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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C3FAB it is the complementary color #83C054. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C3FAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C3FAB shade: #813FA6, #9251B9, #A363CC, #B475DF and #C587F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C3FAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C3FAB shade: #7C3FAB, #6B2D98, #5A1B85, #490972 and #38005F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C3FAB shade: #7C3FAB, #993FAB, #AB3FA0, #AB3F82 and #AB3F65

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C3FAB shade: #7C3FAB, #5F3FAB, #423FAB and #3F3FAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C3FAB shade matches the following richer shades: #7C3FAB, #7E2CBE, #8119D1 and #8306E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C3FAB shade: #7C3FAB, #795298, #776585, #747872 and #728B5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C3FAB shade: #413FAB, #5D3FAB, #7A3FAB, #973FAB and #AB3FA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C3FAB shade: #50296F, #66348D, #7C3FAB, #9054BF and #A472CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C3FAB shade: #7C3FAB, #AB3F5A and #3FAB4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C3FAB shade: #7C3FAB, #AB7A3F and #3FAB7A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C3FAB shade: #7C3FAB, #AB3F5A, #6FAB3F and #3FAB90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C3FAB shade: #7C3FAB, #AB443F, #6FAB3F and #3FA5AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 63 / 0 / 33

HEX #7C3FAB

RGB 124 63 171

HSL 273.89, 0.46%, 0.46%

LAB 39.21, 46.16, -47.68

 

Complementary color

CMYK 32 / 0 / 56 / 25

HEX #83C054

RGB 131 192 84

HSL 93.89, 0.46%, 0.54%

LAB 71.67, -38.16, 47.52

 

CMYK 22 / 62 / 0 / 35

HEX #813FA6

RGB 129 63 166

HSL 278.45, 0.45%, 0.45%

LAB 39.54, 46.21, -44.14

 

CMYK 21 / 56 / 0 / 27

HEX #9251B9

RGB 146 81 185

HSL 277.5, 0.43%, 0.52%

LAB 46.31, 45.48, -44.41

 

CMYK 20 / 51 / 0 / 20

HEX #A363CC

RGB 163 99 204

HSL 276.57, 0.51%, 0.59%

LAB 53.03, 44.66, -44.58

 

CMYK 19 / 48 / 0 / 13

HEX #B475DF

RGB 180 117 223

HSL 275.66, 0.62%, 0.67%

LAB 59.67, 43.82, -44.7

 

CMYK 19 / 44 / 0 / 5

HEX #C587F2

RGB 197 135 242

HSL 274.77, 0.8%, 0.74%

LAB 66.22, 42.99, -44.79

 

CMYK 27 / 63 / 0 / 33

HEX #7C3FAB

RGB 124 63 171

HSL 273.89, 0.46%, 0.46%

LAB 39.21, 46.16, -47.68

 

CMYK 30 / 70 / 0 / 40

HEX #6B2D98

RGB 107 45 152

HSL 274.77, 0.54%, 0.39%

LAB 32.41, 46.74, -47.31

 

CMYK 32 / 80 / 0 / 48

HEX #5A1B85

RGB 90 27 133

HSL 275.66, 0.66%, 0.31%

LAB 25.72, 46.74, -46.53

 

CMYK 36 / 92 / 0 / 55

HEX #490972

RGB 73 9 114

HSL 276.57, 0.85%, 0.24%

LAB 19.34, 45.47, -44.96

 

CMYK 41 / 100 / 0 / 63

HEX #38005F

RGB 56 0 95

HSL 275.37, 1%, 0.19%

LAB 13.63, 41.68, -41.93

 

CMYK 27 / 63 / 0 / 33

HEX #7C3FAB

RGB 124 63 171

HSL 273.89, 0.46%, 0.46%

LAB 39.21, 46.16, -47.68

 

CMYK 11 / 63 / 0 / 33

HEX #993FAB

RGB 153 63 171

HSL 290, 0.46%, 0.46%

LAB 43.16, 53.21, -41.13

 

