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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C1286 it is the complementary color #83ED79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C1286. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C1286 shade: #811281, #922494, #A336A7, #B448BA and #C55ACD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C1286. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C1286 shade: #7C1286, #6B0073, #5A0060, #49004D and #38003A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C1286 shade: #7C1286, #861271, #861251, #861232 and #861213

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C1286 shade: #7C1286, #5D1286, #3D1286, #1E1286 and #121286

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C1286 shade matches the following richer shades: #7C1286 and #860593

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C1286 shade: #7C1286, #721E7A, #682B6D, #5D3761 and #534355

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C1286 shade: #3C1286, #5C1286, #7B1286, #861273 and #861254

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C1286 shade: #39083E, #5B0D62, #7C1286, #9E17AA and #BF1CCF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C1286 shade: #7C1286, #861D12 and #12864C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C1286 shade: #7C1286, #867B12 and #12867B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C1286 shade: #7C1286, #861D12, #1D8612 and #127B86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C1286 shade: #7C1286, #864012, #1D8612 and #125886

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 87 / 0 / 47

HEX #7C1286

RGB 124 18 134

HSL 294.83, 0.76%, 0.3%

LAB 30.49, 56.09, -39.16

 

Complementary color

CMYK 45 / 0 / 49 / 7

HEX #83ED79

RGB 131 237 121

HSL 114.83, 0.76%, 0.7%

LAB 85.39, -52.9, 46.57

 

CMYK 0 / 86 / 0 / 49

HEX #811281

RGB 129 18 129

HSL 300, 0.76%, 0.29%

LAB 31.08, 56.22, -35.04

 

CMYK 1 / 76 / 0 / 42

HEX #922494

RGB 146 36 148

HSL 298.93, 0.61%, 0.36%

LAB 36.95, 57.99, -37.26

 

CMYK 2 / 68 / 0 / 35

HEX #A336A7

RGB 163 54 167

HSL 297.88, 0.51%, 0.43%

LAB 43.09, 58.69, -38.79

 

CMYK 3 / 61 / 0 / 27

HEX #B448BA

RGB 180 72 186

HSL 296.84, 0.45%, 0.51%

LAB 49.35, 58.74, -39.88

 

CMYK 4 / 56 / 0 / 20

HEX #C55ACD

RGB 197 90 205

HSL 295.83, 0.53%, 0.58%

LAB 55.68, 58.43, -40.68

 

CMYK 7 / 87 / 0 / 47

HEX #7C1286

RGB 124 18 134

HSL 294.83, 0.76%, 0.3%

LAB 30.49, 56.09, -39.16

 

CMYK 7 / 100 / 0 / 55

HEX #6B0073

RGB 107 0 115

HSL 295.83, 1%, 0.23%

LAB 24.84, 53.19, -36.39

 

CMYK 6 / 100 / 0 / 62

HEX #5A0060

RGB 90 0 96

HSL 296.25, 1%, 0.19%

LAB 20.12, 46.97, -31.76

 

CMYK 5 / 100 / 0 / 70

HEX #49004D

RGB 73 0 77

HSL 296.88, 1%, 0.15%

LAB 15.23, 40.54, -26.96

 

CMYK 3 / 100 / 0 / 77

HEX #38003A

RGB 56 0 58

HSL 297.93, 1%, 0.11%

LAB 10.15, 33.84, -21.93

 

CMYK 7 / 87 / 0 / 47

HEX #7C1286

RGB 124 18 134

HSL 294.83, 0.76%, 0.3%

LAB 30.49, 56.09, -39.16

 

CMYK 0 / 87 / 16 / 47

HEX #861271

RGB 134 18 113

HSL 310.86, 0.76%, 0.3%

LAB 31.1, 54.79, -24.84

 

CMYK 0 / 87 / 40 / 47

HEX #861251

RGB 134 18 81

HSL 327.41, 0.76%, 0.3%

LAB 29.65, 50.76, -6.27

 

CMYK 0 / 87 / 63 / 47

HEX #861232

RGB 134 18 50

HSL 343.45, 0.76%, 0.3%

LAB 28.72, 48.07, 13.13

 

CMYK 0 / 87 / 86 / 47

HEX #861213

RGB 134 18 19

HSL 359.48, 0.76%, 0.3%

LAB 28.24, 46.64, 32.38

 

CMYK 7 / 87 / 0 / 47

HEX #7C1286

RGB 124 18 134

HSL 294.83, 0.76%, 0.3%

LAB 30.49, 56.09, -39.16

 

CMYK 31 / 87 / 0 / 47

HEX #5D1286

RGB 93 18 134

HSL 278.79, 0.76%, 0.3%

LAB 25.2, 50.59, -47.98

 

CMYK 54 / 87 / 0 / 47

HEX #3D1286

RGB 61 18 134

HSL 262.24, 0.76%, 0.3%

LAB 20.62, 46.04, -55.67

 

CMYK 78 / 87 / 0 / 47

HEX #1E1286

RGB 30 18 134

HSL 246.21, 0.76%, 0.3%

LAB 17.6, 43.21, -60.76

 

CMYK 87 / 87 / 0 / 47

HEX #121286

RGB 18 18 134

HSL 240, 0.76%, 0.3%

LAB 16.9, 42.58, -61.93

 

CMYK 7 / 87 / 0 / 47

HEX #7C1286

RGB 124 18 134

HSL 294.83, 0.76%, 0.3%

LAB 30.49, 56.09, -39.16

 

CMYK 9 / 97 / 0 / 42

HEX #860593

RGB 134 5 147

HSL 294.51, 0.93%, 0.3%

LAB 32.44, 62.3, -43.98

 

