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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D76A1 it is the complementary color #82895E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D76A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D76A1 shade: #82769C, #9388AF, #A49AC2, #B5ACD5 and #C6BEE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D76A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D76A1 shade: #7D76A1, #6C648E, #5B527B, #4A4068 and #392E55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D76A1 shade: #7D76A2, #8976A2, #9576A2, #A076A2 and #A27697

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D76A1 shade: #7D76A2 and #7676A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D76A1 shade matches the following richer shades: #7D76A2, #7163B4, #6451C7, #573ED9 and #4B2CEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D76A1 shade: #7D76A2, #8A898F, #969B7C, #A3AE6A and #AFC057

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D76A1 shade: #7687A2, #767BA2, #7C76A2, #8876A2 and #9476A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D76A1 shade: #565075, #68608E, #7D76A2, #948EB2 and #ACA7C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D76A1 shade: #7D76A1, #A27692 and #81A276

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D76A1 shade: #7D76A1, #A27C76 and #76A27C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D76A1 shade: #7D76A1, #A27692, #9BA276 and #76A285

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D76A1 shade: #7D76A1, #A27685, #9BA276 and #76A292

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 27 / 0 / 37

HEX #7D76A1

RGB 125 118 161

HSL 249.77, 0.19%, 0.55%

LAB 51.71, 12.17, -22.1

 

Complementary color

CMYK 5 / 0 / 31 / 46

HEX #82895E

RGB 130 137 94

HSL 69.77, 0.19%, 0.45%

LAB 55.53, -10.07, 22.25

 

CMYK 17 / 24 / 0 / 39

HEX #82769C

RGB 130 118 156

HSL 258.95, 0.16%, 0.54%

LAB 51.95, 12.62, -18.78

 

CMYK 16 / 22 / 0 / 31

HEX #9388AF

RGB 147 136 175

HSL 256.92, 0.2%, 0.61%

LAB 58.89, 12.16, -19.02

 

CMYK 15 / 21 / 0 / 24

HEX #A49AC2

RGB 164 154 194

HSL 255, 0.25%, 0.68%

LAB 65.67, 11.75, -19.28

 

CMYK 15 / 19 / 0 / 16

HEX #B5ACD5

RGB 181 172 213

HSL 253.17, 0.33%, 0.75%

LAB 72.32, 11.37, -19.56

 

CMYK 15 / 18 / 0 / 9

HEX #C6BEE8

RGB 198 190 232

HSL 251.43, 0.48%, 0.83%

LAB 78.84, 11.02, -19.85

 

CMYK 22 / 27 / 0 / 37

HEX #7D76A1

RGB 125 118 161

HSL 249.77, 0.19%, 0.55%

LAB 51.71, 12.17, -22.1

 

CMYK 24 / 30 / 0 / 44

HEX #6C648E

RGB 108 100 142

HSL 251.43, 0.17%, 0.47%

LAB 44.6, 12.7, -21.97

 

CMYK 26 / 33 / 0 / 52

HEX #5B527B

RGB 91 82 123

HSL 253.17, 0.2%, 0.4%

LAB 37.28, 13.33, -21.9

 

CMYK 29 / 38 / 0 / 59

HEX #4A4068

RGB 74 64 104

HSL 255, 0.24%, 0.33%

LAB 29.72, 14.07, -21.88

 

CMYK 33 / 46 / 0 / 67

HEX #392E55

RGB 57 46 85

HSL 256.92, 0.3%, 0.26%

LAB 21.87, 14.98, -21.95

 

CMYK 23 / 27 / 0 / 36

HEX #7D76A2

RGB 125 118 162

HSL 249.55, 0.19%, 0.55%

LAB 51.75, 12.41, -22.62

 

CMYK 15 / 27 / 0 / 36

HEX #8976A2

RGB 137 118 162

HSL 265.91, 0.19%, 0.55%

LAB 52.82, 16.35, -20.89

 

