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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D82A4 it is the complementary color #827D5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D82A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D82A4 shade: #82829F, #9394B2, #A4A6C5, #B5B8D8 and #C6CAEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D82A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D82A4 shade: #7D82A4, #6C7091, #5B5E7E, #4A4C6B and #393A58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D82A4 shade: #7D82A5, #837DA5, #8D7DA5, #987DA5 and #A37DA5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D82A4 shade: #7D82A5 and #7D7DA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D82A4 shade matches the following richer shades: #7D82A5, #6B75B6, #5A68C8, #485BDA and #364DEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D82A4 shade: #7D82A5, #8F8F93, #A19D81, #B2AA6F and #C4B75E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D82A4 shade: #7D97A5, #7D8DA5, #7D82A5, #827DA5 and #8D7DA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D82A4 shade: #555A7A, #666C93, #7D82A5, #959AB6 and #AEB1C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D82A4 shade: #7D82A4, #A57DA2 and #92A57D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D82A4 shade: #7D82A4, #A57D82 and #82A57D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D82A4 shade: #7D82A4, #A57DA2, #A59F7D and #7DA580

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D82A4 shade: #7D82A4, #A57D96, #A59F7D and #7DA58C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 21 / 0 / 36

HEX #7D82A4

RGB 125 130 164

HSL 232.31, 0.18%, 0.57%

LAB 55.08, 5.84, -18.69

 

Complementary color

CMYK 0 / 4 / 30 / 49

HEX #827D5B

RGB 130 125 91

HSL 52.31, 0.18%, 0.43%

LAB 52.03, -3.83, 19.26

 

CMYK 18 / 18 / 0 / 38

HEX #82829F

RGB 130 130 159

HSL 240, 0.13%, 0.57%

LAB 55.29, 6.29, -15.44

 

CMYK 17 / 17 / 0 / 30

HEX #9394B2

RGB 147 148 178

HSL 238.06, 0.17%, 0.64%

LAB 62.17, 5.98, -15.75

 

CMYK 17 / 16 / 0 / 23

HEX #A4A6C5

RGB 164 166 197

HSL 236.36, 0.22%, 0.71%

LAB 68.89, 5.7, -16.07

 

CMYK 16 / 15 / 0 / 15

HEX #B5B8D8

RGB 181 184 216

HSL 234.86, 0.31%, 0.78%

LAB 75.49, 5.45, -16.4

 

CMYK 16 / 14 / 0 / 8

HEX #C6CAEB

RGB 198 202 235

HSL 233.51, 0.48%, 0.85%

LAB 81.97, 5.21, -16.74

 

CMYK 24 / 21 / 0 / 36

HEX #7D82A4

RGB 125 130 164

HSL 232.31, 0.18%, 0.57%

LAB 55.08, 5.84, -18.69

 

CMYK 26 / 23 / 0 / 43

HEX #6C7091

RGB 108 112 145

HSL 233.51, 0.15%, 0.5%

LAB 48.03, 6.2, -18.47

 

CMYK 28 / 25 / 0 / 51

HEX #5B5E7E

RGB 91 94 126

HSL 234.86, 0.16%, 0.43%

LAB 40.79, 6.61, -18.3

 

CMYK 31 / 29 / 0 / 58

HEX #4A4C6B

RGB 74 76 107

HSL 236.36, 0.18%, 0.35%

LAB 33.32, 7.1, -18.19

 

CMYK 35 / 34 / 0 / 65

HEX #393A58

RGB 57 58 88

HSL 238.06, 0.21%, 0.28%

LAB 25.57, 7.71, -18.15

 

CMYK 24 / 21 / 0 / 35

HEX #7D82A5

RGB 125 130 165

HSL 232.5, 0.18%, 0.57%

LAB 55.12, 6.09, -19.2

 

CMYK 21 / 24 / 0 / 35

HEX #837DA5

RGB 131 125 165

HSL 249, 0.18%, 0.57%

LAB 54.25, 10.96, -20.49

 

