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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C95EA it is the complementary color #836A15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C95EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C95EA shade: #8195E5, #92A7F8, #A3B9FF, #B4CBFF and #C5DDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C95EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C95EA shade: #7C95EA, #6B83D7, #5A71C4, #495FB1 and #384D9E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C95EA shade: #7B94E9, #807BE9, #9D7BE9, #BB7BE9 and #D97BE9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C95EA shade: #7B94E9 and #7B7BE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C95EA shade matches the following richer shades: #7B94E9 and #6F8DF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C95EA shade: #7B94E9, #879BDD, #94A1D0, #A0A8C4 and #ACAFB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C95EA shade: #7BCFE9, #7BB2E9, #7B95E9, #7F7BE9 and #9C7BE9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C95EA shade: #345BDE, #5777E3, #7B94E9, #9EB1EF and #C2CDF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C95EA shade: #7C95EA, #E57BE9 and #C1E97B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C95EA shade: #7C95EA, #E97B95 and #95E97B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C95EA shade: #7C95EA, #E57BE9, #E9CF7B and #7FE97B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C95EA shade: #7C95EA, #E97BCC, #E9CF7B and #7BE998

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 36 / 0 / 8

HEX #7C95EA

RGB 124 149 234

HSL 226.36, 0.72%, 0.7%

LAB 63.11, 13.63, -45.69

 

Complementary color

CMYK 0 / 19 / 84 / 49

HEX #836A15

RGB 131 106 21

HSL 46.36, 0.72%, 0.3%

LAB 45.89, 1.31, 47.19

 

CMYK 44 / 35 / 0 / 10

HEX #8195E5

RGB 129 149 229

HSL 228, 0.66%, 0.7%

LAB 63.19, 13.39, -42.78

 

CMYK 41 / 33 / 0 / 3

HEX #92A7F8

RGB 146 167 248

HSL 227.65, 0.88%, 0.77%

LAB 69.84, 12.68, -42.69

 

CMYK 36 / 27 / 0 / 0

HEX #A3B9FF

RGB 163 185 255

HSL 225.65, 1%, 0.82%

LAB 75.89, 8.91, -36.97

 

CMYK 29 / 20 / 0 / 0

HEX #B4CBFF

RGB 180 203 255

HSL 221.6, 1%, 0.85%

LAB 81.64, 3.79, -28.02

 

CMYK 23 / 13 / 0 / 0

HEX #C5DDFF

RGB 197 221 255

HSL 215.17, 1%, 0.89%

LAB 87.39, -0.8, -19.18

 

CMYK 47 / 36 / 0 / 8

HEX #7C95EA

RGB 124 149 234

HSL 226.36, 0.72%, 0.7%

LAB 63.11, 13.63, -45.69

 

CMYK 50 / 39 / 0 / 16

HEX #6B83D7

RGB 107 131 215

HSL 226.67, 0.57%, 0.63%

LAB 56.35, 14.56, -45.86

 

CMYK 54 / 42 / 0 / 23

HEX #5A71C4

RGB 90 113 196

HSL 226.98, 0.47%, 0.56%

LAB 49.46, 15.67, -46.07

 

CMYK 59 / 46 / 0 / 31

HEX #495FB1

RGB 73 95 177

HSL 227.31, 0.42%, 0.49%

LAB 42.42, 17.03, -46.33

 

CMYK 65 / 51 / 0 / 38

HEX #384D9E

RGB 56 77 158

HSL 227.65, 0.48%, 0.42%

LAB 35.24, 18.73, -46.63

 

CMYK 47 / 36 / 0 / 9

HEX #7B94E9

RGB 123 148 233

HSL 226.36, 0.71%, 0.7%

LAB 62.74, 13.68, -45.73

 

CMYK 45 / 47 / 0 / 9

HEX #807BE9

RGB 128 123 233

HSL 242.73, 0.71%, 0.7%

LAB 56.72, 29.58, -55.26

 

CMYK 33 / 47 / 0 / 9

HEX #9D7BE9

RGB 157 123 233

HSL 258.55, 0.71%, 0.7%

LAB 59.17, 36.71, -51.21

 

CMYK 20 / 47 / 0 / 9

HEX #BB7BE9

RGB 187 123 233

HSL 274.91, 0.71%, 0.7%

LAB 62.18, 44.71, -46.26

 

CMYK 7 / 47 / 0 / 9

HEX #D97BE9

RGB 217 123 233

HSL 291.27, 0.71%, 0.7%

LAB 65.59, 53.02, -40.65

 

CMYK 47 / 36 / 0 / 9

HEX #7B94E9

RGB 123 148 233

HSL 226.36, 0.71%, 0.7%

LAB 62.74, 13.68, -45.73

 

CMYK 47 / 47 / 0 / 9

HEX #7B7BE9

RGB 123 123 233

HSL 240, 0.71%, 0.7%

LAB 56.35, 28.44, -55.88

 

CMYK 47 / 36 / 0 / 9

HEX #7B94E9

RGB 123 148 233

HSL 226.36, 0.71%, 0.7%

LAB 62.74, 13.68, -45.73

 

CMYK 55 / 42 / 0 / 4

HEX #6F8DF5

RGB 111 141 245

HSL 226.57, 0.87%, 0.7%

LAB 60.8, 18.82, -55.47

 

CMYK 47 / 36 / 0 / 9

HEX #7B94E9

RGB 123 148 233

HSL 226.36, 0.71%, 0.7%

LAB 62.74, 13.68, -45.73

 