CMYK 0 / 63 / 6 / 33

HEX #AB3FA0

RGB 171 63 160

HSL 306.11, 0.46%, 0.46%

LAB 45.29, 55.82, -31.06

 

CMYK 0 / 63 / 24 / 33

HEX #AB3F82

RGB 171 63 130

HSL 322.78, 0.46%, 0.46%

LAB 43.98, 51.23, -15

 

CMYK 0 / 63 / 41 / 33

HEX #AB3F65

RGB 171 63 101

HSL 338.89, 0.46%, 0.46%

LAB 42.99, 47.62, 1.37

 

CMYK 27 / 63 / 0 / 33

HEX #7C3FAB

RGB 124 63 171

HSL 273.89, 0.46%, 0.46%

LAB 39.21, 46.16, -47.68

 

CMYK 44 / 63 / 0 / 33

HEX #5F3FAB

RGB 95 63 171

HSL 257.78, 0.46%, 0.46%

LAB 35.85, 39.62, -53.28

 

CMYK 61 / 63 / 0 / 33

HEX #423FAB

RGB 66 63 171

HSL 241.67, 0.46%, 0.46%

LAB 33.25, 34.11, -57.61

 

CMYK 63 / 63 / 0 / 33

HEX #3F3FAB

RGB 63 63 171

HSL 240, 0.46%, 0.46%

LAB 33.03, 33.63, -57.98

 

CMYK 27 / 63 / 0 / 33

HEX #7C3FAB

RGB 124 63 171

HSL 273.89, 0.46%, 0.46%

LAB 39.21, 46.16, -47.68

 

CMYK 34 / 77 / 0 / 25

HEX #7E2CBE

RGB 126 44 190

HSL 273.7, 0.62%, 0.46%

LAB 37.76, 59.59, -61.24

 

CMYK 38 / 88 / 0 / 18

HEX #8119D1

RGB 129 25 209

HSL 273.91, 0.79%, 0.46%

LAB 37.78, 70.02, -72.28

 

CMYK 43 / 97 / 0 / 11

HEX #8306E4

RGB 131 6 228

HSL 273.78, 0.95%, 0.46%

LAB 38.82, 77.19, -81.48

 

CMYK 27 / 63 / 0 / 33

HEX #7C3FAB

RGB 124 63 171

HSL 273.89, 0.46%, 0.46%

LAB 39.21, 46.16, -47.68

 

CMYK 20 / 46 / 0 / 40

HEX #795298

RGB 121 82 152

HSL 273.43, 0.3%, 0.46%

LAB 41.79, 30.21, -32.24

 

CMYK 11 / 24 / 0 / 48

HEX #776585

RGB 119 101 133

HSL 273.75, 0.14%, 0.46%

LAB 45.53, 13.69, -15.07

 

CMYK 3 / 0 / 5 / 53

HEX #747872

RGB 116 120 114

HSL 100, 0.03%, 0.46%

LAB 49.93, -2.71, 2.76

 

CMYK 18 / 0 / 32 / 45

HEX #728B5F

RGB 114 139 95

HSL 94.09, 0.19%, 0.46%

LAB 54.94, -17.37, 20.69

 

CMYK 62 / 63 / 0 / 33

HEX #413FAB

RGB 65 63 171

HSL 241.11, 0.46%, 0.46%

LAB 33.18, 33.95, -57.74

 

CMYK 46 / 63 / 0 / 33

HEX #5D3FAB

RGB 93 63 171

HSL 256.67, 0.46%, 0.46%

LAB 35.64, 39.2, -53.62

 

CMYK 29 / 63 / 0 / 33

HEX #7A3FAB

RGB 122 63 171

HSL 272.78, 0.46%, 0.46%

LAB 38.96, 45.69, -48.1

 

CMYK 12 / 63 / 0 / 33

HEX #973FAB

RGB 151 63 171

HSL 288.89, 0.46%, 0.46%

LAB 42.88, 52.71, -41.61

 

CMYK 0 / 63 / 5 / 33

HEX #AB3FA2

RGB 171 63 162

HSL 305, 0.46%, 0.46%

LAB 45.39, 56.15, -32.09

 

