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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C80A5 it is the complementary color #837F5A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C80A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C80A5 shade: #8180A0, #9292B3, #A3A4C6, #B4B6D9 and #C5C8EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C80A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C80A5 shade: #7C80A5, #6B6E92, #5A5C7F, #494A6C and #383859

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C80A5 shade: #7C80A6, #837CA6, #8E7CA6, #9A7CA6 and #A57CA6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C80A5 shade: #7C80A6 and #7C7CA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C80A5 shade matches the following richer shades: #7C80A6, #6A72B7, #5964C9, #4755DB and #3547ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C80A5 shade: #7C80A6, #8E8E94, #9F9D82, #B1AB70 and #C3B95F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C80A5 shade: #7C96A6, #7C8BA6, #7C80A6, #837CA6 and #8E7CA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C80A5 shade: #54587B, #656994, #7C80A6, #9598B6 and #ADB0C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C80A5 shade: #7C80A5, #A67CA2 and #91A67C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C80A5 shade: #7C80A5, #A67C80 and #80A67C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C80A5 shade: #7C80A5, #A67CA2, #A6A27C and #7CA680

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C80A5 shade: #7C80A5, #A67C95, #A6A27C and #7CA68D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 22 / 0 / 35

HEX #7C80A5

RGB 124 128 165

HSL 234.15, 0.19%, 0.57%

LAB 54.49, 6.94, -20.17

 

Complementary color

CMYK 0 / 3 / 31 / 49

HEX #837F5A

RGB 131 127 90

HSL 54.15, 0.19%, 0.43%

LAB 52.67, -4.68, 20.71

 

CMYK 19 / 20 / 0 / 37

HEX #8180A0

RGB 129 128 160

HSL 241.88, 0.14%, 0.56%

LAB 54.7, 7.35, -16.92

 

CMYK 18 / 18 / 0 / 30

HEX #9292B3

RGB 146 146 179

HSL 240, 0.18%, 0.64%

LAB 61.59, 7.02, -17.19

 

CMYK 18 / 17 / 0 / 22

HEX #A3A4C6

RGB 163 164 198

HSL 238.29, 0.23%, 0.71%

LAB 68.33, 6.71, -17.49

 

CMYK 17 / 16 / 0 / 15

HEX #B4B6D9

RGB 180 182 217

HSL 236.76, 0.33%, 0.78%

LAB 74.93, 6.43, -17.79

 

CMYK 17 / 15 / 0 / 7

HEX #C5C8EC

RGB 197 200 236

HSL 235.38, 0.51%, 0.85%

LAB 81.42, 6.17, -18.11

 

CMYK 25 / 22 / 0 / 35

HEX #7C80A5

RGB 124 128 165

HSL 234.15, 0.19%, 0.57%

LAB 54.49, 6.94, -20.17

 

CMYK 27 / 25 / 0 / 43

HEX #6B6E92

RGB 107 110 146

HSL 235.38, 0.15%, 0.5%

LAB 47.43, 7.33, -19.99

 

CMYK 29 / 28 / 0 / 50

HEX #5A5C7F

RGB 90 92 127

HSL 236.76, 0.17%, 0.43%

LAB 40.18, 7.8, -19.86

 

CMYK 32 / 31 / 0 / 58

HEX #494A6C

RGB 73 74 108

HSL 238.29, 0.19%, 0.35%

LAB 32.69, 8.35, -19.79

 

CMYK 37 / 37 / 0 / 65

HEX #383859

RGB 56 56 89

HSL 240, 0.23%, 0.28%

LAB 24.92, 9.04, -19.81

 

CMYK 25 / 23 / 0 / 35

HEX #7C80A6

RGB 124 128 166

HSL 234.29, 0.19%, 0.57%

LAB 54.53, 7.19, -20.69

 

CMYK 21 / 25 / 0 / 35

HEX #837CA6

RGB 131 124 166

HSL 250, 0.19%, 0.57%

LAB 54.02, 11.79, -21.41

 

