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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D960F it is the complementary color #8269F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D960F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D960F shade: #82960A, #93A81D, #A4BA30, #B5CC43 and #C6DE56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D960F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D960F shade: #7D960F, #6C8400, #5B7200, #4A6000 and #394E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D960F shade: #7B940E, #94890E, #94650E, #94410E and #941C0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D960F shade: #7B940E, #57940E, #33940E, #0F940E and #0E9431

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D960F shade matches the following richer shades: #7B940E and #84A101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D960F shade: #7B940E, #73871B, #6B7A29, #626C36 and #5A5F43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D960F shade: #94650E, #94890E, #7B940E, #58940E and #34940E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D960F shade: #3D4907, #5C6E0A, #7B940E, #9BBA12 and #BADF16

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D960F shade: #7D960F, #0E9441 and #770E94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D960F shade: #7D960F, #0E7B94 and #940E7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D960F shade: #7D960F, #0E9441, #270E94 and #940E61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D960F shade: #7D960F, #0E946A, #270E94 and #940E39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 90 / 41

HEX #7D960F

RGB 125 150 15

HSL 71.11, 0.82%, 0.32%

LAB 58.23, -25.33, 58.92

 

Complementary color

CMYK 46 / 56 / 0 / 6

HEX #8269F0

RGB 130 105 240

HSL 251.11, 0.82%, 0.68%

LAB 53.1, 42.52, -64.97

 

CMYK 13 / 0 / 93 / 41

HEX #82960A

RGB 130 150 10

HSL 68.57, 0.88%, 0.31%

LAB 58.58, -23.26, 60.2

 

CMYK 13 / 0 / 83 / 34

HEX #93A81D

RGB 147 168 29

HSL 69.06, 0.71%, 0.39%

LAB 65.2, -24.35, 62.24

 

CMYK 12 / 0 / 74 / 27

HEX #A4BA30

RGB 164 186 48

HSL 69.57, 0.59%, 0.46%

LAB 71.71, -25.2, 62.89

 

CMYK 11 / 0 / 67 / 20

HEX #B5CC43

RGB 181 204 67

HSL 70.07, 0.57%, 0.53%

LAB 78.12, -25.87, 62.73

 

CMYK 11 / 0 / 61 / 13

HEX #C6DE56

RGB 198 222 86

HSL 70.59, 0.67%, 0.6%

LAB 84.44, -26.4, 62.12

 

CMYK 17 / 0 / 90 / 41

HEX #7D960F

RGB 125 150 15

HSL 71.11, 0.82%, 0.32%

LAB 58.23, -25.33, 58.92

 

CMYK 18 / 0 / 100 / 48

HEX #6C8400

RGB 108 132 0

HSL 70.91, 1%, 0.26%

LAB 51.49, -24.12, 55.68

 

CMYK 20 / 0 / 100 / 55

HEX #5B7200

RGB 91 114 0

HSL 72.11, 1%, 0.22%

LAB 44.6, -22.59, 49.95

 

CMYK 23 / 0 / 100 / 62

HEX #4A6000

RGB 74 96 0

HSL 73.75, 1%, 0.19%

LAB 37.52, -21.04, 44.05

 

CMYK 27 / 0 / 100 / 69

HEX #394E00

RGB 57 78 0

HSL 76.15, 1%, 0.15%

LAB 30.2, -19.46, 37.96

 

CMYK 17 / 0 / 91 / 42

HEX #7B940E

RGB 123 148 14

HSL 71.19, 0.83%, 0.32%

LAB 57.48, -25.23, 58.43

 

CMYK 0 / 7 / 91 / 42

HEX #94890E

RGB 148 137 14

HSL 55.07, 0.83%, 0.32%

LAB 56.31, -8.26, 58.34

 

CMYK 0 / 32 / 91 / 42

HEX #94650E

RGB 148 101 14

HSL 38.96, 0.83%, 0.32%

LAB 46.49, 12.05, 50.6

 

CMYK 0 / 56 / 91 / 42

HEX #94410E

RGB 148 65 14

HSL 22.84, 0.83%, 0.32%

LAB 38.04, 32.29, 43.98

 

CMYK 0 / 81 / 91 / 42

HEX #941C0E

RGB 148 28 14

HSL 6.27, 0.83%, 0.32%

LAB 32.16, 48.06, 39.45

 

CMYK 17 / 0 / 91 / 42

HEX #7B940E

RGB 123 148 14

HSL 71.19, 0.83%, 0.32%

LAB 57.48, -25.23, 58.43

 

CMYK 41 / 0 / 91 / 42

HEX #57940E

RGB 87 148 14

HSL 87.31, 0.83%, 0.32%

LAB 55.32, -39.62, 55.75

 

CMYK 66 / 0 / 91 / 42

HEX #33940E

RGB 51 148 14

HSL 103.43, 0.83%, 0.32%

LAB 53.94, -50.38, 54.03

 

CMYK 90 / 0 / 91 / 42

HEX #0F940E

RGB 15 148 14

HSL 119.55, 0.83%, 0.32%

LAB 53.29, -56, 53.22

 

CMYK 91 / 0 / 67 / 42

HEX #0E9431

RGB 14 148 49

HSL 135.67, 0.83%, 0.32%

LAB 53.49, -53.47, 41.81

 

CMYK 17 / 0 / 91 / 42

HEX #7B940E

RGB 123 148 14

HSL 71.19, 0.83%, 0.32%

LAB 57.48, -25.23, 58.43

 

CMYK 18 / 0 / 99 / 37

HEX #84A101

RGB 132 161 1

HSL 70.88, 0.99%, 0.32%

LAB 62, -27.96, 64.21

 

