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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D29AC it is the complementary color #82D653. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D29AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D29AC shade: #8229A7, #933BBA, #A44DCD, #B55FE0 and #C671F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D29AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D29AC shade: #7D29AC, #6C1799, #5B0586, #4A0073 and #390060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D29AC shade: #7D28AD, #A128AD, #AD2895, #AD2871 and #AD284D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D29AC shade: #7D28AD, #5A28AD, #3628AD and #2828AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D29AC shade matches the following richer shades: #7D28AD, #8217BE and #8706D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D29AC shade: #7D28AD, #783A9C, #744B8A, #6F5C79 and #6A6E68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D29AC shade: #3528AD, #5928AD, #7C28AD, #A028AD and #AD2897

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D29AC shade: #4D196A, #65208C, #7D28AD, #9630CE and #A752D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D29AC shade: #7D29AC, #AD283E and #28AD47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D29AC shade: #7D29AC, #AD7C28 and #28AD7C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D29AC shade: #7D29AC, #AD283E, #59AD28 and #28AD97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D29AC shade: #7D29AC, #AD3A28, #59AD28 and #289BAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 76 / 0 / 33

HEX #7D29AC

RGB 125 41 172

HSL 278.47, 0.62%, 0.42%

LAB 35.84, 56.59, -53.71

 

Complementary color

CMYK 39 / 0 / 61 / 16

HEX #82D653

RGB 130 214 83

HSL 98.47, 0.62%, 0.58%

LAB 78.15, -48.06, 55.33

 

CMYK 22 / 75 / 0 / 35

HEX #8229A7

RGB 130 41 167

HSL 282.38, 0.61%, 0.41%

LAB 36.22, 56.49, -50.07

 

CMYK 21 / 68 / 0 / 27

HEX #933BBA

RGB 147 59 186

HSL 281.57, 0.52%, 0.48%

LAB 42.58, 56.63, -50.96

 

CMYK 20 / 62 / 0 / 20

HEX #A44DCD

RGB 164 77 205

HSL 280.78, 0.56%, 0.55%

LAB 49.02, 56.3, -51.53

 

CMYK 19 / 58 / 0 / 12

HEX #B55FE0

RGB 181 95 224

HSL 280, 0.68%, 0.63%

LAB 55.47, 55.7, -51.9

 

CMYK 19 / 53 / 0 / 5

HEX #C671F3

RGB 198 113 243

HSL 279.23, 0.84%, 0.7%

LAB 61.9, 54.99, -52.16

 

CMYK 27 / 76 / 0 / 33

HEX #7D29AC

RGB 125 41 172

HSL 278.47, 0.62%, 0.42%

LAB 35.84, 56.59, -53.71

 

CMYK 29 / 85 / 0 / 40

HEX #6C1799

RGB 108 23 153

HSL 279.23, 0.74%, 0.35%

LAB 29.67, 55.66, -52.37

 

CMYK 32 / 96 / 0 / 47

HEX #5B0586

RGB 91 5 134

HSL 280, 0.93%, 0.27%

LAB 23.85, 53.33, -50.2

 

CMYK 36 / 100 / 0 / 55

HEX #4A0073

RGB 74 0 115

HSL 278.61, 1%, 0.23%

LAB 18.77, 48.3, -46.52

 

CMYK 41 / 100 / 0 / 62

HEX #390060

RGB 57 0 96

HSL 275.63, 1%, 0.19%

LAB 13.91, 42.02, -42.13

 

CMYK 28 / 77 / 0 / 32

HEX #7D28AD

RGB 125 40 173

HSL 278.35, 0.62%, 0.42%

LAB 35.78, 57.18, -54.4

 

CMYK 7 / 77 / 0 / 32

HEX #A128AD

RGB 161 40 173

HSL 294.59, 0.62%, 0.42%

LAB 41.39, 64.19, -45.07

 

