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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E4D29 it is the complementary color #81B2D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E4D29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E4D29 shade: #834D24, #945F37, #A5714A, #B6835D and #C79570

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E4D29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E4D29 shade: #7E4D29, #6D3B16, #5C2903, #4B1700 and #3A0500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E4D29 shade: #7F4D29, #7F3629 and #7F2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E4D29 shade: #7F4D29, #7F6429, #7F7B29, #6B7F29 and #537F29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E4D29 shade matches the following richer shades: #7F4D29, #8C4B1B, #9A490E and #A74700

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E4D29 shade: #7F4D29, #714F36, #635144, #565352 and #48555F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E4D29 shade: #7F2933, #7F3629, #7F4C29, #7F6329 and #7F7A29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E4D29 shade: #402715, #5F3A1F, #7F4D29, #9E6033 and #BD733D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E4D29 shade: #7E4D29, #4A7F29 and #2A297F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E4D29 shade: #7E4D29, #297F4C and #4C297F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E4D29 shade: #7E4D29, #4A7F29, #295B7F and #5E297F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E4D29 shade: #7E4D29, #307F29, #295B7F and #77297F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 67 / 51

HEX #7E4D29

RGB 126 77 41

HSL 25.41, 0.51%, 0.33%

LAB 37.67, 17.1, 29.58

 

Complementary color

CMYK 40 / 17 / 0 / 16

HEX #81B2D6

RGB 129 178 214

HSL 205.41, 0.51%, 0.67%

LAB 70.43, -7.09, -23.31

 

CMYK 0 / 41 / 73 / 49

HEX #834D24

RGB 131 77 36

HSL 25.89, 0.57%, 0.33%

LAB 38.31, 19.05, 33.23

 

CMYK 0 / 36 / 63 / 42

HEX #945F37

RGB 148 95 55

HSL 25.81, 0.46%, 0.4%

LAB 45.3, 17.47, 31.46

 

CMYK 0 / 32 / 55 / 35

HEX #A5714A

RGB 165 113 74

HSL 25.71, 0.38%, 0.47%

LAB 52.18, 16.15, 29.78

 

CMYK 0 / 28 / 49 / 29

HEX #B6835D

RGB 182 131 93

HSL 25.62, 0.38%, 0.54%

LAB 58.94, 15.05, 28.24

 

CMYK 0 / 25 / 44 / 22

HEX #C79570

RGB 199 149 112

HSL 25.52, 0.44%, 0.61%

LAB 65.6, 14.11, 26.83

 

CMYK 0 / 39 / 67 / 51

HEX #7E4D29

RGB 126 77 41

HSL 25.41, 0.51%, 0.33%

LAB 37.67, 17.1, 29.58

 

CMYK 0 / 46 / 80 / 57

HEX #6D3B16

RGB 109 59 22

HSL 25.52, 0.66%, 0.26%

LAB 30.49, 18.88, 31.38

 

CMYK 0 / 55 / 97 / 64

HEX #5C2903

RGB 92 41 3

HSL 25.62, 0.94%, 0.19%

LAB 23.23, 21, 32.08

 

CMYK 0 / 69 / 100 / 71

HEX #4B1700

RGB 75 23 0

HSL 18.4, 1%, 0.15%

LAB 16.05, 23.45, 24.26

 

CMYK 0 / 91 / 100 / 77

HEX #3A0500

RGB 58 5 0

HSL 5.17, 1%, 0.11%

LAB 9.06, 25.24, 14.19

 

CMYK 0 / 39 / 68 / 50

HEX #7F4D29

RGB 127 77 41

HSL 25.12, 0.51%, 0.33%

LAB 37.81, 17.55, 29.78

 

CMYK 0 / 57 / 68 / 50

HEX #7F3629

RGB 127 54 41

HSL 9.07, 0.51%, 0.33%

LAB 32.5, 30.63, 23.51

 

