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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E0981 it is the complementary color #81F67E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E0981. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E0981 shade: #83097C, #941B8F, #A52DA2, #B63FB5 and #C751C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E0981. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E0981 shade: #7E0981, #6D006E, #5C005B, #4B0048 and #3A0035

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E0981 shade: #7D0880, #800863, #800843, #800822 and #800808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E0981 shade: #7D0880, #5D0880, #3D0880, #1C0880 and #080880

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E0981 shade matches the following richer shades: #7D0880

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E0981 shade: #7D0880, #731475, #681F6A, #5E2A5F and #533554

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E0981 shade: #3C0880, #5C0880, #7C0880, #800864 and #800844

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E0981 shade: #320333, #58065A, #7D0880, #A30BA7 and #C90ECD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E0981 shade: #7E0981, #801C08 and #08804C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E0981 shade: #7E0981, #807C08 and #08807C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E0981 shade: #7E0981, #801C08, #0C8008 and #086C80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E0981 shade: #7E0981, #804008, #0C8008 and #084880

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 93 / 0 / 49

HEX #7E0981

RGB 126 9 129

HSL 298.5, 0.87%, 0.27%

LAB 29.95, 57.31, -36.88

 

Complementary color

CMYK 48 / 0 / 49 / 4

HEX #81F67E

RGB 129 246 126

HSL 118.5, 0.87%, 0.73%

LAB 88.01, -56.39, 47.42

 

CMYK 0 / 93 / 5 / 49

HEX #83097C

RGB 131 9 124

HSL 303.44, 0.87%, 0.27%

LAB 30.58, 57.46, -32.67

 

CMYK 0 / 82 / 3 / 42

HEX #941B8F

RGB 148 27 143

HSL 302.48, 0.69%, 0.34%

LAB 36.11, 60.2, -35.52

 

CMYK 0 / 73 / 2 / 35

HEX #A52DA2

RGB 165 45 162

HSL 301.5, 0.57%, 0.41%

LAB 41.98, 61.58, -37.54

 

CMYK 0 / 65 / 1 / 29

HEX #B63FB5

RGB 182 63 181

HSL 300.5, 0.49%, 0.48%

LAB 48.05, 62.09, -39

 

CMYK 0 / 60 / 0 / 22

HEX #C751C8

RGB 199 81 200

HSL 299.5, 0.52%, 0.55%

LAB 54.24, 62.08, -40.08

 

CMYK 2 / 93 / 0 / 49

HEX #7E0981

RGB 126 9 129

HSL 298.5, 0.87%, 0.27%

LAB 29.95, 57.31, -36.88

 

CMYK 1 / 100 / 0 / 57

HEX #6D006E

RGB 109 0 110

HSL 299.45, 1%, 0.22%

LAB 24.88, 52.71, -33.08

 

CMYK 0 / 100 / 1 / 64

HEX #5C005B

RGB 92 0 91

HSL 300.65, 1%, 0.18%

LAB 20.17, 46.48, -28.33

 

CMYK 0 / 100 / 4 / 71

HEX #4B0048

RGB 75 0 72

HSL 302.4, 1%, 0.15%

LAB 15.3, 40.05, -23.38

 

CMYK 0 / 100 / 9 / 77

HEX #3A0035

RGB 58 0 53

HSL 305.17, 1%, 0.11%

LAB 10.23, 33.36, -18.15

 

CMYK 2 / 94 / 0 / 50

HEX #7D0880

RGB 125 8 128

HSL 298.5, 0.88%, 0.27%

LAB 29.64, 57.13, -36.75

 

CMYK 0 / 94 / 23 / 50

HEX #800863

RGB 128 8 99

HSL 314.5, 0.88%, 0.27%

LAB 28.55, 53.41, -19.89

 

CMYK 0 / 94 / 48 / 50

HEX #800843

RGB 128 8 67

HSL 330.5, 0.88%, 0.27%

LAB 27.21, 49.82, -0.67

 

CMYK 0 / 94 / 73 / 50

HEX #800822

RGB 128 8 34

HSL 347, 0.88%, 0.27%

LAB 26.39, 47.52, 20.61

 

CMYK 0 / 94 / 94 / 50

HEX #800808

RGB 128 8 8

HSL 0, 0.88%, 0.27%

LAB 26.1, 46.71, 35.33

 

CMYK 2 / 94 / 0 / 50

HEX #7D0880

RGB 125 8 128

HSL 298.5, 0.88%, 0.27%

LAB 29.64, 57.13, -36.75

 

CMYK 27 / 94 / 0 / 50

HEX #5D0880

RGB 93 8 128

HSL 282.5, 0.88%, 0.27%

LAB 23.87, 51.73, -46.37

 

CMYK 52 / 94 / 0 / 50

HEX #3D0880

RGB 61 8 128

HSL 266.5, 0.88%, 0.27%

LAB 18.9, 47.61, -54.7

 

CMYK 78 / 94 / 0 / 50

HEX #1C0880

RGB 28 8 128

HSL 250, 0.88%, 0.27%

LAB 15.38, 45.13, -60.66

 

CMYK 94 / 94 / 0 / 50

HEX #080880

RGB 8 8 128

HSL 240, 0.88%, 0.27%

LAB 14.31, 44.47, -62.47

 

CMYK 2 / 94 / 0 / 50

HEX #7D0880

RGB 125 8 128

HSL 298.5, 0.88%, 0.27%

LAB 29.64, 57.13, -36.75

 

CMYK 2 / 94 / 0 / 50

HEX #7D0880

RGB 125 8 128

HSL 298.5, 0.88%, 0.27%

LAB 29.64, 57.13, -36.75

 

