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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DDC83 it is the complementary color #82237C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DDC83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DDC83 shade: #82DC7E, #93EE91, #A4FFA4, #B5FFB7 and #C6FFCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DDC83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DDC83 shade: #7DDC83, #6CCA70, #5BB85D, #4AA64A and #399437

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DDC83 shade: #7EDC84, #91DC7E, #ABDC7E, #C4DC7E and #DCDB7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DDC83 shade: #7EDC84, #7EDC9D, #7EDCB7, #7EDCD0 and #7ECFDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DDC83 shade matches the following richer shades: #7EDC84, #70E978 and #63F76C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DDC83 shade: #7EDC84, #8BCF8F, #98C29B, #A5B5A6 and #B2A7B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DDC83 shade: #ABDC7E, #92DC7E, #7EDC82, #7EDC9C and #7EDCB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DDC83 shade: #3CCB45, #5DD464, #7EDC84, #9EE5A3 and #BFEEC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DDC83 shade: #7DDC83, #7EC5DC and #DC7E9F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DDC83 shade: #7DDC83, #827EDC and #DC827E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DDC83 shade: #7DDC83, #7EC5DC, #DC7ED7 and #DC957E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DDC83 shade: #7DDC83, #7EA8DC, #DC7ED7 and #DCB27E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 40 / 14

HEX #7DDC83

RGB 125 220 131

HSL 123.79, 0.58%, 0.68%

LAB 80.28, -46.2, 35.15

 

Complementary color

CMYK 0 / 73 / 5 / 49

HEX #82237C

RGB 130 35 124

HSL 303.79, 0.58%, 0.32%

LAB 32.71, 50.58, -29.31

 

CMYK 41 / 0 / 43 / 14

HEX #82DC7E

RGB 130 220 126

HSL 117.45, 0.57%, 0.68%

LAB 80.43, -45.47, 37.88

 

CMYK 38 / 0 / 39 / 7

HEX #93EE91

RGB 147 238 145

HSL 118.71, 0.73%, 0.75%

LAB 86.7, -45.28, 36.67

 

CMYK 36 / 0 / 36 / 0

HEX #A4FFA4

RGB 164 255 164

HSL 120, 1%, 0.82%

LAB 92.62, -44.63, 35.14

 

CMYK 29 / 0 / 28 / 0

HEX #B5FFB7

RGB 181 255 183

HSL 121.62, 1%, 0.85%

LAB 93.78, -36.41, 27.32

 

CMYK 22 / 0 / 21 / 0

HEX #C6FFCA

RGB 198 255 202

HSL 124.21, 1%, 0.89%

LAB 95.07, -27.85, 19.59

 

CMYK 43 / 0 / 40 / 14

HEX #7DDC83

RGB 125 220 131

HSL 123.79, 0.58%, 0.68%

LAB 80.28, -46.2, 35.15

 

CMYK 47 / 0 / 45 / 21

HEX #6CCA70

RGB 108 202 112

HSL 122.55, 0.47%, 0.61%

LAB 73.93, -46.34, 36.41

 

CMYK 51 / 0 / 49 / 28

HEX #5BB85D

RGB 91 184 93

HSL 121.29, 0.4%, 0.54%

LAB 67.5, -46.4, 37.72

 

CMYK 55 / 0 / 55 / 35

HEX #4AA64A

RGB 74 166 74

HSL 120, 0.38%, 0.47%

LAB 60.98, -46.29, 39.05

 

CMYK 61 / 0 / 63 / 42

HEX #399437

RGB 57 148 55

HSL 118.71, 0.46%, 0.4%

LAB 54.37, -45.93, 40.3

 

CMYK 43 / 0 / 40 / 14

HEX #7EDC84

RGB 126 220 132

HSL 123.83, 0.57%, 0.68%

LAB 80.34, -45.76, 34.72

 

CMYK 34 / 0 / 43 / 14

HEX #91DC7E

RGB 145 220 126

HSL 107.87, 0.57%, 0.68%

LAB 81.13, -40.78, 38.93

 