CMYK 17 / 0 / 91 / 42

HEX #7B940E

RGB 123 148 14

HSL 71.19, 0.83%, 0.32%

LAB 57.48, -25.23, 58.43

 

CMYK 15 / 0 / 80 / 47

HEX #73871B

RGB 115 135 27

HSL 71.11, 0.67%, 0.32%

LAB 53.01, -21.76, 51.08

 

CMYK 12 / 0 / 66 / 52

HEX #6B7A29

RGB 107 122 41

HSL 71.11, 0.5%, 0.32%

LAB 48.52, -17.71, 41.02

 

CMYK 9 / 0 / 50 / 58

HEX #626C36

RGB 98 108 54

HSL 71.11, 0.33%, 0.32%

LAB 43.64, -12.91, 28.76

 

CMYK 5 / 0 / 29 / 63

HEX #5A5F43

RGB 90 95 67

HSL 70.71, 0.17%, 0.32%

LAB 39.18, -7.26, 15.41

 

CMYK 0 / 32 / 91 / 42

HEX #94650E

RGB 148 101 14

HSL 38.96, 0.83%, 0.32%

LAB 46.49, 12.05, 50.6

 

CMYK 0 / 7 / 91 / 42

HEX #94890E

RGB 148 137 14

HSL 55.07, 0.83%, 0.32%

LAB 56.31, -8.26, 58.34

 

CMYK 17 / 0 / 91 / 42

HEX #7B940E

RGB 123 148 14

HSL 71.19, 0.83%, 0.32%

LAB 57.48, -25.23, 58.43

 

CMYK 41 / 0 / 91 / 42

HEX #58940E

RGB 88 148 14

HSL 86.87, 0.83%, 0.32%

LAB 55.37, -39.26, 55.82

 

CMYK 65 / 0 / 91 / 42

HEX #34940E

RGB 52 148 14

HSL 102.99, 0.83%, 0.32%

LAB 53.96, -50.15, 54.07

 

CMYK 16 / 0 / 90 / 71

HEX #3D4907

RGB 61 73 7

HSL 70.91, 0.83%, 0.16%

LAB 28.83, -14.45, 34.24

 

CMYK 16 / 0 / 91 / 57

HEX #5C6E0A

RGB 92 110 10

HSL 70.8, 0.83%, 0.24%

LAB 43.43, -19.78, 46.76

 

CMYK 17 / 0 / 91 / 42

HEX #7B940E

RGB 123 148 14

HSL 71.19, 0.83%, 0.32%

LAB 57.48, -25.23, 58.43

 

CMYK 17 / 0 / 90 / 27

HEX #9BBA12

RGB 155 186 18

HSL 71.07, 0.82%, 0.4%

LAB 70.96, -29.97, 69.58

 

CMYK 17 / 0 / 90 / 13

HEX #BADF16

RGB 186 223 22

HSL 71.04, 0.82%, 0.48%

LAB 83.59, -34.47, 79.97

 

CMYK 17 / 0 / 90 / 41

HEX #7D960F

RGB 125 150 15

HSL 71.11, 0.82%, 0.32%

LAB 58.23, -25.33, 58.92

 

CMYK 91 / 0 / 56 / 42

HEX #0E9441

RGB 14 148 65

HSL 142.84, 0.83%, 0.32%

LAB 53.66, -51.35, 34.41

 

CMYK 20 / 91 / 0 / 42

HEX #770E94

RGB 119 14 148

HSL 287.01, 0.83%, 0.32%

LAB 30.34, 58.61, -48.13

 

CMYK 17 / 0 / 90 / 41

HEX #7D960F

RGB 125 150 15

HSL 71.11, 0.82%, 0.32%

LAB 58.23, -25.33, 58.92

 

CMYK 91 / 17 / 0 / 42

HEX #0E7B94

RGB 14 123 148

HSL 191.19, 0.83%, 0.32%

LAB 47.49, -18.66, -21.42

 

CMYK 0 / 91 / 17 / 42

HEX #940E7B

RGB 148 14 123

HSL 311.19, 0.83%, 0.32%

LAB 34.07, 59.96, -26.32

 

CMYK 17 / 0 / 90 / 41

HEX #7D960F

RGB 125 150 15

HSL 71.11, 0.82%, 0.32%

LAB 58.23, -25.33, 58.92

 

CMYK 91 / 0 / 56 / 42

HEX #0E9441

RGB 14 148 65

HSL 142.84, 0.83%, 0.32%

LAB 53.66, -51.35, 34.41

 

CMYK 74 / 91 / 0 / 42

HEX #270E94

RGB 39 14 148

HSL 251.19, 0.83%, 0.32%

LAB 19.57, 49.44, -66.21

 

CMYK 0 / 91 / 34 / 42

HEX #940E61

RGB 148 14 97

HSL 322.84, 0.83%, 0.32%

LAB 32.86, 56.73, -11.61

 

CMYK 17 / 0 / 90 / 41

HEX #7D960F

RGB 125 150 15

HSL 71.11, 0.82%, 0.32%

LAB 58.23, -25.33, 58.92

 

CMYK 91 / 0 / 28 / 42

HEX #0E946A

RGB 14 148 106

HSL 161.19, 0.83%, 0.32%

LAB 54.36, -43.22, 13.11

 

CMYK 74 / 91 / 0 / 42

HEX #270E94

RGB 39 14 148

HSL 251.19, 0.83%, 0.32%

LAB 19.57, 49.44, -66.21

 

CMYK 0 / 91 / 61 / 42

HEX #940E39

RGB 148 14 57

HSL 340.75, 0.83%, 0.32%

LAB 31.59, 53.2, 12.84

 

Description

Color code: HEX #7D960F | qconv.com Color code: HEX #7D960F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 150 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 150 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 90 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 90% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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