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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7DC0E2 it is the complementary color #823F1D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7DC0E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7DC0E2 shade: #82C0DD, #93D2F0, #A4E4FF, #B5F6FF and #C6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7DC0E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7DC0E2 shade: #7DC0E2, #6CAECF, #5B9CBC, #4A8AA9 and #397896

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7DC0E2 shade: #7DC0E2, #7DA5E2, #7D89E2, #8C7DE2 and #A77DE2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7DC0E2 shade: #7DC0E2, #7DA5E2, #7D89E2 and #7D7DE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7DC0E2 shade matches the following richer shades: #7DC0E2, #70C4EF and #63C8FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7DC0E2 shade: #7DC0E2, #8ABCD5, #96B8C8, #A3B3BC and #B0AFAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7DC0E2 shade: #7DE2CE, #7DDBE2, #7DC0E2, #7DA5E2 and #7D8AE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7DC0E2 shade: #399FD3, #5BB0DB, #7DC0E2, #9FD0E9 and #C1E1F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7DC0E2 shade: #7DC0E2, #B37DE2 and #E2DB7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7DC0E2 shade: #7DC0E2, #E27DC0 and #C0E27D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7DC0E2 shade: #7DC0E2, #B37DE2, #E29F7D and #ACE27D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7DC0E2 shade: #7DC0E2, #D17DE2, #E29F7D and #8EE27D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 15 / 0 / 11

HEX #7DC0E2

RGB 125 192 226

HSL 200.2, 0.64%, 0.69%

LAB 74.54, -12.36, -23.59

 

Complementary color

CMYK 0 / 52 / 78 / 49

HEX #823F1D

RGB 130 63 29

HSL 20.2, 0.64%, 0.31%

LAB 34.78, 26.28, 33.15

 

CMYK 41 / 13 / 0 / 13

HEX #82C0DD

RGB 130 192 221

HSL 199.12, 0.57%, 0.69%

LAB 74.61, -12.46, -20.74

 

CMYK 39 / 13 / 0 / 6

HEX #93D2F0

RGB 147 210 240

HSL 199.35, 0.76%, 0.76%

LAB 81.06, -12.59, -21.08

 

CMYK 36 / 11 / 0 / 0

HEX #A4E4FF

RGB 164 228 255

HSL 197.8, 1%, 0.82%

LAB 87.29, -13.68, -19.52

 

CMYK 29 / 4 / 0 / 0

HEX #B5F6FF

RGB 181 246 255

HSL 187.3, 1%, 0.85%

LAB 92.99, -18.14, -10.87

 

CMYK 22 / 0 / 0 / 0

HEX #C6FFFF

RGB 198 255 255

HSL 180, 1%, 0.89%

LAB 96.31, -17.77, -5.86

 

CMYK 45 / 15 / 0 / 11

HEX #7DC0E2

RGB 125 192 226

HSL 200.2, 0.64%, 0.69%

LAB 74.54, -12.36, -23.59

 

CMYK 48 / 16 / 0 / 19

HEX #6CAECF

RGB 108 174 207

HSL 200, 0.51%, 0.62%

LAB 67.99, -12.11, -23.27

 

CMYK 52 / 17 / 0 / 26

HEX #5B9CBC

RGB 91 156 188

HSL 199.79, 0.42%, 0.55%

LAB 61.34, -11.79, -22.96

 

CMYK 56 / 18 / 0 / 34

HEX #4A8AA9

RGB 74 138 169

HSL 199.58, 0.39%, 0.48%

LAB 54.55, -11.37, -22.64

 

CMYK 62 / 20 / 0 / 41

HEX #397896

RGB 57 120 150

HSL 199.35, 0.45%, 0.41%

LAB 47.63, -10.78, -22.3

 

CMYK 45 / 15 / 0 / 11

HEX #7DC0E2

RGB 125 192 226

HSL 200.2, 0.64%, 0.69%

LAB 74.54, -12.36, -23.59

 