CMYK 22 / 0 / 43 / 14

HEX #ABDC7E

RGB 171 220 126

HSL 91.28, 0.57%, 0.68%

LAB 82.57, -31.86, 41.04

 

CMYK 11 / 0 / 43 / 14

HEX #C4DC7E

RGB 196 220 126

HSL 75.32, 0.57%, 0.68%

LAB 84.19, -22.58, 43.43

 

CMYK 0 / 0 / 43 / 14

HEX #DCDB7E

RGB 220 219 126

HSL 59.36, 0.57%, 0.68%

LAB 85.7, -12.77, 45.7

 

CMYK 43 / 0 / 40 / 14

HEX #7EDC84

RGB 126 220 132

HSL 123.83, 0.57%, 0.68%

LAB 80.34, -45.76, 34.72

 

CMYK 43 / 0 / 29 / 14

HEX #7EDC9D

RGB 126 220 157

HSL 139.79, 0.57%, 0.68%

LAB 80.77, -41.54, 22.44

 

CMYK 43 / 0 / 17 / 14

HEX #7EDCB7

RGB 126 220 183

HSL 156.38, 0.57%, 0.68%

LAB 81.31, -36.38, 9.53

 

CMYK 43 / 0 / 5 / 14

HEX #7EDCD0

RGB 126 220 208

HSL 172.34, 0.57%, 0.68%

LAB 81.93, -30.76, -2.84

 

CMYK 43 / 6 / 0 / 14

HEX #7ECFDC

RGB 126 207 220

HSL 188.3, 0.57%, 0.68%

LAB 78.59, -21.43, -14.21

 

CMYK 43 / 0 / 40 / 14

HEX #7EDC84

RGB 126 220 132

HSL 123.83, 0.57%, 0.68%

LAB 80.34, -45.76, 34.72

 

CMYK 52 / 0 / 48 / 9

HEX #70E978

RGB 112 233 120

HSL 123.97, 0.73%, 0.68%

LAB 83.48, -56.59, 44.53

 

CMYK 60 / 0 / 56 / 3

HEX #63F76C

RGB 99 247 108

HSL 123.65, 0.9%, 0.68%

LAB 87.12, -66.36, 54.39

 

CMYK 43 / 0 / 40 / 14

HEX #7EDC84

RGB 126 220 132

HSL 123.83, 0.57%, 0.68%

LAB 80.34, -45.76, 34.72

 

CMYK 33 / 0 / 31 / 19

HEX #8BCF8F

RGB 139 207 143

HSL 123.53, 0.41%, 0.68%

LAB 77.34, -34.25, 25.18

 

CMYK 22 / 0 / 20 / 24

HEX #98C29B

RGB 152 194 155

HSL 124.29, 0.26%, 0.68%

LAB 74.59, -21.62, 15.14

 

CMYK 9 / 0 / 8 / 29

HEX #A5B5A6

RGB 165 181 166

HSL 123.75, 0.1%, 0.68%

LAB 72.09, -8.42, 5.75

 

CMYK 0 / 6 / 0 / 30

HEX #B2A7B2

RGB 178 167 178

HSL 300, 0.07%, 0.68%

LAB 69.69, 5.99, -4.23

 

CMYK 22 / 0 / 43 / 14

HEX #ABDC7E

RGB 171 220 126

HSL 91.28, 0.57%, 0.68%

LAB 82.57, -31.86, 41.04

 

CMYK 34 / 0 / 43 / 14

HEX #92DC7E

RGB 146 220 126

HSL 107.23, 0.57%, 0.68%

LAB 81.18, -40.45, 39

 

CMYK 43 / 0 / 41 / 14

HEX #7EDC82

RGB 126 220 130

HSL 122.55, 0.57%, 0.68%

LAB 80.31, -46.06, 35.69

 

CMYK 43 / 0 / 29 / 14

HEX #7EDC9C

RGB 126 220 156

HSL 139.15, 0.57%, 0.68%

LAB 80.75, -41.72, 22.94

 