CMYK 0 / 68 / 68 / 50

HEX #7F2929

RGB 127 41 41

HSL 0, 0.51%, 0.33%

LAB 30.05, 37.1, 20.5

 

CMYK 0 / 39 / 68 / 50

HEX #7F4D29

RGB 127 77 41

HSL 25.12, 0.51%, 0.33%

LAB 37.81, 17.55, 29.78

 

CMYK 0 / 21 / 68 / 50

HEX #7F6429

RGB 127 100 41

HSL 41.16, 0.51%, 0.33%

LAB 43.93, 3.92, 36.63

 

CMYK 0 / 3 / 68 / 50

HEX #7F7B29

RGB 127 123 41

HSL 57.21, 0.51%, 0.33%

LAB 50.5, -9.2, 43.62

 

CMYK 16 / 0 / 68 / 50

HEX #6B7F29

RGB 107 127 41

HSL 73.95, 0.51%, 0.33%

LAB 50.05, -20.33, 42.65

 

CMYK 35 / 0 / 68 / 50

HEX #537F29

RGB 83 127 41

HSL 90.7, 0.51%, 0.33%

LAB 48.48, -30.24, 40.5

 

CMYK 0 / 39 / 68 / 50

HEX #7F4D29

RGB 127 77 41

HSL 25.12, 0.51%, 0.33%

LAB 37.81, 17.55, 29.78

 

CMYK 0 / 46 / 81 / 45

HEX #8C4B1B

RGB 140 75 27

HSL 25.49, 0.68%, 0.33%

LAB 39.05, 23.79, 38.94

 

CMYK 0 / 53 / 91 / 40

HEX #9A490E

RGB 154 73 14

HSL 25.29, 0.83%, 0.33%

LAB 40.68, 30.54, 46.45

 

CMYK 0 / 57 / 100 / 35

HEX #A74700

RGB 167 71 0

HSL 25.51, 1%, 0.33%

LAB 42.34, 36.67, 52.68

 

CMYK 0 / 39 / 68 / 50

HEX #7F4D29

RGB 127 77 41

HSL 25.12, 0.51%, 0.33%

LAB 37.81, 17.55, 29.78

 

CMYK 0 / 30 / 52 / 56

HEX #714F36

RGB 113 79 54

HSL 25.42, 0.35%, 0.33%

LAB 36.69, 11.07, 20.4

 

CMYK 0 / 18 / 31 / 61

HEX #635144

RGB 99 81 68

HSL 25.16, 0.19%, 0.33%

LAB 35.9, 5.31, 10.46

 

CMYK 0 / 3 / 5 / 66

HEX #565352

RGB 86 83 82

HSL 15, 0.02%, 0.33%

LAB 35.55, 1.01, 1.01

 

CMYK 24 / 11 / 0 / 63

HEX #48555F

RGB 72 85 95

HSL 206.09, 0.14%, 0.33%

LAB 35.4, -2.56, -7.49

 

CMYK 0 / 68 / 60 / 50

HEX #7F2933

RGB 127 41 51

HSL 353.02, 0.51%, 0.33%

LAB 30.25, 37.82, 14.26

 

CMYK 0 / 57 / 68 / 50

HEX #7F3629

RGB 127 54 41

HSL 9.07, 0.51%, 0.33%

LAB 32.5, 30.63, 23.51

 

CMYK 0 / 40 / 68 / 50

HEX #7F4C29

RGB 127 76 41

HSL 24.42, 0.51%, 0.33%

LAB 37.56, 18.14, 29.49

 

CMYK 0 / 22 / 68 / 50

HEX #7F6329

RGB 127 99 41

HSL 40.47, 0.51%, 0.33%

LAB 43.65, 4.51, 36.33

 

CMYK 0 / 4 / 68 / 50

HEX #7F7A29

RGB 127 122 41

HSL 56.51, 0.51%, 0.33%

LAB 50.21, -8.65, 43.31

 