CMYK 45 / 27 / 0 / 11

HEX #7DA5E2

RGB 125 165 226

HSL 216.24, 0.64%, 0.69%

LAB 67.1, 2.37, -35.04

 

CMYK 45 / 39 / 0 / 11

HEX #7D89E2

RGB 125 137 226

HSL 232.87, 0.64%, 0.69%

LAB 59.66, 18.56, -46.71

 

CMYK 38 / 45 / 0 / 11

HEX #8C7DE2

RGB 140 125 226

HSL 248.91, 0.64%, 0.69%

LAB 57.78, 29.35, -49.6

 

CMYK 26 / 45 / 0 / 11

HEX #A77DE2

RGB 167 125 226

HSL 264.95, 0.64%, 0.69%

LAB 60.22, 36.52, -45.58

 

CMYK 45 / 15 / 0 / 11

HEX #7DC0E2

RGB 125 192 226

HSL 200.2, 0.64%, 0.69%

LAB 74.54, -12.36, -23.59

 

CMYK 45 / 27 / 0 / 11

HEX #7DA5E2

RGB 125 165 226

HSL 216.24, 0.64%, 0.69%

LAB 67.1, 2.37, -35.04

 

CMYK 45 / 39 / 0 / 11

HEX #7D89E2

RGB 125 137 226

HSL 232.87, 0.64%, 0.69%

LAB 59.66, 18.56, -46.71

 

CMYK 45 / 45 / 0 / 11

HEX #7D7DE2

RGB 125 125 226

HSL 240, 0.64%, 0.69%

LAB 56.6, 25.66, -51.55

 

CMYK 45 / 15 / 0 / 11

HEX #7DC0E2

RGB 125 192 226

HSL 200.2, 0.64%, 0.69%

LAB 74.54, -12.36, -23.59

 

CMYK 53 / 18 / 0 / 6

HEX #70C4EF

RGB 112 196 239

HSL 200.31, 0.8%, 0.69%

LAB 75.55, -13.76, -29.11

 

CMYK 61 / 21 / 0 / 1

HEX #63C8FC

RGB 99 200 252

HSL 200.39, 0.96%, 0.69%

LAB 76.67, -14.51, -34.4

 

CMYK 45 / 15 / 0 / 11

HEX #7DC0E2

RGB 125 192 226

HSL 200.2, 0.64%, 0.69%

LAB 74.54, -12.36, -23.59

 

CMYK 35 / 12 / 0 / 16

HEX #8ABCD5

RGB 138 188 213

HSL 200, 0.47%, 0.69%

LAB 73.66, -10.29, -17.81

 

CMYK 25 / 8 / 0 / 22

HEX #96B8C8

RGB 150 184 200

HSL 199.2, 0.31%, 0.69%

LAB 72.85, -7.83, -11.87

 

CMYK 13 / 5 / 0 / 26

HEX #A3B3BC

RGB 163 179 188

HSL 201.6, 0.16%, 0.69%

LAB 72, -3.67, -6.47

 

CMYK 0 / 1 / 1 / 31

HEX #B0AFAF

RGB 176 175 175

HSL 0, 0.01%, 0.69%

LAB 71.54, 0.36, 0.12

 

CMYK 45 / 0 / 9 / 11

HEX #7DE2CE

RGB 125 226 206

HSL 168.12, 0.64%, 0.69%

LAB 83.55, -34.29, 0.58

 

CMYK 45 / 3 / 0 / 11

HEX #7DDBE2

RGB 125 219 226

HSL 184.16, 0.64%, 0.69%

LAB 82.12, -26.09, -12.15

 

CMYK 45 / 15 / 0 / 11

HEX #7DC0E2

RGB 125 192 226

HSL 200.2, 0.64%, 0.69%

LAB 74.54, -12.36, -23.59

 

CMYK 45 / 27 / 0 / 11

HEX #7DA5E2

RGB 125 165 226

HSL 216.24, 0.64%, 0.69%

LAB 67.1, 2.37, -35.04

 

CMYK 45 / 39 / 0 / 11

HEX #7D8AE2

RGB 125 138 226

HSL 232.28, 0.64%, 0.69%

LAB 59.91, 17.97, -46.3

 

