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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D859F it is the complementary color #827A60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D859F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D859F shade: #82859A, #9397AD, #A4A9C0, #B5BBD3 and #C6CDE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D859F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D859F shade: #7D859F, #6C738C, #5B6179, #4A4F66 and #393D53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D859F shade: #7D859F, #7F7D9F, #887D9F, #917D9F and #9A7D9F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D859F shade: #7D859F and #7D7D9F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D859F shade matches the following richer shades: #7D859F, #6B7CB1, #5972C3, #4769D6 and #355FE8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D859F shade: #7D859F, #908F8D, #A2997B, #B4A269 and #C6AC57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D859F shade: #7D989F, #7D8F9F, #7D869F, #7E7D9F and #877D9F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D859F shade: #565D74, #67708C, #7D859F, #959CB1 and #ADB2C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D859F shade: #7D859F, #9D7D9F and #939F7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D859F shade: #7D859F, #9F7D86 and #869F7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D859F shade: #7D859F, #9D7D9F, #9F977D and #7F9F7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D859F shade: #7D859F, #9F7D97, #9F977D and #7D9F86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 16 / 0 / 38

HEX #7D859F

RGB 125 133 159

HSL 225.88, 0.15%, 0.56%

LAB 55.72, 2.89, -14.82

 

Complementary color

CMYK 0 / 6 / 26 / 49

HEX #827A60

RGB 130 122 96

HSL 45.88, 0.15%, 0.44%

LAB 51.28, -1.4, 15.37

 

CMYK 16 / 14 / 0 / 40

HEX #82859A

RGB 130 133 154

HSL 232.5, 0.11%, 0.56%

LAB 55.94, 3.4, -11.57

 

CMYK 15 / 13 / 0 / 32

HEX #9397AD

RGB 147 151 173

HSL 230.77, 0.14%, 0.63%

LAB 62.8, 3.17, -11.96

 

CMYK 15 / 12 / 0 / 25

HEX #A4A9C0

RGB 164 169 192

HSL 229.29, 0.18%, 0.7%

LAB 69.52, 2.95, -12.36

 

CMYK 14 / 11 / 0 / 17

HEX #B5BBD3

RGB 181 187 211

HSL 228, 0.25%, 0.77%

LAB 76.11, 2.75, -12.75

 

CMYK 14 / 11 / 0 / 10

HEX #C6CDE6

RGB 198 205 230

HSL 226.88, 0.39%, 0.84%

LAB 82.58, 2.56, -13.15

 

CMYK 21 / 16 / 0 / 38

HEX #7D859F

RGB 125 133 159

HSL 225.88, 0.15%, 0.56%

LAB 55.72, 2.89, -14.82

 

CMYK 23 / 18 / 0 / 45

HEX #6C738C

RGB 108 115 140

HSL 226.88, 0.13%, 0.49%

LAB 48.69, 3.15, -14.52

 

CMYK 25 / 20 / 0 / 53

HEX #5B6179

RGB 91 97 121

HSL 228, 0.14%, 0.42%

LAB 41.46, 3.44, -14.24

 

CMYK 27 / 23 / 0 / 60

HEX #4A4F66

RGB 74 79 102

HSL 229.29, 0.16%, 0.35%

LAB 34, 3.78, -14

 

CMYK 31 / 27 / 0 / 67

HEX #393D53

RGB 57 61 83

HSL 230.77, 0.19%, 0.27%

LAB 26.25, 4.2, -13.81

 

CMYK 21 / 16 / 0 / 38

HEX #7D859F

RGB 125 133 159

HSL 225.88, 0.15%, 0.56%

LAB 55.72, 2.89, -14.82

 

CMYK 20 / 21 / 0 / 38

HEX #7F7D9F

RGB 127 125 159

HSL 243.53, 0.15%, 0.56%

LAB 53.69, 8.21, -17.9

 