CMYK 15 / 24 / 0 / 35

HEX #8D7DA5

RGB 141 125 165

HSL 264, 0.18%, 0.57%

LAB 55.12, 14.27, -19.08

 

CMYK 8 / 24 / 0 / 35

HEX #987DA5

RGB 152 125 165

HSL 280.5, 0.18%, 0.57%

LAB 56.15, 18.01, -17.42

 

CMYK 1 / 24 / 0 / 35

HEX #A37DA5

RGB 163 125 165

HSL 297, 0.18%, 0.57%

LAB 57.24, 21.8, -15.66

 

CMYK 24 / 21 / 0 / 35

HEX #7D82A5

RGB 125 130 165

HSL 232.5, 0.18%, 0.57%

LAB 55.12, 6.09, -19.2

 

CMYK 24 / 24 / 0 / 35

HEX #7D7DA5

RGB 125 125 165

HSL 240, 0.18%, 0.57%

LAB 53.75, 9.02, -21.29

 

CMYK 24 / 21 / 0 / 35

HEX #7D82A5

RGB 125 130 165

HSL 232.5, 0.18%, 0.57%

LAB 55.12, 6.09, -19.2

 

CMYK 41 / 36 / 0 / 29

HEX #6B75B6

RGB 107 117 182

HSL 232, 0.34%, 0.57%

LAB 50.95, 13.06, -35.58

 

CMYK 55 / 48 / 0 / 22

HEX #5A68C8

RGB 90 104 200

HSL 232.36, 0.5%, 0.57%

LAB 47.29, 22.54, -51.82

 

CMYK 67 / 58 / 0 / 15

HEX #485BDA

RGB 72 91 218

HSL 232.19, 0.66%, 0.57%

LAB 44.12, 33.56, -67.31

 

CMYK 77 / 67 / 0 / 7

HEX #364DEC

RGB 54 77 236

HSL 232.42, 0.83%, 0.57%

LAB 41.45, 46.33, -81.93

 

CMYK 24 / 21 / 0 / 35

HEX #7D82A5

RGB 125 130 165

HSL 232.5, 0.18%, 0.57%

LAB 55.12, 6.09, -19.2

 

CMYK 3 / 3 / 0 / 42

HEX #8F8F93

RGB 143 143 147

HSL 240, 0.02%, 0.57%

LAB 59.52, 0.79, -2.12

 

CMYK 0 / 2 / 20 / 37

HEX #A19D81

RGB 161 157 129

HSL 52.5, 0.15%, 0.57%

LAB 64.38, -3.36, 15.2

 

CMYK 0 / 4 / 38 / 30

HEX #B2AA6F

RGB 178 170 111

HSL 52.84, 0.3%, 0.57%

LAB 69.01, -6, 31.46

 

CMYK 0 / 7 / 52 / 23

HEX #C4B75E

RGB 196 183 94

HSL 52.35, 0.46%, 0.57%

LAB 73.81, -7.13, 46.42

 

CMYK 24 / 8 / 0 / 35

HEX #7D97A5

RGB 125 151 165

HSL 201, 0.18%, 0.57%

LAB 60.97, -5.87, -10.36

 

CMYK 24 / 15 / 0 / 35

HEX #7D8DA5

RGB 125 141 165

HSL 216, 0.18%, 0.57%

LAB 58.16, -0.25, -14.58

 

CMYK 24 / 21 / 0 / 35

HEX #7D82A5

RGB 125 130 165

HSL 232.5, 0.18%, 0.57%

LAB 55.12, 6.09, -19.2

 

CMYK 21 / 24 / 0 / 35

HEX #827DA5

RGB 130 125 165

HSL 247.5, 0.18%, 0.57%

LAB 54.16, 10.63, -20.62

 

CMYK 15 / 24 / 0 / 35

HEX #8D7DA5

RGB 141 125 165

HSL 264, 0.18%, 0.57%

LAB 55.12, 14.27, -19.08

 

