 

CMYK 31 / 58 / 0 / 25

HEX #834FBE

RGB 131 79 190

HSL 268.11, 0.46%, 0.53%

LAB 44.43, 43.96, -50.44

 

CMYK 29 / 54 / 0 / 18

HEX #9461D1

RGB 148 97 209

HSL 267.32, 0.55%, 0.6%

LAB 51.21, 42.99, -50.43

 

CMYK 28 / 50 / 0 / 11

HEX #A573E4

RGB 165 115 228

HSL 266.55, 0.68%, 0.67%

LAB 57.91, 42.03, -50.38

 

CMYK 26 / 46 / 0 / 3

HEX #B685F7

RGB 182 133 247

HSL 265.79, 0.88%, 0.75%

LAB 64.51, 41.12, -50.34

 

CMYK 22 / 41 / 0 / 0

HEX #C797FF

RGB 199 151 255

HSL 267.69, 1%, 0.8%

LAB 70.52, 37.75, -45.13

 

CMYK 35 / 59 / 0 / 24

HEX #7E4FC3

RGB 126 79 195

HSL 264.31, 0.49%, 0.54%

LAB 44.19, 44.04, -53.76

 

CMYK 38 / 65 / 0 / 31

HEX #6D3DB0

RGB 109 61 176

HSL 265.04, 0.49%, 0.46%

LAB 37.34, 45.07, -53.76

 

CMYK 41 / 73 / 0 / 38

HEX #5C2B9D

RGB 92 43 157

HSL 265.79, 0.57%, 0.39%

LAB 30.49, 45.93, -53.56

 

CMYK 46 / 82 / 0 / 46

HEX #4B198A

RGB 75 25 138

HSL 266.55, 0.69%, 0.32%

LAB 23.76, 46.25, -52.95

 

CMYK 51 / 94 / 0 / 53

HEX #3A0777

RGB 58 7 119

HSL 267.32, 0.89%, 0.25%

LAB 17.38, 45.32, -51.48

 

CMYK 35 / 59 / 0 / 24

HEX #7E50C3

RGB 126 80 195

HSL 264, 0.49%, 0.54%

LAB 44.39, 43.49, -53.43

 

CMYK 19 / 59 / 0 / 24

HEX #9D50C3

RGB 157 80 195

HSL 280.17, 0.49%, 0.54%

LAB 48.06, 51.01, -47.34

 

CMYK 4 / 59 / 0 / 24

HEX #BC50C3

RGB 188 80 195

HSL 296.35, 0.49%, 0.54%

LAB 52.25, 58.85, -40.44

 

CMYK 0 / 59 / 13 / 24

HEX #C350AA

RGB 195 80 170

HSL 313.04, 0.49%, 0.54%

LAB 52.11, 56.53, -26.07

 

CMYK 0 / 59 / 29 / 24

HEX #C3508B

RGB 195 80 139

HSL 329.22, 0.49%, 0.54%

LAB 50.92, 52.1, -9.56

 

CMYK 35 / 59 / 0 / 24

HEX #7E50C3

RGB 126 80 195

HSL 264, 0.49%, 0.54%

LAB 44.39, 43.49, -53.43

 

CMYK 51 / 59 / 0 / 24

HEX #5F50C3

RGB 95 80 195

HSL 247.83, 0.49%, 0.54%

LAB 41.39, 36.74, -58.42

 

CMYK 59 / 59 / 0 / 24

HEX #5050C3

RGB 80 80 195

HSL 240, 0.49%, 0.54%

LAB 40.22, 33.91, -60.38

 

CMYK 35 / 59 / 0 / 24

HEX #7E50C3

RGB 126 80 195

HSL 264, 0.49%, 0.54%

LAB 44.39, 43.49, -53.43

 

CMYK 43 / 71 / 0 / 16

HEX #7B3DD6

RGB 123 61 214

HSL 264.31, 0.65%, 0.54%

LAB 41.85, 57.52, -68.53

 

CMYK 49 / 82 / 0 / 9

HEX #772AE9

RGB 119 42 233

HSL 264.19, 0.81%, 0.54%

LAB 40.35, 69.35, -81.87

 

CMYK 54 / 91 / 0 / 1

HEX #7317FC

RGB 115 23 252

HSL 264.1, 0.97%, 0.54%

LAB 40.06, 78.51, -93.08

 

CMYK 35 / 59 / 0 / 24

HEX #7E50C3

RGB 126 80 195

HSL 264, 0.49%, 0.54%

LAB 44.39, 43.49, -53.43

 

CMYK 26 / 44 / 0 / 31

HEX #8263B0

RGB 130 99 176

HSL 264.16, 0.33%, 0.54%

LAB 48.01, 28.76, -36.58

 

CMYK 15 / 25 / 0 / 38

HEX #85769D

RGB 133 118 157

HSL 263.08, 0.17%, 0.54%

LAB 52.26, 13.86, -18.87

 

CMYK 1 / 1 / 0 / 46

HEX #89898A

RGB 137 137 138

HSL 240, 0%, 0.54%

LAB 57.12, 0.2, -0.54

 

