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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D1FCE it is the complementary color #82E031. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D1FCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D1FCE shade: #821FC9, #9331DC, #A443EF, #B555FF and #C667FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D1FCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D1FCE shade: #7D1FCE, #6C0DBB, #5B00A8, #4A0095 and #390082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D1FCE shade: #7B1ECC, #AA1ECC, #CC1EBE, #CC1E90 and #CC1E61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D1FCE shade: #7B1ECC, #4C1ECC and #1E1ECC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D1FCE shade matches the following richer shades: #7B1ECC and #7D0BDF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D1FCE shade: #7B1ECC, #7A31B9, #7844A6, #775793 and #766A80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D1FCE shade: #1E1ECC, #4C1ECC, #7B1ECC, #A91ECC and #CC1EC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D1FCE shade: #501384, #6519A8, #7B1ECC, #9033E0 and #A357E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D1FCE shade: #7D1FCE, #CC1E4C and #1ECC35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D1FCE shade: #7D1FCE, #CC7B1E and #1ECC7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D1FCE shade: #7D1FCE, #CC1E4C, #6FCC1E and #1ECC9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D1FCE shade: #7D1FCE, #CC241E, #6FCC1E and #1EC6CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 85 / 0 / 19

HEX #7D1FCE

RGB 125 31 206

HSL 272.23, 0.74%, 0.46%

LAB 37.47, 67.34, -71.06

 

Complementary color

CMYK 42 / 0 / 78 / 12

HEX #82E031

RGB 130 224 49

HSL 92.23, 0.74%, 0.54%

LAB 80.89, -54.49, 70.55

 

CMYK 35 / 85 / 0 / 21

HEX #821FC9

RGB 130 31 201

HSL 274.94, 0.73%, 0.45%

LAB 37.74, 66.94, -67.69

 

CMYK 33 / 78 / 0 / 14

HEX #9331DC

RGB 147 49 220

HSL 274.39, 0.71%, 0.53%

LAB 43.61, 67.86, -68.98

 

CMYK 31 / 72 / 0 / 6

HEX #A443EF

RGB 164 67 239

HSL 273.84, 0.84%, 0.6%

LAB 49.66, 68.02, -69.8

 

CMYK 29 / 67 / 0 / 0

HEX #B555FF

RGB 181 85 255

HSL 273.88, 1%, 0.67%

LAB 55.63, 67.07, -68.97

 

CMYK 22 / 60 / 0 / 0

HEX #C667FF

RGB 198 103 255

HSL 277.5, 1%, 0.7%

LAB 60.72, 62.43, -60.67

 

CMYK 39 / 85 / 0 / 19

HEX #7D1FCE

RGB 125 31 206

HSL 272.23, 0.74%, 0.46%

LAB 37.47, 67.34, -71.06

 

CMYK 42 / 93 / 0 / 27

HEX #6C0DBB

RGB 108 13 187

HSL 272.76, 0.87%, 0.39%

LAB 31.95, 65.29, -69.08

 

CMYK 46 / 100 / 0 / 34

HEX #5B00A8

RGB 91 0 168

HSL 272.5, 1%, 0.33%

LAB 26.88, 61.62, -66.16

 

CMYK 50 / 100 / 0 / 42

HEX #4A0095

RGB 74 0 149

HSL 269.8, 1%, 0.29%

LAB 22.39, 55.88, -62.04

 

CMYK 56 / 100 / 0 / 49

HEX #390082

RGB 57 0 130

HSL 266.31, 1%, 0.25%

LAB 17.84, 50.06, -57.76

 

CMYK 40 / 85 / 0 / 20

HEX #7B1ECC

RGB 123 30 204

HSL 272.07, 0.74%, 0.46%

LAB 36.93, 66.92, -70.81

 

CMYK 17 / 85 / 0 / 20

HEX #AA1ECC

RGB 170 30 204

HSL 288.28, 0.74%, 0.46%

LAB 43.99, 73.86, -58.99

 

CMYK 0 / 85 / 7 / 20

HEX #CC1EBE

RGB 204 30 190

HSL 304.83, 0.74%, 0.46%

LAB 48.86, 77.63, -42.74

 

CMYK 0 / 85 / 29 / 20

HEX #CC1E90

RGB 204 30 144

HSL 320.69, 0.74%, 0.46%

LAB 46.68, 71.75, -18.85

 

CMYK 0 / 85 / 52 / 20

HEX #CC1E61

RGB 204 30 97

HSL 336.9, 0.74%, 0.46%

LAB 45.12, 67.34, 7.71

 

CMYK 40 / 85 / 0 / 20

HEX #7B1ECC

RGB 123 30 204

HSL 272.07, 0.74%, 0.46%

LAB 36.93, 66.92, -70.81

 

CMYK 63 / 85 / 0 / 20

HEX #4C1ECC

RGB 76 30 204

HSL 255.86, 0.74%, 0.46%

LAB 31.4, 61.87, -80.1

 

CMYK 85 / 85 / 0 / 20

HEX #1E1ECC

RGB 30 30 204

HSL 240, 0.74%, 0.46%

LAB 28.29, 59.24, -85.37

 

CMYK 40 / 85 / 0 / 20

HEX #7B1ECC

RGB 123 30 204

HSL 272.07, 0.74%, 0.46%

LAB 36.93, 66.92, -70.81

 

CMYK 44 / 95 / 0 / 13

HEX #7D0BDF

RGB 125 11 223

HSL 272.26, 0.91%, 0.46%

LAB 37.71, 75, -80.48

 

CMYK 40 / 85 / 0 / 20

HEX #7B1ECC

RGB 123 30 204

HSL 272.07, 0.74%, 0.46%

LAB 36.93, 66.92, -70.81

 

