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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DEC2C it is the complementary color #8213D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DEC2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DEC2C shade: #82EC27, #93FE3A, #A4FF4D, #B5FF60 and #C6FF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DEC2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DEC2C shade: #7DEC2C, #6CDA19, #5BC806, #4AB600 and #39A400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DEC2C shade: #7DEB2D, #B0EB2D, #E4EB2D, #EBBF2D and #EB8C2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DEC2C shade: #7DEB2D, #49EB2D, #2DEB43, #2DEB76 and #2DEBAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DEC2C shade matches the following richer shades: #7DEB2D and #7AFE1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DEC2C shade: #7DEB2D, #80D83F, #83C652, #86B364 and #88A177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DEC2C shade: #E5EB2D, #B2EB2D, #7FEB2D, #4CEB2D and #2DEB40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DEC2C shade: #56B510, #68DA14, #7DEB2D, #94EE52 and #ABF278

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DEC2C shade: #7DEC2C, #2DEBBF and #EB2DCB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DEC2C shade: #7DEC2C, #2D7FEB and #EB2D7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DEC2C shade: #7DEC2C, #2DEBBF, #982DEB and #EB2D59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DEC2C shade: #7DEC2C, #2DDEEB, #982DEB and #EB392D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 81 / 7

HEX #7DEC2C

RGB 125 236 44

HSL 94.69, 0.83%, 0.55%

LAB 84.24, -60.83, 74.89

 

Complementary color

CMYK 38 / 91 / 0 / 17

HEX #8213D3

RGB 130 19 211

HSL 274.69, 0.83%, 0.45%

LAB 37.69, 71.79, -73.58

 

CMYK 45 / 0 / 83 / 7

HEX #82EC27

RGB 130 236 39

HSL 92.28, 0.84%, 0.54%

LAB 84.42, -59.52, 76.31

 

CMYK 42 / 0 / 77 / 0

HEX #93FE3A

RGB 147 254 58

HSL 92.76, 0.99%, 0.61%

LAB 90.5, -60.23, 77.21

 

CMYK 36 / 0 / 70 / 0

HEX #A4FF4D

RGB 164 255 77

HSL 90.67, 1%, 0.65%

LAB 91.66, -54.05, 72.52

 

CMYK 29 / 0 / 62 / 0

HEX #B5FF60

RGB 181 255 96

HSL 87.92, 1%, 0.69%

LAB 92.66, -46.89, 66.65

 

CMYK 22 / 0 / 55 / 0

HEX #C6FF73

RGB 198 255 115

HSL 84.43, 1%, 0.73%

LAB 93.78, -39.23, 60.15

 

CMYK 47 / 0 / 81 / 7

HEX #7DEC2C

RGB 125 236 44

HSL 94.69, 0.83%, 0.55%

LAB 84.24, -60.83, 74.89

 

CMYK 50 / 0 / 89 / 15

HEX #6CDA19

RGB 108 218 25

HSL 94.2, 0.79%, 0.48%

LAB 78.11, -59.89, 73.34

 

CMYK 55 / 0 / 97 / 22

HEX #5BC806

RGB 91 200 6

HSL 93.71, 0.94%, 0.4%

LAB 71.92, -58.62, 70.49

 

CMYK 59 / 0 / 100 / 29

HEX #4AB600

RGB 74 182 0

HSL 95.6, 1%, 0.36%

LAB 65.68, -56.91, 65.97

 

CMYK 65 / 0 / 100 / 36

HEX #39A400

RGB 57 164 0

HSL 99.15, 1%, 0.32%

LAB 59.36, -54.86, 60.76

 

CMYK 47 / 0 / 81 / 8

HEX #7DEB2D

RGB 125 235 45

HSL 94.74, 0.83%, 0.55%

LAB 83.95, -60.41, 74.37

 

CMYK 25 / 0 / 81 / 8

HEX #B0EB2D

RGB 176 235 45

HSL 78.63, 0.83%, 0.55%

LAB 86.42, -43.07, 77.52

 

