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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C5144 it is the complementary color #83AEBB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C5144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C5144 shade: #81513F, #926352, #A37565, #B48778 and #C5998B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C5144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C5144 shade: #7C5144, #6B3F31, #5A2D1E, #491B0B and #380900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C5144 shade: #7D5144 and #7D4444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C5144 shade: #7D5144, #7D6144, #7D7044, #7A7D44 and #6B7D44

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C5144 shade matches the following richer shades: #7D5144, #8C4935, #9C4125, #AC3815 and #BB3006

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C5144 shade: #7D5144, #6D5A54, #5D6264, #4D6B73 and #3E7383

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C5144 shade: #7D4456, #7D4447, #7D5044, #7D5F44 and #7D6E44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C5144 shade: #472E27, #624036, #7D5144, #976353 and #AC7868

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C5144 shade: #7C5144, #657D44 and #444F7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C5144 shade: #7C5144, #447D50 and #50447D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C5144 shade: #7C5144, #657D44, #44707D and #5C447D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C5144 shade: #7C5144, #547D44, #44707D and #6D447D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 45 / 51

HEX #7C5144

RGB 124 81 68

HSL 13.93, 0.29%, 0.38%

LAB 38.88, 16.36, 15.02

 

Complementary color

CMYK 30 / 7 / 0 / 27

HEX #83AEBB

RGB 131 174 187

HSL 193.93, 0.29%, 0.62%

LAB 68.52, -11.25, -11.32

 

CMYK 0 / 37 / 51 / 49

HEX #81513F

RGB 129 81 63

HSL 16.36, 0.34%, 0.38%

LAB 39.43, 17.98, 18.92

 

CMYK 0 / 32 / 44 / 43

HEX #926352

RGB 146 99 82

HSL 15.94, 0.28%, 0.45%

LAB 46.5, 16.86, 17.34

 

CMYK 0 / 28 / 38 / 36

HEX #A37565

RGB 163 117 101

HSL 15.48, 0.25%, 0.52%

LAB 53.44, 15.92, 15.98

 

CMYK 0 / 25 / 33 / 29

HEX #B48778

RGB 180 135 120

HSL 15, 0.29%, 0.59%

LAB 60.24, 15.11, 14.76

 

CMYK 0 / 22 / 29 / 23

HEX #C5998B

RGB 197 153 139

HSL 14.48, 0.33%, 0.66%

LAB 66.91, 14.41, 13.66

 

CMYK 0 / 35 / 45 / 51

HEX #7C5144

RGB 124 81 68

HSL 13.93, 0.29%, 0.38%

LAB 38.88, 16.36, 15.02

 

CMYK 0 / 41 / 54 / 58

HEX #6B3F31

RGB 107 63 49

HSL 14.48, 0.37%, 0.31%

LAB 31.58, 17.57, 16.71

 

CMYK 0 / 50 / 67 / 65

HEX #5A2D1E

RGB 90 45 30

HSL 15, 0.5%, 0.24%

LAB 24.14, 19.06, 18.79

 

CMYK 0 / 63 / 85 / 71

HEX #491B0B

RGB 73 27 11

HSL 15.48, 0.74%, 0.16%

LAB 16.62, 20.83, 20.4

 

CMYK 0 / 84 / 100 / 78

HEX #380900

RGB 56 9 0

HSL 9.64, 1%, 0.11%

LAB 9.29, 22.48, 14.46

 

CMYK 0 / 35 / 46 / 51

HEX #7D5144

RGB 125 81 68

HSL 13.68, 0.3%, 0.38%

LAB 39.01, 16.79, 15.21

 

CMYK 0 / 46 / 46 / 51

HEX #7D4444

RGB 125 68 68

HSL 0, 0.3%, 0.38%

LAB 35.81, 24.45, 10.85

 

CMYK 0 / 35 / 46 / 51

HEX #7D5144

RGB 125 81 68

HSL 13.68, 0.3%, 0.38%

LAB 39.01, 16.79, 15.21

 

CMYK 0 / 22 / 46 / 51

HEX #7D6144

RGB 125 97 68

HSL 30.53, 0.3%, 0.38%

LAB 43.25, 7.25, 20.85

 

CMYK 0 / 10 / 46 / 51

HEX #7D7044

RGB 125 112 68

HSL 46.32, 0.3%, 0.38%

LAB 47.45, -1.53, 26.26

 

CMYK 2 / 0 / 46 / 51

HEX #7A7D44

RGB 122 125 68

HSL 63.16, 0.3%, 0.38%

LAB 50.95, -10.18, 30.57

 

CMYK 14 / 0 / 46 / 51

HEX #6B7D44

RGB 107 125 68

HSL 78.95, 0.3%, 0.38%

LAB 49.75, -16.61, 28.83

 

CMYK 0 / 35 / 46 / 51

HEX #7D5144

RGB 125 81 68

HSL 13.68, 0.3%, 0.38%

LAB 39.01, 16.79, 15.21

 

CMYK 0 / 48 / 62 / 45

HEX #8C4935

RGB 140 73 53

HSL 13.79, 0.45%, 0.38%

LAB 38.89, 26.44, 24.57

 

CMYK 0 / 58 / 76 / 39

HEX #9C4125

RGB 156 65 37

HSL 14.12, 0.62%, 0.38%

LAB 39.55, 36.26, 35.17

 

CMYK 0 / 67 / 88 / 33

HEX #AC3815

RGB 172 56 21

HSL 13.91, 0.78%, 0.38%

LAB 40.66, 45.87, 45.09

 

CMYK 0 / 74 / 97 / 27

HEX #BB3006

RGB 187 48 6

HSL 13.92, 0.94%, 0.38%

LAB 42.3, 53.77, 52.73

 

