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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C64AF it is the complementary color #839B50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C64AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C64AF shade: #8164AA, #9276BD, #A388D0, #B49AE3 and #C5ACF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C64AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C64AF shade: #7C64AF, #6B529C, #5A4089, #492E76 and #381C63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C64AF shade: #7C64AF, #9064AF, #A464AF, #AF64A5 and #AF6491

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C64AF shade: #7C64AF, #6764AF and #6464AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C64AF shade matches the following richer shades: #7C64AF, #7551C2, #6E3ED5, #672BE8 and #6018FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C64AF shade: #7C64AF, #83779C, #898A89, #909D76 and #97B063

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C64AF shade: #6474AF, #6764AF, #7B64AF, #8F64AF and #A364AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C64AF shade: #55417F, #674F9A, #7C64AF, #937FBD and #AA9ACB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C64AF shade: #7C64AF, #AF6488 and #6AAF64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C64AF shade: #7C64AF, #AF7B64 and #64AF7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C64AF shade: #7C64AF, #AF6488, #97AF64 and #64AF8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C64AF shade: #7C64AF, #AF6471, #97AF64 and #64AFA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 43 / 0 / 31

HEX #7C64AF

RGB 124 100 175

HSL 259.2, 0.32%, 0.54%

LAB 47.62, 26.16, -36.66

 

Complementary color

CMYK 15 / 0 / 48 / 39

HEX #839B50

RGB 131 155 80

HSL 79.2, 0.32%, 0.46%

LAB 60.65, -20.93, 36.34

 

CMYK 24 / 41 / 0 / 33

HEX #8164AA

RGB 129 100 170

HSL 264.86, 0.29%, 0.53%

LAB 47.86, 26.37, -33.32

 

CMYK 23 / 38 / 0 / 26

HEX #9276BD

RGB 146 118 189

HSL 263.66, 0.35%, 0.6%

LAB 54.81, 25.58, -33.33

 

CMYK 22 / 35 / 0 / 18

HEX #A388D0

RGB 163 136 208

HSL 262.5, 0.43%, 0.67%

LAB 61.61, 24.86, -33.37

 

CMYK 21 / 32 / 0 / 11

HEX #B49AE3

RGB 180 154 227

HSL 261.37, 0.57%, 0.75%

LAB 68.29, 24.2, -33.44

 

CMYK 20 / 30 / 0 / 4

HEX #C5ACF6

RGB 197 172 246

HSL 260.27, 0.8%, 0.82%

LAB 74.84, 23.6, -33.53

 

CMYK 29 / 43 / 0 / 31

HEX #7C64AF

RGB 124 100 175

HSL 259.2, 0.32%, 0.54%

LAB 47.62, 26.16, -36.66

 

CMYK 31 / 47 / 0 / 39

HEX #6B529C

RGB 107 82 156

HSL 260.27, 0.31%, 0.47%

LAB 40.51, 27.12, -36.76

 

CMYK 34 / 53 / 0 / 46

HEX #5A4089

RGB 90 64 137

HSL 261.37, 0.36%, 0.39%

LAB 33.24, 28.19, -36.9

 

CMYK 38 / 61 / 0 / 54

HEX #492E76

RGB 73 46 118

HSL 262.5, 0.44%, 0.32%

LAB 25.8, 29.36, -37.03

 

CMYK 43 / 72 / 0 / 61

HEX #381C63

RGB 56 28 99

HSL 263.66, 0.56%, 0.25%

LAB 18.24, 30.54, -37.05

 

CMYK 29 / 43 / 0 / 31

HEX #7C64AF

RGB 124 100 175

HSL 259.2, 0.32%, 0.54%

LAB 47.62, 26.16, -36.66

 

CMYK 18 / 43 / 0 / 31

HEX #9064AF

RGB 144 100 175

HSL 275.2, 0.32%, 0.54%

LAB 49.66, 32.1, -33.3

 

