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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C6EC8 it is the complementary color #839137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C6EC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C6EC8 shade: #816EC3, #9280D6, #A392E9, #B4A4FC and #C5B6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C6EC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C6EC8 shade: #7C6EC8, #6B5CB5, #5A4AA2, #49388F and #38267C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C6EC8 shade: #7C6EC8, #946EC8, #AC6EC8, #C56EC8 and #C86EB3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C6EC8 shade: #7C6EC8 and #6E6EC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C6EC8 shade matches the following richer shades: #7C6EC8, #715ED8, #664EE8 and #5B3EF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C6EC8 shade: #7C6EC8, #877EB8, #928EA8, #9D9F98 and #A9AF87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C6EC8 shade: #6E91C8, #6E79C8, #7C6EC8, #946EC8 and #AB6EC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C6EC8 shade: #4E3EA5, #6150BC, #7C6EC8, #978CD3 and #B2AADE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C6EC8 shade: #7C6EC8, #C86EA8 and #85C86E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C6EC8 shade: #7C6EC8, #C87C6E and #6EC87C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C6EC8 shade: #7C6EC8, #C86EA8, #BAC86E and #6EC88E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C6EC8 shade: #7C6EC8, #C86E8E, #BAC86E and #6EC8A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 45 / 0 / 22

HEX #7C6EC8

RGB 124 110 200

HSL 249.33, 0.45%, 0.61%

LAB 51.39, 26.93, -45.14

 

Complementary color

CMYK 10 / 0 / 62 / 43

HEX #839137

RGB 131 145 55

HSL 69.33, 0.45%, 0.39%

LAB 57.42, -18.19, 44.8

 

CMYK 34 / 44 / 0 / 24

HEX #816EC3

RGB 129 110 195

HSL 253.41, 0.41%, 0.6%

LAB 51.56, 26.9, -41.97

 

CMYK 32 / 40 / 0 / 16

HEX #9280D6

RGB 146 128 214

HSL 252.56, 0.51%, 0.67%

LAB 58.42, 26.01, -41.84

 

CMYK 30 / 37 / 0 / 9

HEX #A392E9

RGB 163 146 233

HSL 251.72, 0.66%, 0.74%

LAB 65.14, 25.23, -41.75

 

CMYK 29 / 35 / 0 / 1

HEX #B4A4FC

RGB 180 164 252

HSL 250.91, 0.94%, 0.82%

LAB 71.75, 24.52, -41.7

 

CMYK 23 / 29 / 0 / 0

HEX #C5B6FF

RGB 197 182 255

HSL 252.33, 1%, 0.86%

LAB 77.61, 20.14, -34.11

 

CMYK 38 / 45 / 0 / 22

HEX #7C6EC8

RGB 124 110 200

HSL 249.33, 0.45%, 0.61%

LAB 51.39, 26.93, -45.14

 

CMYK 41 / 49 / 0 / 29

HEX #6B5CB5

RGB 107 92 181

HSL 250.11, 0.38%, 0.54%

LAB 44.4, 28.01, -45.37

 

CMYK 44 / 54 / 0 / 36

HEX #5A4AA2

RGB 90 74 162

HSL 250.91, 0.37%, 0.46%

LAB 37.26, 29.27, -45.64

 

CMYK 49 / 61 / 0 / 44

HEX #49388F

RGB 73 56 143

HSL 251.72, 0.44%, 0.39%

LAB 29.98, 30.71, -45.92

 

CMYK 55 / 69 / 0 / 51

HEX #38267C

RGB 56 38 124

HSL 252.56, 0.53%, 0.32%

LAB 22.59, 32.32, -46.13

 

CMYK 38 / 45 / 0 / 22

HEX #7C6EC8

RGB 124 110 200

HSL 249.33, 0.45%, 0.61%

LAB 51.39, 26.93, -45.14

 

