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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D912E it is the complementary color #826ED1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D912E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D912E shade: #829129, #93A33C, #A4B54F, #B5C762 and #C6D975

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D912E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D912E shade: #7D912E, #6C7F1B, #5B6D08, #4A5B00 and #394900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D912E shade: #7B8F2D, #8F882D, #8F6E2D, #8F532D and #8F392D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D912E shade: #7B8F2D, #618F2D, #468F2D, #2D8F2E and #2D8F48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D912E shade matches the following richer shades: #7B8F2D, #849E1E and #8DAD0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D912E shade: #7B8F2D, #72803C, #69704B, #60615B and #57526A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D912E shade: #8F6E2D, #8F882D, #7B8F2D, #618F2D and #478F2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D912E shade: #455019, #607023, #7B8F2D, #96AE37 and #ACC549

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D912E shade: #7D912E, #2D8F54 and #7B2D8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D912E shade: #7D912E, #2D7B8F and #8F2D7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D912E shade: #7D912E, #2D8F54, #402D8F and #8F2D68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D912E shade: #7D912E, #2D8F71, #402D8F and #8F2D4A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 68 / 43

HEX #7D912E

RGB 125 145 46

HSL 72.12, 0.52%, 0.37%

LAB 56.89, -21.43, 48.04

 

Complementary color

CMYK 38 / 47 / 0 / 18

HEX #826ED1

RGB 130 110 209

HSL 252.12, 0.52%, 0.63%

LAB 52.4, 30.96, -48.63

 

CMYK 10 / 0 / 72 / 43

HEX #829129

RGB 130 145 41

HSL 68.65, 0.56%, 0.36%

LAB 57.23, -19.58, 50.51

 

CMYK 10 / 0 / 63 / 36

HEX #93A33C

RGB 147 163 60

HSL 69.32, 0.46%, 0.44%

LAB 63.94, -20.21, 49.98

 

CMYK 9 / 0 / 56 / 29

HEX #A4B54F

RGB 164 181 79

HSL 70, 0.41%, 0.51%

LAB 70.53, -20.68, 49.07

 

CMYK 9 / 0 / 51 / 22

HEX #B5C762

RGB 181 199 98

HSL 70.69, 0.47%, 0.58%

LAB 77.01, -21.03, 48

 

CMYK 9 / 0 / 46 / 15

HEX #C6D975

RGB 198 217 117

HSL 71.4, 0.57%, 0.65%

LAB 83.4, -21.31, 46.87

 

CMYK 14 / 0 / 68 / 43

HEX #7D912E

RGB 125 145 46

HSL 72.12, 0.52%, 0.37%

LAB 56.89, -21.43, 48.04

 

CMYK 15 / 0 / 79 / 50

HEX #6C7F1B

RGB 108 127 27

HSL 71.4, 0.65%, 0.3%

LAB 50.03, -20.74, 48.14

 

CMYK 17 / 0 / 93 / 57

HEX #5B6D08

RGB 91 109 8

HSL 70.69, 0.86%, 0.23%

LAB 43.03, -19.77, 46.85

 

CMYK 19 / 0 / 100 / 64

HEX #4A5B00

RGB 74 91 0

HSL 71.21, 1%, 0.18%

LAB 35.86, -18.4, 42.8

 

CMYK 22 / 0 / 100 / 71

HEX #394900

RGB 57 73 0

HSL 73.15, 1%, 0.14%

LAB 28.47, -16.77, 36.6

 

CMYK 14 / 0 / 69 / 44

HEX #7B8F2D

RGB 123 143 45

HSL 72.24, 0.52%, 0.37%

LAB 56.13, -21.34, 47.63

 

CMYK 0 / 5 / 69 / 44

HEX #8F882D

RGB 143 136 45

HSL 55.71, 0.52%, 0.37%

LAB 55.72, -8.78, 47.73

 

CMYK 0 / 23 / 69 / 44

HEX #8F6E2D

RGB 143 110 45

HSL 39.8, 0.52%, 0.37%

LAB 48.49, 5.82, 40.13

 