CMYK 0 / 77 / 14 / 32

HEX #AD2895

RGB 173 40 149

HSL 310.83, 0.62%, 0.42%

LAB 42.11, 62.97, -29.41

 

CMYK 0 / 77 / 35 / 32

HEX #AD2871

RGB 173 40 113

HSL 327.07, 0.62%, 0.42%

LAB 40.56, 58.33, -9.65

 

CMYK 0 / 77 / 55 / 32

HEX #AD284D

RGB 173 40 77

HSL 343.31, 0.62%, 0.42%

LAB 39.48, 54.93, 11.49

 

CMYK 28 / 77 / 0 / 32

HEX #7D28AD

RGB 125 40 173

HSL 278.35, 0.62%, 0.42%

LAB 35.78, 57.18, -54.4

 

CMYK 48 / 77 / 0 / 32

HEX #5A28AD

RGB 90 40 173

HSL 262.56, 0.62%, 0.42%

LAB 31.13, 51.23, -62.18

 

CMYK 69 / 77 / 0 / 32

HEX #3628AD

RGB 54 40 173

HSL 246.32, 0.62%, 0.42%

LAB 27.62, 46.6, -68.08

 

CMYK 77 / 77 / 0 / 32

HEX #2828AD

RGB 40 40 173

HSL 240, 0.62%, 0.42%

LAB 26.69, 45.35, -69.65

 

CMYK 28 / 77 / 0 / 32

HEX #7D28AD

RGB 125 40 173

HSL 278.35, 0.62%, 0.42%

LAB 35.78, 57.18, -54.4

 

CMYK 32 / 88 / 0 / 25

HEX #8217BE

RGB 130 23 190

HSL 278.44, 0.78%, 0.42%

LAB 36.13, 66.66, -63.88

 

CMYK 35 / 97 / 0 / 18

HEX #8706D0

RGB 135 6 208

HSL 278.32, 0.94%, 0.42%

LAB 37.55, 73.58, -72.05

 

CMYK 28 / 77 / 0 / 32

HEX #7D28AD

RGB 125 40 173

HSL 278.35, 0.62%, 0.42%

LAB 35.78, 57.18, -54.4

 

CMYK 23 / 63 / 0 / 39

HEX #783A9C

RGB 120 58 156

HSL 277.96, 0.46%, 0.42%

LAB 36.78, 44.25, -42.62

 

CMYK 16 / 46 / 0 / 46

HEX #744B8A

RGB 116 75 138

HSL 279.05, 0.3%, 0.42%

LAB 38.86, 29.48, -28.42

 

CMYK 8 / 24 / 0 / 53

HEX #6F5C79

RGB 111 92 121

HSL 279.31, 0.14%, 0.42%

LAB 41.87, 13.58, -13.45

 

CMYK 4 / 0 / 5 / 57

HEX #6A6E68

RGB 106 110 104

HSL 100, 0.03%, 0.42%

LAB 45.93, -2.76, 2.81

 

CMYK 69 / 77 / 0 / 32

HEX #3528AD

RGB 53 40 173

HSL 245.86, 0.62%, 0.42%

LAB 27.55, 46.5, -68.2

 

CMYK 49 / 77 / 0 / 32

HEX #5928AD

RGB 89 40 173

HSL 262.11, 0.62%, 0.42%

LAB 31.02, 51.08, -62.37

 

CMYK 28 / 77 / 0 / 32

HEX #7C28AD

RGB 124 40 173

HSL 277.89, 0.62%, 0.42%

LAB 35.64, 57, -54.64

 

CMYK 8 / 77 / 0 / 32

HEX #A028AD

RGB 160 40 173

HSL 294.14, 0.62%, 0.42%

LAB 41.23, 63.99, -45.34

 

CMYK 0 / 77 / 13 / 32

HEX #AD2897

RGB 173 40 151

HSL 309.92, 0.62%, 0.42%

LAB 42.21, 63.26, -30.46

 