CMYK 26 / 45 / 0 / 22

HEX #946EC8

RGB 148 110 200

HSL 265.33, 0.45%, 0.61%

LAB 53.62, 33.46, -41.47

 

CMYK 14 / 45 / 0 / 22

HEX #AC6EC8

RGB 172 110 200

HSL 281.33, 0.45%, 0.61%

LAB 56.18, 40.35, -37.26

 

CMYK 1 / 45 / 0 / 22

HEX #C56EC8

RGB 197 110 200

HSL 298, 0.45%, 0.61%

LAB 59.15, 47.7, -32.4

 

CMYK 0 / 45 / 11 / 22

HEX #C86EB3

RGB 200 110 179

HSL 314, 0.45%, 0.61%

LAB 58.68, 44.92, -21.11

 

CMYK 38 / 45 / 0 / 22

HEX #7C6EC8

RGB 124 110 200

HSL 249.33, 0.45%, 0.61%

LAB 51.39, 26.93, -45.14

 

CMYK 45 / 45 / 0 / 22

HEX #6E6EC8

RGB 110 110 200

HSL 240, 0.45%, 0.61%

LAB 50.26, 23.39, -47

 

CMYK 38 / 45 / 0 / 22

HEX #7C6EC8

RGB 124 110 200

HSL 249.33, 0.45%, 0.61%

LAB 51.39, 26.93, -45.14

 

CMYK 48 / 56 / 0 / 15

HEX #715ED8

RGB 113 94 216

HSL 249.34, 0.61%, 0.61%

LAB 47.59, 38.42, -60.41

 

CMYK 56 / 66 / 0 / 9

HEX #664EE8

RGB 102 78 232

HSL 249.35, 0.77%, 0.61%

LAB 44.38, 50.29, -74.76

 

CMYK 63 / 75 / 0 / 3

HEX #5B3EF8

RGB 91 62 248

HSL 249.35, 0.93%, 0.61%

LAB 41.92, 61.84, -87.84

 

CMYK 38 / 45 / 0 / 22

HEX #7C6EC8

RGB 124 110 200

HSL 249.33, 0.45%, 0.61%

LAB 51.39, 26.93, -45.14

 

CMYK 27 / 32 / 0 / 28

HEX #877EB8

RGB 135 126 184

HSL 249.31, 0.29%, 0.61%

LAB 55.62, 16.31, -29.28

 

CMYK 13 / 15 / 0 / 34

HEX #928EA8

RGB 146 142 168

HSL 249.23, 0.13%, 0.61%

LAB 60.14, 6.82, -13.14

 

CMYK 1 / 0 / 4 / 38

HEX #9D9F98

RGB 157 159 152

HSL 77.14, 0.04%, 0.61%

LAB 65.15, -2.04, 3.39

 

CMYK 3 / 0 / 23 / 31

HEX #A9AF87

RGB 169 175 135

HSL 69, 0.2%, 0.61%

LAB 70.07, -8.99, 19.85

 

CMYK 45 / 28 / 0 / 22

HEX #6E91C8

RGB 110 145 200

HSL 216.67, 0.45%, 0.61%

LAB 59.65, 2.53, -32.23

 

CMYK 45 / 40 / 0 / 22

HEX #6E79C8

RGB 110 121 200

HSL 232.67, 0.45%, 0.61%

LAB 53.12, 16.73, -42.46

 

CMYK 38 / 45 / 0 / 22

HEX #7C6EC8

RGB 124 110 200

HSL 249.33, 0.45%, 0.61%

LAB 51.39, 26.93, -45.14

 

CMYK 26 / 45 / 0 / 22

HEX #946EC8

RGB 148 110 200

HSL 265.33, 0.45%, 0.61%

LAB 53.62, 33.46, -41.47

 

CMYK 15 / 45 / 0 / 22

HEX #AB6EC8

RGB 171 110 200

HSL 280.67, 0.45%, 0.61%

LAB 56.07, 40.06, -37.45

 

