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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C61C5 it is the complementary color #839E3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C61C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C61C5 shade: #8161C0, #9273D3, #A385E6, #B497F9 and #C5A9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C61C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C61C5 shade: #7C61C5, #6B4FB2, #5A3D9F, #492B8C and #381979

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C61C5 shade: #7D62C5, #9762C5, #B262C5, #C562BD and #C562A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C61C5 shade: #7D62C5, #6262C5 and #6262C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C61C5 shade matches the following richer shades: #7D62C5, #7551D6, #6D3FE7 and #652EF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C61C5 shade: #7D62C5, #8573B3, #8D85A2, #959691 and #9DA77F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C61C5 shade: #627CC5, #6262C5, #7C62C5, #9762C5 and #B162C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C61C5 shade: #54399B, #6444B9, #7D62C5, #9680D0 and #AF9EDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C61C5 shade: #7C61C5, #C56297 and #6FC562

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C61C5 shade: #7C61C5, #C57C62 and #62C57C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C61C5 shade: #7C61C5, #C56297, #AAC562 and #62C590

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C61C5 shade: #7C61C5, #C56279, #AAC562 and #62C5AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 51 / 0 / 23

HEX #7C61C5

RGB 124 97 197

HSL 256.2, 0.46%, 0.58%

LAB 48.09, 33.81, -48.67

 

Complementary color

CMYK 17 / 0 / 63 / 38

HEX #839E3A

RGB 131 158 58

HSL 76.2, 0.46%, 0.42%

LAB 61.29, -24.55, 47.67

 

CMYK 33 / 49 / 0 / 25

HEX #8161C0

RGB 129 97 192

HSL 260.21, 0.43%, 0.57%

LAB 48.29, 33.76, -45.44

 

CMYK 31 / 45 / 0 / 17

HEX #9273D3

RGB 146 115 211

HSL 259.38, 0.52%, 0.64%

LAB 55.15, 32.77, -45.31

 

CMYK 29 / 42 / 0 / 10

HEX #A385E6

RGB 163 133 230

HSL 258.56, 0.66%, 0.71%

LAB 61.89, 31.88, -45.21

 

CMYK 28 / 39 / 0 / 2

HEX #B497F9

RGB 180 151 249

HSL 257.76, 0.89%, 0.78%

LAB 68.52, 31.06, -45.13

 

CMYK 23 / 34 / 0 / 0

HEX #C5A9FF

RGB 197 169 255

HSL 259.53, 1%, 0.83%

LAB 74.49, 27.29, -38.95

 

CMYK 37 / 51 / 0 / 23

HEX #7C61C5

RGB 124 97 197

HSL 256.2, 0.46%, 0.58%

LAB 48.09, 33.81, -48.67

 

CMYK 40 / 56 / 0 / 30

HEX #6B4FB2

RGB 107 79 178

HSL 256.97, 0.39%, 0.5%

LAB 41.11, 34.98, -48.88

 

CMYK 43 / 62 / 0 / 38

HEX #5A3D9F

RGB 90 61 159

HSL 257.76, 0.45%, 0.43%

LAB 34.01, 36.25, -49.07

 

CMYK 48 / 69 / 0 / 45

HEX #492B8C

RGB 73 43 140

HSL 258.56, 0.53%, 0.36%

LAB 26.84, 37.57, -49.16

 

CMYK 54 / 79 / 0 / 53

HEX #381979

RGB 56 25 121

HSL 259.38, 0.66%, 0.29%

LAB 19.71, 38.66, -48.94

 

CMYK 37 / 50 / 0 / 23

HEX #7D62C5

RGB 125 98 197

HSL 256.36, 0.46%, 0.58%

LAB 48.42, 33.47, -48.14

 

CMYK 23 / 50 / 0 / 23

HEX #9762C5

RGB 151 98 197

HSL 272.12, 0.46%, 0.58%

LAB 51.09, 40.35, -43.73

 