CMYK 2 / 83 / 0 / 54

HEX #731475

RGB 115 20 117

HSL 298.76, 0.71%, 0.27%

LAB 27.92, 50.82, -32.64

 

CMYK 2 / 71 / 0 / 58

HEX #681F6A

RGB 104 31 106

HSL 298.4, 0.55%, 0.27%

LAB 26.63, 42.45, -27.75

 

CMYK 1 / 56 / 0 / 63

HEX #5E2A5F

RGB 94 42 95

HSL 298.87, 0.39%, 0.27%

LAB 26.34, 32.06, -21.18

 

CMYK 1 / 37 / 0 / 67

HEX #533554

RGB 83 53 84

HSL 298.06, 0.23%, 0.27%

LAB 26.81, 19.33, -13.37

 

CMYK 53 / 94 / 0 / 50

HEX #3C0880

RGB 60 8 128

HSL 266, 0.88%, 0.27%

LAB 18.77, 47.51, -54.93

 

CMYK 28 / 94 / 0 / 50

HEX #5C0880

RGB 92 8 128

HSL 282, 0.88%, 0.27%

LAB 23.7, 51.58, -46.66

 

CMYK 3 / 94 / 0 / 50

HEX #7C0880

RGB 124 8 128

HSL 298, 0.88%, 0.27%

LAB 29.46, 56.94, -37.06

 

CMYK 0 / 94 / 22 / 50

HEX #800864

RGB 128 8 100

HSL 314, 0.88%, 0.27%

LAB 28.6, 53.55, -20.46

 

CMYK 0 / 94 / 47 / 50

HEX #800844

RGB 128 8 68

HSL 330, 0.88%, 0.27%

LAB 27.24, 49.91, -1.3

 

CMYK 2 / 94 / 0 / 80

HEX #320333

RGB 50 3 51

HSL 298.75, 0.89%, 0.11%

LAB 8.84, 29.69, -19.01

 

CMYK 2 / 93 / 0 / 65

HEX #58065A

RGB 88 6 90

HSL 298.57, 0.88%, 0.19%

LAB 19.81, 43.99, -28.27

 

CMYK 2 / 94 / 0 / 50

HEX #7D0880

RGB 125 8 128

HSL 298.5, 0.88%, 0.27%

LAB 29.64, 57.13, -36.75

 

CMYK 2 / 93 / 0 / 35

HEX #A30BA7

RGB 163 11 167

HSL 298.46, 0.88%, 0.35%

LAB 39.27, 69.69, -44.87

 

CMYK 2 / 93 / 0 / 20

HEX #C90ECD

RGB 201 14 205

HSL 298.74, 0.87%, 0.43%

LAB 48.44, 81.54, -52.15

 

CMYK 2 / 93 / 0 / 49

HEX #7E0981

RGB 126 9 129

HSL 298.5, 0.87%, 0.27%

LAB 29.95, 57.31, -36.88

 

CMYK 0 / 78 / 94 / 50

HEX #801C08

RGB 128 28 8

HSL 10, 0.88%, 0.27%

LAB 27.95, 41.48, 36.94

 

CMYK 94 / 0 / 41 / 50

HEX #08804C

RGB 8 128 76

HSL 154, 0.88%, 0.27%

LAB 46.99, -42.57, 20.06

 

CMYK 2 / 93 / 0 / 49

HEX #7E0981

RGB 126 9 129

HSL 298.5, 0.87%, 0.27%

LAB 29.95, 57.31, -36.88

 

CMYK 0 / 3 / 94 / 50

HEX #807C08

RGB 128 124 8

HSL 58, 0.88%, 0.27%

LAB 50.71, -10.6, 54.28

 

CMYK 94 / 0 / 3 / 50

HEX #08807C

RGB 8 128 124

HSL 178, 0.88%, 0.27%

LAB 48.19, -29.69, -6.21

 

CMYK 2 / 93 / 0 / 49

HEX #7E0981

RGB 126 9 129

HSL 298.5, 0.87%, 0.27%

LAB 29.95, 57.31, -36.88

 

CMYK 0 / 78 / 94 / 50

HEX #801C08

RGB 128 28 8

HSL 10, 0.88%, 0.27%

LAB 27.95, 41.48, 36.94

 

CMYK 91 / 0 / 94 / 50

HEX #0C8008

RGB 12 128 8

HSL 118, 0.88%, 0.27%

LAB 46.36, -50.44, 48.4

 

CMYK 94 / 16 / 0 / 50

HEX #086C80

RGB 8 108 128

HSL 190, 0.88%, 0.27%

LAB 41.74, -18.01, -18.35

 

CMYK 2 / 93 / 0 / 49

HEX #7E0981

RGB 126 9 129

HSL 298.5, 0.87%, 0.27%

LAB 29.95, 57.31, -36.88

 

CMYK 0 / 50 / 94 / 50

HEX #804008

RGB 128 64 8

HSL 28, 0.88%, 0.27%

LAB 34.55, 24.15, 41.93

 

CMYK 91 / 0 / 94 / 50

HEX #0C8008

RGB 12 128 8

HSL 118, 0.88%, 0.27%

LAB 46.36, -50.44, 48.4

 

CMYK 94 / 44 / 0 / 50

HEX #084880

RGB 8 72 128

HSL 208, 0.88%, 0.27%

LAB 30.02, 4.13, -36.74

 

Description

Color code: HEX #7E0981 | qconv.com Color code: HEX #7E0981 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 9 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 9 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 93 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 93% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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