CMYK 8 / 27 / 0 / 36

HEX #9576A2

RGB 149 118 162

HSL 282.27, 0.19%, 0.55%

LAB 53.98, 20.4, -19.01

 

CMYK 1 / 27 / 0 / 36

HEX #A076A2

RGB 160 118 162

HSL 297.27, 0.19%, 0.55%

LAB 55.11, 24.17, -17.18

 

CMYK 0 / 27 / 7 / 36

HEX #A27697

RGB 162 118 151

HSL 315, 0.19%, 0.55%

LAB 54.94, 22.76, -11.04

 

CMYK 23 / 27 / 0 / 36

HEX #7D76A2

RGB 125 118 162

HSL 249.55, 0.19%, 0.55%

LAB 51.75, 12.41, -22.62

 

CMYK 27 / 27 / 0 / 36

HEX #7676A2

RGB 118 118 162

HSL 240, 0.19%, 0.55%

LAB 51.17, 10.18, -23.56

 

CMYK 23 / 27 / 0 / 36

HEX #7D76A2

RGB 125 118 162

HSL 249.55, 0.19%, 0.55%

LAB 51.75, 12.41, -22.62

 

CMYK 37 / 45 / 0 / 29

HEX #7163B4

RGB 113 99 180

HSL 250.37, 0.35%, 0.55%

LAB 46.62, 25.04, -41.22

 

CMYK 50 / 59 / 0 / 22

HEX #6451C7

RGB 100 81 199

HSL 249.66, 0.51%, 0.55%

LAB 42.33, 38.36, -59.2

 

CMYK 60 / 71 / 0 / 15

HEX #573ED9

RGB 87 62 217

HSL 249.68, 0.67%, 0.55%

LAB 38.69, 52.33, -75.57

 

CMYK 68 / 81 / 0 / 7

HEX #4B2CEC

RGB 75 44 236

HSL 249.69, 0.83%, 0.55%

LAB 36.66, 65.09, -89.81

 

CMYK 23 / 27 / 0 / 36

HEX #7D76A2

RGB 125 118 162

HSL 249.55, 0.19%, 0.55%

LAB 51.75, 12.41, -22.62

 

CMYK 3 / 4 / 0 / 44

HEX #8A898F

RGB 138 137 143

HSL 250, 0.03%, 0.55%

LAB 57.35, 1.57, -3.08

 

CMYK 3 / 0 / 20 / 39

HEX #969B7C

RGB 150 155 124

HSL 69.68, 0.13%, 0.55%

LAB 62.83, -7.34, 15.68

 

CMYK 6 / 0 / 39 / 32

HEX #A3AE6A

RGB 163 174 106

HSL 69.71, 0.3%, 0.55%

LAB 68.82, -14.76, 33.61

 

CMYK 9 / 0 / 55 / 25

HEX #AFC057

RGB 175 192 87

HSL 69.71, 0.45%, 0.55%

LAB 74.51, -20.98, 50.14

 

CMYK 27 / 17 / 0 / 36

HEX #7687A2

RGB 118 135 162

HSL 216.82, 0.19%, 0.55%

LAB 55.88, 0.21, -16.37

 

CMYK 27 / 24 / 0 / 36

HEX #767BA2

RGB 118 123 162

HSL 233.18, 0.19%, 0.55%

LAB 52.54, 7.21, -21.46

 

CMYK 23 / 27 / 0 / 36

HEX #7C76A2

RGB 124 118 162

HSL 248.18, 0.19%, 0.55%

LAB 51.67, 12.09, -22.76

 

CMYK 16 / 27 / 0 / 36

HEX #8876A2

RGB 136 118 162

HSL 264.55, 0.19%, 0.55%

LAB 52.73, 16.02, -21.04

 

CMYK 9 / 27 / 0 / 36

HEX #9476A2

RGB 148 118 162

HSL 280.91, 0.19%, 0.55%

LAB 53.88, 20.06, -19.18

 

