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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C3F45 it is the complementary color #83C0BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C3F45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C3F45 shade: #813F40, #925153, #A36366, #B47579 and #C5878C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C3F45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C3F45 shade: #7C3F45, #6B2D32, #5A1B1F, #49090C and #380000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C3F45 shade: #7D3F45 and #7D3F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C3F45 shade: #7D3F45, #7D3F56, #7D3F66, #7D3F77 and #723F7D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C3F45 shade matches the following richer shades: #7D3F45, #8C2F39, #9C202C, #AB1120 and #BA0214

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C3F45 shade: #7D3F45, #6E4E51, #5E5D5D, #4F6D6A and #407C76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C3F45 shade: #7D3F66, #7D3F56, #7D3F45, #7D493F and #7D5A3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C3F45 shade: #462327, #623136, #7D3F45, #984D54 and #AF6067

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C3F45 shade: #7C3F45, #777D3F and #3F5E7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C3F45 shade: #7C3F45, #457D3F and #3F457D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C3F45 shade: #7C3F45, #777D3F, #3F7D77 and #453F7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C3F45 shade: #7C3F45, #647D3F, #3F7D77 and #583F7D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 44 / 51

HEX #7C3F45

RGB 124 63 69

HSL 354.1, 0.33%, 0.37%

LAB 34.54, 27.03, 8.42

 

Complementary color

CMYK 32 / 0 / 3 / 25

HEX #83C0BA

RGB 131 192 186

HSL 174.1, 0.33%, 0.63%

LAB 73.59, -20.85, -3.25

 

CMYK 0 / 51 / 50 / 49

HEX #813F40

RGB 129 63 64

HSL 359.09, 0.34%, 0.38%

LAB 35.19, 28.49, 12.62

 

CMYK 0 / 45 / 43 / 43

HEX #925153

RGB 146 81 83

HSL 358.15, 0.29%, 0.45%

LAB 42.19, 27.32, 10.82

 

CMYK 0 / 39 / 37 / 36

HEX #A36366

RGB 163 99 102

HSL 357.19, 0.26%, 0.51%

LAB 49.09, 26.26, 9.34

 

CMYK 0 / 35 / 33 / 29

HEX #B47579

RGB 180 117 121

HSL 356.19, 0.3%, 0.58%

LAB 55.89, 25.3, 8.08

 

CMYK 0 / 31 / 29 / 23

HEX #C5878C

RGB 197 135 140

HSL 355.16, 0.35%, 0.65%

LAB 62.58, 24.45, 6.97

 

CMYK 0 / 49 / 44 / 51

HEX #7C3F45

RGB 124 63 69

HSL 354.1, 0.33%, 0.37%

LAB 34.54, 27.03, 8.42

 

CMYK 0 / 58 / 53 / 58

HEX #6B2D32

RGB 107 45 50

HSL 355.16, 0.41%, 0.3%

LAB 27.39, 28.18, 10.45

 

CMYK 0 / 70 / 66 / 65

HEX #5A1B1F

RGB 90 27 31

HSL 356.19, 0.54%, 0.23%

LAB 20.27, 29.2, 13.24

 

CMYK 0 / 88 / 84 / 71

HEX #49090C

RGB 73 9 12

HSL 357.19, 0.78%, 0.16%

LAB 13.46, 29.46, 15.91

 

CMYK 0 / 100 / 100 / 78

HEX #380000

RGB 56 0 0

HSL 0, 1%, 0.11%

LAB 7.59, 27.26, 12

 

CMYK 0 / 50 / 45 / 51

HEX #7D3F45

RGB 125 63 69

HSL 354.19, 0.33%, 0.37%

LAB 34.69, 27.43, 8.66

 

CMYK 0 / 50 / 50 / 51

HEX #7D3F3F

RGB 125 63 63

HSL 0, 0.33%, 0.37%

LAB 34.55, 26.76, 12.28

 