CMYK 43 / 0 / 18 / 14

HEX #7EDCB5

RGB 126 220 181

HSL 155.11, 0.57%, 0.68%

LAB 81.27, -36.8, 10.52

 

CMYK 70 / 0 / 66 / 20

HEX #3CCB45

RGB 60 203 69

HSL 123.78, 0.58%, 0.52%

LAB 72.3, -63.28, 54.1

 

CMYK 56 / 0 / 53 / 17

HEX #5DD464

RGB 93 212 100

HSL 123.53, 0.58%, 0.6%

LAB 76.27, -55.95, 45.08

 

CMYK 43 / 0 / 40 / 14

HEX #7EDC84

RGB 126 220 132

HSL 123.83, 0.57%, 0.68%

LAB 80.34, -45.76, 34.72

 

CMYK 31 / 0 / 29 / 10

HEX #9EE5A3

RGB 158 229 163

HSL 124.23, 0.58%, 0.76%

LAB 84.97, -35.04, 25.32

 

CMYK 20 / 0 / 18 / 7

HEX #BFEEC2

RGB 191 238 194

HSL 123.83, 0.58%, 0.84%

LAB 89.92, -23.37, 16.42

 

CMYK 43 / 0 / 40 / 14

HEX #7DDC83

RGB 125 220 131

HSL 123.79, 0.58%, 0.68%

LAB 80.28, -46.2, 35.15

 

CMYK 43 / 10 / 0 / 14

HEX #7EC5DC

RGB 126 197 220

HSL 194.68, 0.57%, 0.68%

LAB 75.78, -16.33, -18.45

 

CMYK 0 / 43 / 28 / 14

HEX #DC7E9F

RGB 220 126 159

HSL 338.94, 0.57%, 0.68%

LAB 63.87, 40.27, -1.64

 

CMYK 43 / 0 / 40 / 14

HEX #7DDC83

RGB 125 220 131

HSL 123.79, 0.58%, 0.68%

LAB 80.28, -46.2, 35.15

 

CMYK 41 / 43 / 0 / 14

HEX #827EDC

RGB 130 126 220

HSL 242.55, 0.57%, 0.68%

LAB 56.91, 24.57, -47.67

 

CMYK 0 / 41 / 43 / 14

HEX #DC827E

RGB 220 130 126

HSL 2.55, 0.57%, 0.68%

LAB 63.91, 34.17, 17.17

 

CMYK 43 / 0 / 40 / 14

HEX #7DDC83

RGB 125 220 131

HSL 123.79, 0.58%, 0.68%

LAB 80.28, -46.2, 35.15

 

CMYK 43 / 10 / 0 / 14

HEX #7EC5DC

RGB 126 197 220

HSL 194.68, 0.57%, 0.68%

LAB 75.78, -16.33, -18.45

 

CMYK 0 / 43 / 2 / 14

HEX #DC7ED7

RGB 220 126 215

HSL 303.19, 0.57%, 0.68%

LAB 65.78, 49.07, -30.33

 

CMYK 0 / 32 / 43 / 14

HEX #DC957E

RGB 220 149 126

HSL 14.68, 0.57%, 0.68%

LAB 68.18, 24.03, 23.01

 

CMYK 43 / 0 / 40 / 14

HEX #7DDC83

RGB 125 220 131

HSL 123.79, 0.58%, 0.68%

LAB 80.28, -46.2, 35.15

 

CMYK 43 / 24 / 0 / 14

HEX #7EA8DC

RGB 126 168 220

HSL 213.19, 0.57%, 0.68%

LAB 67.73, -0.74, -30.76

 

CMYK 0 / 43 / 2 / 14

HEX #DC7ED7

RGB 220 126 215

HSL 303.19, 0.57%, 0.68%

LAB 65.78, 49.07, -30.33

 

CMYK 0 / 19 / 43 / 14

HEX #DCB27E

RGB 220 178 126

HSL 33.19, 0.57%, 0.68%

LAB 75.18, 8.46, 32.3

 

Description

Color code: HEX #7DDC83 | qconv.com Color code: HEX #7DDC83 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 220 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 220 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 40 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 40% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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