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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D5015 it is the complementary color #82AFEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D5015. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D5015 shade: #825010, #936223, #A47436, #B58649 and #C6985C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D5015. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D5015 shade: #7D5015, #6C3E02, #5B2C00, #4A1A00 and #390800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D5015 shade: #7E5115, #7E3415, #7E1815 and #7E1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D5015 shade: #7E5115, #7E6D15, #737E15, #567E15 and #3A7E15

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D5015 shade matches the following richer shades: #7E5115 and #8A5209

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D5015 shade: #7E5115, #724F21, #664D2D, #5A4C39 and #4E4A45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D5015 shade: #7E1815, #7E3415, #7E5015, #7E6C15 and #737E15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D5015 shade: #372309, #5B3A0F, #7E5115, #A1671B and #C57E21

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D5015 shade: #7D5015, #2D7E15 and #26157E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D5015 shade: #7D5015, #157E50 and #50157E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D5015 shade: #7D5015, #2D7E15, #15427E and #65157E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D5015 shade: #7D5015, #157E1C, #15427E and #7E1577

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 83 / 51

HEX #7D5015

RGB 125 80 21

HSL 34.04, 0.71%, 0.29%

LAB 38.11, 13.78, 39.96

 

Complementary color

CMYK 44 / 25 / 0 / 8

HEX #82AFEA

RGB 130 175 234

HSL 214.04, 0.71%, 0.71%

LAB 70.42, 0.28, -34.25

 

CMYK 0 / 38 / 88 / 49

HEX #825010

RGB 130 80 16

HSL 33.68, 0.78%, 0.29%

LAB 38.76, 15.96, 42.73

 

CMYK 0 / 33 / 76 / 42

HEX #936223

RGB 147 98 35

HSL 33.75, 0.62%, 0.36%

LAB 45.72, 14.05, 42.12

 

CMYK 0 / 29 / 67 / 36

HEX #A47436

RGB 164 116 54

HSL 33.82, 0.5%, 0.43%

LAB 52.56, 12.49, 40.84

 

CMYK 0 / 26 / 60 / 29

HEX #B58649

RGB 181 134 73

HSL 33.89, 0.43%, 0.5%

LAB 59.3, 11.19, 39.4

 

CMYK 0 / 23 / 54 / 22

HEX #C6985C

RGB 198 152 92

HSL 33.96, 0.48%, 0.57%

LAB 65.93, 10.11, 37.96

 

CMYK 0 / 36 / 83 / 51

HEX #7D5015

RGB 125 80 21

HSL 34.04, 0.71%, 0.29%

LAB 38.11, 13.78, 39.96

 

CMYK 0 / 43 / 98 / 58

HEX #6C3E02

RGB 108 62 2

HSL 33.96, 0.96%, 0.22%

LAB 30.97, 15.92, 40.21

 

CMYK 0 / 52 / 100 / 64

HEX #5B2C00

RGB 91 44 0

HSL 29.01, 1%, 0.18%

LAB 23.76, 18.64, 33.78

 

CMYK 0 / 65 / 100 / 71

HEX #4A1A00

RGB 74 26 0

HSL 21.08, 1%, 0.15%

LAB 16.48, 21.35, 24.76

 

CMYK 0 / 86 / 100 / 78

HEX #390800

RGB 57 8 0

HSL 8.42, 1%, 0.11%

LAB 9.35, 23.37, 14.58

 

CMYK 0 / 36 / 83 / 51

HEX #7E5115

RGB 126 81 21

HSL 34.29, 0.71%, 0.29%

LAB 38.51, 13.65, 40.37

 

CMYK 0 / 59 / 83 / 51

HEX #7E3415

RGB 126 52 21

HSL 17.71, 0.71%, 0.29%

LAB 31.68, 30.26, 34

 

CMYK 0 / 81 / 83 / 51

HEX #7E1815

RGB 126 24 21

HSL 1.71, 0.71%, 0.29%

LAB 27.14, 42.51, 29.57

 

CMYK 0 / 83 / 83 / 51

HEX #7E1515

RGB 126 21 21

HSL 0, 0.71%, 0.29%

LAB 26.81, 43.44, 29.24

 

CMYK 0 / 36 / 83 / 51

HEX #7E5115

RGB 126 81 21

HSL 34.29, 0.71%, 0.29%

LAB 38.51, 13.65, 40.37

 

CMYK 0 / 13 / 83 / 51

HEX #7E6D15

RGB 126 109 21

HSL 50.29, 0.71%, 0.29%

LAB 46.21, -2.8, 47.28

 

CMYK 9 / 0 / 83 / 51

HEX #737E15

RGB 115 126 21

HSL 66.29, 0.71%, 0.29%

LAB 50.24, -17.34, 50.43

 

CMYK 32 / 0 / 83 / 51

HEX #567E15

RGB 86 126 21

HSL 82.86, 0.71%, 0.29%

LAB 48.2, -29.91, 47.84

 

CMYK 54 / 0 / 83 / 51

HEX #3A7E15

RGB 58 126 21

HSL 98.86, 0.71%, 0.29%

LAB 46.81, -39.99, 46.06

 

CMYK 0 / 36 / 83 / 51

HEX #7E5115

RGB 126 81 21

HSL 34.29, 0.71%, 0.29%

LAB 38.51, 13.65, 40.37

 

CMYK 0 / 41 / 93 / 46

HEX #8A5209

RGB 138 82 9

HSL 33.95, 0.88%, 0.29%

LAB 40.34, 18.34, 46.61

 

CMYK 0 / 36 / 83 / 51

HEX #7E5115

RGB 126 81 21

HSL 34.29, 0.71%, 0.29%

LAB 38.51, 13.65, 40.37

 

