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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E38B2 it is the complementary color #81C74D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E38B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E38B2 shade: #8338AD, #944AC0, #A55CD3, #B66EE6 and #C780F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E38B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E38B2 shade: #7E38B2, #6D269F, #5C148C, #4B0279 and #3A0066

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E38B2 shade: #7E38B2, #9F38B2, #B238A4, #B23883 and #B23862

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E38B2 shade: #7E38B2, #5D38B2, #3C38B2 and #3838B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E38B2 shade matches the following richer shades: #7E38B2, #8125C5 and #8312D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E38B2 shade: #7E38B2, #7B4B9F, #785E8C, #757179 and #738466

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E38B2 shade: #3C38B2, #5C38B2, #7D38B2, #9D38B2 and #B238A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E38B2 shade: #512473, #682E92, #7E38B2, #924DC6 and #A56CD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E38B2 shade: #7E38B2, #B23854 and #38B24C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E38B2 shade: #7E38B2, #B27D38 and #38B27D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E38B2 shade: #7E38B2, #B23854, #6DB238 and #38B295

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E38B2 shade: #7E38B2, #B24038, #6DB238 and #38AAB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 69 / 0 / 30

HEX #7E38B2

RGB 126 56 178

HSL 274.43, 0.52%, 0.46%

LAB 38.69, 51.7, -52.66

 

Complementary color

CMYK 35 / 0 / 61 / 22

HEX #81C74D

RGB 129 199 77

HSL 94.43, 0.52%, 0.54%

LAB 73.58, -42.62, 52.82

 

CMYK 24 / 68 / 0 / 32

HEX #8338AD

RGB 131 56 173

HSL 278.46, 0.51%, 0.45%

LAB 39.02, 51.65, -49.12

 

CMYK 23 / 61 / 0 / 25

HEX #944AC0

RGB 148 74 192

HSL 277.63, 0.48%, 0.52%

LAB 45.63, 51.14, -49.55

 

CMYK 22 / 56 / 0 / 17

HEX #A55CD3

RGB 165 92 211

HSL 276.81, 0.57%, 0.59%

LAB 52.24, 50.42, -49.81

 

CMYK 21 / 52 / 0 / 10

HEX #B66EE6

RGB 182 110 230

HSL 276, 0.71%, 0.67%

LAB 58.8, 49.62, -49.97

 

CMYK 20 / 49 / 0 / 2

HEX #C780F9

RGB 199 128 249

HSL 275.21, 0.91%, 0.74%

LAB 65.29, 48.79, -50.08

 

CMYK 29 / 69 / 0 / 30

HEX #7E38B2

RGB 126 56 178

HSL 274.43, 0.52%, 0.46%

LAB 38.69, 51.7, -52.66

 

CMYK 31 / 76 / 0 / 38

HEX #6D269F

RGB 109 38 159

HSL 275.21, 0.61%, 0.39%

LAB 32.12, 51.87, -52.02

 

CMYK 34 / 86 / 0 / 45

HEX #5C148C

RGB 92 20 140

HSL 276, 0.75%, 0.31%

LAB 25.77, 51.16, -50.8

 

CMYK 38 / 98 / 0 / 53

HEX #4B0279

RGB 75 2 121

HSL 276.81, 0.97%, 0.24%

LAB 19.72, 49.18, -48.82

 

CMYK 43 / 100 / 0 / 60

HEX #3A0066

RGB 58 0 102

HSL 274.12, 1%, 0.2%

LAB 14.73, 43.52, -44.77

 

CMYK 29 / 69 / 0 / 30

HEX #7E38B2

RGB 126 56 178

HSL 274.43, 0.52%, 0.46%

LAB 38.69, 51.7, -52.66

 

CMYK 11 / 69 / 0 / 30

HEX #9F38B2

RGB 159 56 178

HSL 290.66, 0.52%, 0.46%

LAB 43.38, 58.97, -44.87

 