CMYK 30 / 26 / 0 / 52

HEX #555A7A

RGB 85 90 122

HSL 231.89, 0.18%, 0.41%

LAB 38.98, 6.04, -18.69

 

CMYK 31 / 27 / 0 / 42

HEX #666C93

RGB 102 108 147

HSL 232, 0.18%, 0.49%

LAB 46.52, 7.21, -22.02

 

CMYK 24 / 21 / 0 / 35

HEX #7D82A5

RGB 125 130 165

HSL 232.5, 0.18%, 0.57%

LAB 55.12, 6.09, -19.2

 

CMYK 18 / 15 / 0 / 29

HEX #959AB6

RGB 149 154 182

HSL 230.91, 0.18%, 0.65%

LAB 64.06, 4.16, -15.12

 

CMYK 12 / 11 / 0 / 22

HEX #AEB1C6

RGB 174 177 198

HSL 232.5, 0.17%, 0.73%

LAB 72.57, 3.15, -11.01

 

CMYK 24 / 21 / 0 / 36

HEX #7D82A4

RGB 125 130 164

HSL 232.31, 0.18%, 0.57%

LAB 55.08, 5.84, -18.69

 

CMYK 0 / 24 / 2 / 35

HEX #A57DA2

RGB 165 125 162

HSL 304.5, 0.18%, 0.57%

LAB 57.34, 21.91, -13.75

 

CMYK 12 / 0 / 24 / 35

HEX #92A57D

RGB 146 165 125

HSL 88.5, 0.18%, 0.57%

LAB 65.36, -14.04, 18.57

 

CMYK 24 / 21 / 0 / 36

HEX #7D82A4

RGB 125 130 164

HSL 232.31, 0.18%, 0.57%

LAB 55.08, 5.84, -18.69

 

CMYK 0 / 24 / 21 / 35

HEX #A57D82

RGB 165 125 130

HSL 352.5, 0.18%, 0.57%

LAB 56.37, 16.28, 3.31

 

CMYK 21 / 0 / 24 / 35

HEX #82A57D

RGB 130 165 125

HSL 112.5, 0.18%, 0.57%

LAB 64.27, -19.92, 16.9

 

CMYK 24 / 21 / 0 / 36

HEX #7D82A4

RGB 125 130 164

HSL 232.31, 0.18%, 0.57%

LAB 55.08, 5.84, -18.69

 

CMYK 0 / 24 / 2 / 35

HEX #A57DA2

RGB 165 125 162

HSL 304.5, 0.18%, 0.57%

LAB 57.34, 21.91, -13.75

 

CMYK 0 / 4 / 24 / 35

HEX #A59F7D

RGB 165 159 125

HSL 51, 0.18%, 0.57%

LAB 65.18, -3.48, 18.57

 

CMYK 24 / 0 / 22 / 35

HEX #7DA580

RGB 125 165 128

HSL 124.5, 0.18%, 0.57%

LAB 64.02, -21.14, 14.85

 

CMYK 24 / 21 / 0 / 36

HEX #7D82A4

RGB 125 130 164

HSL 232.31, 0.18%, 0.57%

LAB 55.08, 5.84, -18.69

 

CMYK 0 / 24 / 9 / 35

HEX #A57D96

RGB 165 125 150

HSL 322.5, 0.18%, 0.57%

LAB 56.95, 19.67, -7.42

 

CMYK 0 / 4 / 24 / 35

HEX #A59F7D

RGB 165 159 125

HSL 51, 0.18%, 0.57%

LAB 65.18, -3.48, 18.57

 

CMYK 24 / 0 / 15 / 35

HEX #7DA58C

RGB 125 165 140

HSL 142.5, 0.18%, 0.57%

LAB 64.29, -18.85, 8.57

 

Description

Color code: HEX #7D82A4 | qconv.com Color code: HEX #7D82A4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 130 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 130 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 21 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 21% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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