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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DF383 it is the complementary color #820C7C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DF383. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DF383 shade: #82F37E, #93FF91, #A4FFA4, #B5FFB7 and #C6FFCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DF383. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DF383 shade: #7DF383, #6CE170, #5BCF5D, #4ABD4A and #39AB37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DF383 shade: #7CF282, #96F27C, #B6F27C, #D6F27C and #F2EF7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DF383 shade: #7CF282, #7CF2A2, #7CF2C2, #7CF2E2 and #7CE3F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DF383 shade matches the following richer shades: #7CF282 and #70FE77

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DF383 shade: #7CF282, #87E78C, #93DB97, #9ED0A1 and #AAC4AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DF383 shade: #B5F27C, #96F27C, #7CF282, #7CF2A1 and #7CF2C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DF383 shade: #30EB3A, #56EF5E, #7CF282, #A2F6A6 and #C7F9CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DF383 shade: #7DF383, #7CD5F2 and #F27CA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DF383 shade: #7DF383, #827CF2 and #F2827C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DF383 shade: #7DF383, #7CD5F2, #F27CEC and #F2997C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DF383 shade: #7DF383, #7CB1F2, #F27CEC and #F2BD7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 46 / 5

HEX #7DF383

RGB 125 243 131

HSL 123.05, 0.83%, 0.72%

LAB 87.05, -55.61, 43.8

 

Complementary color

CMYK 0 / 91 / 5 / 49

HEX #820C7C

RGB 130 12 124

HSL 303.05, 0.83%, 0.28%

LAB 30.55, 56.79, -32.72

 

CMYK 47 / 0 / 48 / 5

HEX #82F37E

RGB 130 243 126

HSL 117.95, 0.83%, 0.72%

LAB 87.17, -54.94, 46.38

 

CMYK 42 / 0 / 43 / 0

HEX #93FF91

RGB 147 255 145

HSL 118.91, 1%, 0.78%

LAB 91.58, -52.42, 42.97

 

CMYK 36 / 0 / 36 / 0

HEX #A4FFA4

RGB 164 255 164

HSL 120, 1%, 0.82%

LAB 92.62, -44.63, 35.14

 

CMYK 29 / 0 / 28 / 0

HEX #B5FFB7

RGB 181 255 183

HSL 121.62, 1%, 0.85%

LAB 93.78, -36.41, 27.32

 

CMYK 22 / 0 / 21 / 0

HEX #C6FFCA

RGB 198 255 202

HSL 124.21, 1%, 0.89%

LAB 95.07, -27.85, 19.59

 

CMYK 49 / 0 / 46 / 5

HEX #7DF383

RGB 125 243 131

HSL 123.05, 0.83%, 0.72%

LAB 87.05, -55.61, 43.8

 

CMYK 52 / 0 / 50 / 12

HEX #6CE170

RGB 108 225 112

HSL 122.05, 0.66%, 0.65%

LAB 80.85, -55.6, 45.07

 

CMYK 56 / 0 / 55 / 19

HEX #5BCF5D

RGB 91 207 93

HSL 121.03, 0.55%, 0.58%

LAB 74.6, -55.44, 46.35

 

CMYK 61 / 0 / 61 / 26

HEX #4ABD4A

RGB 74 189 74

HSL 120, 0.47%, 0.52%

LAB 68.27, -55.06, 47.56

 

CMYK 67 / 0 / 68 / 33

HEX #39AB37

RGB 57 171 55

HSL 118.97, 0.51%, 0.44%

LAB 61.89, -54.34, 48.6

 

CMYK 49 / 0 / 46 / 5

HEX #7CF282

RGB 124 242 130

HSL 123.05, 0.82%, 0.72%

LAB 86.7, -55.62, 43.84

 

CMYK 38 / 0 / 49 / 5

HEX #96F27C

RGB 150 242 124

HSL 106.78, 0.82%, 0.72%

LAB 87.7, -48.9, 48.18

 

