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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C7FF2 it is the complementary color #83800D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C7FF2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C7FF2 shade: #817FED, #9291FF, #A3A3FF, #B4B5FF and #C5C7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C7FF2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C7FF2 shade: #7C7FF2, #6B6DDF, #5A5BCC, #4949B9 and #3837A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C7FF2 shade: #7D80F2, #997DF2, #B97DF2, #D87DF2 and #F27DEB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C7FF2 shade: #7D80F2 and #7D7DF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C7FF2 shade matches the following richer shades: #7D80F2 and #7175FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C7FF2 shade: #7D80F2, #888BE6, #9495DB, #9FA0CF and #ABABC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C7FF2 shade: #7DBFF2, #7DA0F2, #7D80F2, #987DF2 and #B77DF2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C7FF2 shade: #3136EA, #575BEE, #7D80F2, #A2A4F5 and #C8C9F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C7FF2 shade: #7C7FF2, #F27DDE and #AFF27D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C7FF2 shade: #7C7FF2, #F27D80 and #80F27D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C7FF2 shade: #7C7FF2, #F27DDE, #F2EE7D and #7DF290

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C7FF2 shade: #7C7FF2, #F27DBB, #F2EE7D and #7DF2B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 48 / 0 / 5

HEX #7C7FF2

RGB 124 127 242

HSL 238.47, 0.82%, 0.72%

LAB 57.92, 28.96, -58.37

 

Complementary color

CMYK 0 / 2 / 90 / 49

HEX #83800D

RGB 131 128 13

HSL 58.47, 0.82%, 0.28%

LAB 52.17, -11.27, 54.59

 

CMYK 46 / 46 / 0 / 7

HEX #817FED

RGB 129 127 237

HSL 241.09, 0.75%, 0.71%

LAB 58, 28.61, -55.44

 

CMYK 43 / 43 / 0 / 0

HEX #9291FF

RGB 146 145 255

HSL 240.55, 1%, 0.78%

LAB 64.63, 27.25, -54.73

 

CMYK 36 / 36 / 0 / 0

HEX #A3A3FF

RGB 163 163 255

HSL 240, 1%, 0.82%

LAB 70.32, 21.22, -45.66

 

CMYK 29 / 29 / 0 / 0

HEX #B4B5FF

RGB 180 181 255

HSL 239.2, 1%, 0.85%

LAB 76.05, 15.79, -36.62

 

CMYK 23 / 22 / 0 / 0

HEX #C5C7FF

RGB 197 199 255

HSL 237.93, 1%, 0.89%

LAB 81.8, 10.89, -27.66

 

CMYK 49 / 48 / 0 / 5

HEX #7C7FF2

RGB 124 127 242

HSL 238.47, 0.82%, 0.72%

LAB 57.92, 28.96, -58.37

 

CMYK 52 / 51 / 0 / 13

HEX #6B6DDF

RGB 107 109 223

HSL 238.97, 0.64%, 0.65%

LAB 51.14, 30.32, -58.68

 

CMYK 56 / 55 / 0 / 20

HEX #5A5BCC

RGB 90 91 204

HSL 239.47, 0.53%, 0.58%

LAB 44.26, 31.9, -59.02

 

CMYK 61 / 61 / 0 / 27

HEX #4949B9

RGB 73 73 185

HSL 240, 0.44%, 0.51%

LAB 37.27, 33.74, -59.34

 

CMYK 66 / 67 / 0 / 35

HEX #3837A6

RGB 56 55 166

HSL 240.54, 0.5%, 0.43%

LAB 30.22, 35.87, -59.59

 

CMYK 48 / 47 / 0 / 5

HEX #7D80F2

RGB 125 128 242

HSL 238.46, 0.82%, 0.72%

LAB 58.24, 28.59, -57.86

 

CMYK 37 / 48 / 0 / 5

HEX #997DF2

RGB 153 125 242

HSL 254.36, 0.82%, 0.72%

LAB 59.75, 36.9, -55.3

 

CMYK 24 / 48 / 0 / 5

HEX #B97DF2

RGB 185 125 242

HSL 270.77, 0.82%, 0.72%

LAB 62.84, 45.11, -50.21

 

CMYK 11 / 48 / 0 / 5

HEX #D87DF2

RGB 216 125 242

HSL 286.67, 0.82%, 0.72%

LAB 66.27, 53.47, -44.57

 

CMYK 0 / 48 / 3 / 5

HEX #F27DEB

RGB 242 125 235

HSL 303.59, 0.82%, 0.72%

LAB 69.14, 59.4, -35.99

 

CMYK 48 / 47 / 0 / 5

HEX #7D80F2

RGB 125 128 242

HSL 238.46, 0.82%, 0.72%

LAB 58.24, 28.59, -57.86

 

CMYK 48 / 48 / 0 / 5

HEX #7D7DF2

RGB 125 125 242

HSL 240, 0.82%, 0.72%

LAB 57.5, 30.37, -59.03

 

CMYK 48 / 47 / 0 / 5

HEX #7D80F2

RGB 125 128 242

HSL 238.46, 0.82%, 0.72%

LAB 58.24, 28.59, -57.86

 

CMYK 55 / 54 / 0 / 1

HEX #7175FD

RGB 113 117 253

HSL 238.29, 0.97%, 0.72%

LAB 55.41, 36.02, -68.53

 

CMYK 48 / 47 / 0 / 5

HEX #7D80F2

RGB 125 128 242

HSL 238.46, 0.82%, 0.72%

LAB 58.24, 28.59, -57.86

 