CMYK 10 / 50 / 0 / 23

HEX #B262C5

RGB 178 98 197

HSL 288.48, 0.46%, 0.58%

LAB 54.27, 47.84, -38.49

 

CMYK 0 / 50 / 4 / 23

HEX #C562BD

RGB 197 98 189

HSL 304.85, 0.46%, 0.58%

LAB 56.37, 51.77, -30.45

 

CMYK 0 / 50 / 18 / 23

HEX #C562A2

RGB 197 98 162

HSL 321.21, 0.46%, 0.58%

LAB 55.29, 47.35, -16.49

 

CMYK 37 / 50 / 0 / 23

HEX #7D62C5

RGB 125 98 197

HSL 256.36, 0.46%, 0.58%

LAB 48.42, 33.47, -48.14

 

CMYK 50 / 50 / 0 / 23

HEX #6262C5

RGB 98 98 197

HSL 240, 0.46%, 0.58%

LAB 46.13, 27.02, -51.93

 

CMYK 50 / 50 / 0 / 23

HEX #6262C5

RGB 98 98 197

HSL 240, 0.46%, 0.58%

LAB 46.13, 27.02, -51.93

 

CMYK 37 / 50 / 0 / 23

HEX #7D62C5

RGB 125 98 197

HSL 256.36, 0.46%, 0.58%

LAB 48.42, 33.47, -48.14

 

CMYK 45 / 62 / 0 / 16

HEX #7551D6

RGB 117 81 214

HSL 256.24, 0.62%, 0.58%

LAB 44.97, 46.11, -63.48

 

CMYK 53 / 73 / 0 / 9

HEX #6D3FE7

RGB 109 63 231

HSL 256.43, 0.78%, 0.58%

LAB 42.12, 58.84, -77.86

 

CMYK 59 / 82 / 0 / 2

HEX #652EF9

RGB 101 46 249

HSL 256.26, 0.94%, 0.58%

LAB 40.51, 69.99, -90.7

 

CMYK 37 / 50 / 0 / 23

HEX #7D62C5

RGB 125 98 197

HSL 256.36, 0.46%, 0.58%

LAB 48.42, 33.47, -48.14

 

CMYK 26 / 36 / 0 / 30

HEX #8573B3

RGB 133 115 179

HSL 256.88, 0.3%, 0.58%

LAB 52.4, 20.94, -31.42

 

CMYK 13 / 18 / 0 / 36

HEX #8D85A2

RGB 141 133 162

HSL 256.55, 0.13%, 0.58%

LAB 57.12, 8.96, -14.31

 

CMYK 1 / 0 / 3 / 41

HEX #959691

RGB 149 150 145

HSL 72, 0.02%, 0.58%

LAB 61.87, -1.32, 2.5

 

CMYK 6 / 0 / 24 / 35

HEX #9DA77F

RGB 157 167 127

HSL 75, 0.19%, 0.58%

LAB 66.78, -10.59, 19.55

 

CMYK 50 / 37 / 0 / 23

HEX #627CC5

RGB 98 124 197

HSL 224.24, 0.46%, 0.58%

LAB 53, 11.09, -41

 

CMYK 50 / 50 / 0 / 23

HEX #6262C5

RGB 98 98 197

HSL 240, 0.46%, 0.58%

LAB 46.13, 27.02, -51.93

 

CMYK 37 / 50 / 0 / 23

HEX #7C62C5

RGB 124 98 197

HSL 255.76, 0.46%, 0.58%

LAB 48.33, 33.22, -48.29

 

CMYK 23 / 50 / 0 / 23

HEX #9762C5

RGB 151 98 197

HSL 272.12, 0.46%, 0.58%

LAB 51.09, 40.35, -43.73

 

CMYK 10 / 50 / 0 / 23

HEX #B162C5

RGB 177 98 197

HSL 287.88, 0.46%, 0.58%

LAB 54.15, 47.55, -38.7

 