CMYK 25 / 0 / 49 / 5

HEX #B6F27C

RGB 182 242 124

HSL 90.51, 0.82%, 0.72%

LAB 89.35, -38.24, 50.57

 

CMYK 12 / 0 / 49 / 5

HEX #D6F27C

RGB 214 242 124

HSL 74.24, 0.82%, 0.72%

LAB 91.35, -26.48, 53.46

 

CMYK 0 / 1 / 49 / 5

HEX #F2EF7C

RGB 242 239 124

HSL 58.47, 0.82%, 0.72%

LAB 92.6, -14.19, 55.45

 

CMYK 49 / 0 / 46 / 5

HEX #7CF282

RGB 124 242 130

HSL 123.05, 0.82%, 0.72%

LAB 86.7, -55.62, 43.84

 

CMYK 49 / 0 / 33 / 5

HEX #7CF2A2

RGB 124 242 162

HSL 139.32, 0.82%, 0.72%

LAB 87.19, -50.57, 28.59

 

CMYK 49 / 0 / 20 / 5

HEX #7CF2C2

RGB 124 242 194

HSL 155.59, 0.82%, 0.72%

LAB 87.82, -44.39, 13

 

CMYK 49 / 0 / 7 / 5

HEX #7CF2E2

RGB 124 242 226

HSL 171.86, 0.82%, 0.72%

LAB 88.58, -37.2, -2.58

 

CMYK 49 / 6 / 0 / 5

HEX #7CE3F2

RGB 124 227 242

HSL 187.63, 0.82%, 0.72%

LAB 84.81, -26.09, -16.59

 

CMYK 49 / 0 / 46 / 5

HEX #7CF282

RGB 124 242 130

HSL 123.05, 0.82%, 0.72%

LAB 86.7, -55.62, 43.84

 

CMYK 56 / 0 / 53 / 0

HEX #70FE77

RGB 112 254 119

HSL 122.96, 0.99%, 0.72%

LAB 89.7, -64.61, 52.59

 

CMYK 49 / 0 / 46 / 5

HEX #7CF282

RGB 124 242 130

HSL 123.05, 0.82%, 0.72%

LAB 86.7, -55.62, 43.84

 

CMYK 42 / 0 / 39 / 9

HEX #87E78C

RGB 135 231 140

HSL 123.13, 0.67%, 0.72%

LAB 84.07, -46.6, 35.63

 

CMYK 33 / 0 / 31 / 14

HEX #93DB97

RGB 147 219 151

HSL 123.33, 0.5%, 0.72%

LAB 81.35, -35.91, 26.51

 

CMYK 24 / 0 / 23 / 18

HEX #9ED0A1

RGB 158 208 161

HSL 123.6, 0.35%, 0.72%

LAB 79.01, -25.44, 18.17

 

CMYK 13 / 0 / 13 / 23

HEX #AAC4AB

RGB 170 196 171

HSL 122.31, 0.18%, 0.72%

LAB 76.66, -13.58, 9.62

 

CMYK 25 / 0 / 49 / 5

HEX #B5F27C

RGB 181 242 124

HSL 91.02, 0.82%, 0.72%

LAB 89.29, -38.59, 50.48

 

CMYK 38 / 0 / 49 / 5

HEX #96F27C

RGB 150 242 124

HSL 106.78, 0.82%, 0.72%

LAB 87.7, -48.9, 48.18

 

CMYK 49 / 0 / 46 / 5

HEX #7CF282

RGB 124 242 130

HSL 123.05, 0.82%, 0.72%

LAB 86.7, -55.62, 43.84

 

CMYK 49 / 0 / 33 / 5

HEX #7CF2A1

RGB 124 242 161

HSL 138.81, 0.82%, 0.72%

LAB 87.17, -50.74, 29.08

 

CMYK 49 / 0 / 20 / 5

HEX #7CF2C1

RGB 124 242 193

HSL 155.08, 0.82%, 0.72%

LAB 87.79, -44.6, 13.49

 