CMYK 0 / 42 / 69 / 44

HEX #8F532D

RGB 143 83 45

HSL 23.27, 0.52%, 0.37%

LAB 41.56, 21.48, 32.44

 

CMYK 0 / 60 / 69 / 44

HEX #8F392D

RGB 143 57 45

HSL 7.35, 0.52%, 0.37%

LAB 35.9, 35.65, 25.82

 

CMYK 14 / 0 / 69 / 44

HEX #7B8F2D

RGB 123 143 45

HSL 72.24, 0.52%, 0.37%

LAB 56.13, -21.34, 47.63

 

CMYK 32 / 0 / 69 / 44

HEX #618F2D

RGB 97 143 45

HSL 88.16, 0.52%, 0.37%

LAB 54.42, -32, 45.32

 

CMYK 51 / 0 / 69 / 44

HEX #468F2D

RGB 70 143 45

HSL 104.69, 0.52%, 0.37%

LAB 53.1, -41.41, 43.51

 

CMYK 69 / 0 / 68 / 44

HEX #2D8F2E

RGB 45 143 46

HSL 120.61, 0.52%, 0.37%

LAB 52.29, -47.77, 41.96

 

CMYK 69 / 0 / 50 / 44

HEX #2D8F48

RGB 45 143 72

HSL 136.53, 0.52%, 0.37%

LAB 52.59, -44.28, 29.6

 

CMYK 14 / 0 / 69 / 44

HEX #7B8F2D

RGB 123 143 45

HSL 72.24, 0.52%, 0.37%

LAB 56.13, -21.34, 47.63

 

CMYK 16 / 0 / 81 / 38

HEX #849E1E

RGB 132 158 30

HSL 72.19, 0.68%, 0.37%

LAB 61.18, -25.78, 58.01

 

CMYK 18 / 0 / 92 / 32

HEX #8DAD0E

RGB 141 173 14

HSL 72.08, 0.85%, 0.37%

LAB 66.2, -29.7, 65.99

 

CMYK 14 / 0 / 69 / 44

HEX #7B8F2D

RGB 123 143 45

HSL 72.24, 0.52%, 0.37%

LAB 56.13, -21.34, 47.63

 

CMYK 11 / 0 / 53 / 50

HEX #72803C

RGB 114 128 60

HSL 72.35, 0.36%, 0.37%

LAB 51.08, -16.14, 34.81

 

CMYK 6 / 0 / 33 / 56

HEX #69704B

RGB 105 112 75

HSL 71.35, 0.2%, 0.37%

LAB 45.77, -9.37, 19.73

 

CMYK 1 / 0 / 6 / 62

HEX #60615B

RGB 96 97 91

HSL 70, 0.03%, 0.37%

LAB 40.88, -1.62, 3.28

 

CMYK 18 / 23 / 0 / 58

HEX #57526A

RGB 87 82 106

HSL 252.5, 0.13%, 0.37%

LAB 36.18, 7.53, -13.07

 

CMYK 0 / 23 / 69 / 44

HEX #8F6E2D

RGB 143 110 45

HSL 39.8, 0.52%, 0.37%

LAB 48.49, 5.82, 40.13

 

CMYK 0 / 5 / 69 / 44

HEX #8F882D

RGB 143 136 45

HSL 55.71, 0.52%, 0.37%

LAB 55.72, -8.78, 47.73

 

CMYK 14 / 0 / 69 / 44

HEX #7B8F2D

RGB 123 143 45

HSL 72.24, 0.52%, 0.37%

LAB 56.13, -21.34, 47.63

 

CMYK 32 / 0 / 69 / 44

HEX #618F2D

RGB 97 143 45

HSL 88.16, 0.52%, 0.37%

LAB 54.42, -32, 45.32

 

CMYK 50 / 0 / 69 / 44

HEX #478F2D

RGB 71 143 45

HSL 104.08, 0.52%, 0.37%

LAB 53.14, -41.1, 43.57

 