CMYK 53 / 62 / 0 / 35

HEX #4E3EA5

RGB 78 62 165

HSL 249.32, 0.45%, 0.45%

LAB 33.52, 34.95, -53.53

 

CMYK 48 / 57 / 0 / 26

HEX #6150BC

RGB 97 80 188

HSL 249.44, 0.45%, 0.53%

LAB 41.07, 35.02, -54.85

 

CMYK 38 / 45 / 0 / 22

HEX #7C6EC8

RGB 124 110 200

HSL 249.33, 0.45%, 0.61%

LAB 51.39, 26.93, -45.14

 

CMYK 28 / 34 / 0 / 17

HEX #978CD3

RGB 151 140 211

HSL 249.3, 0.45%, 0.69%

LAB 61.69, 19.72, -35.01

 

CMYK 20 / 23 / 0 / 13

HEX #B2AADE

RGB 178 170 222

HSL 249.23, 0.44%, 0.77%

LAB 71.89, 13.52, -25.17

 

CMYK 38 / 45 / 0 / 22

HEX #7C6EC8

RGB 124 110 200

HSL 249.33, 0.45%, 0.61%

LAB 51.39, 26.93, -45.14

 

CMYK 0 / 45 / 16 / 22

HEX #C86EA8

RGB 200 110 168

HSL 321.33, 0.45%, 0.61%

LAB 58.28, 43.13, -15.4

 

CMYK 34 / 0 / 45 / 22

HEX #85C86E

RGB 133 200 110

HSL 104.67, 0.45%, 0.61%

LAB 74.46, -37.98, 38.32

 

CMYK 38 / 45 / 0 / 22

HEX #7C6EC8

RGB 124 110 200

HSL 249.33, 0.45%, 0.61%

LAB 51.39, 26.93, -45.14

 

CMYK 0 / 38 / 45 / 22

HEX #C87C6E

RGB 200 124 110

HSL 9.33, 0.45%, 0.61%

LAB 59.73, 27.98, 20.11

 

CMYK 45 / 0 / 38 / 22

HEX #6EC87C

RGB 110 200 124

HSL 129.33, 0.45%, 0.61%

LAB 73.6, -43.05, 29.85

 

CMYK 38 / 45 / 0 / 22

HEX #7C6EC8

RGB 124 110 200

HSL 249.33, 0.45%, 0.61%

LAB 51.39, 26.93, -45.14

 

CMYK 0 / 45 / 16 / 22

HEX #C86EA8

RGB 200 110 168

HSL 321.33, 0.45%, 0.61%

LAB 58.28, 43.13, -15.4

 

CMYK 7 / 0 / 45 / 22

HEX #BAC86E

RGB 186 200 110

HSL 69.33, 0.45%, 0.61%

LAB 77.8, -18.35, 43.21

 

CMYK 45 / 0 / 29 / 22

HEX #6EC88E

RGB 110 200 142

HSL 141.33, 0.45%, 0.61%

LAB 73.92, -39.86, 20.83

 

CMYK 38 / 45 / 0 / 22

HEX #7C6EC8

RGB 124 110 200

HSL 249.33, 0.45%, 0.61%

LAB 51.39, 26.93, -45.14

 

CMYK 0 / 45 / 29 / 22

HEX #C86E8E

RGB 200 110 142

HSL 338.67, 0.45%, 0.61%

LAB 57.45, 39.31, -1.58

 

CMYK 7 / 0 / 45 / 22

HEX #BAC86E

RGB 186 200 110

HSL 69.33, 0.45%, 0.61%

LAB 77.8, -18.35, 43.21

 

CMYK 45 / 0 / 16 / 22

HEX #6EC8A8

RGB 110 200 168

HSL 158.67, 0.45%, 0.61%

LAB 74.48, -34.52, 7.68

 

Description

Color code: HEX #7C6EC8 | qconv.com Color code: HEX #7C6EC8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 110 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 110 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 45 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 45% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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