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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C8810 it is the complementary color #8377EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C8810. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C8810 shade: #81880B, #929A1E, #A3AC31, #B4BE44 and #C5D057

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C8810. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C8810 shade: #7C8810, #6B7600, #5A6400, #495200 and #384000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C8810 shade: #7C8810, #887410, #885310, #883310 and #881210

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C8810 shade: #7C8810, #5C8810, #3B8810, #1B8810 and #108825

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C8810 shade matches the following richer shades: #7C8810 and #869503

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C8810 shade: #7C8810, #727C1C, #697028, #5F6335 and #555741

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C8810 shade: #885410, #887410, #7C8810, #5C8810 and #3C8810

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C8810 shade: #393F07, #5B640B, #7C8810, #9EAD14 and #C0D218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C8810 shade: #7C8810, #108834 and #641088

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C8810 shade: #7C8810, #107C88 and #88107C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C8810 shade: #7C8810, #108834, #1C1088 and #881064

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C8810 shade: #7C8810, #108858, #1C1088 and #881040

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 88 / 47

HEX #7C8810

RGB 124 136 16

HSL 66, 0.79%, 0.3%

LAB 53.95, -18.66, 55.16

 

Complementary color

CMYK 45 / 50 / 0 / 6

HEX #8377EF

RGB 131 119 239

HSL 246, 0.79%, 0.7%

LAB 56.34, 34.35, -59.2

 

CMYK 5 / 0 / 92 / 47

HEX #81880B

RGB 129 136 11

HSL 63.36, 0.85%, 0.29%

LAB 54.34, -16.51, 56.64

 

CMYK 5 / 0 / 81 / 40

HEX #929A1E

RGB 146 154 30

HSL 63.87, 0.67%, 0.36%

LAB 61.06, -17.69, 58.3

 

CMYK 5 / 0 / 72 / 33

HEX #A3AC31

RGB 163 172 49

HSL 64.39, 0.56%, 0.43%

LAB 67.66, -18.62, 58.62

 

CMYK 5 / 0 / 64 / 25

HEX #B4BE44

RGB 180 190 68

HSL 64.92, 0.48%, 0.51%

LAB 74.16, -19.36, 58.2

 

CMYK 5 / 0 / 58 / 18

HEX #C5D057

RGB 197 208 87

HSL 65.45, 0.56%, 0.58%

LAB 80.56, -19.95, 57.41

 

CMYK 9 / 0 / 88 / 47

HEX #7C8810

RGB 124 136 16

HSL 66, 0.79%, 0.3%

LAB 53.95, -18.66, 55.16

 

CMYK 9 / 0 / 100 / 54

HEX #6B7600

RGB 107 118 0

HSL 65.59, 1%, 0.23%

LAB 47.08, -17.36, 52.35

 

CMYK 10 / 0 / 100 / 61

HEX #5A6400

RGB 90 100 0

HSL 66, 1%, 0.2%

LAB 40.06, -15.67, 46.51

 

CMYK 11 / 0 / 100 / 68

HEX #495200

RGB 73 82 0

HSL 66.59, 1%, 0.16%

LAB 32.81, -13.95, 40.48

 

CMYK 13 / 0 / 100 / 75

HEX #384000

RGB 56 64 0

HSL 67.5, 1%, 0.13%

LAB 25.28, -12.17, 33.76

 

CMYK 9 / 0 / 88 / 47

HEX #7C8810

RGB 124 136 16

HSL 66, 0.79%, 0.3%

LAB 53.95, -18.66, 55.16

 

CMYK 0 / 15 / 88 / 47

HEX #887410

RGB 136 116 16

HSL 50, 0.79%, 0.3%

LAB 49.21, -2.18, 51.69

 

CMYK 0 / 39 / 88 / 47

HEX #885310

RGB 136 83 16

HSL 33.5, 0.79%, 0.3%

LAB 40.34, 16.99, 44.38

 

CMYK 0 / 63 / 88 / 47

HEX #883310

RGB 136 51 16

HSL 17.5, 0.79%, 0.3%

LAB 33.22, 34.65, 38.43

 

CMYK 0 / 87 / 88 / 47

HEX #881210

RGB 136 18 16

HSL 1, 0.79%, 0.3%

LAB 28.65, 47.16, 34.56

 

CMYK 9 / 0 / 88 / 47

HEX #7C8810

RGB 124 136 16

HSL 66, 0.79%, 0.3%

LAB 53.95, -18.66, 55.16

 

CMYK 32 / 0 / 88 / 47

HEX #5C8810

RGB 92 136 16

HSL 82, 0.79%, 0.3%

LAB 51.75, -32.36, 52.41

 

CMYK 57 / 0 / 88 / 47

HEX #3B8810

RGB 59 136 16

HSL 98.5, 0.79%, 0.3%

LAB 50.19, -43.85, 50.45

 

CMYK 80 / 0 / 88 / 47

HEX #1B8810

RGB 27 136 16

HSL 114.5, 0.79%, 0.3%

LAB 49.35, -50.86, 49.39

 

CMYK 88 / 0 / 73 / 47

HEX #108825

RGB 16 136 37

HSL 130.5, 0.79%, 0.3%

LAB 49.32, -50.71, 42.44

 

CMYK 9 / 0 / 88 / 47

HEX #7C8810

RGB 124 136 16

HSL 66, 0.79%, 0.3%

LAB 53.95, -18.66, 55.16

 

CMYK 10 / 0 / 98 / 42

HEX #869503

RGB 134 149 3

HSL 66.16, 0.96%, 0.3%

LAB 58.57, -21.12, 61.38

 