CMYK 39 / 30 / 0 / 13

HEX #879BDD

RGB 135 155 221

HSL 226.05, 0.56%, 0.7%

LAB 64.81, 9.24, -35.79

 

CMYK 29 / 23 / 0 / 18

HEX #94A1D0

RGB 148 161 208

HSL 227, 0.39%, 0.7%

LAB 66.78, 6.1, -25.48

 

CMYK 18 / 14 / 0 / 23

HEX #A0A8C4

RGB 160 168 196

HSL 226.67, 0.23%, 0.7%

LAB 69.09, 3.08, -15.25

 

CMYK 7 / 5 / 0 / 28

HEX #ACAFB8

RGB 172 175 184

HSL 225, 0.08%, 0.7%

LAB 71.48, 0.7, -4.96

 

CMYK 47 / 11 / 0 / 9

HEX #7BCFE9

RGB 123 207 233

HSL 194.18, 0.71%, 0.7%

LAB 78.88, -18.72, -20.76

 

CMYK 47 / 24 / 0 / 9

HEX #7BB2E9

RGB 123 178 233

HSL 210, 0.71%, 0.7%

LAB 70.83, -3.35, -33.1

 

CMYK 47 / 36 / 0 / 9

HEX #7B95E9

RGB 123 149 233

HSL 225.82, 0.71%, 0.7%

LAB 63, 13.1, -45.32

 

CMYK 45 / 47 / 0 / 9

HEX #7F7BE9

RGB 127 123 233

HSL 242.18, 0.71%, 0.7%

LAB 56.65, 29.35, -55.39

 

CMYK 33 / 47 / 0 / 9

HEX #9C7BE9

RGB 156 123 233

HSL 258, 0.71%, 0.7%

LAB 59.08, 36.45, -51.36

 

CMYK 77 / 59 / 0 / 13

HEX #345BDE

RGB 52 91 222

HSL 226.24, 0.72%, 0.54%

LAB 43.49, 32.53, -70.66

 

CMYK 62 / 48 / 0 / 11

HEX #5777E3

RGB 87 119 227

HSL 226.29, 0.71%, 0.62%

LAB 52.69, 21.65, -58.5

 

CMYK 47 / 36 / 0 / 9

HEX #7B94E9

RGB 123 148 233

HSL 226.36, 0.71%, 0.7%

LAB 62.74, 13.68, -45.73

 

CMYK 34 / 26 / 0 / 6

HEX #9EB1EF

RGB 158 177 239

HSL 225.93, 0.72%, 0.78%

LAB 72.86, 7.86, -33.06

 

CMYK 21 / 16 / 0 / 4

HEX #C2CDF5

RGB 194 205 245

HSL 227.06, 0.72%, 0.86%

LAB 82.77, 4.53, -20.9

 

CMYK 47 / 36 / 0 / 8

HEX #7C95EA

RGB 124 149 234

HSL 226.36, 0.72%, 0.7%

LAB 63.11, 13.63, -45.69

 

CMYK 2 / 47 / 0 / 9

HEX #E57BE9

RGB 229 123 233

HSL 297.82, 0.71%, 0.7%

LAB 67.06, 56.38, -38.26

 

CMYK 17 / 0 / 47 / 9

HEX #C1E97B

RGB 193 233 123

HSL 81.82, 0.71%, 0.7%

LAB 87.51, -30.24, 48.95

 

CMYK 47 / 36 / 0 / 8

HEX #7C95EA

RGB 124 149 234

HSL 226.36, 0.72%, 0.7%

LAB 63.11, 13.63, -45.69

 

CMYK 0 / 47 / 36 / 9

HEX #E97B95

RGB 233 123 149

HSL 345.82, 0.71%, 0.7%

LAB 64.69, 45.07, 5.46

 

CMYK 36 / 0 / 47 / 9

HEX #95E97B

RGB 149 233 123

HSL 105.82, 0.71%, 0.7%

LAB 85.05, -45.53, 45.36

 

CMYK 47 / 36 / 0 / 8

HEX #7C95EA

RGB 124 149 234

HSL 226.36, 0.72%, 0.7%

LAB 63.11, 13.63, -45.69

 

CMYK 2 / 47 / 0 / 9

HEX #E57BE9

RGB 229 123 233

HSL 297.82, 0.71%, 0.7%

LAB 67.06, 56.38, -38.26

 

CMYK 0 / 11 / 47 / 9

HEX #E9CF7B

RGB 233 207 123

HSL 45.82, 0.71%, 0.7%

LAB 83.64, -1.78, 44.86

 

CMYK 45 / 0 / 47 / 9

HEX #7FE97B

RGB 127 233 123

HSL 117.82, 0.71%, 0.7%

LAB 84.08, -52.16, 43.95

 

CMYK 47 / 36 / 0 / 8

HEX #7C95EA

RGB 124 149 234

HSL 226.36, 0.72%, 0.7%

LAB 63.11, 13.63, -45.69

 

CMYK 0 / 47 / 12 / 9

HEX #E97BCC

RGB 233 123 204

HSL 315.82, 0.71%, 0.7%

LAB 66.4, 52.66, -23.09

 

CMYK 0 / 11 / 47 / 9

HEX #E9CF7B

RGB 233 207 123

HSL 45.82, 0.71%, 0.7%

LAB 83.64, -1.78, 44.86

 

CMYK 47 / 0 / 35 / 9

HEX #7BE998

RGB 123 233 152

HSL 135.82, 0.71%, 0.7%

LAB 84.36, -48.81, 29.86

 

Description

Color code: HEX #7C95EA | qconv.com Color code: HEX #7C95EA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 149 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 149 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 36 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 36% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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