CMYK 14 / 0 / 69 / 69

HEX #455019

RGB 69 80 25

HSL 72, 0.52%, 0.21%

LAB 31.97, -13.4, 29.98

 

CMYK 14 / 0 / 69 / 56

HEX #607023

RGB 96 112 35

HSL 72.47, 0.52%, 0.29%

LAB 44.51, -17.75, 39.24

 

CMYK 14 / 0 / 69 / 44

HEX #7B8F2D

RGB 123 143 45

HSL 72.24, 0.52%, 0.37%

LAB 56.13, -21.34, 47.63

 

CMYK 14 / 0 / 68 / 32

HEX #96AE37

RGB 150 174 55

HSL 72.1, 0.52%, 0.45%

LAB 67.3, -24.77, 55.65

 

CMYK 13 / 0 / 63 / 23

HEX #ACC549

RGB 172 197 73

HSL 72.1, 0.52%, 0.53%

LAB 75.57, -25.75, 57.45

 

CMYK 14 / 0 / 68 / 43

HEX #7D912E

RGB 125 145 46

HSL 72.12, 0.52%, 0.37%

LAB 56.89, -21.43, 48.04

 

CMYK 69 / 0 / 41 / 44

HEX #2D8F54

RGB 45 143 84

HSL 143.88, 0.52%, 0.37%

LAB 52.78, -42.15, 23.36

 

CMYK 14 / 69 / 0 / 44

HEX #7B2D8F

RGB 123 45 143

HSL 287.76, 0.52%, 0.37%

LAB 34.13, 48.39, -38.91

 

CMYK 14 / 0 / 68 / 43

HEX #7D912E

RGB 125 145 46

HSL 72.12, 0.52%, 0.37%

LAB 56.89, -21.43, 48.04

 

CMYK 69 / 14 / 0 / 44

HEX #2D7B8F

RGB 45 123 143

HSL 192.24, 0.52%, 0.37%

LAB 47.89, -16.96, -17.81

 

CMYK 0 / 69 / 14 / 44

HEX #8F2D7B

RGB 143 45 123

HSL 312.24, 0.52%, 0.37%

LAB 36.26, 49.88, -22.95

 

CMYK 14 / 0 / 68 / 43

HEX #7D912E

RGB 125 145 46

HSL 72.12, 0.52%, 0.37%

LAB 56.89, -21.43, 48.04

 

CMYK 69 / 0 / 41 / 44

HEX #2D8F54

RGB 45 143 84

HSL 143.88, 0.52%, 0.37%

LAB 52.78, -42.15, 23.36

 

CMYK 55 / 69 / 0 / 44

HEX #402D8F

RGB 64 45 143

HSL 251.63, 0.52%, 0.37%

LAB 26.59, 35.64, -51.47

 

CMYK 0 / 69 / 27 / 44

HEX #8F2D68

RGB 143 45 104

HSL 323.88, 0.52%, 0.37%

LAB 35.43, 47.09, -12.27

 

CMYK 14 / 0 / 68 / 43

HEX #7D912E

RGB 125 145 46

HSL 72.12, 0.52%, 0.37%

LAB 56.89, -21.43, 48.04

 

CMYK 69 / 0 / 21 / 44

HEX #2D8F71

RGB 45 143 113

HSL 161.63, 0.52%, 0.37%

LAB 53.38, -35.71, 7.82

 

CMYK 55 / 69 / 0 / 44

HEX #402D8F

RGB 64 45 143

HSL 251.63, 0.52%, 0.37%

LAB 26.59, 35.64, -51.47

 

CMYK 0 / 69 / 48 / 44

HEX #8F2D4A

RGB 143 45 74

HSL 342.24, 0.52%, 0.37%

LAB 34.42, 43.57, 5.49

 

Description

Color code: HEX #7D912E | qconv.com Color code: HEX #7D912E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 145 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 145 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 68 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 68% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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