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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7C04A8 it is the complementary color #83FB57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7C04A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7C04A8 shade: #8104A3, #9216B6, #A328C9, #B43ADC and #C54CEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7C04A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7C04A8 shade: #7C04A8, #6B0095, #5A0082, #49006F and #38005C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7C04A8 shade: #7C04A9, #A904A8, #A9047C, #A90450 and #A90423

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7C04A8 shade: #7C04A9, #5004A9, #2404A9 and #0404A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7C04A8 shade matches the following richer shades: #7C04A9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7C04A8 shade: #7C04A9, #76129B, #6F208D, #692E7E and #623C70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7C04A8 shade: #2204A9, #4E04A9, #7A04A9, #A604A9 and #A9047F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7C04A8 shade: #410258, #5F0380, #7C04A9, #9A05D1 and #B707F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7C04A8 shade: #7C04A8, #A90412 and #04A938

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7C04A8 shade: #7C04A8, #A97A04 and #04A97A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7C04A8 shade: #7C04A8, #A90412, #33A904 and #04A99B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7C04A8 shade: #7C04A8, #A92804, #33A904 and #0485A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 98 / 0 / 34

HEX #7C04A8

RGB 124 4 168

HSL 283.9, 0.95%, 0.34%

LAB 32.26, 64.72, -57.14

 

Complementary color

CMYK 48 / 0 / 65 / 2

HEX #83FB57

RGB 131 251 87

HSL 103.9, 0.95%, 0.66%

LAB 89.16, -61.93, 65.77

 

CMYK 21 / 98 / 0 / 36

HEX #8104A3

RGB 129 4 163

HSL 287.17, 0.95%, 0.33%

LAB 32.7, 64.48, -53.37

 

CMYK 20 / 88 / 0 / 29

HEX #9216B6

RGB 146 22 182

HSL 286.5, 0.78%, 0.4%

LAB 37.95, 67.7, -56.08

 

CMYK 19 / 80 / 0 / 21

HEX #A328C9

RGB 163 40 201

HSL 285.84, 0.67%, 0.47%

LAB 43.54, 69.62, -58.04

 

CMYK 18 / 74 / 0 / 14

HEX #B43ADC

RGB 180 58 220

HSL 285.19, 0.7%, 0.55%

LAB 49.37, 70.55, -59.42

 

CMYK 18 / 68 / 0 / 6

HEX #C54CEF

RGB 197 76 239

HSL 284.54, 0.84%, 0.62%

LAB 55.35, 70.83, -60.4

 

CMYK 26 / 98 / 0 / 34

HEX #7C04A8

RGB 124 4 168

HSL 283.9, 0.95%, 0.34%

LAB 32.26, 64.72, -57.14

 

CMYK 28 / 100 / 0 / 42

HEX #6B0095

RGB 107 0 149

HSL 283.09, 1%, 0.29%

LAB 27.56, 59.45, -53.35

 

CMYK 31 / 100 / 0 / 49

HEX #5A0082

RGB 90 0 130

HSL 281.54, 1%, 0.25%

LAB 22.95, 53.46, -49.16

 

CMYK 34 / 100 / 0 / 56

HEX #49006F

RGB 73 0 111

HSL 279.46, 1%, 0.22%

LAB 18.21, 47.31, -44.86

 

CMYK 39 / 100 / 0 / 64

HEX #38005C

RGB 56 0 92

HSL 276.52, 1%, 0.18%

LAB 13.31, 40.99, -40.44

 

CMYK 27 / 98 / 0 / 34

HEX #7C04A9

RGB 124 4 169

HSL 283.64, 0.95%, 0.34%

LAB 32.34, 64.91, -57.61

 

CMYK 0 / 98 / 1 / 34

HEX #A904A8

RGB 169 4 168

HSL 300.36, 0.95%, 0.34%

LAB 40.16, 71.62, -43.98

 

CMYK 0 / 98 / 27 / 34

HEX #A9047C

RGB 169 4 124

HSL 316.36, 0.95%, 0.34%

LAB 37.8, 65.71, -20.81

 

CMYK 0 / 98 / 53 / 34

HEX #A90450

RGB 169 4 80

HSL 332.36, 0.95%, 0.34%

LAB 36.18, 61.45, 4.8

 

CMYK 0 / 98 / 79 / 34

HEX #A90423

RGB 169 4 35

HSL 348.73, 0.95%, 0.34%

LAB 35.29, 59.03, 32.53

 

CMYK 27 / 98 / 0 / 34

HEX #7C04A9

RGB 124 4 169

HSL 283.64, 0.95%, 0.34%

LAB 32.34, 64.91, -57.61

 

CMYK 53 / 98 / 0 / 34

HEX #5004A9

RGB 80 4 169

HSL 267.64, 0.95%, 0.34%

LAB 25.73, 60.12, -68.71

 

CMYK 79 / 98 / 0 / 34

HEX #2404A9

RGB 36 4 169

HSL 251.64, 0.95%, 0.34%

LAB 21.31, 57.7, -76.19

 

CMYK 98 / 98 / 0 / 34

HEX #0404A9

RGB 4 4 169

HSL 240, 0.95%, 0.34%

LAB 19.95, 57.13, -78.49

 

CMYK 27 / 98 / 0 / 34

HEX #7C04A9

RGB 124 4 169

HSL 283.64, 0.95%, 0.34%

LAB 32.34, 64.91, -57.61

 

CMYK 27 / 98 / 0 / 34

HEX #7C04A9

RGB 124 4 169

HSL 283.64, 0.95%, 0.34%

LAB 32.34, 64.91, -57.61

 