CMYK 73 / 25 / 0 / 17

HEX #399FD3

RGB 57 159 211

HSL 200.26, 0.64%, 0.53%

LAB 61.97, -12.16, -34.94

 

CMYK 58 / 20 / 0 / 14

HEX #5BB0DB

RGB 91 176 219

HSL 200.16, 0.64%, 0.61%

LAB 68.31, -13.3, -29.46

 

CMYK 45 / 15 / 0 / 11

HEX #7DC0E2

RGB 125 192 226

HSL 200.2, 0.64%, 0.69%

LAB 74.54, -12.36, -23.59

 

CMYK 32 / 11 / 0 / 9

HEX #9FD0E9

RGB 159 208 233

HSL 200.27, 0.63%, 0.77%

LAB 80.94, -10.07, -17.47

 

CMYK 20 / 7 / 0 / 5

HEX #C1E1F1

RGB 193 225 241

HSL 200, 0.63%, 0.85%

LAB 87.75, -7.13, -11.3

 

CMYK 45 / 15 / 0 / 11

HEX #7DC0E2

RGB 125 192 226

HSL 200.2, 0.64%, 0.69%

LAB 74.54, -12.36, -23.59

 

CMYK 21 / 45 / 0 / 11

HEX #B37DE2

RGB 179 125 226

HSL 272.08, 0.64%, 0.69%

LAB 61.43, 39.85, -43.6

 

CMYK 0 / 3 / 45 / 11

HEX #E2DB7D

RGB 226 219 125

HSL 55.84, 0.64%, 0.69%

LAB 86.16, -10.49, 46.87

 

CMYK 45 / 15 / 0 / 11

HEX #7DC0E2

RGB 125 192 226

HSL 200.2, 0.64%, 0.69%

LAB 74.54, -12.36, -23.59

 

CMYK 0 / 45 / 15 / 11

HEX #E27DC0

RGB 226 125 192

HSL 320.2, 0.64%, 0.69%

LAB 65.47, 47.6, -17.86

 

CMYK 15 / 0 / 45 / 11

HEX #C0E27D

RGB 192 226 125

HSL 80.2, 0.64%, 0.69%

LAB 85.54, -27.09, 45.55

 

CMYK 45 / 15 / 0 / 11

HEX #7DC0E2

RGB 125 192 226

HSL 200.2, 0.64%, 0.69%

LAB 74.54, -12.36, -23.59

 

CMYK 21 / 45 / 0 / 11

HEX #B37DE2

RGB 179 125 226

HSL 272.08, 0.64%, 0.69%

LAB 61.43, 39.85, -43.6

 

CMYK 0 / 30 / 45 / 11

HEX #E29F7D

RGB 226 159 125

HSL 20.2, 0.64%, 0.69%

LAB 71.18, 20.92, 27.69

 

CMYK 24 / 0 / 45 / 11

HEX #ACE27D

RGB 172 226 125

HSL 92.08, 0.64%, 0.69%

LAB 84.3, -34.4, 43.73

 

CMYK 45 / 15 / 0 / 11

HEX #7DC0E2

RGB 125 192 226

HSL 200.2, 0.64%, 0.69%

LAB 74.54, -12.36, -23.59

 

CMYK 8 / 45 / 0 / 11

HEX #D17DE2

RGB 209 125 226

HSL 289.9, 0.64%, 0.69%

LAB 64.73, 48.39, -38.18

 

CMYK 0 / 30 / 45 / 11

HEX #E29F7D

RGB 226 159 125

HSL 20.2, 0.64%, 0.69%

LAB 71.18, 20.92, 27.69

 

CMYK 37 / 0 / 45 / 11

HEX #8EE27D

RGB 142 226 125

HSL 109.9, 0.64%, 0.69%

LAB 82.71, -44.49, 41.4

 

Description

Color code: HEX #7DC0E2 | qconv.com Color code: HEX #7DC0E2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 192 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 192 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 15 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 15% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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