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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DE628 it is the complementary color #8219D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DE628. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DE628 shade: #82E623, #93F836, #A4FF49, #B5FF5C and #C6FF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DE628. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DE628 shade: #7DE628, #6CD415, #5BC202, #4AB000 and #399E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DE628 shade: #7DE528, #B0E528, #E3E528, #E5B528 and #E58228

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DE628 shade: #7DE528, #4AE528, #28E539, #28E56C and #28E5A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DE628 shade matches the following richer shades: #7DE528 and #7BF915

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DE628 shade: #7DE528, #7FD23B, #81BF4F, #83AB62 and #859876

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DE628 shade: #E2E528, #B0E528, #7DE528, #4BE528 and #28E538

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DE628 shade: #56A813, #68CC18, #7DE528, #93EA4D and #A9EE72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DE628 shade: #7DE628, #28E5B6 and #E528C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DE628 shade: #7DE628, #287DE5 and #E5287D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DE628 shade: #7DE628, #28E5B6, #9028E5 and #E52857

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DE628 shade: #7DE628, #28DCE5, #9028E5 and #E53128

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 83 / 10

HEX #7DE628

RGB 125 230 40

HSL 93.16, 0.79%, 0.53%

LAB 82.44, -58.76, 74.24

 

Complementary color

CMYK 40 / 88 / 0 / 16

HEX #8219D7

RGB 130 25 215

HSL 273.16, 0.79%, 0.47%

LAB 38.46, 71.42, -74.63

 

CMYK 43 / 0 / 85 / 10

HEX #82E623

RGB 130 230 35

HSL 90.77, 0.8%, 0.52%

LAB 82.63, -57.4, 75.61

 

CMYK 41 / 0 / 78 / 3

HEX #93F836

RGB 147 248 54

HSL 91.24, 0.93%, 0.59%

LAB 88.74, -58.13, 76.69

 

CMYK 36 / 0 / 71 / 0

HEX #A4FF49

RGB 164 255 73

HSL 90, 1%, 0.64%

LAB 91.64, -54.3, 73.88

 

CMYK 29 / 0 / 64 / 0

HEX #B5FF5C

RGB 181 255 92

HSL 87.24, 1%, 0.68%

LAB 92.63, -47.19, 68.2

 

CMYK 22 / 0 / 56 / 0

HEX #C6FF6F

RGB 198 255 111

HSL 83.75, 1%, 0.72%

LAB 93.74, -39.59, 61.85

 

CMYK 46 / 0 / 83 / 10

HEX #7DE628

RGB 125 230 40

HSL 93.16, 0.79%, 0.53%

LAB 82.44, -58.76, 74.24

 

CMYK 49 / 0 / 90 / 17

HEX #6CD415

RGB 108 212 21

HSL 92.67, 0.82%, 0.46%

LAB 76.27, -57.81, 72.45

 

CMYK 53 / 0 / 99 / 24

HEX #5BC202

RGB 91 194 2

HSL 92.19, 0.98%, 0.38%

LAB 70.04, -56.54, 69.43

 

CMYK 58 / 0 / 100 / 31

HEX #4AB000

RGB 74 176 0

HSL 94.77, 1%, 0.35%

LAB 63.76, -54.81, 64.46

 

CMYK 64 / 0 / 100 / 38

HEX #399E00

RGB 57 158 0

HSL 98.35, 1%, 0.31%

LAB 57.39, -52.82, 59.2

 

CMYK 45 / 0 / 83 / 10

HEX #7DE528

RGB 125 229 40

HSL 93.02, 0.78%, 0.53%

LAB 82.14, -58.38, 73.98

 

CMYK 23 / 0 / 83 / 10

HEX #B0E528

RGB 176 229 40

HSL 76.83, 0.78%, 0.53%

LAB 84.7, -40.62, 77.22

 

CMYK 1 / 0 / 83 / 10

HEX #E3E528

RGB 227 229 40

HSL 60.63, 0.78%, 0.53%

LAB 88.22, -20.11, 81.61

 

CMYK 0 / 21 / 83 / 10

HEX #E5B528

RGB 229 181 40

HSL 44.76, 0.78%, 0.53%

LAB 75.98, 5.04, 71.35

 

CMYK 0 / 43 / 83 / 10

HEX #E58228

RGB 229 130 40

HSL 28.57, 0.78%, 0.53%

LAB 63.98, 32.06, 60.99

 

CMYK 45 / 0 / 83 / 10

HEX #7DE528

RGB 125 229 40

HSL 93.02, 0.78%, 0.53%

LAB 82.14, -58.38, 73.98

 

CMYK 68 / 0 / 83 / 10

HEX #4AE528

RGB 74 229 40

HSL 109.21, 0.78%, 0.53%

LAB 80.54, -71.12, 71.94

 

CMYK 83 / 0 / 75 / 10

HEX #28E539

RGB 40 229 57

HSL 125.4, 0.78%, 0.53%

LAB 80.06, -75.01, 66.46

 

CMYK 83 / 0 / 53 / 10

HEX #28E56C

RGB 40 229 108

HSL 141.59, 0.78%, 0.53%

LAB 80.5, -69.57, 46.18

 

CMYK 83 / 0 / 30 / 10

HEX #28E5A0

RGB 40 229 160

HSL 158.1, 0.78%, 0.53%

LAB 81.31, -60.23, 21.27

 

CMYK 45 / 0 / 83 / 10

HEX #7DE528

RGB 125 229 40

HSL 93.02, 0.78%, 0.53%

LAB 82.14, -58.38, 73.98

 

CMYK 51 / 0 / 92 / 2

HEX #7BF915

RGB 123 249 21

HSL 93.16, 0.95%, 0.53%

LAB 87.98, -66.8, 82.36

 

