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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D185A it is the complementary color #82E7A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D185A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D185A shade: #821855, #932A68, #A43C7B, #B54E8E and #C660A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D185A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D185A shade: #7D185A, #6C0647, #5B0034, #4A0021 and #39000E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D185A shade: #7C1759, #7C173E, #7C1723 and #7C1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D185A shade: #7C1759, #7C1774, #68177C, #4D177C and #32177C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D185A shade matches the following richer shades: #7C1759 and #880B5D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D185A shade: #7C1759, #702355, #642F52, #583B4E and #4C474A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D185A shade: #68177C, #7C1775, #7C175A, #7C173F and #7C1725

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D185A shade: #360A27, #591140, #7C1759, #9E1E72 and #C1248B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D185A shade: #7D185A, #7C4D17 and #177C75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D185A shade: #7D185A, #5A7C17 and #175A7C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D185A shade: #7D185A, #7C4D17, #177C39 and #17467C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D185A shade: #7D185A, #7C6B17, #177C39 and #17287C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 28 / 51

HEX #7D185A

RGB 125 24 90

HSL 320.79, 0.68%, 0.29%

LAB 28.78, 47.89, -13.7

 

Complementary color

CMYK 44 / 0 / 29 / 9

HEX #82E7A5

RGB 130 231 165

HSL 140.79, 0.68%, 0.71%

LAB 84.28, -43.8, 23.14

 

CMYK 0 / 82 / 35 / 49

HEX #821855

RGB 130 24 85

HSL 325.47, 0.69%, 0.3%

LAB 29.55, 48.59, -9.14

 

CMYK 0 / 71 / 29 / 42

HEX #932A68

RGB 147 42 104

HSL 324.57, 0.56%, 0.37%

LAB 35.71, 49.45, -11.78

 

CMYK 0 / 63 / 25 / 36

HEX #A43C7B

RGB 164 60 123

HSL 323.65, 0.46%, 0.44%

LAB 42.08, 49.5, -13.7

 

CMYK 0 / 57 / 22 / 29

HEX #B54E8E

RGB 181 78 142

HSL 322.72, 0.41%, 0.51%

LAB 48.54, 49.11, -15.16

 

CMYK 0 / 52 / 19 / 22

HEX #C660A1

RGB 198 96 161

HSL 321.76, 0.47%, 0.58%

LAB 55.02, 48.5, -16.32

 

CMYK 0 / 81 / 28 / 51

HEX #7D185A

RGB 125 24 90

HSL 320.79, 0.68%, 0.29%

LAB 28.78, 47.89, -13.7

 

CMYK 0 / 94 / 34 / 58

HEX #6C0647

RGB 108 6 71

HSL 321.76, 0.89%, 0.22%

LAB 22.91, 45.67, -10.27

 

CMYK 0 / 100 / 43 / 64

HEX #5B0034

RGB 91 0 52

HSL 325.71, 1%, 0.18%

LAB 17.79, 40.87, -5.12

 

CMYK 0 / 100 / 55 / 71

HEX #4A0021

RGB 74 0 33

HSL 333.24, 1%, 0.15%

LAB 13.02, 34.64, 1.27

 

CMYK 0 / 100 / 75 / 78

HEX #39000E

RGB 57 0 14

HSL 345.26, 1%, 0.11%

LAB 8.14, 28.38, 6.94

 

CMYK 0 / 81 / 28 / 51

HEX #7C1759

RGB 124 23 89

HSL 320.79, 0.69%, 0.29%

LAB 28.43, 47.8, -13.59

 

CMYK 0 / 81 / 50 / 51

HEX #7C173E

RGB 124 23 62

HSL 336.83, 0.69%, 0.29%

LAB 27.42, 44.77, 2.92

 

CMYK 0 / 81 / 72 / 51

HEX #7C1723

RGB 124 23 35

HSL 352.87, 0.69%, 0.29%

LAB 26.79, 42.8, 20.24

 

CMYK 0 / 81 / 81 / 51

HEX #7C1717

RGB 124 23 23

HSL 0, 0.69%, 0.29%

LAB 26.62, 42.26, 27.71

 

CMYK 0 / 81 / 28 / 51

HEX #7C1759

RGB 124 23 89

HSL 320.79, 0.69%, 0.29%

LAB 28.43, 47.8, -13.59

 

CMYK 0 / 81 / 6 / 51

HEX #7C1774

RGB 124 23 116

HSL 304.75, 0.69%, 0.29%

LAB 29.81, 51.77, -28.9

 

CMYK 16 / 81 / 0 / 51

HEX #68177C

RGB 104 23 124

HSL 288.12, 0.69%, 0.29%

LAB 26.77, 48.95, -39.05

 

CMYK 38 / 81 / 0 / 51

HEX #4D177C

RGB 77 23 124

HSL 272.08, 0.69%, 0.29%

LAB 22.46, 43.84, -46.23

 

CMYK 60 / 81 / 0 / 51

HEX #32177C

RGB 50 23 124

HSL 256.04, 0.69%, 0.29%

LAB 19, 39.69, -52.05

 

CMYK 0 / 81 / 28 / 51

HEX #7C1759

RGB 124 23 89

HSL 320.79, 0.69%, 0.29%

LAB 28.43, 47.8, -13.59

 

CMYK 0 / 92 / 32 / 47

HEX #880B5D

RGB 136 11 93

HSL 320.64, 0.85%, 0.29%

LAB 30.07, 53.98, -13.49

 

CMYK 0 / 81 / 28 / 51

HEX #7C1759

RGB 124 23 89

HSL 320.79, 0.69%, 0.29%

LAB 28.43, 47.8, -13.59

 