CMYK 0 / 69 / 8 / 30

HEX #B238A4

RGB 178 56 164

HSL 306.89, 0.52%, 0.46%

LAB 45.6, 61.03, -32.88

 

CMYK 0 / 69 / 26 / 30

HEX #B23883

RGB 178 56 131

HSL 323.11, 0.52%, 0.46%

LAB 44.14, 56.26, -15.26

 

CMYK 0 / 69 / 45 / 30

HEX #B23862

RGB 178 56 98

HSL 339.34, 0.52%, 0.46%

LAB 43.03, 52.47, 3.44

 

CMYK 29 / 69 / 0 / 30

HEX #7E38B2

RGB 126 56 178

HSL 274.43, 0.52%, 0.46%

LAB 38.69, 51.7, -52.66

 

CMYK 48 / 69 / 0 / 30

HEX #5D38B2

RGB 93 56 178

HSL 258.2, 0.52%, 0.46%

LAB 34.74, 45.12, -59.25

 

CMYK 66 / 69 / 0 / 30

HEX #3C38B2

RGB 60 56 178

HSL 241.97, 0.52%, 0.46%

LAB 31.81, 39.86, -64.15

 

CMYK 69 / 69 / 0 / 30

HEX #3838B2

RGB 56 56 178

HSL 240, 0.52%, 0.46%

LAB 31.54, 39.34, -64.61

 

CMYK 29 / 69 / 0 / 30

HEX #7E38B2

RGB 126 56 178

HSL 274.43, 0.52%, 0.46%

LAB 38.69, 51.7, -52.66

 

CMYK 35 / 81 / 0 / 23

HEX #8125C5

RGB 129 37 197

HSL 274.5, 0.68%, 0.46%

LAB 37.88, 64.12, -65.13

 

CMYK 39 / 92 / 0 / 15

HEX #8312D8

RGB 131 18 216

HSL 274.24, 0.85%, 0.46%

LAB 38.23, 73.12, -75.58

 

CMYK 29 / 69 / 0 / 30

HEX #7E38B2

RGB 126 56 178

HSL 274.43, 0.52%, 0.46%

LAB 38.69, 51.7, -52.66

 

CMYK 23 / 53 / 0 / 38

HEX #7B4B9F

RGB 123 75 159

HSL 274.29, 0.36%, 0.46%

LAB 40.81, 36.52, -37.97

 

CMYK 14 / 33 / 0 / 45

HEX #785E8C

RGB 120 94 140

HSL 273.91, 0.2%, 0.46%

LAB 44.08, 19.87, -21.48

 

CMYK 3 / 7 / 0 / 53

HEX #757179

RGB 117 113 121

HSL 270, 0.03%, 0.46%

LAB 48.23, 3.17, -3.87

 

CMYK 13 / 0 / 23 / 48

HEX #738466

RGB 115 132 102

HSL 94, 0.13%, 0.46%

LAB 53.07, -12.06, 14.18

 

CMYK 66 / 69 / 0 / 30

HEX #3C38B2

RGB 60 56 178

HSL 241.97, 0.52%, 0.46%

LAB 31.81, 39.86, -64.15

 

CMYK 48 / 69 / 0 / 30

HEX #5C38B2

RGB 92 56 178

HSL 257.7, 0.52%, 0.46%

LAB 34.64, 44.94, -59.42

 

CMYK 30 / 69 / 0 / 30

HEX #7D38B2

RGB 125 56 178

HSL 273.93, 0.52%, 0.46%

LAB 38.56, 51.49, -52.88

 

CMYK 12 / 69 / 0 / 30

HEX #9D38B2

RGB 157 56 178

HSL 289.67, 0.52%, 0.46%

LAB 43.08, 58.52, -45.37

 

CMYK 0 / 69 / 7 / 30

HEX #B238A6

RGB 178 56 166

HSL 305.9, 0.52%, 0.46%

LAB 45.7, 61.35, -33.91

 