CMYK 45 / 0 / 83 / 10

HEX #7DE528

RGB 125 229 40

HSL 93.02, 0.78%, 0.53%

LAB 82.14, -58.38, 73.98

 

CMYK 40 / 0 / 72 / 18

HEX #7FD23B

RGB 127 210 59

HSL 92.98, 0.63%, 0.53%

LAB 76.63, -49.32, 63.16

 

CMYK 32 / 0 / 59 / 25

HEX #81BF4F

RGB 129 191 79

HSL 93.21, 0.47%, 0.53%

LAB 71.21, -38.93, 49.26

 

CMYK 23 / 0 / 43 / 33

HEX #83AB62

RGB 131 171 98

HSL 92.88, 0.3%, 0.53%

LAB 65.62, -26.7, 33.24

 

CMYK 13 / 0 / 22 / 40

HEX #859876

RGB 133 152 118

HSL 93.53, 0.14%, 0.53%

LAB 60.56, -13.23, 15.69

 

CMYK 1 / 0 / 83 / 10

HEX #E2E528

RGB 226 229 40

HSL 60.95, 0.78%, 0.53%

LAB 88.14, -20.53, 81.52

 

CMYK 23 / 0 / 83 / 10

HEX #B0E528

RGB 176 229 40

HSL 76.83, 0.78%, 0.53%

LAB 84.7, -40.62, 77.22

 

CMYK 45 / 0 / 83 / 10

HEX #7DE528

RGB 125 229 40

HSL 93.02, 0.78%, 0.53%

LAB 82.14, -58.38, 73.98

 

CMYK 67 / 0 / 83 / 10

HEX #4BE528

RGB 75 229 40

HSL 108.89, 0.78%, 0.53%

LAB 80.56, -70.93, 71.97

 

CMYK 83 / 0 / 76 / 10

HEX #28E538

RGB 40 229 56

HSL 125.08, 0.78%, 0.53%

LAB 80.05, -75.08, 66.78

 

CMYK 49 / 0 / 89 / 34

HEX #56A813

RGB 86 168 19

HSL 93.02, 0.8%, 0.37%

LAB 61.68, -47.92, 60.15

 

CMYK 49 / 0 / 88 / 20

HEX #68CC18

RGB 104 204 24

HSL 93.33, 0.79%, 0.45%

LAB 73.67, -55.95, 69.69

 

CMYK 45 / 0 / 83 / 10

HEX #7DE528

RGB 125 229 40

HSL 93.02, 0.78%, 0.53%

LAB 82.14, -58.38, 73.98

 

CMYK 37 / 0 / 67 / 8

HEX #93EA4D

RGB 147 234 77

HSL 93.25, 0.79%, 0.61%

LAB 84.78, -51.19, 65.18

 

CMYK 29 / 0 / 52 / 7

HEX #A9EE72

RGB 169 238 114

HSL 93.39, 0.78%, 0.69%

LAB 87.39, -42.08, 52.68

 

CMYK 46 / 0 / 83 / 10

HEX #7DE628

RGB 125 230 40

HSL 93.16, 0.79%, 0.53%

LAB 82.44, -58.76, 74.24

 

CMYK 83 / 0 / 21 / 10

HEX #28E5B6

RGB 40 229 182

HSL 165.08, 0.78%, 0.53%

LAB 81.77, -55.21, 10.41

 

CMYK 0 / 83 / 12 / 10

HEX #E528C9

RGB 229 40 201

HSL 308.89, 0.78%, 0.53%

LAB 54.44, 82.03, -40

 

CMYK 46 / 0 / 83 / 10

HEX #7DE628

RGB 125 230 40

HSL 93.16, 0.79%, 0.53%

LAB 82.44, -58.76, 74.24

 

CMYK 83 / 45 / 0 / 10

HEX #287DE5

RGB 40 125 229

HSL 213.02, 0.78%, 0.53%

LAB 52.7, 12.49, -59.7

 

CMYK 0 / 83 / 45 / 10

HEX #E5287D

RGB 229 40 125

HSL 333.02, 0.78%, 0.53%

LAB 51.45, 73.62, 0.26

 

CMYK 46 / 0 / 83 / 10

HEX #7DE628

RGB 125 230 40

HSL 93.16, 0.79%, 0.53%

LAB 82.44, -58.76, 74.24

 

CMYK 83 / 0 / 21 / 10

HEX #28E5B6

RGB 40 229 182

HSL 165.08, 0.78%, 0.53%

LAB 81.77, -55.21, 10.41

 

CMYK 37 / 83 / 0 / 10

HEX #9028E5

RGB 144 40 229

HSL 273.02, 0.78%, 0.53%

LAB 42.92, 72.28, -75.25

 

CMYK 0 / 83 / 62 / 10

HEX #E52857

RGB 229 40 87

HSL 345.08, 0.78%, 0.53%

LAB 50.53, 70.92, 22.05

 

CMYK 46 / 0 / 83 / 10

HEX #7DE628

RGB 125 230 40

HSL 93.16, 0.79%, 0.53%

LAB 82.44, -58.76, 74.24

 

CMYK 83 / 4 / 0 / 10

HEX #28DCE5

RGB 40 220 229

HSL 182.86, 0.78%, 0.53%

LAB 80.35, -38.69, -16.62

 

CMYK 37 / 83 / 0 / 10

HEX #9028E5

RGB 144 40 229

HSL 273.02, 0.78%, 0.53%

LAB 42.92, 72.28, -75.25

 

CMYK 0 / 79 / 83 / 10

HEX #E53128

RGB 229 49 40

HSL 2.86, 0.78%, 0.53%

LAB 50.7, 66.73, 49.09

 

Description

Color code: HEX #7DE628 | qconv.com Color code: HEX #7DE628 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 230 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 230 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 83 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 83% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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