CMYK 14 / 25 / 0 / 35

HEX #8E7CA6

RGB 142 124 166

HSL 265.71, 0.19%, 0.57%

LAB 54.99, 15.42, -19.85

 

CMYK 7 / 25 / 0 / 35

HEX #9A7CA6

RGB 154 124 166

HSL 282.86, 0.19%, 0.57%

LAB 56.13, 19.48, -18.01

 

CMYK 1 / 25 / 0 / 35

HEX #A57CA6

RGB 165 124 166

HSL 298.57, 0.19%, 0.57%

LAB 57.24, 23.26, -16.21

 

CMYK 25 / 23 / 0 / 35

HEX #7C80A6

RGB 124 128 166

HSL 234.29, 0.19%, 0.57%

LAB 54.53, 7.19, -20.69

 

CMYK 25 / 25 / 0 / 35

HEX #7C7CA6

RGB 124 124 166

HSL 240, 0.19%, 0.57%

LAB 53.44, 9.54, -22.35

 

CMYK 25 / 23 / 0 / 35

HEX #7C80A6

RGB 124 128 166

HSL 234.29, 0.19%, 0.57%

LAB 54.53, 7.19, -20.69

 

CMYK 42 / 38 / 0 / 28

HEX #6A72B7

RGB 106 114 183

HSL 233.77, 0.35%, 0.57%

LAB 50.12, 14.9, -37.47

 

CMYK 56 / 50 / 0 / 21

HEX #5964C9

RGB 89 100 201

HSL 234.11, 0.51%, 0.57%

LAB 46.25, 25.15, -54.07

 

CMYK 68 / 61 / 0 / 14

HEX #4755DB

RGB 71 85 219

HSL 234.32, 0.67%, 0.57%

LAB 42.69, 37.49, -70.21

 

CMYK 78 / 70 / 0 / 7

HEX #3547ED

RGB 53 71 237

HSL 234.13, 0.84%, 0.57%

LAB 40.21, 50.11, -84.54

 

CMYK 25 / 23 / 0 / 35

HEX #7C80A6

RGB 124 128 166

HSL 234.29, 0.19%, 0.57%

LAB 54.53, 7.19, -20.69

 

CMYK 4 / 4 / 0 / 42

HEX #8E8E94

RGB 142 142 148

HSL 240, 0.03%, 0.57%

LAB 59.19, 1.2, -3.19

 

CMYK 0 / 1 / 18 / 38

HEX #9F9D82

RGB 159 157 130

HSL 55.86, 0.13%, 0.57%

LAB 64.24, -3.98, 14.41

 

CMYK 0 / 3 / 37 / 31

HEX #B1AB70

RGB 177 171 112

HSL 54.46, 0.29%, 0.57%

LAB 69.21, -6.82, 31.18

 

CMYK 0 / 5 / 51 / 24

HEX #C3B95F

RGB 195 185 95

HSL 54, 0.45%, 0.57%

LAB 74.27, -8.5, 46.46

 

CMYK 25 / 10 / 0 / 35

HEX #7C96A6

RGB 124 150 166

HSL 202.86, 0.19%, 0.57%

LAB 60.65, -5.39, -11.41

 

CMYK 25 / 16 / 0 / 35

HEX #7C8BA6

RGB 124 139 166

HSL 218.57, 0.19%, 0.57%

LAB 57.56, 0.82, -16.06

 

CMYK 25 / 23 / 0 / 35

HEX #7C80A6

RGB 124 128 166

HSL 234.29, 0.19%, 0.57%

LAB 54.53, 7.19, -20.69

 

CMYK 21 / 25 / 0 / 35

HEX #837CA6

RGB 131 124 166

HSL 250, 0.19%, 0.57%

LAB 54.02, 11.79, -21.41

 

CMYK 14 / 25 / 0 / 35

HEX #8E7CA6

RGB 142 124 166

HSL 265.71, 0.19%, 0.57%

LAB 54.99, 15.42, -19.85

 