CMYK 30 / 69 / 0 / 55

HEX #512473

RGB 81 36 115

HSL 274.18, 0.52%, 0.3%

LAB 24.48, 36.29, -37.19

 

CMYK 29 / 68 / 0 / 43

HEX #682E92

RGB 104 46 146

HSL 274.8, 0.52%, 0.38%

LAB 31.74, 44.16, -44.74

 

CMYK 29 / 69 / 0 / 30

HEX #7E38B2

RGB 126 56 178

HSL 274.43, 0.52%, 0.46%

LAB 38.69, 51.7, -52.66

 

CMYK 26 / 61 / 0 / 22

HEX #924DC6

RGB 146 77 198

HSL 274.21, 0.51%, 0.54%

LAB 46.31, 50.52, -51.97

 

CMYK 21 / 48 / 0 / 18

HEX #A56CD0

RGB 165 108 208

HSL 274.2, 0.52%, 0.62%

LAB 55.36, 41.21, -43.15

 

CMYK 29 / 69 / 0 / 30

HEX #7E38B2

RGB 126 56 178

HSL 274.43, 0.52%, 0.46%

LAB 38.69, 51.7, -52.66

 

CMYK 0 / 69 / 53 / 30

HEX #B23854

RGB 178 56 84

HSL 346.23, 0.52%, 0.46%

LAB 42.66, 51.2, 11.64

 

CMYK 69 / 0 / 57 / 30

HEX #38B24C

RGB 56 178 76

HSL 129.84, 0.52%, 0.46%

LAB 64.33, -54.62, 41.93

 

CMYK 29 / 69 / 0 / 30

HEX #7E38B2

RGB 126 56 178

HSL 274.43, 0.52%, 0.46%

LAB 38.69, 51.7, -52.66

 

CMYK 0 / 30 / 69 / 30

HEX #B27D38

RGB 178 125 56

HSL 33.93, 0.52%, 0.46%

LAB 56.5, 13.75, 44.65

 

CMYK 69 / 0 / 30 / 30

HEX #38B27D

RGB 56 178 125

HSL 153.93, 0.52%, 0.46%

LAB 65.09, -46.05, 17.55

 

CMYK 29 / 69 / 0 / 30

HEX #7E38B2

RGB 126 56 178

HSL 274.43, 0.52%, 0.46%

LAB 38.69, 51.7, -52.66

 

CMYK 0 / 69 / 53 / 30

HEX #B23854

RGB 178 56 84

HSL 346.23, 0.52%, 0.46%

LAB 42.66, 51.2, 11.64

 

CMYK 39 / 0 / 69 / 30

HEX #6DB238

RGB 109 178 56

HSL 93.93, 0.52%, 0.46%

LAB 66.04, -42.32, 53.18

 

CMYK 69 / 0 / 16 / 30

HEX #38B295

RGB 56 178 149

HSL 165.74, 0.52%, 0.46%

LAB 65.63, -40.4, 5.13

 

CMYK 29 / 69 / 0 / 30

HEX #7E38B2

RGB 126 56 178

HSL 274.43, 0.52%, 0.46%

LAB 38.69, 51.7, -52.66

 

CMYK 0 / 64 / 69 / 30

HEX #B24038

RGB 178 64 56

HSL 3.93, 0.52%, 0.46%

LAB 43.39, 45.85, 29.69

 

CMYK 39 / 0 / 69 / 30

HEX #6DB238

RGB 109 178 56

HSL 93.93, 0.52%, 0.46%

LAB 66.04, -42.32, 53.18

 

CMYK 69 / 4 / 0 / 30

HEX #38AAB2

RGB 56 170 178

HSL 183.93, 0.52%, 0.46%

LAB 64, -28.63, -13.41

 

Description

Color code: HEX #7E38B2 | qconv.com Color code: HEX #7E38B2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 56 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 56 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 69 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 69% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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