CMYK 7 / 87 / 0 / 47

HEX #7C1286

RGB 124 18 134

HSL 294.83, 0.76%, 0.3%

LAB 30.49, 56.09, -39.16

 

CMYK 7 / 75 / 0 / 52

HEX #721E7A

RGB 114 30 122

HSL 294.78, 0.61%, 0.3%

LAB 29.19, 48.27, -33.81

 

CMYK 5 / 61 / 0 / 57

HEX #682B6D

RGB 104 43 109

HSL 295.45, 0.43%, 0.3%

LAB 28.84, 37.41, -26.2

 

CMYK 4 / 43 / 0 / 62

HEX #5D3761

RGB 93 55 97

HSL 294.29, 0.28%, 0.3%

LAB 29.22, 24.57, -18.01

 

CMYK 2 / 21 / 0 / 67

HEX #534355

RGB 83 67 85

HSL 293.33, 0.12%, 0.3%

LAB 30.66, 10.57, -8.16

 

CMYK 55 / 87 / 0 / 47

HEX #3C1286

RGB 60 18 134

HSL 261.72, 0.76%, 0.3%

LAB 20.5, 45.92, -55.87

 

CMYK 31 / 87 / 0 / 47

HEX #5C1286

RGB 92 18 134

HSL 278.28, 0.76%, 0.3%

LAB 25.04, 50.42, -48.24

 

CMYK 8 / 87 / 0 / 47

HEX #7B1286

RGB 123 18 134

HSL 294.31, 0.76%, 0.3%

LAB 30.31, 55.9, -39.45

 

CMYK 0 / 87 / 14 / 47

HEX #861273

RGB 134 18 115

HSL 309.83, 0.76%, 0.3%

LAB 31.2, 55.08, -25.94

 

CMYK 0 / 87 / 37 / 47

HEX #861254

RGB 134 18 84

HSL 325.86, 0.76%, 0.3%

LAB 29.77, 51.09, -8.08

 

CMYK 8 / 87 / 0 / 76

HEX #39083E

RGB 57 8 62

HSL 294.44, 0.77%, 0.14%

LAB 11.9, 31.24, -21.99

 

CMYK 7 / 87 / 0 / 62

HEX #5B0D62

RGB 91 13 98

HSL 295.06, 0.77%, 0.22%

LAB 21.56, 44.28, -30.76

 

CMYK 7 / 87 / 0 / 47

HEX #7C1286

RGB 124 18 134

HSL 294.83, 0.76%, 0.3%

LAB 30.49, 56.09, -39.16

 

CMYK 7 / 86 / 0 / 33

HEX #9E17AA

RGB 158 23 170

HSL 295.1, 0.76%, 0.38%

LAB 39.21, 67.42, -46.8

 

CMYK 8 / 86 / 0 / 19

HEX #BF1CCF

RGB 191 28 207

HSL 294.64, 0.76%, 0.46%

LAB 47.51, 78.25, -54.88

 

CMYK 7 / 87 / 0 / 47

HEX #7C1286

RGB 124 18 134

HSL 294.83, 0.76%, 0.3%

LAB 30.49, 56.09, -39.16

 

CMYK 0 / 78 / 87 / 47

HEX #861D12

RGB 134 29 18

HSL 5.69, 0.76%, 0.3%

LAB 29.39, 43.35, 33.98

 

CMYK 87 / 0 / 43 / 47

HEX #12864C

RGB 18 134 76

HSL 150, 0.76%, 0.3%

LAB 49.13, -44.07, 22.9

 

CMYK 7 / 87 / 0 / 47

HEX #7C1286

RGB 124 18 134

HSL 294.83, 0.76%, 0.3%

LAB 30.49, 56.09, -39.16

 

CMYK 0 / 8 / 87 / 47

HEX #867B12

RGB 134 123 18

HSL 54.31, 0.76%, 0.3%

LAB 51.01, -7, 52.58

 

CMYK 87 / 0 / 8 / 47

HEX #12867B

RGB 18 134 123

HSL 174.31, 0.76%, 0.3%

LAB 50.23, -32.21, -2.6

 

CMYK 7 / 87 / 0 / 47

HEX #7C1286

RGB 124 18 134

HSL 294.83, 0.76%, 0.3%

LAB 30.49, 56.09, -39.16

 

CMYK 0 / 78 / 87 / 47

HEX #861D12

RGB 134 29 18

HSL 5.69, 0.76%, 0.3%

LAB 29.39, 43.35, 33.98

 

CMYK 78 / 0 / 87 / 47

HEX #1D8612

RGB 29 134 18

HSL 114.31, 0.76%, 0.3%

LAB 48.7, -49.82, 48.33

 

CMYK 87 / 8 / 0 / 47

HEX #127B86

RGB 18 123 134

HSL 185.69, 0.76%, 0.3%

LAB 47, -23.26, -13.91

 

CMYK 7 / 87 / 0 / 47

HEX #7C1286

RGB 124 18 134

HSL 294.83, 0.76%, 0.3%

LAB 30.49, 56.09, -39.16

 

CMYK 0 / 52 / 87 / 47

HEX #864012

RGB 134 64 18

HSL 23.79, 0.76%, 0.3%

LAB 35.55, 27.03, 39.43

 

CMYK 78 / 0 / 87 / 47

HEX #1D8612

RGB 29 134 18

HSL 114.31, 0.76%, 0.3%

LAB 48.7, -49.82, 48.33

 

CMYK 87 / 34 / 0 / 47

HEX #125886

RGB 18 88 134

HSL 203.79, 0.76%, 0.3%

LAB 35.65, -3.14, -31.48

 

Description

Color code: HEX #7C1286 | qconv.com Color code: HEX #7C1286 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 18 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 18 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 87 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 87% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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