CMYK 34 / 74 / 0 / 27

HEX #7A31B9

RGB 122 49 185

HSL 272.21, 0.58%, 0.46%

LAB 37.55, 55.69, -58.67

 

CMYK 28 / 59 / 0 / 35

HEX #7844A6

RGB 120 68 166

HSL 271.84, 0.42%, 0.46%

LAB 39.38, 41.32, -44.46

 

CMYK 19 / 41 / 0 / 42

HEX #775793

RGB 119 87 147

HSL 272, 0.26%, 0.46%

LAB 42.53, 25.41, -28.1

 

CMYK 8 / 17 / 0 / 50

HEX #766A80

RGB 118 106 128

HSL 272.73, 0.09%, 0.46%

LAB 46.6, 9.21, -10.46

 

CMYK 85 / 85 / 0 / 20

HEX #1E1ECC

RGB 30 30 204

HSL 240, 0.74%, 0.46%

LAB 28.29, 59.24, -85.37

 

CMYK 63 / 85 / 0 / 20

HEX #4C1ECC

RGB 76 30 204

HSL 255.86, 0.74%, 0.46%

LAB 31.4, 61.87, -80.1

 

CMYK 40 / 85 / 0 / 20

HEX #7B1ECC

RGB 123 30 204

HSL 272.07, 0.74%, 0.46%

LAB 36.93, 66.92, -70.81

 

CMYK 17 / 85 / 0 / 20

HEX #A91ECC

RGB 169 30 204

HSL 287.93, 0.74%, 0.46%

LAB 43.83, 73.7, -59.26

 

CMYK 0 / 85 / 6 / 20

HEX #CC1EC0

RGB 204 30 192

HSL 304.14, 0.74%, 0.46%

LAB 48.97, 77.92, -43.73

 

CMYK 39 / 86 / 0 / 48

HEX #501384

RGB 80 19 132

HSL 272.39, 0.75%, 0.3%

LAB 23.13, 47.76, -50.19

 

CMYK 40 / 85 / 0 / 34

HEX #6519A8

RGB 101 25 168

HSL 271.89, 0.74%, 0.38%

LAB 30.13, 57.33, -60.76

 

CMYK 40 / 85 / 0 / 20

HEX #7B1ECC

RGB 123 30 204

HSL 272.07, 0.74%, 0.46%

LAB 36.93, 66.92, -70.81

 

CMYK 36 / 77 / 0 / 12

HEX #9033E0

RGB 144 51 224

HSL 272.25, 0.74%, 0.54%

LAB 43.77, 67.53, -71.02

 

CMYK 29 / 62 / 0 / 10

HEX #A357E5

RGB 163 87 229

HSL 272.11, 0.73%, 0.62%

LAB 52.13, 56.53, -60.19

 

CMYK 39 / 85 / 0 / 19

HEX #7D1FCE

RGB 125 31 206

HSL 272.23, 0.74%, 0.46%

LAB 37.47, 67.34, -71.06

 

CMYK 0 / 85 / 63 / 20

HEX #CC1E4C

RGB 204 30 76

HSL 344.14, 0.74%, 0.46%

LAB 44.64, 65.95, 20.13

 

CMYK 85 / 0 / 74 / 20

HEX #1ECC35

RGB 30 204 53

HSL 127.93, 0.74%, 0.46%

LAB 72.04, -68.94, 59.77

 

CMYK 39 / 85 / 0 / 19

HEX #7D1FCE

RGB 125 31 206

HSL 272.23, 0.74%, 0.46%

LAB 37.47, 67.34, -71.06

 

CMYK 0 / 40 / 85 / 20

HEX #CC7B1E

RGB 204 123 30

HSL 32.07, 0.74%, 0.46%

LAB 59.06, 25.08, 58.96

 

CMYK 85 / 0 / 40 / 20

HEX #1ECC7B

RGB 30 204 123

HSL 152.07, 0.74%, 0.46%

LAB 72.82, -59.51, 28.98

 

CMYK 39 / 85 / 0 / 19

HEX #7D1FCE

RGB 125 31 206

HSL 272.23, 0.74%, 0.46%

LAB 37.47, 67.34, -71.06

 

CMYK 0 / 85 / 63 / 20

HEX #CC1E4C

RGB 204 30 76

HSL 344.14, 0.74%, 0.46%

LAB 44.64, 65.95, 20.13

 

CMYK 46 / 0 / 85 / 20

HEX #6FCC1E

RGB 111 204 30

HSL 92.07, 0.74%, 0.46%

LAB 73.97, -53.6, 68.85

 

CMYK 85 / 0 / 23 / 20

HEX #1ECC9D

RGB 30 204 157

HSL 163.79, 0.74%, 0.46%

LAB 73.48, -52.14, 11.91

 

CMYK 39 / 85 / 0 / 19

HEX #7D1FCE

RGB 125 31 206

HSL 272.23, 0.74%, 0.46%

LAB 37.47, 67.34, -71.06

 

CMYK 0 / 82 / 85 / 20

HEX #CC241E

RGB 204 36 30

HSL 2.07, 0.74%, 0.46%

LAB 44.51, 62.79, 46.66

 

CMYK 46 / 0 / 85 / 20

HEX #6FCC1E

RGB 111 204 30

HSL 92.07, 0.74%, 0.46%

LAB 73.97, -53.6, 68.85

 

CMYK 85 / 3 / 0 / 20

HEX #1EC6CC

RGB 30 198 204

HSL 182.07, 0.74%, 0.46%

LAB 72.91, -36.74, -14.38

 

Description

Color code: HEX #7D1FCE | qconv.com Color code: HEX #7D1FCE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 31 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 31 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 85 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 85% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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