CMYK 0 / 35 / 46 / 51

HEX #7D5144

RGB 125 81 68

HSL 13.68, 0.3%, 0.38%

LAB 39.01, 16.79, 15.21

 

CMYK 0 / 17 / 23 / 57

HEX #6D5A54

RGB 109 90 84

HSL 14.4, 0.13%, 0.38%

LAB 39.92, 6.71, 6.36

 

CMYK 7 / 2 / 0 / 61

HEX #5D6264

RGB 93 98 100

HSL 197.14, 0.04%, 0.38%

LAB 41.19, -1.5, -1.81

 

CMYK 33 / 7 / 0 / 55

HEX #4D6B73

RGB 77 107 115

HSL 192.63, 0.2%, 0.38%

LAB 43.26, -8.75, -7.98

 

CMYK 53 / 12 / 0 / 49

HEX #3E7383

RGB 62 115 131

HSL 193.91, 0.36%, 0.38%

LAB 45.53, -12.9, -14.24

 

CMYK 0 / 46 / 31 / 51

HEX #7D4456

RGB 125 68 86

HSL 341.05, 0.3%, 0.38%

LAB 36.3, 26.81, 0.15

 

CMYK 0 / 46 / 43 / 51

HEX #7D4447

RGB 125 68 71

HSL 356.84, 0.3%, 0.38%

LAB 35.89, 24.81, 9.06

 

CMYK 0 / 36 / 46 / 51

HEX #7D5044

RGB 125 80 68

HSL 12.63, 0.3%, 0.38%

LAB 38.75, 17.39, 14.87

 

CMYK 0 / 24 / 46 / 51

HEX #7D5F44

RGB 125 95 68

HSL 28.42, 0.3%, 0.38%

LAB 42.71, 8.43, 20.14

 

CMYK 0 / 12 / 46 / 51

HEX #7D6E44

RGB 125 110 68

HSL 44.21, 0.3%, 0.38%

LAB 46.88, -0.38, 25.54

 

CMYK 0 / 35 / 45 / 72

HEX #472E27

RGB 71 46 39

HSL 13.13, 0.29%, 0.22%

LAB 21.73, 10.45, 9.16

 

CMYK 0 / 35 / 45 / 62

HEX #624036

RGB 98 64 54

HSL 13.64, 0.29%, 0.3%

LAB 30.71, 13.46, 12.15

 

CMYK 0 / 35 / 46 / 51

HEX #7D5144

RGB 125 81 68

HSL 13.68, 0.3%, 0.38%

LAB 39.01, 16.79, 15.21

 

CMYK 0 / 34 / 45 / 41

HEX #976353

RGB 151 99 83

HSL 14.12, 0.29%, 0.46%

LAB 47.14, 19.09, 17.72

 

CMYK 0 / 30 / 40 / 33

HEX #AC7868

RGB 172 120 104

HSL 14.12, 0.29%, 0.54%

LAB 55.28, 18.28, 16.94

 

CMYK 0 / 35 / 45 / 51

HEX #7C5144

RGB 124 81 68

HSL 13.93, 0.29%, 0.38%

LAB 38.88, 16.36, 15.02

 

CMYK 19 / 0 / 46 / 51

HEX #657D44

RGB 101 125 68

HSL 85.26, 0.3%, 0.38%

LAB 49.32, -19.09, 28.19

 

CMYK 46 / 37 / 0 / 51

HEX #444F7D

RGB 68 79 125

HSL 228.42, 0.3%, 0.38%

LAB 34.6, 8.78, -27.45

 

CMYK 0 / 35 / 45 / 51

HEX #7C5144

RGB 124 81 68

HSL 13.93, 0.29%, 0.38%

LAB 38.88, 16.36, 15.02

 

CMYK 46 / 0 / 36 / 51

HEX #447D50

RGB 68 125 80

HSL 132.63, 0.3%, 0.38%

LAB 47.59, -29.23, 18.87

 

CMYK 36 / 46 / 0 / 51

HEX #50447D

RGB 80 68 125

HSL 252.63, 0.3%, 0.38%

LAB 32.53, 19.38, -30.66

 

CMYK 0 / 35 / 45 / 51

HEX #7C5144

RGB 124 81 68

HSL 13.93, 0.29%, 0.38%

LAB 38.88, 16.36, 15.02

 

CMYK 19 / 0 / 46 / 51

HEX #657D44

RGB 101 125 68

HSL 85.26, 0.3%, 0.38%

LAB 49.32, -19.09, 28.19

 

CMYK 46 / 10 / 0 / 51

HEX #44707D

RGB 68 112 125

HSL 193.68, 0.3%, 0.38%

LAB 44.66, -11.46, -11.95

 

CMYK 26 / 46 / 0 / 51

HEX #5C447D

RGB 92 68 125

HSL 265.26, 0.3%, 0.38%

LAB 33.75, 23.02, -28.64

 

CMYK 0 / 35 / 45 / 51

HEX #7C5144

RGB 124 81 68

HSL 13.93, 0.29%, 0.38%

LAB 38.88, 16.36, 15.02

 

CMYK 33 / 0 / 46 / 51

HEX #547D44

RGB 84 125 68

HSL 103.16, 0.3%, 0.38%

LAB 48.22, -25.75, 26.58

 

CMYK 46 / 10 / 0 / 51

HEX #44707D

RGB 68 112 125

HSL 193.68, 0.3%, 0.38%

LAB 44.66, -11.46, -11.95

 

CMYK 13 / 46 / 0 / 51

HEX #6D447D

RGB 109 68 125

HSL 283.16, 0.3%, 0.38%

LAB 35.73, 28.4, -25.4

 

Description

Color code: HEX #7C5144 | qconv.com Color code: HEX #7C5144 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 81 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 81 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 45 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 45% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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