CMYK 28 / 63 / 0 / 56

HEX #50296F

RGB 80 41 111

HSL 273.43, 0.46%, 0.3%

LAB 25.07, 32.25, -33.68

 

CMYK 28 / 63 / 0 / 45

HEX #66348D

RGB 102 52 141

HSL 273.71, 0.46%, 0.38%

LAB 32.27, 39.36, -40.83

 

CMYK 27 / 63 / 0 / 33

HEX #7C3FAB

RGB 124 63 171

HSL 273.89, 0.46%, 0.46%

LAB 39.21, 46.16, -47.68

 

CMYK 25 / 56 / 0 / 25

HEX #9054BF

RGB 144 84 191

HSL 273.64, 0.46%, 0.54%

LAB 47.02, 44.74, -46.79

 

CMYK 19 / 44 / 0 / 21

HEX #A472CA

RGB 164 114 202

HSL 274.09, 0.45%, 0.62%

LAB 56.28, 36.24, -38.31

 

CMYK 27 / 63 / 0 / 33

HEX #7C3FAB

RGB 124 63 171

HSL 273.89, 0.46%, 0.46%

LAB 39.21, 46.16, -47.68

 

CMYK 0 / 63 / 47 / 33

HEX #AB3F5A

RGB 171 63 90

HSL 345, 0.46%, 0.46%

LAB 42.69, 46.48, 7.77

 

CMYK 63 / 0 / 54 / 33

HEX #3FAB4F

RGB 63 171 79

HSL 128.89, 0.46%, 0.46%

LAB 62.29, -50.21, 38.09

 

CMYK 27 / 63 / 0 / 33

HEX #7C3FAB

RGB 124 63 171

HSL 273.89, 0.46%, 0.46%

LAB 39.21, 46.16, -47.68

 

CMYK 0 / 29 / 63 / 33

HEX #AB7A3F

RGB 171 122 63

HSL 32.78, 0.46%, 0.46%

LAB 55.01, 12.8, 39.25

 

CMYK 63 / 0 / 29 / 33

HEX #3FAB7A

RGB 63 171 122

HSL 152.78, 0.46%, 0.46%

LAB 63, -42.5, 16.33

 

CMYK 27 / 63 / 0 / 33

HEX #7C3FAB

RGB 124 63 171

HSL 273.89, 0.46%, 0.46%

LAB 39.21, 46.16, -47.68

 

CMYK 0 / 63 / 47 / 33

HEX #AB3F5A

RGB 171 63 90

HSL 345, 0.46%, 0.46%

LAB 42.69, 46.48, 7.77

 

CMYK 35 / 0 / 63 / 33

HEX #6FAB3F

RGB 111 171 63

HSL 93.33, 0.46%, 0.46%

LAB 64.05, -37.98, 48.13

 

CMYK 63 / 0 / 16 / 33

HEX #3FAB90

RGB 63 171 144

HSL 165, 0.46%, 0.46%

LAB 63.5, -37.35, 4.86

 

CMYK 27 / 63 / 0 / 33

HEX #7C3FAB

RGB 124 63 171

HSL 273.89, 0.46%, 0.46%

LAB 39.21, 46.16, -47.68

 

CMYK 0 / 60 / 63 / 33

HEX #AB443F

RGB 171 68 63

HSL 2.78, 0.46%, 0.46%

LAB 42.99, 41.93, 24.76

 

CMYK 35 / 0 / 63 / 33

HEX #6FAB3F

RGB 111 171 63

HSL 93.33, 0.46%, 0.46%

LAB 64.05, -37.98, 48.13

 

CMYK 63 / 4 / 0 / 33

HEX #3FA5AB

RGB 63 165 171

HSL 183.33, 0.46%, 0.46%

LAB 62.43, -27.13, -11.84

 

Description

Color code: HEX #7C3FAB | qconv.com Color code: HEX #7C3FAB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 63 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 63 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 63 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 63% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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