CMYK 0 / 69 / 24 / 56

HEX #702355

RGB 112 35 85

HSL 321.04, 0.52%, 0.29%

LAB 27.58, 39.4, -12.46

 

CMYK 0 / 53 / 18 / 61

HEX #642F52

RGB 100 47 82

HSL 320.38, 0.36%, 0.29%

LAB 27.71, 28.81, -10.46

 

CMYK 0 / 33 / 11 / 65

HEX #583B4E

RGB 88 59 78

HSL 320.69, 0.2%, 0.29%

LAB 28.78, 16.2, -6.39

 

CMYK 0 / 7 / 3 / 70

HEX #4C474A

RGB 76 71 74

HSL 324, 0.03%, 0.29%

LAB 30.73, 2.73, -1.05

 

CMYK 16 / 81 / 0 / 51

HEX #68177C

RGB 104 23 124

HSL 288.12, 0.69%, 0.29%

LAB 26.77, 48.95, -39.05

 

CMYK 0 / 81 / 6 / 51

HEX #7C1775

RGB 124 23 117

HSL 304.16, 0.69%, 0.29%

LAB 29.87, 51.93, -29.45

 

CMYK 0 / 81 / 27 / 51

HEX #7C175A

RGB 124 23 90

HSL 320.2, 0.69%, 0.29%

LAB 28.48, 47.94, -14.18

 

CMYK 0 / 81 / 49 / 51

HEX #7C173F

RGB 124 23 63

HSL 336.24, 0.69%, 0.29%

LAB 27.45, 44.87, 2.29

 

CMYK 0 / 81 / 70 / 51

HEX #7C1725

RGB 124 23 37

HSL 351.68, 0.69%, 0.29%

LAB 26.82, 42.91, 18.96

 

CMYK 0 / 81 / 28 / 79

HEX #360A27

RGB 54 10 39

HSL 320.45, 0.69%, 0.13%

LAB 10.17, 25.16, -7.97

 

CMYK 0 / 81 / 28 / 65

HEX #591140

RGB 89 17 64

HSL 320.83, 0.68%, 0.21%

LAB 19.62, 36.84, -10.84

 

CMYK 0 / 81 / 28 / 51

HEX #7C1759

RGB 124 23 89

HSL 320.79, 0.69%, 0.29%

LAB 28.43, 47.8, -13.59

 

CMYK 0 / 81 / 28 / 38

HEX #9E1E72

RGB 158 30 114

HSL 320.63, 0.68%, 0.37%

LAB 36.77, 57.56, -16.31

 

CMYK 0 / 81 / 28 / 24

HEX #C1248B

RGB 193 36 139

HSL 320.64, 0.69%, 0.45%

LAB 44.89, 67.37, -18.75

 

CMYK 0 / 81 / 28 / 51

HEX #7D185A

RGB 125 24 90

HSL 320.79, 0.68%, 0.29%

LAB 28.78, 47.89, -13.7

 

CMYK 0 / 38 / 81 / 51

HEX #7C4D17

RGB 124 77 23

HSL 32.08, 0.69%, 0.29%

LAB 37.22, 15.17, 38.22

 

CMYK 81 / 0 / 6 / 51

HEX #177C75

RGB 23 124 117

HSL 175.84, 0.69%, 0.29%

LAB 46.82, -28.81, -4.09

 

CMYK 0 / 81 / 28 / 51

HEX #7D185A

RGB 125 24 90

HSL 320.79, 0.68%, 0.29%

LAB 28.78, 47.89, -13.7

 

CMYK 27 / 0 / 81 / 51

HEX #5A7C17

RGB 90 124 23

HSL 80.2, 0.69%, 0.29%

LAB 47.82, -27.21, 46.96

 

CMYK 81 / 27 / 0 / 51

HEX #175A7C

RGB 23 90 124

HSL 200.2, 0.69%, 0.29%

LAB 35.89, -7.8, -24.97

 

CMYK 0 / 81 / 28 / 51

HEX #7D185A

RGB 125 24 90

HSL 320.79, 0.68%, 0.29%

LAB 28.78, 47.89, -13.7

 

CMYK 0 / 38 / 81 / 51

HEX #7C4D17

RGB 124 77 23

HSL 32.08, 0.69%, 0.29%

LAB 37.22, 15.17, 38.22

 

CMYK 81 / 0 / 54 / 51

HEX #177C39

RGB 23 124 57

HSL 140.2, 0.69%, 0.29%

LAB 45.49, -43.21, 28.62

 

CMYK 81 / 44 / 0 / 51

HEX #17467C

RGB 23 70 124

HSL 212.08, 0.69%, 0.29%

LAB 29.46, 5.14, -35.13

 

CMYK 0 / 81 / 28 / 51

HEX #7D185A

RGB 125 24 90

HSL 320.79, 0.68%, 0.29%

LAB 28.78, 47.89, -13.7

 

CMYK 0 / 14 / 81 / 51

HEX #7C6B17

RGB 124 107 23

HSL 49.9, 0.69%, 0.29%

LAB 45.45, -2.53, 45.83

 

CMYK 81 / 0 / 54 / 51

HEX #177C39

RGB 23 124 57

HSL 140.2, 0.69%, 0.29%

LAB 45.49, -43.21, 28.62

 

CMYK 81 / 68 / 0 / 51

HEX #17287C

RGB 23 40 124

HSL 229.9, 0.69%, 0.29%

LAB 20.65, 26.18, -49.4

 

Description

Color code: HEX #7D185A | qconv.com Color code: HEX #7D185A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 24 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 24 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 28 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 28% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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