CMYK 27 / 76 / 0 / 58

HEX #4D196A

RGB 77 25 106

HSL 278.52, 0.62%, 0.26%

LAB 21.26, 38.6, -36.61

 

CMYK 28 / 77 / 0 / 45

HEX #65208C

RGB 101 32 140

HSL 278.33, 0.63%, 0.34%

LAB 28.62, 48.45, -46.1

 

CMYK 28 / 77 / 0 / 32

HEX #7D28AD

RGB 125 40 173

HSL 278.35, 0.62%, 0.42%

LAB 35.78, 57.18, -54.4

 

CMYK 27 / 77 / 0 / 19

HEX #9630CE

RGB 150 48 206

HSL 278.73, 0.62%, 0.5%

LAB 42.84, 65.75, -62.15

 

CMYK 22 / 62 / 0 / 16

HEX #A752D6

RGB 167 82 214

HSL 278.64, 0.62%, 0.58%

LAB 50.81, 56.54, -53.79

 

CMYK 27 / 76 / 0 / 33

HEX #7D29AC

RGB 125 41 172

HSL 278.47, 0.62%, 0.42%

LAB 35.84, 56.59, -53.71

 

CMYK 0 / 77 / 64 / 32

HEX #AD283E

RGB 173 40 62

HSL 350.08, 0.62%, 0.42%

LAB 39.16, 53.9, 20.55

 

CMYK 77 / 0 / 59 / 32

HEX #28AD47

RGB 40 173 71

HSL 133.98, 0.62%, 0.42%

LAB 62.33, -56.17, 41.88

 

CMYK 27 / 76 / 0 / 33

HEX #7D29AC

RGB 125 41 172

HSL 278.47, 0.62%, 0.42%

LAB 35.84, 56.59, -53.71

 

CMYK 0 / 28 / 77 / 32

HEX #AD7C28

RGB 173 124 40

HSL 37.89, 0.62%, 0.42%

LAB 55.54, 11.26, 50.65

 

CMYK 77 / 0 / 28 / 32

HEX #28AD7C

RGB 40 173 124

HSL 157.89, 0.62%, 0.42%

LAB 63.17, -46.58, 15.39

 

CMYK 27 / 76 / 0 / 33

HEX #7D29AC

RGB 125 41 172

HSL 278.47, 0.62%, 0.42%

LAB 35.84, 56.59, -53.71

 

CMYK 0 / 77 / 64 / 32

HEX #AD283E

RGB 173 40 62

HSL 350.08, 0.62%, 0.42%

LAB 39.16, 53.9, 20.55

 

CMYK 49 / 0 / 77 / 32

HEX #59AD28

RGB 89 173 40

HSL 97.89, 0.62%, 0.42%

LAB 63.48, -47.95, 56.19

 

CMYK 77 / 0 / 13 / 32

HEX #28AD97

RGB 40 173 151

HSL 170.08, 0.62%, 0.42%

LAB 63.81, -39.82, 1.34

 

CMYK 27 / 76 / 0 / 33

HEX #7D29AC

RGB 125 41 172

HSL 278.47, 0.62%, 0.42%

LAB 35.84, 56.59, -53.71

 

CMYK 0 / 66 / 77 / 32

HEX #AD3A28

RGB 173 58 40

HSL 8.12, 0.62%, 0.42%

LAB 41.32, 45.96, 36.29

 

CMYK 49 / 0 / 77 / 32

HEX #59AD28

RGB 89 173 40

HSL 97.89, 0.62%, 0.42%

LAB 63.48, -47.95, 56.19

 

CMYK 77 / 10 / 0 / 32

HEX #289BAD

RGB 40 155 173

HSL 188.12, 0.62%, 0.42%

LAB 58.89, -24.73, -18.37

 

Description

Color code: HEX #7D29AC | qconv.com Color code: HEX #7D29AC | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 41 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 41 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 76 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 76% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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