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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D0CB9 it is the complementary color #82F346. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D0CB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D0CB9 shade: #820CB4, #931EC7, #A430DA, #B542ED and #C654FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D0CB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D0CB9 shade: #7D0CB9, #6C00A6, #5B0093, #4A0080 and #39006D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D0CB9 shade: #7E0BBA, #AD0BBA, #BA0B99, #BA0B6A and #BA0B3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D0CB9 shade: #7E0BBA, #4F0BBA, #1F0BBA and #0B0BBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D0CB9 shade matches the following richer shades: #7E0BBA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D0CB9 shade: #7E0BBA, #791CAA, #742C9A, #6F3C8A and #6A4C7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D0CB9 shade: #200BBA, #4F0BBA, #7D0BBA, #AC0BBA and #BA0B9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D0CB9 shade: #49066D, #640994, #7E0BBA, #980EE1 and #AB28F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D0CB9 shade: #7D0CB9, #BA0B26 and #0BBA37

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D0CB9 shade: #7D0CB9, #BA7D0B and #0BBA7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D0CB9 shade: #7D0CB9, #BA0B26, #49BA0B and #0BBAA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D0CB9 shade: #7D0CB9, #BA260B, #49BA0B and #0BA0BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 94 / 0 / 27

HEX #7D0CB9

RGB 125 12 185

HSL 279.19, 0.88%, 0.39%

LAB 34.24, 67.04, -64.04

 

Complementary color

CMYK 47 / 0 / 71 / 5

HEX #82F346

RGB 130 243 70

HSL 99.19, 0.88%, 0.61%

LAB 86.65, -60.52, 69.42

 

CMYK 28 / 93 / 0 / 29

HEX #820CB4

RGB 130 12 180

HSL 282.14, 0.88%, 0.38%

LAB 34.61, 66.72, -60.45

 

CMYK 26 / 85 / 0 / 22

HEX #931EC7

RGB 147 30 199

HSL 281.54, 0.74%, 0.45%

LAB 40.01, 69.29, -62.72

 

CMYK 25 / 78 / 0 / 15

HEX #A430DA

RGB 164 48 218

HSL 280.94, 0.7%, 0.52%

LAB 45.73, 70.62, -64.28

 

CMYK 24 / 72 / 0 / 7

HEX #B542ED

RGB 181 66 237

HSL 280.35, 0.83%, 0.59%

LAB 51.65, 71.14, -65.35

 

CMYK 22 / 67 / 0 / 0

HEX #C654FF

RGB 198 84 255

HSL 280, 1%, 0.66%

LAB 57.62, 70.93, -65.64

 

CMYK 32 / 94 / 0 / 27

HEX #7D0CB9

RGB 125 12 185

HSL 279.19, 0.88%, 0.39%

LAB 34.24, 67.04, -64.04

 

CMYK 35 / 100 / 0 / 35

HEX #6C00A6

RGB 108 0 166

HSL 279.04, 1%, 0.33%

LAB 29.26, 62.96, -60.94

 

CMYK 38 / 100 / 0 / 42

HEX #5B0093

RGB 91 0 147

HSL 277.14, 1%, 0.29%

LAB 24.74, 57.11, -56.85

 

CMYK 42 / 100 / 0 / 50

HEX #4A0080

RGB 74 0 128

HSL 274.69, 1%, 0.25%

LAB 20.1, 51.14, -52.66

 

CMYK 48 / 100 / 0 / 57

HEX #39006D

RGB 57 0 109

HSL 271.38, 1%, 0.21%

LAB 15.35, 45.05, -48.35

 

CMYK 32 / 94 / 0 / 27

HEX #7E0BBA

RGB 126 11 186

HSL 279.43, 0.89%, 0.39%

LAB 34.44, 67.52, -64.31

 

CMYK 7 / 94 / 0 / 27

HEX #AD0BBA

RGB 173 11 186

HSL 295.54, 0.89%, 0.39%

LAB 42.26, 74.35, -51.26

 

CMYK 0 / 94 / 18 / 27

HEX #BA0B99

RGB 186 11 153

HSL 311.31, 0.89%, 0.39%

LAB 42.73, 71.92, -30.69

 

CMYK 0 / 94 / 43 / 27

HEX #BA0B6A

RGB 186 11 106

HSL 327.43, 0.89%, 0.39%

LAB 40.77, 66.76, -4.7

 

CMYK 0 / 94 / 69 / 27

HEX #BA0B3A

RGB 186 11 58

HSL 343.89, 0.89%, 0.39%

LAB 39.55, 63.45, 24.12

 

CMYK 32 / 94 / 0 / 27

HEX #7E0BBA

RGB 126 11 186

HSL 279.43, 0.89%, 0.39%

LAB 34.44, 67.52, -64.31

 

CMYK 58 / 94 / 0 / 27

HEX #4F0BBA

RGB 79 11 186

HSL 263.31, 0.89%, 0.39%

LAB 27.97, 62.73, -75.19

 

CMYK 83 / 94 / 0 / 27

HEX #1F0BBA

RGB 31 11 186

HSL 246.86, 0.89%, 0.39%

LAB 23.92, 60.36, -82.04

 

CMYK 94 / 94 / 0 / 27

HEX #0B0BBA

RGB 11 11 186

HSL 240, 0.89%, 0.39%

LAB 23.19, 59.99, -83.28

 

CMYK 32 / 94 / 0 / 27

HEX #7E0BBA

RGB 126 11 186

HSL 279.43, 0.89%, 0.39%

LAB 34.44, 67.52, -64.31

 

CMYK 32 / 94 / 0 / 27

HEX #7E0BBA

RGB 126 11 186

HSL 279.43, 0.89%, 0.39%

LAB 34.44, 67.52, -64.31

 

