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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D6121 it is the complementary color #829EDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D6121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D6121 shade: #82611C, #93732F, #A48542, #B59755 and #C6A968

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D6121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D6121 shade: #7D6121, #6C4F0E, #5B3D00, #4A2B00 and #391900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D6121 shade: #7C6021, #7C4821, #7C2F21 and #7C2121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D6121 shade: #7C6021, #7C7921, #677C21, #4E7C21 and #357C21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D6121 shade matches the following richer shades: #7C6021, #896514 and #966B07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D6121 shade: #7C6021, #705B2D, #63563A, #565147 and #494C54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D6121 shade: #7C2E21, #7C4721, #7C5F21, #7C7821 and #697C21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D6121 shade: #3B2E0F, #5C4718, #7C6021, #9D7A29 and #BE9332

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D6121 shade: #7D6121, #2B7C21 and #3B217C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D6121 shade: #7D6121, #217C5F and #5F217C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D6121 shade: #7D6121, #2B7C21, #213E7C and #72217C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D6121 shade: #7D6121, #217C32, #213E7C and #7C216C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 74 / 51

HEX #7D6121

RGB 125 97 33

HSL 41.74, 0.58%, 0.31%

LAB 42.79, 4.24, 39.22

 

Complementary color

CMYK 41 / 29 / 0 / 13

HEX #829EDE

RGB 130 158 222

HSL 221.74, 0.58%, 0.69%

LAB 65.34, 6.48, -35.56

 

CMYK 0 / 25 / 78 / 49

HEX #82611C

RGB 130 97 28

HSL 40.59, 0.65%, 0.31%

LAB 43.33, 6.37, 42.16

 

CMYK 0 / 22 / 68 / 42

HEX #93732F

RGB 147 115 47

HSL 40.8, 0.52%, 0.38%

LAB 50.3, 4.91, 41.24

 

CMYK 0 / 19 / 60 / 36

HEX #A48542

RGB 164 133 66

HSL 41.02, 0.43%, 0.45%

LAB 57.13, 3.75, 39.98

 

CMYK 0 / 17 / 53 / 29

HEX #B59755

RGB 181 151 85

HSL 41.25, 0.39%, 0.52%

LAB 63.85, 2.81, 38.64

 

CMYK 0 / 15 / 47 / 22

HEX #C6A968

RGB 198 169 104

HSL 41.49, 0.45%, 0.59%

LAB 70.44, 2.02, 37.32

 

CMYK 0 / 22 / 74 / 51

HEX #7D6121

RGB 125 97 33

HSL 41.74, 0.58%, 0.31%

LAB 42.79, 4.24, 39.22

 

CMYK 0 / 27 / 87 / 58

HEX #6C4F0E

RGB 108 79 14

HSL 41.49, 0.77%, 0.24%

LAB 35.62, 5.9, 39.62

 

CMYK 0 / 33 / 100 / 64

HEX #5B3D00

RGB 91 61 0

HSL 40.22, 1%, 0.18%

LAB 28.28, 8.04, 37.91

 

CMYK 0 / 42 / 100 / 71

HEX #4A2B00

RGB 74 43 0

HSL 34.86, 1%, 0.15%

LAB 20.76, 10.8, 29.79

 

CMYK 0 / 56 / 100 / 78

HEX #391900

RGB 57 25 0

HSL 26.32, 1%, 0.11%

LAB 13.02, 13.77, 19.65

 

CMYK 0 / 23 / 73 / 51

HEX #7C6021

RGB 124 96 33

HSL 41.54, 0.58%, 0.31%

LAB 42.4, 4.36, 38.79

 

CMYK 0 / 42 / 73 / 51

HEX #7C4821

RGB 124 72 33

HSL 25.71, 0.58%, 0.31%

LAB 36.04, 18.64, 32.08

 