CMYK 32 / 28 / 0 / 52

HEX #54587B

RGB 84 88 123

HSL 233.85, 0.19%, 0.41%

LAB 38.37, 7.25, -20.26

 

CMYK 32 / 29 / 0 / 42

HEX #656994

RGB 101 105 148

HSL 234.89, 0.19%, 0.49%

LAB 45.65, 9, -23.98

 

CMYK 25 / 23 / 0 / 35

HEX #7C80A6

RGB 124 128 166

HSL 234.29, 0.19%, 0.57%

LAB 54.53, 7.19, -20.69

 

CMYK 18 / 16 / 0 / 29

HEX #9598B6

RGB 149 152 182

HSL 234.55, 0.18%, 0.65%

LAB 63.53, 5.29, -15.93

 

CMYK 13 / 12 / 0 / 22

HEX #ADB0C7

RGB 173 176 199

HSL 233.08, 0.19%, 0.73%

LAB 72.27, 3.57, -12.03

 

CMYK 25 / 22 / 0 / 35

HEX #7C80A5

RGB 124 128 165

HSL 234.15, 0.19%, 0.57%

LAB 54.49, 6.94, -20.17

 

CMYK 0 / 25 / 2 / 35

HEX #A67CA2

RGB 166 124 162

HSL 305.71, 0.19%, 0.57%

LAB 57.2, 22.83, -13.96

 

CMYK 13 / 0 / 25 / 35

HEX #91A67C

RGB 145 166 124

HSL 90, 0.19%, 0.57%

LAB 65.55, -15.1, 19.38

 

CMYK 25 / 22 / 0 / 35

HEX #7C80A5

RGB 124 128 165

HSL 234.15, 0.19%, 0.57%

LAB 54.49, 6.94, -20.17

 

CMYK 0 / 25 / 23 / 35

HEX #A67C80

RGB 166 124 128

HSL 354.29, 0.19%, 0.57%

LAB 56.17, 16.92, 4.2

 

CMYK 23 / 0 / 25 / 35

HEX #80A67C

RGB 128 166 124

HSL 114.29, 0.19%, 0.57%

LAB 64.42, -21.32, 17.64

 

CMYK 25 / 22 / 0 / 35

HEX #7C80A5

RGB 124 128 165

HSL 234.15, 0.19%, 0.57%

LAB 54.49, 6.94, -20.17

 

CMYK 0 / 25 / 2 / 35

HEX #A67CA2

RGB 166 124 162

HSL 305.71, 0.19%, 0.57%

LAB 57.2, 22.83, -13.96

 

CMYK 0 / 2 / 25 / 35

HEX #A6A27C

RGB 166 162 124

HSL 54.29, 0.19%, 0.57%

LAB 66.06, -4.85, 20.34

 

CMYK 25 / 0 / 23 / 35

HEX #7CA680

RGB 124 166 128

HSL 125.71, 0.19%, 0.57%

LAB 64.25, -22, 15.17

 

CMYK 25 / 22 / 0 / 35

HEX #7C80A5

RGB 124 128 165

HSL 234.15, 0.19%, 0.57%

LAB 54.49, 6.94, -20.17

 

CMYK 0 / 25 / 10 / 35

HEX #A67C95

RGB 166 124 149

HSL 324.29, 0.19%, 0.57%

LAB 56.77, 20.42, -7.09

 

CMYK 0 / 2 / 25 / 35

HEX #A6A27C

RGB 166 162 124

HSL 54.29, 0.19%, 0.57%

LAB 66.06, -4.85, 20.34

 

CMYK 25 / 0 / 15 / 35

HEX #7CA68D

RGB 124 166 141

HSL 144.29, 0.19%, 0.57%

LAB 64.55, -19.5, 8.37

 

Description

Color code: HEX #7C80A5 | qconv.com Color code: HEX #7C80A5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 128 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 128 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 22 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 22% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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