CMYK 14 / 21 / 0 / 38

HEX #887D9F

RGB 136 125 159

HSL 259.41, 0.15%, 0.56%

LAB 54.45, 11.23, -16.66

 

CMYK 9 / 21 / 0 / 38

HEX #917D9F

RGB 145 125 159

HSL 275.29, 0.15%, 0.56%

LAB 55.27, 14.31, -15.35

 

CMYK 3 / 21 / 0 / 38

HEX #9A7D9F

RGB 154 125 159

HSL 291.18, 0.15%, 0.56%

LAB 56.13, 17.45, -13.97

 

CMYK 21 / 16 / 0 / 38

HEX #7D859F

RGB 125 133 159

HSL 225.88, 0.15%, 0.56%

LAB 55.72, 2.89, -14.82

 

CMYK 21 / 21 / 0 / 38

HEX #7D7D9F

RGB 125 125 159

HSL 240, 0.15%, 0.56%

LAB 53.53, 7.55, -18.16

 

CMYK 21 / 16 / 0 / 38

HEX #7D859F

RGB 125 133 159

HSL 225.88, 0.15%, 0.56%

LAB 55.72, 2.89, -14.82

 

CMYK 40 / 30 / 0 / 31

HEX #6B7CB1

RGB 107 124 177

HSL 225.43, 0.31%, 0.56%

LAB 52.64, 7.41, -30.06

 

CMYK 54 / 42 / 0 / 24

HEX #5972C3

RGB 89 114 195

HSL 225.85, 0.47%, 0.56%

LAB 49.62, 14.51, -45.25

 

CMYK 67 / 51 / 0 / 16

HEX #4769D6

RGB 71 105 214

HSL 225.73, 0.64%, 0.56%

LAB 47.36, 23.22, -59.78

 

CMYK 77 / 59 / 0 / 9

HEX #355FE8

RGB 53 95 232

HSL 225.92, 0.8%, 0.56%

LAB 45.31, 33.73, -73.34

 

CMYK 21 / 16 / 0 / 38

HEX #7D859F

RGB 125 133 159

HSL 225.88, 0.15%, 0.56%

LAB 55.72, 2.89, -14.82

 

CMYK 0 / 1 / 2 / 44

HEX #908F8D

RGB 144 143 141

HSL 40, 0.01%, 0.56%

LAB 59.43, -0.01, 1.18

 

CMYK 0 / 6 / 24 / 36

HEX #A2997B

RGB 162 153 123

HSL 46.15, 0.17%, 0.56%

LAB 63.26, -1.69, 16.98

 

CMYK 0 / 10 / 42 / 29

HEX #B4A269

RGB 180 162 105

HSL 45.6, 0.33%, 0.56%

LAB 66.95, -1.59, 32.01

 

CMYK 0 / 13 / 56 / 22

HEX #C6AC57

RGB 198 172 87

HSL 45.95, 0.49%, 0.56%

LAB 71.01, -1.09, 46.57

 

CMYK 21 / 4 / 0 / 38

HEX #7D989F

RGB 125 152 159

HSL 192.35, 0.15%, 0.56%

LAB 61.06, -7.83, -6.82

 

CMYK 21 / 10 / 0 / 38

HEX #7D8F9F

RGB 125 143 159

HSL 208.24, 0.15%, 0.56%

LAB 58.52, -2.82, -10.61

 

CMYK 21 / 16 / 0 / 38

HEX #7D869F

RGB 125 134 159

HSL 224.12, 0.15%, 0.56%

LAB 56, 2.31, -14.4

 

CMYK 21 / 21 / 0 / 38

HEX #7E7D9F

RGB 126 125 159

HSL 241.76, 0.15%, 0.56%

LAB 53.61, 7.88, -18.03

 

CMYK 15 / 21 / 0 / 38

HEX #877D9F

RGB 135 125 159

HSL 257.65, 0.15%, 0.56%

LAB 54.37, 10.89, -16.8

 