CMYK 6 / 43 / 0 / 31

HEX #A464AF

RGB 164 100 175

HSL 291.2, 0.32%, 0.54%

LAB 51.95, 38.22, -29.56

 

CMYK 0 / 43 / 6 / 31

HEX #AF64A5

RGB 175 100 165

HSL 308, 0.32%, 0.54%

LAB 52.89, 39.78, -22.17

 

CMYK 0 / 43 / 17 / 31

HEX #AF6491

RGB 175 100 145

HSL 324, 0.32%, 0.54%

LAB 52.14, 36.36, -11.57

 

CMYK 29 / 43 / 0 / 31

HEX #7C64AF

RGB 124 100 175

HSL 259.2, 0.32%, 0.54%

LAB 47.62, 26.16, -36.66

 

CMYK 41 / 43 / 0 / 31

HEX #6764AF

RGB 103 100 175

HSL 242.4, 0.32%, 0.54%

LAB 45.76, 20.33, -39.71

 

CMYK 43 / 43 / 0 / 31

HEX #6464AF

RGB 100 100 175

HSL 240, 0.32%, 0.54%

LAB 45.52, 19.54, -40.1

 

CMYK 29 / 43 / 0 / 31

HEX #7C64AF

RGB 124 100 175

HSL 259.2, 0.32%, 0.54%

LAB 47.62, 26.16, -36.66

 

CMYK 40 / 58 / 0 / 24

HEX #7551C2

RGB 117 81 194

HSL 259.12, 0.48%, 0.54%

LAB 43.6, 40.59, -54.18

 

CMYK 48 / 71 / 0 / 16

HEX #6E3ED5

RGB 110 62 213

HSL 259.07, 0.64%, 0.54%

LAB 40.52, 54.6, -70.2

 

CMYK 56 / 81 / 0 / 9

HEX #672BE8

RGB 103 43 232

HSL 259.05, 0.8%, 0.54%

LAB 38.62, 66.97, -84.21

 

CMYK 62 / 90 / 0 / 2

HEX #6018FB

RGB 96 24 251

HSL 259.03, 0.97%, 0.54%

LAB 38.03, 76.7, -95.94

 

CMYK 29 / 43 / 0 / 31

HEX #7C64AF

RGB 124 100 175

HSL 259.2, 0.32%, 0.54%

LAB 47.62, 26.16, -36.66

 

CMYK 16 / 24 / 0 / 39

HEX #83779C

RGB 131 119 156

HSL 259.46, 0.16%, 0.54%

LAB 52.31, 12.37, -18.23

 

CMYK 1 / 0 / 1 / 46

HEX #898A89

RGB 137 138 137

HSL 120, 0%, 0.54%

LAB 57.37, -0.56, 0.4

 

CMYK 8 / 0 / 25 / 38

HEX #909D76

RGB 144 157 118

HSL 80, 0.17%, 0.54%

LAB 62.8, -11.68, 18.91

 

CMYK 14 / 0 / 44 / 31

HEX #97B063

RGB 151 176 99

HSL 79.48, 0.33%, 0.54%

LAB 68.41, -21.37, 36.52

 

CMYK 43 / 34 / 0 / 31

HEX #6474AF

RGB 100 116 175

HSL 227.2, 0.32%, 0.54%

LAB 49.85, 9.73, -33.28

 

CMYK 41 / 43 / 0 / 31

HEX #6764AF

RGB 103 100 175

HSL 242.4, 0.32%, 0.54%

LAB 45.76, 20.33, -39.71

 

CMYK 30 / 43 / 0 / 31

HEX #7B64AF

RGB 123 100 175

HSL 258.4, 0.32%, 0.54%

LAB 47.52, 25.88, -36.81

 

CMYK 18 / 43 / 0 / 31

HEX #8F64AF

RGB 143 100 175

HSL 274.4, 0.32%, 0.54%

LAB 49.56, 31.8, -33.48

 

CMYK 7 / 43 / 0 / 31

HEX #A364AF

RGB 163 100 175

HSL 290.4, 0.32%, 0.54%

LAB 51.83, 37.91, -29.75

 

