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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C6518 it is the complementary color #839AE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C6518. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C6518 shade: #816513, #927726, #A38939, #B49B4C and #C5AD5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C6518. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C6518 shade: #7C6518, #6B5305, #5A4100, #492F00 and #381D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C6518 shade: #7C6517, #7C4917, #7C2E17 and #7C1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C6518 shade: #7C6517, #787C17, #5D7C17, #427C17 and #267C17

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C6518 shade matches the following richer shades: #7C6517 and #886B0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C6518 shade: #7C6517, #705E23, #64582F, #58513B and #4C4B47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C6518 shade: #7C2F17, #7C4917, #7C6417, #787C17 and #5E7C17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C6518 shade: #362C0A, #594811, #7C6517, #9E811E and #C19D24

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C6518 shade: #7C6518, #1B7C17 and #3C177C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C6518 shade: #7C6518, #177C64 and #64177C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C6518 shade: #7C6518, #1B7C17, #172F7C and #78177C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C6518 shade: #7C6518, #177C32, #172F7C and #7C1761

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 81 / 51

HEX #7C6518

RGB 124 101 24

HSL 46.2, 0.68%, 0.29%

LAB 43.74, 0.98, 43.91

 

Complementary color

CMYK 43 / 33 / 0 / 9

HEX #839AE7

RGB 131 154 231

HSL 226.2, 0.68%, 0.71%

LAB 64.73, 11.57, -41.47

 

CMYK 0 / 22 / 85 / 49

HEX #816513

RGB 129 101 19

HSL 44.73, 0.74%, 0.29%

LAB 44.26, 3.19, 46.36

 

CMYK 0 / 18 / 74 / 43

HEX #927726

RGB 146 119 38

HSL 45, 0.59%, 0.36%

LAB 51.2, 1.66, 46.23

 

CMYK 0 / 16 / 65 / 36

HEX #A38939

RGB 163 137 57

HSL 45.28, 0.48%, 0.43%

LAB 58.01, 0.44, 45.34

 

CMYK 0 / 14 / 58 / 29

HEX #B49B4C

RGB 180 155 76

HSL 45.58, 0.41%, 0.5%

LAB 64.7, -0.55, 44.17

 

CMYK 0 / 12 / 52 / 23

HEX #C5AD5F

RGB 197 173 95

HSL 45.88, 0.47%, 0.57%

LAB 71.27, -1.37, 42.91

 

CMYK 0 / 19 / 81 / 51

HEX #7C6518

RGB 124 101 24

HSL 46.2, 0.68%, 0.29%

LAB 43.74, 0.98, 43.91

 

CMYK 0 / 22 / 95 / 58

HEX #6B5305

RGB 107 83 5

HSL 45.88, 0.91%, 0.22%

LAB 36.6, 2.72, 43.18

 

CMYK 0 / 28 / 100 / 65

HEX #5A4100

RGB 90 65 0

HSL 43.33, 1%, 0.18%

LAB 29.3, 5.02, 38.68

 

CMYK 0 / 36 / 100 / 71

HEX #492F00

RGB 73 47 0

HSL 38.63, 1%, 0.14%

LAB 21.76, 7.67, 30.83

 

CMYK 0 / 48 / 100 / 78

HEX #381D00

RGB 56 29 0

HSL 31.07, 1%, 0.11%

LAB 13.94, 10.58, 20.85

 

CMYK 0 / 19 / 81 / 51

HEX #7C6517

RGB 124 101 23

HSL 46.34, 0.69%, 0.29%

LAB 43.73, 0.94, 44.28

 

CMYK 0 / 41 / 81 / 51

HEX #7C4917

RGB 124 73 23

HSL 29.7, 0.69%, 0.29%

LAB 36.2, 17.55, 37.25

 

CMYK 0 / 63 / 81 / 51

HEX #7C2E17

RGB 124 46 23

HSL 13.66, 0.69%, 0.29%

LAB 30.16, 32.62, 31.33

 

CMYK 0 / 81 / 81 / 51

HEX #7C1717

RGB 124 23 23

HSL 0, 0.69%, 0.29%

LAB 26.62, 42.26, 27.71

 

CMYK 0 / 19 / 81 / 51

HEX #7C6517

RGB 124 101 23

HSL 46.34, 0.69%, 0.29%

LAB 43.73, 0.94, 44.28

 

CMYK 3 / 0 / 81 / 51

HEX #787C17

RGB 120 124 23

HSL 62.38, 0.69%, 0.29%

LAB 50.06, -13.9, 49.83

 

CMYK 25 / 0 / 81 / 51

HEX #5D7C17

RGB 93 124 23

HSL 78.42, 0.69%, 0.29%

LAB 48.01, -25.95, 47.21

 

CMYK 47 / 0 / 81 / 51

HEX #427C17

RGB 66 124 23

HSL 94.46, 0.69%, 0.29%

LAB 46.49, -36.44, 45.25

 

CMYK 69 / 0 / 81 / 51

HEX #267C17

RGB 38 124 23

HSL 111.09, 0.69%, 0.29%

LAB 45.48, -44.42, 43.94

 

CMYK 0 / 19 / 81 / 51

HEX #7C6517

RGB 124 101 23

HSL 46.34, 0.69%, 0.29%

LAB 43.73, 0.94, 44.28

 

CMYK 0 / 21 / 92 / 47

HEX #886B0B

RGB 136 107 11

HSL 46.08, 0.85%, 0.29%

LAB 46.68, 2.85, 50.87

 

CMYK 0 / 19 / 81 / 51

HEX #7C6517

RGB 124 101 23

HSL 46.34, 0.69%, 0.29%

LAB 43.73, 0.94, 44.28

 