CMYK 24 / 88 / 0 / 39

HEX #76129B

RGB 118 18 155

HSL 283.8, 0.79%, 0.34%

LAB 31, 58.97, -51.35

 

CMYK 21 / 77 / 0 / 45

HEX #6F208D

RGB 111 32 141

HSL 283.49, 0.63%, 0.34%

LAB 30.24, 50.67, -44.02

 

CMYK 17 / 63 / 0 / 51

HEX #692E7E

RGB 105 46 126

HSL 284.25, 0.47%, 0.34%

LAB 30.55, 39.77, -34.23

 

CMYK 13 / 46 / 0 / 56

HEX #623C70

RGB 98 60 112

HSL 283.85, 0.3%, 0.34%

LAB 31.8, 26.62, -23.51

 

CMYK 80 / 98 / 0 / 34

HEX #2204A9

RGB 34 4 169

HSL 250.91, 0.95%, 0.34%

LAB 21.18, 57.64, -76.42

 

CMYK 54 / 98 / 0 / 34

HEX #4E04A9

RGB 78 4 169

HSL 266.91, 0.95%, 0.34%

LAB 25.48, 59.96, -69.14

 

CMYK 28 / 98 / 0 / 34

HEX #7A04A9

RGB 122 4 169

HSL 282.91, 0.95%, 0.34%

LAB 32.01, 64.65, -58.16

 

CMYK 2 / 98 / 0 / 34

HEX #A604A9

RGB 166 4 169

HSL 298.91, 0.95%, 0.34%

LAB 39.68, 71.27, -45.38

 

CMYK 0 / 98 / 25 / 34

HEX #A9047F

RGB 169 4 127

HSL 315.27, 0.95%, 0.34%

LAB 37.94, 66.06, -22.47

 

CMYK 26 / 98 / 0 / 65

HEX #410258

RGB 65 2 88

HSL 283.95, 0.96%, 0.18%

LAB 14.8, 40.62, -35.24

 

CMYK 26 / 98 / 0 / 50

HEX #5F0380

RGB 95 3 128

HSL 284.16, 0.95%, 0.26%

LAB 23.86, 53.09, -46.37

 

CMYK 27 / 98 / 0 / 34

HEX #7C04A9

RGB 124 4 169

HSL 283.64, 0.95%, 0.34%

LAB 32.34, 64.91, -57.61

 

CMYK 26 / 98 / 0 / 18

HEX #9A05D1

RGB 154 5 209

HSL 283.82, 0.95%, 0.42%

LAB 40.54, 76.16, -67.61

 

CMYK 26 / 97 / 0 / 3

HEX #B707F8

RGB 183 7 248

HSL 283.82, 0.95%, 0.5%

LAB 48.26, 86.62, -77.02

 

CMYK 26 / 98 / 0 / 34

HEX #7C04A8

RGB 124 4 168

HSL 283.9, 0.95%, 0.34%

LAB 32.26, 64.72, -57.14

 

CMYK 0 / 98 / 89 / 34

HEX #A90412

RGB 169 4 18

HSL 354.91, 0.95%, 0.34%

LAB 35.13, 58.6, 41.81

 

CMYK 98 / 0 / 67 / 34

HEX #04A938

RGB 4 169 56

HSL 138.91, 0.95%, 0.34%

LAB 60.5, -59.85, 46.46

 

CMYK 26 / 98 / 0 / 34

HEX #7C04A8

RGB 124 4 168

HSL 283.9, 0.95%, 0.34%

LAB 32.26, 64.72, -57.14

 

CMYK 0 / 28 / 98 / 34

HEX #A97A04

RGB 169 122 4

HSL 42.91, 0.95%, 0.34%

LAB 54.41, 9.63, 59.67

 

CMYK 98 / 0 / 28 / 34

HEX #04A97A

RGB 4 169 122

HSL 162.91, 0.95%, 0.34%

LAB 61.49, -48.2, 14.09

 

CMYK 26 / 98 / 0 / 34

HEX #7C04A8

RGB 124 4 168

HSL 283.9, 0.95%, 0.34%

LAB 32.26, 64.72, -57.14

 

CMYK 0 / 98 / 89 / 34

HEX #A90412

RGB 169 4 18

HSL 354.91, 0.95%, 0.34%

LAB 35.13, 58.6, 41.81

 

CMYK 70 / 0 / 98 / 34

HEX #33A904

RGB 51 169 4

HSL 102.91, 0.95%, 0.34%

LAB 60.86, -57.68, 61.34

 

CMYK 98 / 0 / 8 / 34

HEX #04A99B

RGB 4 169 155

HSL 174.91, 0.95%, 0.34%

LAB 62.31, -39.39, -3.13

 

CMYK 26 / 98 / 0 / 34

HEX #7C04A8

RGB 124 4 168

HSL 283.9, 0.95%, 0.34%

LAB 32.26, 64.72, -57.14

 

CMYK 0 / 76 / 98 / 34

HEX #A92804

RGB 169 40 4

HSL 13.09, 0.95%, 0.34%

LAB 37.77, 50.72, 49.03

 

CMYK 70 / 0 / 98 / 34

HEX #33A904

RGB 51 169 4

HSL 102.91, 0.95%, 0.34%

LAB 60.86, -57.68, 61.34

 

CMYK 98 / 21 / 0 / 34

HEX #0485A9

RGB 4 133 169

HSL 193.09, 0.95%, 0.34%

LAB 51.46, -17.01, -27.54

 

Description

Color code: HEX #7C04A8 | qconv.com Color code: HEX #7C04A8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 4 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 4 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 98 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 98% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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