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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D5703 it is the complementary color #82A8FC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D5703. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D5703 shade: #825700, #936911, #A47B24, #B58D37 and #C69F4A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D5703. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D5703 shade: #7D5703, #6C4500, #5B3300, #4A2100 and #390F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D5703 shade: #7C5603, #7C3503, #7C1503 and #7C0303

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D5703 shade: #7C5603, #7C7703, #607C03, #407C03 and #1F7C03

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D5703 shade matches the following richer shades: #7C5603

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D5703 shade: #7C5603, #71520D, #674E17, #5D4A22 and #53472C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D5703 shade: #7C1503, #7C3503, #7C5503, #7C7603 and #627C03

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D5703 shade: #2B1E01, #543A02, #7C5603, #A47204 and #CC8E05

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D5703 shade: #7D5703, #117C03 and #25037C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D5703 shade: #7D5703, #037C55 and #55037C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D5703 shade: #7D5703, #117C03, #03297C and #6E037C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D5703 shade: #7D5703, #037C19, #03297C and #7C0366

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 98 / 51

HEX #7D5703

RGB 125 87 3

HSL 41.31, 0.95%, 0.25%

LAB 39.89, 9.12, 47.18

 

Complementary color

CMYK 48 / 33 / 0 / 1

HEX #82A8FC

RGB 130 168 252

HSL 221.31, 0.95%, 0.75%

LAB 69.31, 9.39, -45.76

 

CMYK 0 / 33 / 100 / 49

HEX #825700

RGB 130 87 0

HSL 40.15, 1%, 0.25%

LAB 40.51, 11.46, 48.79

 

CMYK 0 / 29 / 88 / 42

HEX #936911

RGB 147 105 17

HSL 40.62, 0.79%, 0.32%

LAB 47.43, 9.35, 50.46

 

CMYK 0 / 25 / 78 / 36

HEX #A47B24

RGB 164 123 36

HSL 40.78, 0.64%, 0.39%

LAB 54.22, 7.58, 50.65

 

CMYK 0 / 22 / 70 / 29

HEX #B58D37

RGB 181 141 55

HSL 40.95, 0.53%, 0.46%

LAB 60.91, 6.13, 49.91

 

CMYK 0 / 20 / 63 / 22

HEX #C69F4A

RGB 198 159 74

HSL 41.13, 0.52%, 0.53%

LAB 67.5, 4.92, 48.79

 

CMYK 0 / 30 / 98 / 51

HEX #7D5703

RGB 125 87 3

HSL 41.31, 0.95%, 0.25%

LAB 39.89, 9.12, 47.18

 

CMYK 0 / 36 / 100 / 58

HEX #6C4500

RGB 108 69 0

HSL 38.33, 1%, 0.21%

LAB 32.8, 11.6, 42.27

 

CMYK 0 / 44 / 100 / 64

HEX #5B3300

RGB 91 51 0

HSL 33.63, 1%, 0.18%

LAB 25.54, 14.33, 35.5

 

CMYK 0 / 55 / 100 / 71

HEX #4A2100

RGB 74 33 0

HSL 26.76, 1%, 0.15%

LAB 18.11, 17.18, 26.75

 

CMYK 0 / 74 / 100 / 78

HEX #390F00

RGB 57 15 0

HSL 15.79, 1%, 0.11%

LAB 10.64, 19.86, 16.4

 

CMYK 0 / 31 / 98 / 51

HEX #7C5603

RGB 124 86 3

HSL 41.16, 0.95%, 0.25%

LAB 39.49, 9.23, 46.84

 

CMYK 0 / 57 / 98 / 51

HEX #7C3503

RGB 124 53 3

HSL 24.79, 0.95%, 0.25%

LAB 31.43, 28.41, 41.33

 

CMYK 0 / 83 / 98 / 51

HEX #7C1503

RGB 124 21 3

HSL 8.93, 0.95%, 0.25%

LAB 26.24, 42.38, 37.16

 

CMYK 0 / 98 / 98 / 51

HEX #7C0303

RGB 124 3 3

HSL 0, 0.95%, 0.25%

LAB 24.82, 46.43, 35.83

 

CMYK 0 / 31 / 98 / 51

HEX #7C5603

RGB 124 86 3

HSL 41.16, 0.95%, 0.25%

LAB 39.49, 9.23, 46.84

 

CMYK 0 / 4 / 98 / 51

HEX #7C7703

RGB 124 119 3

HSL 57.52, 0.95%, 0.25%

LAB 48.87, -9.84, 53.7

 

CMYK 23 / 0 / 98 / 51

HEX #607C03

RGB 96 124 3

HSL 73.88, 0.95%, 0.25%

LAB 48.14, -25.32, 52.17

 

CMYK 48 / 0 / 98 / 51

HEX #407C03

RGB 64 124 3

HSL 89.75, 0.95%, 0.25%

LAB 46.33, -37.93, 49.96

 

CMYK 75 / 0 / 98 / 51

HEX #1F7C03

RGB 31 124 3

HSL 106.12, 0.95%, 0.25%

LAB 45.24, -46.78, 48.62

 

CMYK 0 / 31 / 98 / 51

HEX #7C5603

RGB 124 86 3

HSL 41.16, 0.95%, 0.25%

LAB 39.49, 9.23, 46.84

 

CMYK 0 / 31 / 98 / 51

HEX #7C5603

RGB 124 86 3

HSL 41.16, 0.95%, 0.25%

LAB 39.49, 9.23, 46.84

 