CMYK 0 / 50 / 45 / 51

HEX #7D3F45

RGB 125 63 69

HSL 354.19, 0.33%, 0.37%

LAB 34.69, 27.43, 8.66

 

CMYK 0 / 50 / 31 / 51

HEX #7D3F56

RGB 125 63 86

HSL 337.74, 0.33%, 0.37%

LAB 35.18, 29.65, -1.5

 

CMYK 0 / 50 / 18 / 51

HEX #7D3F66

RGB 125 63 102

HSL 322.26, 0.33%, 0.37%

LAB 35.74, 32.15, -10.81

 

CMYK 0 / 50 / 5 / 51

HEX #7D3F77

RGB 125 63 119

HSL 305.81, 0.33%, 0.37%

LAB 36.46, 35.19, -20.38

 

CMYK 9 / 50 / 0 / 51

HEX #723F7D

RGB 114 63 125

HSL 289.35, 0.33%, 0.37%

LAB 35.23, 32.9, -26.14

 

CMYK 0 / 50 / 45 / 51

HEX #7D3F45

RGB 125 63 69

HSL 354.19, 0.33%, 0.37%

LAB 34.69, 27.43, 8.66

 

CMYK 0 / 66 / 59 / 45

HEX #8C2F39

RGB 140 47 57

HSL 353.55, 0.5%, 0.37%

LAB 33.78, 40.17, 15.5

 

CMYK 0 / 79 / 72 / 39

HEX #9C202C

RGB 156 32 44

HSL 354.19, 0.66%, 0.37%

LAB 34.57, 50.32, 25.41

 

CMYK 0 / 90 / 81 / 33

HEX #AB1120

RGB 171 17 32

HSL 354.16, 0.82%, 0.37%

LAB 36.3, 57.7, 35.48

 

CMYK 0 / 99 / 89 / 27

HEX #BA0214

RGB 186 2 20

HSL 354.13, 0.98%, 0.37%

LAB 38.78, 63.22, 45.26

 

CMYK 0 / 50 / 45 / 51

HEX #7D3F45

RGB 125 63 69

HSL 354.19, 0.33%, 0.37%

LAB 34.69, 27.43, 8.66

 

CMYK 0 / 29 / 26 / 57

HEX #6E4E51

RGB 110 78 81

HSL 354.38, 0.17%, 0.37%

LAB 36.66, 13.97, 3.58

 

CMYK 0 / 1 / 1 / 63

HEX #5E5D5D

RGB 94 93 93

HSL 0, 0.01%, 0.37%

LAB 39.58, 0.4, 0.14

 

CMYK 28 / 0 / 3 / 57

HEX #4F6D6A

RGB 79 109 106

HSL 174, 0.16%, 0.37%

LAB 43.71, -11.56, -1.86

 

CMYK 48 / 0 / 5 / 51

HEX #407C76

RGB 64 124 118

HSL 174, 0.32%, 0.37%

LAB 48.02, -21.07, -2.77

 

CMYK 0 / 50 / 18 / 51

HEX #7D3F66

RGB 125 63 102

HSL 322.26, 0.33%, 0.37%

LAB 35.74, 32.15, -10.81

 

CMYK 0 / 50 / 31 / 51

HEX #7D3F56

RGB 125 63 86

HSL 337.74, 0.33%, 0.37%

LAB 35.18, 29.65, -1.5

 

CMYK 0 / 50 / 45 / 51

HEX #7D3F45

RGB 125 63 69

HSL 354.19, 0.33%, 0.37%

LAB 34.69, 27.43, 8.66

 

CMYK 0 / 42 / 50 / 51

HEX #7D493F

RGB 125 73 63

HSL 9.68, 0.33%, 0.37%

LAB 36.9, 20.97, 15.46

 

CMYK 0 / 28 / 50 / 51

HEX #7D5A3F

RGB 125 90 63

HSL 26.13, 0.33%, 0.37%

LAB 41.27, 10.85, 21.22

 