CMYK 10 / 0 / 24 / 39

HEX #8D9C77

RGB 141 156 119

HSL 84.32, 0.16%, 0.54%

LAB 62.31, -12.15, 17.65

 

CMYK 59 / 51 / 0 / 24

HEX #505FC3

RGB 80 95 195

HSL 232.17, 0.49%, 0.54%

LAB 43.99, 24.52, -54.28

 

CMYK 51 / 59 / 0 / 24

HEX #5F50C3

RGB 95 80 195

HSL 247.83, 0.49%, 0.54%

LAB 41.39, 36.74, -58.42

 

CMYK 35 / 59 / 0 / 24

HEX #7E50C3

RGB 126 80 195

HSL 264, 0.49%, 0.54%

LAB 44.39, 43.49, -53.43

 

CMYK 20 / 59 / 0 / 24

HEX #9C50C3

RGB 156 80 195

HSL 279.65, 0.49%, 0.54%

LAB 47.94, 50.76, -47.55

 

CMYK 4 / 59 / 0 / 24

HEX #BB50C3

RGB 187 80 195

HSL 295.83, 0.49%, 0.54%

LAB 52.11, 58.6, -40.67

 

CMYK 39 / 66 / 0 / 44

HEX #57318F

RGB 87 49 143

HSL 264.26, 0.49%, 0.38%

LAB 29.93, 37.98, -45.93

 

CMYK 39 / 66 / 0 / 32

HEX #6A3BAE

RGB 106 59 174

HSL 264.52, 0.49%, 0.46%

LAB 36.46, 44.98, -54.02

 

CMYK 35 / 59 / 0 / 24

HEX #7E50C3

RGB 126 80 195

HSL 264, 0.49%, 0.54%

LAB 44.39, 43.49, -53.43

 

CMYK 27 / 46 / 0 / 20

HEX #956ECD

RGB 149 110 205

HSL 264.63, 0.49%, 0.62%

LAB 53.97, 34.96, -43.75

 

CMYK 21 / 35 / 0 / 15

HEX #AB8DD8

RGB 171 141 216

HSL 264, 0.49%, 0.7%

LAB 63.89, 26.29, -34.24

 

CMYK 35 / 59 / 0 / 24

HEX #7E4FC3

RGB 126 79 195

HSL 264.31, 0.49%, 0.54%

LAB 44.19, 44.04, -53.76

 

CMYK 0 / 59 / 35 / 24

HEX #C3507E

RGB 195 80 126

HSL 336, 0.49%, 0.54%

LAB 50.51, 50.48, -2.41

 

CMYK 59 / 0 / 59 / 24

HEX #50C350

RGB 80 195 80

HSL 120, 0.49%, 0.54%

LAB 70.4, -55.18, 47.33

 

CMYK 35 / 59 / 0 / 24

HEX #7E4FC3

RGB 126 79 195

HSL 264.31, 0.49%, 0.54%

LAB 44.19, 44.04, -53.76

 

CMYK 0 / 35 / 59 / 24

HEX #C37E50

RGB 195 126 80

HSL 24, 0.49%, 0.54%

LAB 59.07, 22.13, 35.82

 

CMYK 59 / 0 / 35 / 24

HEX #50C37E

RGB 80 195 126

HSL 144, 0.49%, 0.54%

LAB 71.04, -48.15, 25.21

 

CMYK 35 / 59 / 0 / 24

HEX #7E4FC3

RGB 126 79 195

HSL 264.31, 0.49%, 0.54%

LAB 44.19, 44.04, -53.76

 

CMYK 0 / 59 / 35 / 24

HEX #C3507E

RGB 195 80 126

HSL 336, 0.49%, 0.54%

LAB 50.51, 50.48, -2.41

 

CMYK 24 / 0 / 59 / 24

HEX #95C350

RGB 149 195 80

HSL 84, 0.49%, 0.54%

LAB 73.54, -33.28, 51.76

 

CMYK 59 / 0 / 24 / 24

HEX #50C395

RGB 80 195 149

HSL 156, 0.49%, 0.54%

LAB 71.49, -43.44, 13.55

 

CMYK 35 / 59 / 0 / 24

HEX #7E4FC3

RGB 126 79 195

HSL 264.31, 0.49%, 0.54%

LAB 44.19, 44.04, -53.76

 

CMYK 0 / 59 / 53 / 24

HEX #C3505B

RGB 195 80 91

HSL 354.26, 0.49%, 0.54%

LAB 49.61, 46.94, 17.36

 

CMYK 24 / 0 / 59 / 24

HEX #95C350

RGB 149 195 80

HSL 84, 0.49%, 0.54%

LAB 73.54, -33.28, 51.76

 

CMYK 59 / 0 / 6 / 24

HEX #50C3B7

RGB 80 195 183

HSL 173.74, 0.49%, 0.54%

LAB 72.33, -35.2, -3.7

 

Description

Color code: HEX #7E4FC3 | qconv.com Color code: HEX #7E4FC3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 79 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 79 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 59 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 59% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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