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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D452E it is the complementary color #82BAD1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D452E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D452E shade: #824529, #93573C, #A4694F, #B57B62 and #C68D75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D452E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D452E shade: #7D452E, #6C331B, #5B2108, #4A0F00 and #390000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D452E shade: #7E462E, #7E302E and #7E2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D452E shade: #7E462E, #7E5B2E, #7E712E, #767E2E and #617E2E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D452E shade matches the following richer shades: #7E462E, #8C4020, #9A3A12 and #A83404

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D452E shade: #7E462E, #704B3C, #62514A, #545758 and #465D66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D452E shade: #7E2E42, #7E302E, #7E452E, #7E5A2E and #7E6F2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D452E shade: #422418, #603523, #7E462E, #9C5639 and #BA6745

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D452E shade: #7D452E, #587E2E and #2E387E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D452E shade: #7D452E, #2E7E45 and #452E7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D452E shade: #7D452E, #587E2E, #2E677E and #552E7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D452E shade: #7D452E, #407E2E, #2E677E and #6D2E7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 63 / 51

HEX #7D452E

RGB 125 69 46

HSL 17.47, 0.46%, 0.34%

LAB 35.62, 21.73, 24.21

 

Complementary color

CMYK 38 / 11 / 0 / 18

HEX #82BAD1

RGB 130 186 209

HSL 197.47, 0.46%, 0.66%

LAB 72.54, -12.41, -17.36

 

CMYK 0 / 47 / 68 / 49

HEX #824529

RGB 130 69 41

HSL 18.88, 0.52%, 0.34%

LAB 36.29, 23.56, 28.14

 

CMYK 0 / 41 / 59 / 42

HEX #93573C

RGB 147 87 60

HSL 18.62, 0.42%, 0.41%

LAB 43.28, 22.03, 26.12

 

CMYK 0 / 36 / 52 / 36

HEX #A4694F

RGB 164 105 79

HSL 18.35, 0.35%, 0.48%

LAB 50.17, 20.72, 24.36

 

CMYK 0 / 32 / 46 / 29

HEX #B57B62

RGB 181 123 98

HSL 18.07, 0.36%, 0.55%

LAB 56.95, 19.61, 22.8

 

CMYK 0 / 29 / 41 / 22

HEX #C68D75

RGB 198 141 117

HSL 17.78, 0.42%, 0.62%

LAB 63.62, 18.64, 21.41

 

CMYK 0 / 45 / 63 / 51

HEX #7D452E

RGB 125 69 46

HSL 17.47, 0.46%, 0.34%

LAB 35.62, 21.73, 24.21

 

CMYK 0 / 53 / 75 / 58

HEX #6C331B

RGB 108 51 27

HSL 17.78, 0.6%, 0.26%

LAB 28.47, 23.4, 26.44

 

CMYK 0 / 64 / 91 / 64

HEX #5B2108

RGB 91 33 8

HSL 18.07, 0.84%, 0.19%

LAB 21.32, 25.26, 27.97

 

CMYK 0 / 80 / 100 / 71

HEX #4A0F00

RGB 74 15 0

HSL 12.16, 1%, 0.15%

LAB 14.39, 26.95, 22.1

 

CMYK 0 / 100 / 100 / 78

HEX #390000

RGB 57 0 0

HSL 0, 1%, 0.11%

LAB 7.86, 27.6, 12.42

 

CMYK 0 / 44 / 63 / 51

HEX #7E462E

RGB 126 70 46

HSL 18, 0.47%, 0.34%

LAB 36.01, 21.59, 24.72

 

CMYK 0 / 62 / 63 / 51

HEX #7E302E

RGB 126 48 46

HSL 1.5, 0.47%, 0.34%

LAB 31.22, 33.7, 18.74

 

CMYK 0 / 63 / 63 / 51

HEX #7E2E2E

RGB 126 46 46

HSL 0, 0.47%, 0.34%

LAB 30.85, 34.7, 18.26

 

CMYK 0 / 44 / 63 / 51

HEX #7E462E

RGB 126 70 46

HSL 18, 0.47%, 0.34%

LAB 36.01, 21.59, 24.72

 

CMYK 0 / 28 / 63 / 51

HEX #7E5B2E

RGB 126 91 46

HSL 33.75, 0.47%, 0.34%

LAB 41.4, 9.14, 31.14

 

CMYK 0 / 10 / 63 / 51

HEX #7E712E

RGB 126 113 46

HSL 50.25, 0.47%, 0.34%

LAB 47.55, -3.71, 38.1

 

CMYK 6 / 0 / 63 / 51

HEX #767E2E

RGB 118 126 46

HSL 66, 0.47%, 0.34%

LAB 50.65, -14.57, 41.29

 

CMYK 23 / 0 / 63 / 51

HEX #617E2E

RGB 97 126 46

HSL 81.75, 0.47%, 0.34%

LAB 49.08, -23.68, 39.12

 

CMYK 0 / 44 / 63 / 51

HEX #7E462E

RGB 126 70 46

HSL 18, 0.47%, 0.34%

LAB 36.01, 21.59, 24.72

 

CMYK 0 / 54 / 77 / 45

HEX #8C4020

RGB 140 64 32

HSL 17.78, 0.63%, 0.34%

LAB 36.64, 30.11, 33.99

 

CMYK 0 / 62 / 88 / 40

HEX #9A3A12

RGB 154 58 18

HSL 17.65, 0.79%, 0.34%

LAB 37.73, 38.28, 42.63

 

CMYK 0 / 69 / 98 / 34

HEX #A83404

RGB 168 52 4

HSL 17.56, 0.95%, 0.34%

LAB 39.22, 45.86, 49.73

 