CMYK 0 / 50 / 44 / 73

HEX #462327

RGB 70 35 39

HSL 353.14, 0.33%, 0.21%

LAB 18.59, 17.16, 4.77

 

CMYK 0 / 50 / 45 / 62

HEX #623136

RGB 98 49 54

HSL 353.88, 0.33%, 0.29%

LAB 26.9, 22.65, 6.89

 

CMYK 0 / 50 / 45 / 51

HEX #7D3F45

RGB 125 63 69

HSL 354.19, 0.33%, 0.37%

LAB 34.69, 27.43, 8.66

 

CMYK 0 / 49 / 45 / 40

HEX #984D54

RGB 152 77 84

HSL 354.4, 0.33%, 0.45%

LAB 42.19, 32.01, 10.34

 

CMYK 0 / 45 / 41 / 31

HEX #AF6067

RGB 175 96 103

HSL 354.68, 0.33%, 0.53%

LAB 50.05, 32.7, 10.32

 

CMYK 0 / 49 / 44 / 51

HEX #7C3F45

RGB 124 63 69

HSL 354.1, 0.33%, 0.37%

LAB 34.54, 27.03, 8.42

 

CMYK 5 / 0 / 50 / 51

HEX #777D3F

RGB 119 125 63

HSL 65.81, 0.33%, 0.37%

LAB 50.63, -12.04, 32.8

 

CMYK 50 / 25 / 0 / 51

HEX #3F5E7D

RGB 63 94 125

HSL 210, 0.33%, 0.37%

LAB 38.8, -2.11, -20.93

 

CMYK 0 / 49 / 44 / 51

HEX #7C3F45

RGB 124 63 69

HSL 354.1, 0.33%, 0.37%

LAB 34.54, 27.03, 8.42

 

CMYK 45 / 0 / 50 / 51

HEX #457D3F

RGB 69 125 63

HSL 114.19, 0.33%, 0.37%

LAB 47.35, -31.77, 28.04

 

CMYK 50 / 45 / 0 / 51

HEX #3F457D

RGB 63 69 125

HSL 234.19, 0.33%, 0.37%

LAB 31.33, 14, -32.64

 

CMYK 0 / 49 / 44 / 51

HEX #7C3F45

RGB 124 63 69

HSL 354.1, 0.33%, 0.37%

LAB 34.54, 27.03, 8.42

 

CMYK 5 / 0 / 50 / 51

HEX #777D3F

RGB 119 125 63

HSL 65.81, 0.33%, 0.37%

LAB 50.63, -12.04, 32.8

 

CMYK 50 / 0 / 5 / 51

HEX #3F7D77

RGB 63 125 119

HSL 174.19, 0.33%, 0.37%

LAB 48.33, -21.58, -2.92

 

CMYK 45 / 50 / 0 / 51

HEX #453F7D

RGB 69 63 125

HSL 245.81, 0.33%, 0.37%

LAB 30.16, 19.55, -34.48

 

CMYK 0 / 49 / 44 / 51

HEX #7C3F45

RGB 124 63 69

HSL 354.1, 0.33%, 0.37%

LAB 34.54, 27.03, 8.42

 

CMYK 20 / 0 / 50 / 51

HEX #647D3F

RGB 100 125 63

HSL 84.19, 0.33%, 0.37%

LAB 49.17, -20.13, 30.69

 

CMYK 50 / 0 / 5 / 51

HEX #3F7D77

RGB 63 125 119

HSL 174.19, 0.33%, 0.37%

LAB 48.33, -21.58, -2.92

 

CMYK 30 / 50 / 0 / 51

HEX #583F7D

RGB 88 63 125

HSL 264.19, 0.33%, 0.37%

LAB 32.06, 24.93, -31.35

 

Description

Color code: HEX #7C3F45 | qconv.com Color code: HEX #7C3F45 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 63 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 63 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 44 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 44% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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