CMYK 0 / 62 / 73 / 51

HEX #7C2F21

RGB 124 47 33

HSL 9.23, 0.58%, 0.31%

LAB 30.47, 32.59, 25.86

HEX #7C2F21

CMYK 0 / 73 / 73 / 51

HEX #7C2121

RGB 124 33 33

HSL 0, 0.58%, 0.31%

LAB 28.07, 39.05, 23.07

HEX #7C2121

CMYK 0 / 23 / 73 / 51

HEX #7C6021

RGB 124 96 33

HSL 41.54, 0.58%, 0.31%

LAB 42.4, 4.36, 38.79

 

CMYK 0 / 2 / 73 / 51

HEX #7C7921

RGB 124 121 33

HSL 58.02, 0.58%, 0.31%

LAB 49.58, -9.95, 45.96

 

CMYK 17 / 0 / 73 / 51

HEX #677C21

RGB 103 124 33

HSL 73.85, 0.58%, 0.31%

LAB 48.77, -21.07, 44.58

 

CMYK 37 / 0 / 73 / 51

HEX #4E7C21

RGB 78 124 33

HSL 90.33, 0.58%, 0.31%

LAB 47.16, -31.4, 42.44

 

CMYK 57 / 0 / 73 / 51

HEX #357C21

RGB 53 124 33

HSL 106.81, 0.58%, 0.31%

LAB 46.02, -39.84, 40.91

 

CMYK 0 / 23 / 73 / 51

HEX #7C6021

RGB 124 96 33

HSL 41.54, 0.58%, 0.31%

LAB 42.4, 4.36, 38.79

 

CMYK 0 / 26 / 85 / 46

HEX #896514

RGB 137 101 20

HSL 41.54, 0.75%, 0.31%

LAB 45.19, 7.04, 47.18

 

CMYK 0 / 29 / 95 / 41

HEX #966B07

RGB 150 107 7

HSL 41.96, 0.91%, 0.31%

LAB 48.28, 9.4, 53.66

 

CMYK 0 / 23 / 73 / 51

HEX #7C6021

RGB 124 96 33

HSL 41.54, 0.58%, 0.31%

LAB 42.4, 4.36, 38.79

 

CMYK 0 / 19 / 60 / 56

HEX #705B2D

RGB 112 91 45

HSL 41.19, 0.43%, 0.31%

LAB 39.78, 2.49, 29.38

 

CMYK 0 / 13 / 41 / 61

HEX #63563A

RGB 99 86 58

HSL 40.98, 0.26%, 0.31%

LAB 37.14, 0.83, 18.27

 

CMYK 0 / 6 / 17 / 66

HEX #565147

RGB 86 81 71

HSL 40, 0.1%, 0.31%

LAB 34.64, 0.1, 6.62

 

CMYK 13 / 10 / 0 / 67

HEX #494C54

RGB 73 76 84

HSL 223.64, 0.07%, 0.31%

LAB 32.31, 0.65, -5.14

 

CMYK 0 / 63 / 73 / 51

HEX #7C2E21

RGB 124 46 33

HSL 8.57, 0.58%, 0.31%

LAB 30.28, 33.09, 25.64

 

CMYK 0 / 43 / 73 / 51

HEX #7C4721

RGB 124 71 33

HSL 25.05, 0.58%, 0.31%

LAB 35.79, 19.23, 31.81

 

CMYK 0 / 23 / 73 / 51

HEX #7C5F21

RGB 124 95 33

HSL 40.88, 0.58%, 0.31%

LAB 42.12, 4.95, 38.5

 

CMYK 0 / 3 / 73 / 51

HEX #7C7821

RGB 124 120 33

HSL 57.36, 0.58%, 0.31%

LAB 49.29, -9.4, 45.67

 

CMYK 15 / 0 / 73 / 51

HEX #697C21

RGB 105 124 33

HSL 72.53, 0.58%, 0.31%

LAB 48.92, -20.19, 44.78

 