CMYK 0 / 39 / 67 / 75

HEX #402715

RGB 64 39 21

HSL 25.12, 0.51%, 0.17%

LAB 18.34, 9.55, 16.59

 

CMYK 0 / 39 / 67 / 63

HEX #5F3A1F

RGB 95 58 31

HSL 25.31, 0.51%, 0.25%

LAB 28.27, 13.44, 23.31

 

CMYK 0 / 39 / 68 / 50

HEX #7F4D29

RGB 127 77 41

HSL 25.12, 0.51%, 0.33%

LAB 37.81, 17.55, 29.78

 

CMYK 0 / 39 / 68 / 38

HEX #9E6033

RGB 158 96 51

HSL 25.23, 0.51%, 0.41%

LAB 46.81, 21.02, 35.72

 

CMYK 0 / 39 / 68 / 26

HEX #BD733D

RGB 189 115 61

HSL 25.31, 0.51%, 0.49%

LAB 55.5, 24.34, 41.43

 

CMYK 0 / 39 / 67 / 51

HEX #7E4D29

RGB 126 77 41

HSL 25.41, 0.51%, 0.33%

LAB 37.67, 17.1, 29.58

 

CMYK 42 / 0 / 68 / 50

HEX #4A7F29

RGB 74 127 41

HSL 96.98, 0.51%, 0.33%

LAB 48, -33.58, 39.84

 

CMYK 67 / 68 / 0 / 50

HEX #2A297F

RGB 42 41 127

HSL 240.7, 0.51%, 0.33%

LAB 22.34, 29.06, -48.49

 

CMYK 0 / 39 / 67 / 51

HEX #7E4D29

RGB 126 77 41

HSL 25.41, 0.51%, 0.33%

LAB 37.67, 17.1, 29.58

 

CMYK 68 / 0 / 40 / 50

HEX #297F4C

RGB 41 127 76

HSL 144.42, 0.51%, 0.33%

LAB 47.2, -37.89, 20.44

 

CMYK 40 / 68 / 0 / 50

HEX #4C297F

RGB 76 41 127

HSL 264.42, 0.51%, 0.33%

LAB 25.73, 35.59, -42.83

 

CMYK 0 / 39 / 67 / 51

HEX #7E4D29

RGB 126 77 41

HSL 25.41, 0.51%, 0.33%

LAB 37.67, 17.1, 29.58

 

CMYK 42 / 0 / 68 / 50

HEX #4A7F29

RGB 74 127 41

HSL 96.98, 0.51%, 0.33%

LAB 48, -33.58, 39.84

 

CMYK 68 / 28 / 0 / 50

HEX #295B7F

RGB 41 91 127

HSL 205.12, 0.51%, 0.33%

LAB 36.9, -4.56, -25.18

 

CMYK 26 / 68 / 0 / 50

HEX #5E297F

RGB 94 41 127

HSL 276.98, 0.51%, 0.33%

LAB 28.11, 39.78, -38.86

 

CMYK 0 / 39 / 67 / 51

HEX #7E4D29

RGB 126 77 41

HSL 25.41, 0.51%, 0.33%

LAB 37.67, 17.1, 29.58

 

CMYK 62 / 0 / 68 / 50

HEX #307F29

RGB 48 127 41

HSL 115.12, 0.51%, 0.33%

LAB 46.93, -41.61, 38.37

 

CMYK 68 / 28 / 0 / 50

HEX #295B7F

RGB 41 91 127

HSL 205.12, 0.51%, 0.33%

LAB 36.9, -4.56, -25.18

 

CMYK 6 / 68 / 0 / 50

HEX #77297F

RGB 119 41 127

HSL 294.42, 0.51%, 0.33%

LAB 31.9, 45.98, -32.59

 

Description

Color code: HEX #7E4D29 | qconv.com Color code: HEX #7E4D29 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 77 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 77 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 67 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 67% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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