CMYK 0 / 27 / 88 / 56

HEX #71520D

RGB 113 82 13

HSL 41.4, 0.79%, 0.25%

LAB 37.07, 6.51, 41.44

 

CMYK 0 / 24 / 78 / 60

HEX #674E17

RGB 103 78 23

HSL 41.25, 0.63%, 0.25%

LAB 34.79, 4.43, 34.94

 

CMYK 0 / 20 / 63 / 64

HEX #5D4A22

RGB 93 74 34

HSL 40.68, 0.46%, 0.25%

LAB 32.57, 2.72, 26.53

 

CMYK 0 / 14 / 47 / 67

HEX #53472C

RGB 83 71 44

HSL 41.54, 0.31%, 0.25%

LAB 30.71, 0.77, 18.09

 

CMYK 0 / 83 / 98 / 51

HEX #7C1503

RGB 124 21 3

HSL 8.93, 0.95%, 0.25%

LAB 26.24, 42.38, 37.16

 

CMYK 0 / 57 / 98 / 51

HEX #7C3503

RGB 124 53 3

HSL 24.79, 0.95%, 0.25%

LAB 31.43, 28.41, 41.33

 

CMYK 0 / 31 / 98 / 51

HEX #7C5503

RGB 124 85 3

HSL 40.66, 0.95%, 0.25%

LAB 39.22, 9.82, 46.65

 

CMYK 0 / 5 / 98 / 51

HEX #7C7603

RGB 124 118 3

HSL 57.02, 0.95%, 0.25%

LAB 48.57, -9.29, 53.48

 

CMYK 21 / 0 / 98 / 51

HEX #627C03

RGB 98 124 3

HSL 72.89, 0.95%, 0.25%

LAB 48.28, -24.44, 52.33

 

CMYK 0 / 30 / 98 / 83

HEX #2B1E01

RGB 43 30 1

HSL 41.43, 0.95%, 0.09%

LAB 12.25, 2.7, 17.83

 

CMYK 0 / 31 / 98 / 67

HEX #543A02

RGB 84 58 2

HSL 40.98, 0.95%, 0.17%

LAB 26.49, 6.42, 35.19

 

CMYK 0 / 31 / 98 / 51

HEX #7C5603

RGB 124 86 3

HSL 41.16, 0.95%, 0.25%

LAB 39.49, 9.23, 46.84

 

CMYK 0 / 30 / 98 / 36

HEX #A47204

RGB 164 114 4

HSL 41.25, 0.95%, 0.33%

LAB 51.76, 11.85, 57.54

 

CMYK 0 / 30 / 98 / 20

HEX #CC8E05

RGB 204 142 5

HSL 41.31, 0.95%, 0.41%

LAB 63.5, 14.33, 67.75

 

CMYK 0 / 30 / 98 / 51

HEX #7D5703

RGB 125 87 3

HSL 41.31, 0.95%, 0.25%

LAB 39.89, 9.12, 47.18

 

CMYK 86 / 0 / 98 / 51

HEX #117C03

RGB 17 124 3

HSL 113.06, 0.95%, 0.25%

LAB 45, -48.9, 48.33

 

CMYK 70 / 98 / 0 / 51

HEX #25037C

RGB 37 3 124

HSL 256.86, 0.95%, 0.25%

LAB 15.03, 46.25, -58.67

 

CMYK 0 / 30 / 98 / 51

HEX #7D5703

RGB 125 87 3

HSL 41.31, 0.95%, 0.25%

LAB 39.89, 9.12, 47.18

 

CMYK 98 / 0 / 31 / 51

HEX #037C55

RGB 3 124 85

HSL 160.66, 0.95%, 0.25%

LAB 45.76, -39.28, 13.22

 

CMYK 31 / 98 / 0 / 51

HEX #55037C

RGB 85 3 124

HSL 280.66, 0.95%, 0.25%

LAB 21.77, 50.87, -47.31

 

CMYK 0 / 30 / 98 / 51

HEX #7D5703

RGB 125 87 3

HSL 41.31, 0.95%, 0.25%

LAB 39.89, 9.12, 47.18

 

CMYK 86 / 0 / 98 / 51

HEX #117C03

RGB 17 124 3

HSL 113.06, 0.95%, 0.25%

LAB 45, -48.9, 48.33

 

CMYK 98 / 67 / 0 / 51

HEX #03297C

RGB 3 41 124

HSL 221.16, 0.95%, 0.25%

LAB 20.28, 24.06, -50.03

 

CMYK 11 / 98 / 0 / 51

HEX #6E037C

RGB 110 3 124

HSL 293.06, 0.95%, 0.25%

LAB 26.26, 54.68, -39.81

 

CMYK 0 / 30 / 98 / 51

HEX #7D5703

RGB 125 87 3

HSL 41.31, 0.95%, 0.25%

LAB 39.89, 9.12, 47.18

 

CMYK 98 / 0 / 80 / 51

HEX #037C19

RGB 3 124 25

HSL 130.91, 0.95%, 0.25%

LAB 44.95, -49.01, 42.55

 

CMYK 98 / 67 / 0 / 51

HEX #03297C

RGB 3 41 124

HSL 221.16, 0.95%, 0.25%

LAB 20.28, 24.06, -50.03

 

CMYK 0 / 98 / 18 / 51

HEX #7C0366

RGB 124 3 102

HSL 310.91, 0.95%, 0.25%

LAB 27.6, 53.82, -23.38

 

Description

Color code: HEX #7D5703 | qconv.com Color code: HEX #7D5703 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 87 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 87 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 98 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 98% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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