CMYK 0 / 16 / 69 / 56

HEX #705E23

RGB 112 94 35

HSL 45.97, 0.52%, 0.29%

LAB 40.53, -0.08, 35.46

 

CMYK 0 / 12 / 53 / 61

HEX #64582F

RGB 100 88 47

HSL 46.42, 0.36%, 0.29%

LAB 37.65, -1.2, 25.41

 

CMYK 0 / 8 / 33 / 65

HEX #58513B

RGB 88 81 59

HSL 45.52, 0.2%, 0.29%

LAB 34.55, -1.01, 14.01

 

CMYK 0 / 1 / 7 / 70

HEX #4C4B47

RGB 76 75 71

HSL 48, 0.03%, 0.29%

LAB 31.86, -0.43, 2.52

 

CMYK 0 / 62 / 81 / 51

HEX #7C2F17

RGB 124 47 23

HSL 14.26, 0.69%, 0.29%

LAB 30.35, 32.11, 31.53

 

CMYK 0 / 41 / 81 / 51

HEX #7C4917

RGB 124 73 23

HSL 29.7, 0.69%, 0.29%

LAB 36.2, 17.55, 37.25

 

CMYK 0 / 19 / 81 / 51

HEX #7C6417

RGB 124 100 23

HSL 45.74, 0.69%, 0.29%

LAB 43.45, 1.52, 44.02

 

CMYK 3 / 0 / 81 / 51

HEX #787C17

RGB 120 124 23

HSL 62.38, 0.69%, 0.29%

LAB 50.06, -13.9, 49.83

 

CMYK 24 / 0 / 81 / 51

HEX #5E7C17

RGB 94 124 23

HSL 77.82, 0.69%, 0.29%

LAB 48.08, -25.52, 47.3

 

CMYK 0 / 19 / 81 / 79

HEX #362C0A

RGB 54 44 10

HSL 46.36, 0.69%, 0.13%

LAB 18.4, -0.03, 22.28

 

CMYK 0 / 19 / 81 / 65

HEX #594811

RGB 89 72 17

HSL 45.83, 0.68%, 0.21%

LAB 31.34, 0.8, 33.71

 

CMYK 0 / 19 / 81 / 51

HEX #7C6517

RGB 124 101 23

HSL 46.34, 0.69%, 0.29%

LAB 43.73, 0.94, 44.28

 

CMYK 0 / 18 / 81 / 38

HEX #9E811E

RGB 158 129 30

HSL 46.41, 0.68%, 0.37%

LAB 55.14, 1.23, 53.45

 

CMYK 0 / 19 / 81 / 24

HEX #C19D24

RGB 193 157 36

HSL 46.24, 0.69%, 0.45%

LAB 66.2, 1.91, 62.66

 

CMYK 0 / 19 / 81 / 51

HEX #7C6518

RGB 124 101 24

HSL 46.2, 0.68%, 0.29%

LAB 43.74, 0.98, 43.91

 

CMYK 78 / 0 / 81 / 51

HEX #1B7C17

RGB 27 124 23

HSL 117.62, 0.69%, 0.29%

LAB 45.23, -46.53, 43.61

 

CMYK 52 / 81 / 0 / 51

HEX #3C177C

RGB 60 23 124

HSL 261.98, 0.69%, 0.29%

LAB 20.16, 41.08, -50.1

 

CMYK 0 / 19 / 81 / 51

HEX #7C6518

RGB 124 101 24

HSL 46.2, 0.68%, 0.29%

LAB 43.74, 0.98, 43.91

 

CMYK 81 / 0 / 19 / 51

HEX #177C64

RGB 23 124 100

HSL 165.74, 0.69%, 0.29%

LAB 46.34, -33.74, 5.27

 

CMYK 19 / 81 / 0 / 51

HEX #64177C

RGB 100 23 124

HSL 285.74, 0.69%, 0.29%

LAB 26.09, 48.15, -40.18

 

CMYK 0 / 19 / 81 / 51

HEX #7C6518

RGB 124 101 24

HSL 46.2, 0.68%, 0.29%

LAB 43.74, 0.98, 43.91

 

CMYK 78 / 0 / 81 / 51

HEX #1B7C17

RGB 27 124 23

HSL 117.62, 0.69%, 0.29%

LAB 45.23, -46.53, 43.61

 

CMYK 81 / 62 / 0 / 51

HEX #172F7C

RGB 23 47 124

HSL 225.74, 0.69%, 0.29%

LAB 22.55, 21.28, -46.29

 

CMYK 3 / 81 / 0 / 51

HEX #78177C

RGB 120 23 124

HSL 297.62, 0.69%, 0.29%

LAB 29.57, 52.25, -34.41

 

CMYK 0 / 19 / 81 / 51

HEX #7C6518

RGB 124 101 24

HSL 46.2, 0.68%, 0.29%

LAB 43.74, 0.98, 43.91

 

CMYK 81 / 0 / 60 / 51

HEX #177C32

RGB 23 124 50

HSL 136.04, 0.69%, 0.29%

LAB 45.4, -44.28, 32.15

 

CMYK 81 / 62 / 0 / 51

HEX #172F7C

RGB 23 47 124

HSL 225.74, 0.69%, 0.29%

LAB 22.55, 21.28, -46.29

 

CMYK 0 / 81 / 22 / 51

HEX #7C1761

RGB 124 23 97

HSL 316.04, 0.69%, 0.29%

LAB 28.8, 48.89, -18.25

 

Description

Color code: HEX #7C6518 | qconv.com Color code: HEX #7C6518 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 101 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 101 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 81 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 81% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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