CMYK 29 / 84 / 0 / 33

HEX #791CAA

RGB 121 28 170

HSL 279.3, 0.72%, 0.39%

LAB 33.56, 59.89, -56.24

 

CMYK 25 / 71 / 0 / 40

HEX #742C9A

RGB 116 44 154

HSL 279.27, 0.56%, 0.39%

LAB 33.66, 49.59, -46.44

 

CMYK 20 / 57 / 0 / 46

HEX #6F3C8A

RGB 111 60 138

HSL 279.23, 0.39%, 0.39%

LAB 34.9, 36.64, -34.72

 

CMYK 13 / 38 / 0 / 52

HEX #6A4C7A

RGB 106 76 122

HSL 279.13, 0.23%, 0.39%

LAB 37.19, 21.87, -21.3

 

CMYK 83 / 94 / 0 / 27

HEX #200BBA

RGB 32 11 186

HSL 247.2, 0.89%, 0.39%

LAB 23.97, 60.38, -81.95

 

CMYK 58 / 94 / 0 / 27

HEX #4F0BBA

RGB 79 11 186

HSL 263.31, 0.89%, 0.39%

LAB 27.97, 62.73, -75.19

 

CMYK 33 / 94 / 0 / 27

HEX #7D0BBA

RGB 125 11 186

HSL 279.09, 0.89%, 0.39%

LAB 34.28, 67.39, -64.57

 

CMYK 8 / 94 / 0 / 27

HEX #AC0BBA

RGB 172 11 186

HSL 295.2, 0.89%, 0.39%

LAB 42.09, 74.19, -51.55

 

CMYK 0 / 94 / 17 / 27

HEX #BA0B9A

RGB 186 11 154

HSL 310.97, 0.89%, 0.39%

LAB 42.78, 72.05, -31.21

 

CMYK 33 / 94 / 0 / 57

HEX #49066D

RGB 73 6 109

HSL 279.03, 0.9%, 0.23%

LAB 18.59, 45.16, -42.93

 

CMYK 32 / 94 / 0 / 42

HEX #640994

RGB 100 9 148

HSL 279.28, 0.89%, 0.31%

LAB 26.86, 56.69, -53.94

 

CMYK 32 / 94 / 0 / 27

HEX #7E0BBA

RGB 126 11 186

HSL 279.43, 0.89%, 0.39%

LAB 34.44, 67.52, -64.31

 

CMYK 32 / 94 / 0 / 12

HEX #980EE1

RGB 152 14 225

HSL 279.24, 0.88%, 0.47%

LAB 41.88, 77.94, -74.62

 

CMYK 29 / 83 / 0 / 5

HEX #AB28F1

RGB 171 40 241

HSL 279.1, 0.88%, 0.55%

LAB 47.66, 78.56, -74.14

 

CMYK 32 / 94 / 0 / 27

HEX #7D0CB9

RGB 125 12 185

HSL 279.19, 0.88%, 0.39%

LAB 34.24, 67.04, -64.04

 

CMYK 0 / 94 / 80 / 27

HEX #BA0B26

RGB 186 11 38

HSL 350.74, 0.89%, 0.39%

LAB 39.27, 62.67, 36.06

 

CMYK 94 / 0 / 70 / 27

HEX #0BBA37

RGB 11 186 55

HSL 135.09, 0.89%, 0.39%

LAB 66.11, -64.75, 52.89

 

CMYK 32 / 94 / 0 / 27

HEX #7D0CB9

RGB 125 12 185

HSL 279.19, 0.88%, 0.39%

LAB 34.24, 67.04, -64.04

 

CMYK 0 / 33 / 94 / 27

HEX #BA7D0B

RGB 186 125 11

HSL 39.09, 0.89%, 0.39%

LAB 57.2, 15.75, 61.37

 

CMYK 94 / 0 / 33 / 27

HEX #0BBA7D

RGB 11 186 125

HSL 159.09, 0.89%, 0.39%

LAB 67.03, -53.71, 20.11

 

CMYK 32 / 94 / 0 / 27

HEX #7D0CB9

RGB 125 12 185

HSL 279.19, 0.88%, 0.39%

LAB 34.24, 67.04, -64.04

 

CMYK 0 / 94 / 80 / 27

HEX #BA0B26

RGB 186 11 38

HSL 350.74, 0.89%, 0.39%

LAB 39.27, 62.67, 36.06

 

CMYK 61 / 0 / 94 / 27

HEX #49BA0B

RGB 73 186 11

HSL 98.74, 0.89%, 0.39%

LAB 66.94, -58.32, 65.65

 

CMYK 94 / 0 / 14 / 27

HEX #0BBAA0

RGB 11 186 160

HSL 171.09, 0.89%, 0.39%

LAB 67.82, -45.07, 2.15

 

CMYK 32 / 94 / 0 / 27

HEX #7D0CB9

RGB 125 12 185

HSL 279.19, 0.88%, 0.39%

LAB 34.24, 67.04, -64.04

 

CMYK 0 / 80 / 94 / 27

HEX #BA260B

RGB 186 38 11

HSL 9.26, 0.89%, 0.39%

LAB 40.98, 56.7, 50.32

 

CMYK 61 / 0 / 94 / 27

HEX #49BA0B

RGB 73 186 11

HSL 98.74, 0.89%, 0.39%

LAB 66.94, -58.32, 65.65

 

CMYK 94 / 14 / 0 / 27

HEX #0BA0BA

RGB 11 160 186

HSL 188.91, 0.89%, 0.39%

LAB 60.57, -25.04, -23.18

 

Description

Color code: HEX #7D0CB9 | qconv.com Color code: HEX #7D0CB9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 12 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 12 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 94 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 94% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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