CMYK 0 / 31 / 71 / 55

HEX #724F21

RGB 114 79 33

HSL 34.07, 0.55%, 0.29%

LAB 36.52, 9.76, 32.21

 

CMYK 0 / 25 / 56 / 60

HEX #664D2D

RGB 102 77 45

HSL 33.68, 0.39%, 0.29%

LAB 34.64, 6.23, 22.92

 

CMYK 0 / 16 / 37 / 65

HEX #5A4C39

RGB 90 76 57

HSL 34.55, 0.22%, 0.29%

LAB 33.22, 2.69, 13.49

 

CMYK 0 / 5 / 12 / 69

HEX #4E4A45

RGB 78 74 69

HSL 33.33, 0.06%, 0.29%

LAB 31.69, 0.64, 3.57

 

CMYK 0 / 81 / 83 / 51

HEX #7E1815

RGB 126 24 21

HSL 1.71, 0.71%, 0.29%

LAB 27.14, 42.51, 29.57

 

CMYK 0 / 59 / 83 / 51

HEX #7E3415

RGB 126 52 21

HSL 17.71, 0.71%, 0.29%

LAB 31.68, 30.26, 34

 

CMYK 0 / 37 / 83 / 51

HEX #7E5015

RGB 126 80 21

HSL 33.71, 0.71%, 0.29%

LAB 38.25, 14.25, 40.14

 

CMYK 0 / 14 / 83 / 51

HEX #7E6C15

RGB 126 108 21

HSL 49.71, 0.71%, 0.29%

LAB 45.93, -2.23, 47.02

 

CMYK 9 / 0 / 83 / 51

HEX #737E15

RGB 115 126 21

HSL 66.29, 0.71%, 0.29%

LAB 50.24, -17.34, 50.43

 

CMYK 0 / 36 / 84 / 78

HEX #372309

RGB 55 35 9

HSL 33.91, 0.72%, 0.13%

LAB 15.66, 6.57, 19.37

 

CMYK 0 / 36 / 84 / 64

HEX #5B3A0F

RGB 91 58 15

HSL 33.95, 0.72%, 0.21%

LAB 27.53, 10.49, 31.04

 

CMYK 0 / 36 / 83 / 51

HEX #7E5115

RGB 126 81 21

HSL 34.29, 0.71%, 0.29%

LAB 38.51, 13.65, 40.37

 

CMYK 0 / 36 / 83 / 37

HEX #A1671B

RGB 161 103 27

HSL 34.03, 0.71%, 0.37%

LAB 48.71, 17.22, 48.92

 

CMYK 0 / 36 / 83 / 23

HEX #C57E21

RGB 197 126 33

HSL 34.02, 0.71%, 0.45%

LAB 58.88, 20.52, 57.44

 

CMYK 0 / 36 / 83 / 51

HEX #7D5015

RGB 125 80 21

HSL 34.04, 0.71%, 0.29%

LAB 38.11, 13.78, 39.96

 

CMYK 64 / 0 / 83 / 51

HEX #2D7E15

RGB 45 126 21

HSL 106.29, 0.71%, 0.29%

LAB 46.36, -43.63, 45.47

 

CMYK 70 / 83 / 0 / 51

HEX #26157E

RGB 38 21 126

HSL 249.71, 0.71%, 0.29%

LAB 17.71, 39.93, -55.48

 

CMYK 0 / 36 / 83 / 51

HEX #7D5015

RGB 125 80 21

HSL 34.04, 0.71%, 0.29%

LAB 38.11, 13.78, 39.96

 

CMYK 83 / 0 / 37 / 51

HEX #157E50

RGB 21 126 80

HSL 153.71, 0.71%, 0.29%

LAB 46.53, -39.78, 17.19

 

CMYK 37 / 83 / 0 / 51

HEX #50157E

RGB 80 21 126

HSL 273.71, 0.71%, 0.29%

LAB 22.82, 45.61, -46.9

 

CMYK 0 / 36 / 83 / 51

HEX #7D5015

RGB 125 80 21

HSL 34.04, 0.71%, 0.29%

LAB 38.11, 13.78, 39.96

 

CMYK 64 / 0 / 83 / 51

HEX #2D7E15

RGB 45 126 21

HSL 106.29, 0.71%, 0.29%

LAB 46.36, -43.63, 45.47

 

CMYK 83 / 48 / 0 / 51

HEX #15427E

RGB 21 66 126

HSL 214.29, 0.71%, 0.29%

LAB 28.28, 8.48, -38.27

 

CMYK 20 / 83 / 0 / 51

HEX #65157E

RGB 101 21 126

HSL 285.71, 0.71%, 0.29%

LAB 26.18, 49.4, -41.28

 

CMYK 0 / 36 / 83 / 51

HEX #7D5015

RGB 125 80 21

HSL 34.04, 0.71%, 0.29%

LAB 38.11, 13.78, 39.96

 

CMYK 83 / 0 / 78 / 51

HEX #157E1C

RGB 21 126 28

HSL 124, 0.71%, 0.29%

LAB 45.86, -47.7, 42.43

 

CMYK 83 / 48 / 0 / 51

HEX #15427E

RGB 21 66 126

HSL 214.29, 0.71%, 0.29%

LAB 28.28, 8.48, -38.27

 

CMYK 0 / 83 / 6 / 51

HEX #7E1577

RGB 126 21 119

HSL 304, 0.71%, 0.29%

LAB 30.17, 53.24, -30.22

 

Description

Color code: HEX #7D5015 | qconv.com Color code: HEX #7D5015 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 80 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 80 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 83 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 83% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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