CMYK 26 / 32 / 0 / 54

HEX #565075

RGB 86 80 117

HSL 249.73, 0.19%, 0.39%

LAB 35.98, 11.32, -20.23

 

CMYK 27 / 32 / 0 / 44

HEX #68608E

RGB 104 96 142

HSL 250.43, 0.19%, 0.47%

LAB 43.16, 13.86, -24.23

 

CMYK 23 / 27 / 0 / 36

HEX #7D76A2

RGB 125 118 162

HSL 249.55, 0.19%, 0.55%

LAB 51.75, 12.41, -22.62

 

CMYK 17 / 20 / 0 / 30

HEX #948EB2

RGB 148 142 178

HSL 250, 0.19%, 0.63%

LAB 60.65, 9.73, -18.03

 

CMYK 12 / 14 / 0 / 24

HEX #ACA7C3

RGB 172 167 195

HSL 250.71, 0.19%, 0.71%

LAB 69.72, 7.34, -13.66

 

CMYK 22 / 27 / 0 / 37

HEX #7D76A1

RGB 125 118 161

HSL 249.77, 0.19%, 0.55%

LAB 51.71, 12.17, -22.1

 

CMYK 0 / 27 / 10 / 36

HEX #A27692

RGB 162 118 146

HSL 321.82, 0.19%, 0.55%

LAB 54.78, 21.85, -8.37

 

CMYK 20 / 0 / 27 / 36

HEX #81A276

RGB 129 162 118

HSL 105, 0.19%, 0.55%

LAB 63.19, -19.94, 19.26

 

CMYK 22 / 27 / 0 / 37

HEX #7D76A1

RGB 125 118 161

HSL 249.77, 0.19%, 0.55%

LAB 51.71, 12.17, -22.1

 

CMYK 0 / 23 / 27 / 36

HEX #A27C76

RGB 162 124 118

HSL 8.18, 0.19%, 0.55%

LAB 55.49, 13.83, 8.96

 

CMYK 27 / 0 / 23 / 36

HEX #76A27C

RGB 118 162 124

HSL 128.18, 0.19%, 0.55%

LAB 62.63, -22.77, 15.07

 

CMYK 22 / 27 / 0 / 37

HEX #7D76A1

RGB 125 118 161

HSL 249.77, 0.19%, 0.55%

LAB 51.71, 12.17, -22.1

 

CMYK 0 / 27 / 10 / 36

HEX #A27692

RGB 162 118 146

HSL 321.82, 0.19%, 0.55%

LAB 54.78, 21.85, -8.37

 

CMYK 4 / 0 / 27 / 36

HEX #9BA276

RGB 155 162 118

HSL 69.55, 0.19%, 0.55%

LAB 65.06, -10.05, 22.11

 

CMYK 27 / 0 / 18 / 36

HEX #76A285

RGB 118 162 133

HSL 140.45, 0.19%, 0.55%

LAB 62.83, -21.04, 10.34

 

CMYK 22 / 27 / 0 / 37

HEX #7D76A1

RGB 125 118 161

HSL 249.77, 0.19%, 0.55%

LAB 51.71, 12.17, -22.1

 

CMYK 0 / 27 / 18 / 36

HEX #A27685

RGB 162 118 133

HSL 339.55, 0.19%, 0.55%

LAB 54.38, 19.6, -1.37

 

CMYK 4 / 0 / 27 / 36

HEX #9BA276

RGB 155 162 118

HSL 69.55, 0.19%, 0.55%

LAB 65.06, -10.05, 22.11

 

CMYK 27 / 0 / 10 / 36

HEX #76A292

RGB 118 162 146

HSL 158.18, 0.19%, 0.55%

LAB 63.15, -18.35, 3.53

 

Description

Color code: HEX #7D76A1 | qconv.com Color code: HEX #7D76A1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 118 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 118 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 27 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 27% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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