CMYK 26 / 20 / 0 / 55

HEX #565D74

RGB 86 93 116

HSL 226, 0.15%, 0.4%

LAB 39.69, 2.89, -13.91

 

CMYK 26 / 20 / 0 / 45

HEX #67708C

RGB 103 112 140

HSL 225.41, 0.15%, 0.48%

LAB 47.45, 3.28, -16.44

 

CMYK 21 / 16 / 0 / 38

HEX #7D859F

RGB 125 133 159

HSL 225.88, 0.15%, 0.56%

LAB 55.72, 2.89, -14.82

 

CMYK 16 / 12 / 0 / 31

HEX #959CB1

RGB 149 156 177

HSL 225, 0.15%, 0.64%

LAB 64.44, 1.92, -11.75

 

CMYK 11 / 8 / 0 / 24

HEX #ADB2C2

RGB 173 178 194

HSL 225.71, 0.15%, 0.72%

LAB 72.64, 1.44, -8.73

 

CMYK 21 / 16 / 0 / 38

HEX #7D859F

RGB 125 133 159

HSL 225.88, 0.15%, 0.56%

LAB 55.72, 2.89, -14.82

 

CMYK 1 / 21 / 0 / 38

HEX #9D7D9F

RGB 157 125 159

HSL 296.47, 0.15%, 0.56%

LAB 56.43, 18.51, -13.49

 

CMYK 8 / 0 / 21 / 38

HEX #939F7D

RGB 147 159 125

HSL 81.18, 0.15%, 0.56%

LAB 63.74, -10.48, 16.35

 

CMYK 21 / 16 / 0 / 38

HEX #7D859F

RGB 125 133 159

HSL 225.88, 0.15%, 0.56%

LAB 55.72, 2.89, -14.82

 

CMYK 0 / 21 / 16 / 38

HEX #9F7D86

RGB 159 125 134

HSL 344.12, 0.15%, 0.56%

LAB 55.85, 14.62, 0.15

 

CMYK 16 / 0 / 21 / 38

HEX #869F7D

RGB 134 159 125

HSL 104.12, 0.15%, 0.56%

LAB 62.8, -15.36, 14.9

 

CMYK 21 / 16 / 0 / 38

HEX #7D859F

RGB 125 133 159

HSL 225.88, 0.15%, 0.56%

LAB 55.72, 2.89, -14.82

 

CMYK 1 / 21 / 0 / 38

HEX #9D7D9F

RGB 157 125 159

HSL 296.47, 0.15%, 0.56%

LAB 56.43, 18.51, -13.49

 

CMYK 0 / 5 / 21 / 38

HEX #9F977D

RGB 159 151 125

HSL 45.88, 0.15%, 0.56%

LAB 62.49, -1.48, 14.77

 

CMYK 20 / 0 / 21 / 38

HEX #7F9F7D

RGB 127 159 125

HSL 116.47, 0.15%, 0.56%

LAB 62.33, -17.9, 14.18

 

CMYK 21 / 16 / 0 / 38

HEX #7D859F

RGB 125 133 159

HSL 225.88, 0.15%, 0.56%

LAB 55.72, 2.89, -14.82

 

CMYK 0 / 21 / 5 / 38

HEX #9F7D97

RGB 159 125 151

HSL 314.12, 0.15%, 0.56%

LAB 56.36, 17.67, -8.94

 

CMYK 0 / 5 / 21 / 38

HEX #9F977D

RGB 159 151 125

HSL 45.88, 0.15%, 0.56%

LAB 62.49, -1.48, 14.77

 

CMYK 21 / 0 / 16 / 38

HEX #7D9F86

RGB 125 159 134

HSL 135.88, 0.15%, 0.56%

LAB 62.4, -16.91, 9.24

 

Description

Color code: HEX #7D859F | qconv.com Color code: HEX #7D859F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 133 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 133 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 16 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 16% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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