CMYK 0 / 22 / 75 / 77

HEX #3B2E0F

RGB 59 46 15

HSL 42.27, 0.59%, 0.15%

LAB 19.71, 1.7, 21.63

 

CMYK 0 / 23 / 74 / 64

HEX #5C4718

RGB 92 71 24

HSL 41.47, 0.59%, 0.23%

LAB 31.46, 3.33, 30.63

 

CMYK 0 / 23 / 73 / 51

HEX #7C6021

RGB 124 96 33

HSL 41.54, 0.58%, 0.31%

LAB 42.4, 4.36, 38.79

 

CMYK 0 / 22 / 74 / 38

HEX #9D7A29

RGB 157 122 41

HSL 41.9, 0.59%, 0.39%

LAB 53.22, 5.18, 47.35

 

CMYK 0 / 23 / 74 / 25

HEX #BE9332

RGB 190 147 50

HSL 41.57, 0.58%, 0.47%

LAB 63.38, 6.56, 54.87

 

CMYK 0 / 22 / 74 / 51

HEX #7D6121

RGB 125 97 33

HSL 41.74, 0.58%, 0.31%

LAB 42.79, 4.24, 39.22

 

CMYK 65 / 0 / 73 / 51

HEX #2B7C21

RGB 43 124 33

HSL 113.41, 0.58%, 0.31%

LAB 45.69, -42.49, 40.46

 

CMYK 52 / 73 / 0 / 51

HEX #3B217C

RGB 59 33 124

HSL 257.14, 0.58%, 0.31%

LAB 21.85, 35.8, -47.34

 

CMYK 0 / 22 / 74 / 51

HEX #7D6121

RGB 125 97 33

HSL 41.74, 0.58%, 0.31%

LAB 42.79, 4.24, 39.22

 

CMYK 73 / 0 / 23 / 51

HEX #217C5F

RGB 33 124 95

HSL 160.88, 0.58%, 0.31%

LAB 46.4, -33.7, 8.33

 

CMYK 23 / 73 / 0 / 51

HEX #5F217C

RGB 95 33 124

HSL 280.88, 0.58%, 0.31%

LAB 26.67, 43.16, -39.29

 

CMYK 0 / 22 / 74 / 51

HEX #7D6121

RGB 125 97 33

HSL 41.74, 0.58%, 0.31%

LAB 42.79, 4.24, 39.22

 

CMYK 65 / 0 / 73 / 51

HEX #2B7C21

RGB 43 124 33

HSL 113.41, 0.58%, 0.31%

LAB 45.69, -42.49, 40.46

 

CMYK 73 / 50 / 0 / 51

HEX #213E7C

RGB 33 62 124

HSL 220.88, 0.58%, 0.31%

LAB 27.36, 12.04, -38.47

 

CMYK 8 / 73 / 0 / 51

HEX #72217C

RGB 114 33 124

HSL 293.41, 0.58%, 0.31%

LAB 29.71, 47.51, -34.23

 

CMYK 0 / 22 / 74 / 51

HEX #7D6121

RGB 125 97 33

HSL 41.74, 0.58%, 0.31%

LAB 42.79, 4.24, 39.22

 

CMYK 73 / 0 / 60 / 51

HEX #217C32

RGB 33 124 50

HSL 131.21, 0.58%, 0.31%

LAB 45.59, -42.67, 32.42

 

CMYK 73 / 50 / 0 / 51

HEX #213E7C

RGB 33 62 124

HSL 220.88, 0.58%, 0.31%

LAB 27.36, 12.04, -38.47

 

CMYK 0 / 73 / 13 / 51

HEX #7C216C

RGB 124 33 108

HSL 310.55, 0.58%, 0.31%

LAB 30.53, 47.17, -22.66

 

Description

Color code: HEX #7D6121 | qconv.com Color code: HEX #7D6121 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 97 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 97 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 74 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 74% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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