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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C5AE6 it is the complementary color #83A519. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C5AE6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C5AE6 shade: #815AE1, #926CF4, #A37EFF, #B490FF and #C5A2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C5AE6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C5AE6 shade: #7C5AE6, #6B48D3, #5A36C0, #4924AD and #38129A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C5AE6 shade: #7C5AE6, #A25AE6, #C85AE6, #E65ADF and #E65AB9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C5AE6 shade: #7C5AE6 and #5A5AE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C5AE6 shade matches the following richer shades: #7C5AE6 and #744BF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C5AE6 shade: #7C5AE6, #846AD7, #8C79C7, #9488B8 and #9C97A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C5AE6 shade: #5A84E6, #5A5FE6, #7B5AE6, #A05AE6 and #C55AE6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C5AE6 shade: #491FCF, #6036E1, #7C5AE6, #997EEB and #B5A2F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C5AE6 shade: #7C5AE6, #E65AA9 and #72E65A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C5AE6 shade: #7C5AE6, #E67B5A and #5AE67B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C5AE6 shade: #7C5AE6, #E65AA9, #C5E65A and #5AE697

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C5AE6 shade: #7C5AE6, #E65A80, #C5E65A and #5AE6C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 61 / 0 / 10

HEX #7C5AE6

RGB 124 90 230

HSL 254.57, 0.74%, 0.63%

LAB 48.65, 46.96, -66.58

 

Complementary color

CMYK 21 / 0 / 85 / 35

HEX #83A519

RGB 131 165 25

HSL 74.57, 0.74%, 0.37%

LAB 63.18, -29.77, 61.07

 

CMYK 43 / 60 / 0 / 12

HEX #815AE1

RGB 129 90 225

HSL 257.33, 0.69%, 0.62%

LAB 48.78, 46.6, -63.52

 

CMYK 40 / 56 / 0 / 4

HEX #926CF4

RGB 146 108 244

HSL 256.76, 0.86%, 0.69%

LAB 55.45, 45.38, -63.34

 

CMYK 36 / 51 / 0 / 0

HEX #A37EFF

RGB 163 126 255

HSL 257.21, 1%, 0.75%

LAB 61.59, 42.16, -59.48

 

CMYK 29 / 44 / 0 / 0

HEX #B490FF

RGB 180 144 255

HSL 259.46, 1%, 0.78%

LAB 67.18, 36.42, -50.51

 

CMYK 23 / 36 / 0 / 0

HEX #C5A2FF

RGB 197 162 255

HSL 262.58, 1%, 0.82%

LAB 72.85, 31.15, -41.5

 

CMYK 46 / 61 / 0 / 10

HEX #7C5AE6

RGB 124 90 230

HSL 254.57, 0.74%, 0.63%

LAB 48.65, 46.96, -66.58

 

CMYK 49 / 66 / 0 / 17

HEX #6B48D3

RGB 107 72 211

HSL 255.11, 0.61%, 0.55%

LAB 41.94, 48.32, -66.73

 

CMYK 53 / 72 / 0 / 25

HEX #5A36C0

RGB 90 54 192

HSL 255.65, 0.56%, 0.48%

LAB 35.24, 49.65, -66.72

 

CMYK 58 / 79 / 0 / 32

HEX #4924AD

RGB 73 36 173

HSL 256.2, 0.66%, 0.41%

LAB 28.63, 50.71, -66.36

 

CMYK 64 / 88 / 0 / 40

HEX #38129A

RGB 56 18 154

HSL 256.76, 0.79%, 0.34%

LAB 22.33, 50.97, -65.3

 

CMYK 46 / 61 / 0 / 10

HEX #7C5AE6

RGB 124 90 230

HSL 254.57, 0.74%, 0.63%

LAB 48.65, 46.96, -66.58

 

CMYK 30 / 61 / 0 / 10

HEX #A25AE6

RGB 162 90 230

HSL 270.86, 0.74%, 0.63%

LAB 52.63, 55.04, -59.96

 

CMYK 13 / 61 / 0 / 10

HEX #C85AE6

RGB 200 90 230

HSL 287.14, 0.74%, 0.63%

LAB 57.37, 63.85, -52.1

 

CMYK 0 / 61 / 3 / 10

HEX #E65ADF

RGB 230 90 223

HSL 303, 0.74%, 0.63%

LAB 61.19, 69.86, -41.87

 

CMYK 0 / 61 / 20 / 10

HEX #E65AB9

RGB 230 90 185

HSL 319.29, 0.74%, 0.63%

LAB 59.56, 64.14, -22.84

 

CMYK 46 / 61 / 0 / 10

HEX #7C5AE6

RGB 124 90 230

HSL 254.57, 0.74%, 0.63%

LAB 48.65, 46.96, -66.58

 

CMYK 61 / 61 / 0 / 10

HEX #5A5AE6

RGB 90 90 230

HSL 240, 0.74%, 0.63%

LAB 45.91, 40.88, -71.17

 

CMYK 46 / 61 / 0 / 10

HEX #7C5AE6

RGB 124 90 230

HSL 254.57, 0.74%, 0.63%

LAB 48.65, 46.96, -66.58

 

CMYK 53 / 69 / 0 / 4

HEX #744BF5

RGB 116 75 245

HSL 254.47, 0.89%, 0.63%

LAB 46.09, 57.76, -79.21

 

CMYK 46 / 61 / 0 / 10

HEX #7C5AE6

RGB 124 90 230

HSL 254.57, 0.74%, 0.63%

LAB 48.65, 46.96, -66.58

 