CMYK 3 / 0 / 81 / 8

HEX #E4EB2D

RGB 228 235 45

HSL 62.21, 0.83%, 0.55%

LAB 89.91, -22.45, 81.91

 

CMYK 0 / 19 / 81 / 8

HEX #EBBF2D

RGB 235 191 45

HSL 46.11, 0.83%, 0.55%

LAB 79.11, 2.55, 72.82

 

CMYK 0 / 40 / 81 / 8

HEX #EB8C2D

RGB 235 140 45

HSL 30, 0.83%, 0.55%

LAB 66.98, 29.44, 62.11

 

CMYK 47 / 0 / 81 / 8

HEX #7DEB2D

RGB 125 235 45

HSL 94.74, 0.83%, 0.55%

LAB 83.95, -60.41, 74.37

 

CMYK 69 / 0 / 81 / 8

HEX #49EB2D

RGB 73 235 45

HSL 111.16, 0.83%, 0.55%

LAB 82.39, -72.93, 72.37

 

CMYK 81 / 0 / 71 / 8

HEX #2DEB43

RGB 45 235 67

HSL 126.95, 0.83%, 0.55%

LAB 82.04, -75.48, 65.09

 

CMYK 81 / 0 / 50 / 8

HEX #2DEB76

RGB 45 235 118

HSL 143.05, 0.83%, 0.55%

LAB 82.53, -69.55, 43.96

 

CMYK 81 / 0 / 28 / 8

HEX #2DEBAA

RGB 45 235 170

HSL 159.47, 0.83%, 0.55%

LAB 83.38, -59.86, 18.96

 

CMYK 47 / 0 / 81 / 8

HEX #7DEB2D

RGB 125 235 45

HSL 94.74, 0.83%, 0.55%

LAB 83.95, -60.41, 74.37

 

CMYK 52 / 0 / 90 / 0

HEX #7AFE1A

RGB 122 254 26

HSL 94.74, 0.99%, 0.55%

LAB 89.44, -68.7, 82.88

 

CMYK 47 / 0 / 81 / 8

HEX #7DEB2D

RGB 125 235 45

HSL 94.74, 0.83%, 0.55%

LAB 83.95, -60.41, 74.37

 

CMYK 41 / 0 / 71 / 15

HEX #80D83F

RGB 128 216 63

HSL 94.51, 0.66%, 0.55%

LAB 78.5, -51.15, 63.63

 

CMYK 34 / 0 / 59 / 22

HEX #83C652

RGB 131 198 82

HSL 94.66, 0.5%, 0.55%

LAB 73.43, -41.02, 50.46

 

CMYK 25 / 0 / 44 / 30

HEX #86B364

RGB 134 179 100

HSL 94.18, 0.34%, 0.55%

LAB 68.19, -29.2, 35.5

 

CMYK 16 / 0 / 26 / 37

HEX #88A177

RGB 136 161 119

HSL 95.71, 0.18%, 0.55%

LAB 63.39, -16.67, 19.06

 

CMYK 3 / 0 / 81 / 8

HEX #E5EB2D

RGB 229 235 45

HSL 61.89, 0.83%, 0.55%

LAB 89.98, -22.04, 82

 

CMYK 24 / 0 / 81 / 8

HEX #B2EB2D

RGB 178 235 45

HSL 78, 0.83%, 0.55%

LAB 86.54, -42.31, 77.67

 

CMYK 46 / 0 / 81 / 8

HEX #7FEB2D

RGB 127 235 45

HSL 94.11, 0.83%, 0.55%

LAB 84.03, -59.81, 74.47

 

CMYK 68 / 0 / 81 / 8

HEX #4CEB2D

RGB 76 235 45

HSL 110.21, 0.83%, 0.55%

LAB 82.46, -72.38, 72.45

 

CMYK 81 / 0 / 73 / 8

HEX #2DEB40

RGB 45 235 64

HSL 126, 0.83%, 0.55%

LAB 82.03, -75.72, 66.11

 