CMYK 41 / 40 / 0 / 10

HEX #888BE6

RGB 136 139 230

HSL 238.09, 0.65%, 0.72%

LAB 61.14, 21.26, -46.53

 

CMYK 32 / 32 / 0 / 14

HEX #9495DB

RGB 148 149 219

HSL 239.15, 0.5%, 0.72%

LAB 64.08, 15.72, -35.75

 

CMYK 23 / 23 / 0 / 19

HEX #9FA0CF

RGB 159 160 207

HSL 238.75, 0.33%, 0.72%

LAB 67.29, 9.76, -24.08

 

CMYK 12 / 12 / 0 / 24

HEX #ABABC3

RGB 171 171 195

HSL 240, 0.17%, 0.72%

LAB 70.68, 4.81, -12.22

 

CMYK 48 / 21 / 0 / 5

HEX #7DBFF2

RGB 125 191 242

HSL 206.15, 0.82%, 0.72%

LAB 74.85, -7.4, -31.76

 

CMYK 48 / 34 / 0 / 5

HEX #7DA0F2

RGB 125 160 242

HSL 222.05, 0.82%, 0.72%

LAB 66.45, 9.86, -44.83

 

CMYK 48 / 47 / 0 / 5

HEX #7D80F2

RGB 125 128 242

HSL 238.46, 0.82%, 0.72%

LAB 58.24, 28.59, -57.86

 

CMYK 37 / 48 / 0 / 5

HEX #987DF2

RGB 152 125 242

HSL 253.85, 0.82%, 0.72%

LAB 59.67, 36.65, -55.45

 

CMYK 24 / 48 / 0 / 5

HEX #B77DF2

RGB 183 125 242

HSL 269.74, 0.82%, 0.72%

LAB 62.63, 44.58, -50.55

 

CMYK 79 / 77 / 0 / 8

HEX #3136EA

RGB 49 54 234

HSL 238.38, 0.81%, 0.55%

LAB 36.43, 58.13, -89.1

 

CMYK 63 / 62 / 0 / 7

HEX #575BEE

RGB 87 91 238

HSL 238.41, 0.82%, 0.64%

LAB 46.55, 42.42, -74.63

 

CMYK 48 / 47 / 0 / 5

HEX #7D80F2

RGB 125 128 242

HSL 238.46, 0.82%, 0.72%

LAB 58.24, 28.59, -57.86

 

CMYK 34 / 33 / 0 / 4

HEX #A2A4F5

RGB 162 164 245

HSL 238.55, 0.81%, 0.8%

LAB 70.05, 17.79, -40.65

 

CMYK 20 / 19 / 0 / 2

HEX #C8C9F9

RGB 200 201 249

HSL 238.78, 0.8%, 0.88%

LAB 82.32, 9.38, -23.66

 

CMYK 49 / 48 / 0 / 5

HEX #7C7FF2

RGB 124 127 242

HSL 238.47, 0.82%, 0.72%

LAB 57.92, 28.96, -58.37

 

CMYK 0 / 48 / 8 / 5

HEX #F27DDE

RGB 242 125 222

HSL 310.26, 0.82%, 0.72%

LAB 68.62, 57.24, -29.62

 

CMYK 28 / 0 / 48 / 5

HEX #AFF27D

RGB 175 242 125

HSL 94.36, 0.82%, 0.72%

LAB 88.97, -40.57, 49.55

 

CMYK 49 / 48 / 0 / 5

HEX #7C7FF2

RGB 124 127 242

HSL 238.47, 0.82%, 0.72%

LAB 57.92, 28.96, -58.37

 

CMYK 0 / 48 / 47 / 5

HEX #F27D80

RGB 242 125 128

HSL 358.46, 0.82%, 0.72%

LAB 65.83, 45.04, 19.15

 

CMYK 47 / 0 / 48 / 5

HEX #80F27D

RGB 128 242 125

HSL 118.46, 0.82%, 0.72%

LAB 86.79, -55.22, 46.37

 

CMYK 49 / 48 / 0 / 5

HEX #7C7FF2

RGB 124 127 242

HSL 238.47, 0.82%, 0.72%

LAB 57.92, 28.96, -58.37

 

CMYK 0 / 48 / 8 / 5

HEX #F27DDE

RGB 242 125 222

HSL 310.26, 0.82%, 0.72%

LAB 68.62, 57.24, -29.62

 

CMYK 0 / 2 / 48 / 5

HEX #F2EE7D

RGB 242 238 125

HSL 57.95, 0.82%, 0.72%

LAB 92.36, -13.61, 54.69

 

CMYK 48 / 0 / 40 / 5

HEX #7DF290

RGB 125 242 144

HSL 129.74, 0.82%, 0.72%

LAB 86.94, -53.29, 37.3

 

CMYK 49 / 48 / 0 / 5

HEX #7C7FF2

RGB 124 127 242

HSL 238.47, 0.82%, 0.72%

LAB 57.92, 28.96, -58.37

 

CMYK 0 / 48 / 23 / 5

HEX #F27DBB

RGB 242 125 187

HSL 328.21, 0.82%, 0.72%

LAB 67.38, 51.96, -11.97

 

CMYK 0 / 2 / 48 / 5

HEX #F2EE7D

RGB 242 238 125

HSL 57.95, 0.82%, 0.72%

LAB 92.36, -13.61, 54.69

 

CMYK 48 / 0 / 26 / 5

HEX #7DF2B3

RGB 125 242 179

HSL 147.69, 0.82%, 0.72%

LAB 87.54, -47.18, 20.38

 

Description

Color code: HEX #7C7FF2 | qconv.com Color code: HEX #7C7FF2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 127 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 127 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 48 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 48% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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