CMYK 80 / 0 / 75 / 8

HEX #30EB3A

RGB 48 235 58

HSL 123.21, 0.82%, 0.55%

LAB 82.03, -75.82, 68.11

 

CMYK 64 / 0 / 61 / 6

HEX #56EF5E

RGB 86 239 94

HSL 123.14, 0.83%, 0.64%

LAB 84.24, -67.88, 57.07

 

CMYK 49 / 0 / 46 / 5

HEX #7CF282

RGB 124 242 130

HSL 123.05, 0.82%, 0.72%

LAB 86.7, -55.62, 43.84

 

CMYK 34 / 0 / 33 / 4

HEX #A2F6A6

RGB 162 246 166

HSL 122.86, 0.82%, 0.8%

LAB 90.02, -40.99, 30.65

 

CMYK 20 / 0 / 19 / 2

HEX #C7F9CA

RGB 199 249 202

HSL 123.6, 0.81%, 0.88%

LAB 93.52, -24.68, 17.43

 

CMYK 49 / 0 / 46 / 5

HEX #7DF383

RGB 125 243 131

HSL 123.05, 0.83%, 0.72%

LAB 87.05, -55.61, 43.8

 

CMYK 49 / 12 / 0 / 5

HEX #7CD5F2

RGB 124 213 242

HSL 194.75, 0.82%, 0.72%

LAB 80.9, -19.12, -22.5

 

CMYK 0 / 49 / 32 / 5

HEX #F27CA5

RGB 242 124 165

HSL 339.15, 0.82%, 0.72%

LAB 66.53, 49.56, -0.81

 

CMYK 49 / 0 / 46 / 5

HEX #7DF383

RGB 125 243 131

HSL 123.05, 0.83%, 0.72%

LAB 87.05, -55.61, 43.8

 

CMYK 46 / 49 / 0 / 5

HEX #827CF2

RGB 130 124 242

HSL 243.05, 0.82%, 0.72%

LAB 57.63, 32.06, -58.81

 

CMYK 0 / 46 / 49 / 5

HEX #F2827C

RGB 242 130 124

HSL 3.05, 0.82%, 0.72%

LAB 66.75, 42.16, 22.64

 

CMYK 49 / 0 / 46 / 5

HEX #7DF383

RGB 125 243 131

HSL 123.05, 0.83%, 0.72%

LAB 87.05, -55.61, 43.8

 

CMYK 49 / 12 / 0 / 5

HEX #7CD5F2

RGB 124 213 242

HSL 194.75, 0.82%, 0.72%

LAB 80.9, -19.12, -22.5

 

CMYK 0 / 49 / 2 / 5

HEX #F27CEC

RGB 242 124 236

HSL 303.05, 0.82%, 0.72%

LAB 69, 60.05, -36.76

 

CMYK 0 / 37 / 49 / 5

HEX #F2997C

RGB 242 153 124

HSL 14.75, 0.82%, 0.72%

LAB 71.63, 30.28, 29.17

 

CMYK 49 / 0 / 46 / 5

HEX #7DF383

RGB 125 243 131

HSL 123.05, 0.83%, 0.72%

LAB 87.05, -55.61, 43.8

 

CMYK 49 / 27 / 0 / 5

HEX #7CB1F2

RGB 124 177 242

HSL 213.05, 0.82%, 0.72%

LAB 70.97, 0.03, -37.77

 

CMYK 0 / 49 / 2 / 5

HEX #F27CEC

RGB 242 124 236

HSL 303.05, 0.82%, 0.72%

LAB 69, 60.05, -36.76

 

CMYK 0 / 22 / 49 / 5

HEX #F2BD7C

RGB 242 189 124

HSL 33.05, 0.82%, 0.72%

LAB 80.03, 11.3, 40.01

 

Description

Color code: HEX #7DF383 | qconv.com Color code: HEX #7DF383 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 243 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 243 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 46 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 46% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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