CMYK 39 / 51 / 0 / 16

HEX #846AD7

RGB 132 106 215

HSL 254.31, 0.58%, 0.63%

LAB 51.97, 35.44, -52.71

 

CMYK 30 / 39 / 0 / 22

HEX #8C79C7

RGB 140 121 199

HSL 254.62, 0.41%, 0.63%

LAB 55.46, 24.54, -38.06

 

CMYK 20 / 26 / 0 / 28

HEX #9488B8

RGB 148 136 184

HSL 255, 0.25%, 0.63%

LAB 59.31, 14.56, -23.49

 

CMYK 8 / 11 / 0 / 34

HEX #9C97A9

RGB 156 151 169

HSL 256.67, 0.09%, 0.63%

LAB 63.4, 5.38, -8.75

 

CMYK 61 / 43 / 0 / 10

HEX #5A84E6

RGB 90 132 230

HSL 222, 0.74%, 0.63%

LAB 56.48, 15.27, -54.12

 

CMYK 61 / 59 / 0 / 10

HEX #5A5FE6

RGB 90 95 230

HSL 237.86, 0.74%, 0.63%

LAB 47.07, 37.88, -69.27

 

CMYK 47 / 61 / 0 / 10

HEX #7B5AE6

RGB 123 90 230

HSL 254.14, 0.74%, 0.63%

LAB 48.56, 46.76, -66.74

 

CMYK 30 / 61 / 0 / 10

HEX #A05AE6

RGB 160 90 230

HSL 270, 0.74%, 0.63%

LAB 52.4, 54.6, -60.35

 

CMYK 14 / 61 / 0 / 10

HEX #C55AE6

RGB 197 90 230

HSL 285.86, 0.74%, 0.63%

LAB 56.97, 63.14, -52.76

 

CMYK 65 / 85 / 0 / 19

HEX #491FCF

RGB 73 31 207

HSL 254.32, 0.74%, 0.47%

LAB 31.58, 62.07, -81.57

 

CMYK 57 / 76 / 0 / 12

HEX #6036E1

RGB 96 54 225

HSL 254.74, 0.74%, 0.55%

LAB 38.83, 59.73, -79.89

 

CMYK 46 / 61 / 0 / 10

HEX #7C5AE6

RGB 124 90 230

HSL 254.57, 0.74%, 0.63%

LAB 48.65, 46.96, -66.58

 

CMYK 35 / 46 / 0 / 8

HEX #997EEB

RGB 153 126 235

HSL 254.86, 0.73%, 0.71%

LAB 59.61, 34.49, -51.65

 

CMYK 25 / 33 / 0 / 5

HEX #B5A2F1

RGB 181 162 241

HSL 254.43, 0.74%, 0.79%

LAB 70.88, 23.28, -37.07

 

CMYK 46 / 61 / 0 / 10

HEX #7C5AE6

RGB 124 90 230

HSL 254.57, 0.74%, 0.63%

LAB 48.65, 46.96, -66.58

 

CMYK 0 / 61 / 27 / 10

HEX #E65AA9

RGB 230 90 169

HSL 326.14, 0.74%, 0.63%

LAB 58.97, 62.01, -14.52

 

CMYK 50 / 0 / 61 / 10

HEX #72E65A

RGB 114 230 90

HSL 109.71, 0.74%, 0.63%

LAB 82.33, -58.48, 56.85

 

CMYK 46 / 61 / 0 / 10

HEX #7C5AE6

RGB 124 90 230

HSL 254.57, 0.74%, 0.63%

LAB 48.65, 46.96, -66.58

 

CMYK 0 / 47 / 61 / 10

HEX #E67B5A

RGB 230 123 90

HSL 14.14, 0.74%, 0.63%

LAB 63.12, 38.49, 36.42

 

CMYK 61 / 0 / 47 / 10

HEX #5AE67B

RGB 90 230 123

HSL 134.14, 0.74%, 0.63%

LAB 81.95, -60.12, 41

 

CMYK 46 / 61 / 0 / 10

HEX #7C5AE6

RGB 124 90 230

HSL 254.57, 0.74%, 0.63%

LAB 48.65, 46.96, -66.58

 

CMYK 0 / 61 / 27 / 10

HEX #E65AA9

RGB 230 90 169

HSL 326.14, 0.74%, 0.63%

LAB 58.97, 62.01, -14.52

 

CMYK 14 / 0 / 61 / 10

HEX #C5E65A

RGB 197 230 90

HSL 74.14, 0.74%, 0.63%

LAB 86.6, -30.28, 62.78

 

CMYK 61 / 0 / 34 / 10

HEX #5AE697

RGB 90 230 151

HSL 146.14, 0.74%, 0.63%

LAB 82.38, -55.39, 27.53

 

CMYK 46 / 61 / 0 / 10

HEX #7C5AE6

RGB 124 90 230

HSL 254.57, 0.74%, 0.63%

LAB 48.65, 46.96, -66.58

 

CMYK 0 / 61 / 44 / 10

HEX #E65A80

RGB 230 90 128

HSL 343.71, 0.74%, 0.63%

LAB 57.75, 57.41, 7.58

 

CMYK 14 / 0 / 61 / 10

HEX #C5E65A

RGB 197 230 90

HSL 74.14, 0.74%, 0.63%

LAB 86.6, -30.28, 62.78

 

CMYK 61 / 0 / 16 / 10

HEX #5AE6C1

RGB 90 230 193

HSL 164.14, 0.74%, 0.63%

LAB 83.24, -46.5, 6.85

 

Description

Color code: HEX #7C5AE6 | qconv.com Color code: HEX #7C5AE6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 90 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 90 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 61 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 61% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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