CMYK 0 / 44 / 63 / 51

HEX #7E462E

RGB 126 70 46

HSL 18, 0.47%, 0.34%

LAB 36.01, 21.59, 24.72

 

CMYK 0 / 33 / 46 / 56

HEX #704B3C

RGB 112 75 60

HSL 17.31, 0.3%, 0.34%

LAB 35.6, 13.73, 15.28

 

CMYK 0 / 17 / 24 / 62

HEX #62514A

RGB 98 81 74

HSL 17.5, 0.14%, 0.34%

LAB 35.94, 5.83, 6.75

 

CMYK 5 / 1 / 0 / 65

HEX #545758

RGB 84 87 88

HSL 195, 0.02%, 0.34%

LAB 36.75, -0.97, -1

 

CMYK 31 / 9 / 0 / 60

HEX #465D66

RGB 70 93 102

HSL 196.88, 0.19%, 0.34%

LAB 38, -6.25, -7.96

 

CMYK 0 / 63 / 48 / 51

HEX #7E2E42

RGB 126 46 66

HSL 345, 0.47%, 0.34%

LAB 31.31, 36.49, 5.85

 

CMYK 0 / 62 / 63 / 51

HEX #7E302E

RGB 126 48 46

HSL 1.5, 0.47%, 0.34%

LAB 31.22, 33.7, 18.74

 

CMYK 0 / 45 / 63 / 51

HEX #7E452E

RGB 126 69 46

HSL 17.25, 0.47%, 0.34%

LAB 35.77, 22.17, 24.43

 

CMYK 0 / 29 / 63 / 51

HEX #7E5A2E

RGB 126 90 46

HSL 33, 0.47%, 0.34%

LAB 41.13, 9.73, 30.82

 

CMYK 0 / 12 / 63 / 51

HEX #7E6F2E

RGB 126 111 46

HSL 48.75, 0.47%, 0.34%

LAB 46.98, -2.57, 37.47

 

CMYK 0 / 45 / 64 / 74

HEX #422418

RGB 66 36 24

HSL 17.14, 0.47%, 0.18%

LAB 17.85, 12.83, 14.07

 

CMYK 0 / 45 / 64 / 62

HEX #603523

RGB 96 53 35

HSL 17.7, 0.47%, 0.26%

LAB 27.17, 17.34, 19.57

 

CMYK 0 / 44 / 63 / 51

HEX #7E462E

RGB 126 70 46

HSL 18, 0.47%, 0.34%

LAB 36.01, 21.59, 24.72

 

CMYK 0 / 45 / 63 / 39

HEX #9C5639

RGB 156 86 57

HSL 17.58, 0.46%, 0.42%

LAB 44.26, 26.2, 29.34

 

CMYK 0 / 45 / 63 / 27

HEX #BA6745

RGB 186 103 69

HSL 17.44, 0.46%, 0.5%

LAB 52.47, 30.15, 33.53

 

CMYK 0 / 45 / 63 / 51

HEX #7D452E

RGB 125 69 46

HSL 17.47, 0.46%, 0.34%

LAB 35.62, 21.73, 24.21

 

CMYK 30 / 0 / 63 / 51

HEX #587E2E

RGB 88 126 46

HSL 88.5, 0.47%, 0.34%

LAB 48.5, -27.35, 38.32

 

CMYK 63 / 56 / 0 / 51

HEX #2E387E

RGB 46 56 126

HSL 232.5, 0.47%, 0.34%

LAB 26.49, 19.26, -41.09

 

CMYK 0 / 45 / 63 / 51

HEX #7D452E

RGB 125 69 46

HSL 17.47, 0.46%, 0.34%

LAB 35.62, 21.73, 24.21

 

CMYK 63 / 0 / 45 / 51

HEX #2E7E45

RGB 46 126 69

HSL 137.25, 0.47%, 0.34%

LAB 46.89, -37.71, 23.98

 

CMYK 45 / 63 / 0 / 51

HEX #452E7E

RGB 69 46 126

HSL 257.25, 0.47%, 0.34%

LAB 25.94, 30.76, -41.89

 

CMYK 0 / 45 / 63 / 51

HEX #7D452E

RGB 125 69 46

HSL 17.47, 0.46%, 0.34%

LAB 35.62, 21.73, 24.21

 

CMYK 30 / 0 / 63 / 51

HEX #587E2E

RGB 88 126 46

HSL 88.5, 0.47%, 0.34%

LAB 48.5, -27.35, 38.32

 

CMYK 63 / 18 / 0 / 51

HEX #2E677E

RGB 46 103 126

HSL 197.25, 0.47%, 0.34%

LAB 40.88, -11.16, -18.4

 

CMYK 33 / 63 / 0 / 51

HEX #552E7E

RGB 85 46 126

HSL 269.25, 0.47%, 0.34%

LAB 27.82, 34.61, -38.76

 

CMYK 0 / 45 / 63 / 51

HEX #7D452E

RGB 125 69 46

HSL 17.47, 0.46%, 0.34%

LAB 35.62, 21.73, 24.21

 

CMYK 49 / 0 / 63 / 51

HEX #407E2E

RGB 64 126 46

HSL 106.5, 0.47%, 0.34%

LAB 47.25, -36.04, 36.57

 

CMYK 63 / 18 / 0 / 51

HEX #2E677E

RGB 46 103 126

HSL 197.25, 0.47%, 0.34%

LAB 40.88, -11.16, -18.4

 

CMYK 13 / 63 / 0 / 51

HEX #6D2E7E

RGB 109 46 126

HSL 287.25, 0.47%, 0.34%

LAB 31.14, 40.83, -33.26

 

Description

Color code: HEX #7D452E | qconv.com Color code: HEX #7D452E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 69 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 69 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 63 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 63% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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