CMYK 33 / 49 / 0 / 50

HEX #55417F

RGB 85 65 127

HSL 259.35, 0.32%, 0.38%

LAB 32.36, 23.34, -32.14

 

CMYK 33 / 49 / 0 / 40

HEX #674F9A

RGB 103 79 154

HSL 259.2, 0.32%, 0.46%

LAB 39.26, 27.27, -37.58

 

CMYK 29 / 43 / 0 / 31

HEX #7C64AF

RGB 124 100 175

HSL 259.2, 0.32%, 0.54%

LAB 47.62, 26.16, -36.66

 

CMYK 22 / 33 / 0 / 26

HEX #937FBD

RGB 147 127 189

HSL 259.35, 0.32%, 0.62%

LAB 57.13, 20.64, -29.7

 

CMYK 16 / 24 / 0 / 20

HEX #AA9ACB

RGB 170 154 203

HSL 259.59, 0.32%, 0.7%

LAB 66.5, 15.68, -22.99

 

CMYK 29 / 43 / 0 / 31

HEX #7C64AF

RGB 124 100 175

HSL 259.2, 0.32%, 0.54%

LAB 47.62, 26.16, -36.66

 

CMYK 0 / 43 / 22 / 31

HEX #AF6488

RGB 175 100 136

HSL 331.2, 0.32%, 0.54%

LAB 51.84, 34.95, -6.71

 

CMYK 39 / 0 / 43 / 31

HEX #6AAF64

RGB 106 175 100

HSL 115.2, 0.32%, 0.54%

LAB 65.47, -37.02, 31.72

 

CMYK 29 / 43 / 0 / 31

HEX #7C64AF

RGB 124 100 175

HSL 259.2, 0.32%, 0.54%

LAB 47.62, 26.16, -36.66

 

CMYK 0 / 30 / 43 / 31

HEX #AF7B64

RGB 175 123 100

HSL 18.4, 0.32%, 0.54%

LAB 56.29, 17.35, 20.65

 

CMYK 43 / 0 / 30 / 31

HEX #64AF7B

RGB 100 175 123

HSL 138.4, 0.32%, 0.54%

LAB 65.59, -34.96, 19.56

 

CMYK 29 / 43 / 0 / 31

HEX #7C64AF

RGB 124 100 175

HSL 259.2, 0.32%, 0.54%

LAB 47.62, 26.16, -36.66

 

CMYK 0 / 43 / 22 / 31

HEX #AF6488

RGB 175 100 136

HSL 331.2, 0.32%, 0.54%

LAB 51.84, 34.95, -6.71

 

CMYK 14 / 0 / 43 / 31

HEX #97AF64

RGB 151 175 100

HSL 79.2, 0.32%, 0.54%

LAB 68.14, -20.75, 35.67

 

CMYK 43 / 0 / 21 / 31

HEX #64AF8A

RGB 100 175 138

HSL 150.4, 0.32%, 0.54%

LAB 65.91, -31.95, 11.79

 

CMYK 29 / 43 / 0 / 31

HEX #7C64AF

RGB 124 100 175

HSL 259.2, 0.32%, 0.54%

LAB 47.62, 26.16, -36.66

 

CMYK 0 / 43 / 35 / 31

HEX #AF6471

RGB 175 100 113

HSL 349.6, 0.32%, 0.54%

LAB 51.18, 31.73, 5.97

 

CMYK 14 / 0 / 43 / 31

HEX #97AF64

RGB 151 175 100

HSL 79.2, 0.32%, 0.54%

LAB 68.14, -20.75, 35.67

 

CMYK 43 / 0 / 8 / 31

HEX #64AFA1

RGB 100 175 161

HSL 168.8, 0.32%, 0.54%

LAB 66.48, -26.74, -0.12

 

Description

Color code: HEX #7C64AF | qconv.com Color code: HEX #7C64AF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 100 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 100 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 43 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 43% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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