CMYK 52 / 0 / 91 / 29

HEX #56B510

RGB 86 181 16

HSL 94.55, 0.84%, 0.39%

LAB 65.8, -52.94, 64.17

 

CMYK 52 / 0 / 91 / 15

HEX #68DA14

RGB 104 218 20

HSL 94.55, 0.83%, 0.47%

LAB 77.96, -61.15, 73.95

 

CMYK 47 / 0 / 81 / 8

HEX #7DEB2D

RGB 125 235 45

HSL 94.74, 0.83%, 0.55%

LAB 83.95, -60.41, 74.37

 

CMYK 38 / 0 / 66 / 7

HEX #94EE52

RGB 148 238 82

HSL 94.62, 0.82%, 0.63%

LAB 86.03, -52.1, 64.58

 

CMYK 29 / 0 / 50 / 5

HEX #ABF278

RGB 171 242 120

HSL 94.92, 0.82%, 0.71%

LAB 88.69, -42.5, 51.5

 

CMYK 47 / 0 / 81 / 7

HEX #7DEC2C

RGB 125 236 44

HSL 94.69, 0.83%, 0.55%

LAB 84.24, -60.83, 74.89

 

CMYK 81 / 0 / 19 / 8

HEX #2DEBBF

RGB 45 235 191

HSL 166.11, 0.83%, 0.55%

LAB 83.83, -54.99, 8.63

 

CMYK 0 / 81 / 14 / 8

HEX #EB2DCB

RGB 235 45 203

HSL 310.11, 0.83%, 0.55%

LAB 55.94, 82.43, -38.73

 

CMYK 47 / 0 / 81 / 7

HEX #7DEC2C

RGB 125 236 44

HSL 94.69, 0.83%, 0.55%

LAB 84.24, -60.83, 74.89

 

CMYK 81 / 46 / 0 / 8

HEX #2D7FEB

RGB 45 127 235

HSL 214.11, 0.83%, 0.55%

LAB 53.74, 13.94, -61.38

 

CMYK 0 / 81 / 46 / 8

HEX #EB2D7F

RGB 235 45 127

HSL 334.11, 0.83%, 0.55%

LAB 53.03, 74.11, 1.5

 

CMYK 47 / 0 / 81 / 7

HEX #7DEC2C

RGB 125 236 44

HSL 94.69, 0.83%, 0.55%

LAB 84.24, -60.83, 74.89

 

CMYK 81 / 0 / 19 / 8

HEX #2DEBBF

RGB 45 235 191

HSL 166.11, 0.83%, 0.55%

LAB 83.83, -54.99, 8.63

 

CMYK 35 / 81 / 0 / 8

HEX #982DEB

RGB 152 45 235

HSL 273.79, 0.83%, 0.55%

LAB 45.01, 73.17, -75.19

 

CMYK 0 / 81 / 62 / 8

HEX #EB2D59

RGB 235 45 89

HSL 346.11, 0.83%, 0.55%

LAB 52.13, 71.43, 23.17

 

CMYK 47 / 0 / 81 / 7

HEX #7DEC2C

RGB 125 236 44

HSL 94.69, 0.83%, 0.55%

LAB 84.24, -60.83, 74.89

 

CMYK 81 / 6 / 0 / 8

HEX #2DDEEB

RGB 45 222 235

HSL 184.11, 0.83%, 0.55%

LAB 81.18, -37.44, -18.55

 

CMYK 35 / 81 / 0 / 8

HEX #982DEB

RGB 152 45 235

HSL 273.79, 0.83%, 0.55%

LAB 45.01, 73.17, -75.19

 

CMYK 0 / 76 / 81 / 8

HEX #EB392D

RGB 235 57 45

HSL 3.79, 0.83%, 0.55%

LAB 52.71, 66.28, 48.88

 

Description

Color code: HEX #7DEC2C | qconv.com Color code: HEX #7DEC2C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 236 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 236 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 81 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 81% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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