CMYK 9 / 0 / 88 / 47

HEX #7C8810

RGB 124 136 16

HSL 66, 0.79%, 0.3%

LAB 53.95, -18.66, 55.16

 

CMYK 8 / 0 / 77 / 51

HEX #727C1C

RGB 114 124 28

HSL 66.25, 0.63%, 0.3%

LAB 49.59, -16.43, 47.55

 

CMYK 6 / 0 / 64 / 56

HEX #697028

RGB 105 112 40

HSL 65.83, 0.47%, 0.3%

LAB 45.28, -13.3, 37.97

 

CMYK 4 / 0 / 46 / 61

HEX #5F6335

RGB 95 99 53

HSL 65.22, 0.3%, 0.3%

LAB 40.6, -9.3, 25.52

 

CMYK 2 / 0 / 25 / 66

HEX #555741

RGB 85 87 65

HSL 65.45, 0.14%, 0.3%

LAB 36.23, -5.03, 12.55

 

CMYK 0 / 38 / 88 / 47

HEX #885410

RGB 136 84 16

HSL 34, 0.79%, 0.3%

LAB 40.59, 16.41, 44.59

 

CMYK 0 / 15 / 88 / 47

HEX #887410

RGB 136 116 16

HSL 50, 0.79%, 0.3%

LAB 49.21, -2.18, 51.69

 

CMYK 9 / 0 / 88 / 47

HEX #7C8810

RGB 124 136 16

HSL 66, 0.79%, 0.3%

LAB 53.95, -18.66, 55.16

 

CMYK 32 / 0 / 88 / 47

HEX #5C8810

RGB 92 136 16

HSL 82, 0.79%, 0.3%

LAB 51.75, -32.36, 52.41

 

CMYK 56 / 0 / 88 / 47

HEX #3C8810

RGB 60 136 16

HSL 98, 0.79%, 0.3%

LAB 50.22, -43.56, 50.5

 

CMYK 10 / 0 / 89 / 75

HEX #393F07

RGB 57 63 7

HSL 66.43, 0.8%, 0.14%

LAB 25.08, -10.66, 30.74

 

CMYK 9 / 0 / 89 / 61

HEX #5B640B

RGB 91 100 11

HSL 66.07, 0.8%, 0.22%

LAB 40.18, -14.85, 43.76

 

CMYK 9 / 0 / 88 / 47

HEX #7C8810

RGB 124 136 16

HSL 66, 0.79%, 0.3%

LAB 53.95, -18.66, 55.16

 

CMYK 9 / 0 / 88 / 32

HEX #9EAD14

RGB 158 173 20

HSL 65.88, 0.79%, 0.38%

LAB 67.43, -22.36, 66.47

 

CMYK 9 / 0 / 89 / 18

HEX #C0D218

RGB 192 210 24

HSL 65.81, 0.79%, 0.46%

LAB 80.38, -25.9, 77.26

 

CMYK 9 / 0 / 88 / 47

HEX #7C8810

RGB 124 136 16

HSL 66, 0.79%, 0.3%

LAB 53.95, -18.66, 55.16

 

CMYK 88 / 0 / 62 / 47

HEX #108834

RGB 16 136 52

HSL 138, 0.79%, 0.3%

LAB 49.46, -48.98, 35.87

 

CMYK 26 / 88 / 0 / 47

HEX #641088

RGB 100 16 136

HSL 282, 0.79%, 0.3%

LAB 26.32, 52.7, -47.35

 

CMYK 9 / 0 / 88 / 47

HEX #7C8810

RGB 124 136 16

HSL 66, 0.79%, 0.3%

LAB 53.95, -18.66, 55.16

 

CMYK 88 / 9 / 0 / 47

HEX #107C88

RGB 16 124 136

HSL 186, 0.79%, 0.3%

LAB 47.37, -23.25, -14.53

 

CMYK 0 / 88 / 9 / 47

HEX #88107C

RGB 136 16 124

HSL 306, 0.79%, 0.3%

LAB 31.94, 57.26, -30.45

 

CMYK 9 / 0 / 88 / 47

HEX #7C8810

RGB 124 136 16

HSL 66, 0.79%, 0.3%

LAB 53.95, -18.66, 55.16

 

CMYK 88 / 0 / 62 / 47

HEX #108834

RGB 16 136 52

HSL 138, 0.79%, 0.3%

LAB 49.46, -48.98, 35.87

 

CMYK 79 / 88 / 0 / 47

HEX #1C1088

RGB 28 16 136

HSL 246, 0.79%, 0.3%

LAB 17.44, 44.56, -62.29

 

CMYK 0 / 88 / 26 / 47

HEX #881064

RGB 136 16 100

HSL 318, 0.79%, 0.3%

LAB 30.7, 53.91, -17.07

 

CMYK 9 / 0 / 88 / 47

HEX #7C8810

RGB 124 136 16

HSL 66, 0.79%, 0.3%

LAB 53.95, -18.66, 55.16

 

CMYK 88 / 0 / 35 / 47

HEX #108858

RGB 16 136 88

HSL 156, 0.79%, 0.3%

LAB 50.01, -42.48, 17.33

 

CMYK 79 / 88 / 0 / 47

HEX #1C1088

RGB 28 16 136

HSL 246, 0.79%, 0.3%

LAB 17.44, 44.56, -62.29

 

CMYK 0 / 88 / 53 / 47

HEX #881040

RGB 136 16 64

HSL 336, 0.79%, 0.3%

LAB 29.35, 50.13, 4.66

 

Description

Color code: HEX #7C8810 | qconv.com Color code: HEX #7C8810 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 136 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 136 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 88 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 88% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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