CMYK 46 / 63 / 0 / 39

HEX #54399B

RGB 84 57 155

HSL 256.53, 0.46%, 0.42%

LAB 32.21, 36.13, -49.6

 

CMYK 46 / 63 / 0 / 27

HEX #6444B9

RGB 100 68 185

HSL 256.41, 0.46%, 0.5%

LAB 38.46, 41.81, -57.31

 

CMYK 37 / 50 / 0 / 23

HEX #7D62C5

RGB 125 98 197

HSL 256.36, 0.46%, 0.58%

LAB 48.42, 33.47, -48.14

 

CMYK 28 / 38 / 0 / 18

HEX #9680D0

RGB 150 128 208

HSL 256.5, 0.46%, 0.66%

LAB 58.49, 25.62, -38.33

 

CMYK 20 / 28 / 0 / 14

HEX #AF9EDB

RGB 175 158 219

HSL 256.72, 0.46%, 0.74%

LAB 68.52, 18.61, -28.71

 

CMYK 37 / 51 / 0 / 23

HEX #7C61C5

RGB 124 97 197

HSL 256.2, 0.46%, 0.58%

LAB 48.09, 33.81, -48.67

 

CMYK 0 / 50 / 23 / 23

HEX #C56297

RGB 197 98 151

HSL 327.88, 0.46%, 0.58%

LAB 54.91, 45.71, -10.65

 

CMYK 44 / 0 / 50 / 23

HEX #6FC562

RGB 111 197 98

HSL 112.12, 0.46%, 0.58%

LAB 72.36, -45.31, 41.43

 

CMYK 37 / 51 / 0 / 23

HEX #7C61C5

RGB 124 97 197

HSL 256.2, 0.46%, 0.58%

LAB 48.09, 33.81, -48.67

 

CMYK 0 / 37 / 50 / 23

HEX #C57C62

RGB 197 124 98

HSL 15.76, 0.46%, 0.58%

LAB 59.13, 25.58, 26.03

 

CMYK 50 / 0 / 37 / 23

HEX #62C57C

RGB 98 197 124

HSL 135.76, 0.46%, 0.58%

LAB 72.22, -45.04, 27.94

 

CMYK 37 / 51 / 0 / 23

HEX #7C61C5

RGB 124 97 197

HSL 256.2, 0.46%, 0.58%

LAB 48.09, 33.81, -48.67

 

CMYK 0 / 50 / 23 / 23

HEX #C56297

RGB 197 98 151

HSL 327.88, 0.46%, 0.58%

LAB 54.91, 45.71, -10.65

 

CMYK 14 / 0 / 50 / 23

HEX #AAC562

RGB 170 197 98

HSL 76.36, 0.46%, 0.58%

LAB 75.67, -24.41, 46.22

 

CMYK 50 / 0 / 27 / 23

HEX #62C590

RGB 98 197 144

HSL 147.88, 0.46%, 0.58%

LAB 72.59, -41.28, 17.86

 

CMYK 37 / 51 / 0 / 23

HEX #7C61C5

RGB 124 97 197

HSL 256.2, 0.46%, 0.58%

LAB 48.09, 33.81, -48.67

 

CMYK 0 / 50 / 39 / 23

HEX #C56279

RGB 197 98 121

HSL 346.06, 0.46%, 0.58%

LAB 54.01, 41.82, 5.7

 

CMYK 14 / 0 / 50 / 23

HEX #AAC562

RGB 170 197 98

HSL 76.36, 0.46%, 0.58%

LAB 75.67, -24.41, 46.22

 

CMYK 50 / 0 / 12 / 23

HEX #62C5AE

RGB 98 197 174

HSL 166.06, 0.46%, 0.58%

LAB 73.28, -34.66, 2.64

 

Description

Color code: HEX #7C61C5 | qconv.com Color code: HEX #7C61C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 97 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 97 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 51 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 51% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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