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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7BFBFB it is the complementary color #840404. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7BFBFB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7BFBFB shade: #80FBF6, #91FFFF, #A2FFFF, #B3FFFF and #C4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7BFBFB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7BFBFB shade: #7BFBFB, #6AE9E8, #59D7D5, #48C5C2 and #37B3AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7BFBFB shade: #79FAFA, #79FAD7, #79FAB5, #79FA92 and #83FA79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7BFBFB shade: #79FAFA, #79D7FA, #79B5FA, #7992FA and #7979FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7BFBFB shade matches the following richer shades: #79FAFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7BFBFB shade: #79FAFA, #84EFEF, #8FE4E4, #9AD9D9 and #A5CECE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7BFBFB shade: #79FAB5, #79FAD8, #79FAFA, #79D8FA and #79B5FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7BFBFB shade: #29F8F8, #51F9F9, #79FAFA, #A1FCFC and #C9FDFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7BFBFB shade: #7BFBFB, #9379FA and #FAC779

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7BFBFB shade: #7BFBFB, #FA79FA and #FAFA79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7BFBFB shade: #7BFBFB, #9379FA, #FA7979 and #E0FA79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7BFBFB shade: #7BFBFB, #BA79FA, #FA7979 and #BAFA79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 0 / 2

HEX #7BFBFB

RGB 123 251 251

HSL 180, 0.94%, 0.73%

LAB 91.76, -35.38, -10.9

 

Complementary color

CMYK 0 / 97 / 97 / 48

HEX #840404

RGB 132 4 4

HSL 0, 0.94%, 0.27%

LAB 26.74, 48.48, 37.87

 

CMYK 49 / 0 / 2 / 2

HEX #80FBF6

RGB 128 251 246

HSL 177.56, 0.94%, 0.74%

LAB 91.79, -35.62, -8.24

 

CMYK 43 / 0 / 0 / 0

HEX #91FFFF

RGB 145 255 255

HSL 180, 1%, 0.78%

LAB 93.78, -31.57, -9.88

 

CMYK 36 / 0 / 0 / 0

HEX #A2FFFF

RGB 162 255 255

HSL 180, 1%, 0.82%

LAB 94.49, -27.52, -8.75

 

CMYK 30 / 0 / 0 / 0

HEX #B3FFFF

RGB 179 255 255

HSL 180, 1%, 0.85%

LAB 95.3, -23.09, -7.47

 

CMYK 23 / 0 / 0 / 0

HEX #C4FFFF

RGB 196 255 255

HSL 180, 1%, 0.88%

LAB 96.19, -18.34, -6.04

 

CMYK 51 / 0 / 0 / 2

HEX #7BFBFB

RGB 123 251 251

HSL 180, 0.94%, 0.73%

LAB 91.76, -35.38, -10.9

 

CMYK 55 / 0 / 0 / 9

HEX #6AE9E8

RGB 106 233 232

HSL 179.53, 0.74%, 0.66%

LAB 85.59, -35.2, -10.22

 

CMYK 59 / 0 / 1 / 16

HEX #59D7D5

RGB 89 215 213

HSL 179.05, 0.61%, 0.6%

LAB 79.34, -34.94, -9.48

 

CMYK 63 / 0 / 2 / 23

HEX #48C5C2

RGB 72 197 194

HSL 178.56, 0.52%, 0.53%

LAB 73.03, -34.54, -8.69

 

CMYK 69 / 0 / 2 / 30

HEX #37B3AF

RGB 55 179 175

HSL 178.06, 0.53%, 0.46%

LAB 66.63, -33.97, -7.81

 

CMYK 52 / 0 / 0 / 2

HEX #79FAFA

RGB 121 250 250

HSL 180, 0.93%, 0.73%

LAB 91.39, -35.57, -10.95

 

CMYK 52 / 0 / 14 / 2

HEX #79FAD7

RGB 121 250 215

HSL 163.72, 0.93%, 0.73%

LAB 90.48, -43.99, 5.9

 

CMYK 52 / 0 / 28 / 2

HEX #79FAB5

RGB 121 250 181

HSL 147.91, 0.93%, 0.73%

LAB 89.75, -51.1, 22.39

 

CMYK 52 / 0 / 42 / 2

HEX #79FA92

RGB 121 250 146

HSL 131.63, 0.93%, 0.73%

LAB 89.16, -57.18, 39.18

 

CMYK 48 / 0 / 52 / 2

HEX #83FA79

RGB 131 250 121

HSL 115.35, 0.93%, 0.73%

LAB 89.19, -58.05, 51.22

 

CMYK 52 / 0 / 0 / 2

HEX #79FAFA

RGB 121 250 250

HSL 180, 0.93%, 0.73%

LAB 91.39, -35.57, -10.95

 

CMYK 52 / 14 / 0 / 2

HEX #79D7FA

RGB 121 215 250

HSL 196.28, 0.93%, 0.73%

LAB 81.6, -18.58, -25.69

 

CMYK 52 / 28 / 0 / 2

HEX #79B5FA

RGB 121 181 250

HSL 212.09, 0.93%, 0.73%

LAB 72.24, -0.52, -40.14

 

CMYK 52 / 42 / 0 / 2

HEX #7992FA

RGB 121 146 250

HSL 228.37, 0.93%, 0.73%

LAB 62.95, 19.51, -54.76

 

CMYK 52 / 52 / 0 / 2

HEX #7979FA

RGB 121 121 250

HSL 240, 0.93%, 0.73%

LAB 56.72, 34.29, -64.72

 

CMYK 52 / 0 / 0 / 2

HEX #79FAFA

RGB 121 250 250

HSL 180, 0.93%, 0.73%

LAB 91.39, -35.57, -10.95

 

CMYK 52 / 0 / 0 / 2

HEX #79FAFA

RGB 121 250 250

HSL 180, 0.93%, 0.73%

LAB 91.39, -35.57, -10.95

 

CMYK 45 / 0 / 0 / 6

HEX #84EFEF

RGB 132 239 239

HSL 180, 0.77%, 0.73%

LAB 88.39, -30.87, -9.63

 

CMYK 37 / 0 / 0 / 11

HEX #8FE4E4

RGB 143 228 228

HSL 180, 0.61%, 0.73%

LAB 85.47, -25.62, -8.14

 

CMYK 29 / 0 / 0 / 15

HEX #9AD9D9

RGB 154 217 217

HSL 180, 0.45%, 0.73%

LAB 82.65, -19.81, -6.42

 

CMYK 20 / 0 / 0 / 19

HEX #A5CECE

RGB 165 206 206

HSL 180, 0.29%, 0.73%

LAB 79.95, -13.41, -4.46

 

CMYK 52 / 0 / 28 / 2

HEX #79FAB5

RGB 121 250 181

HSL 147.91, 0.93%, 0.73%

LAB 89.75, -51.1, 22.39

 

CMYK 52 / 0 / 14 / 2

HEX #79FAD8

RGB 121 250 216

HSL 164.19, 0.93%, 0.73%

LAB 90.5, -43.76, 5.41

 

CMYK 52 / 0 / 0 / 2

HEX #79FAFA

RGB 121 250 250

HSL 180, 0.93%, 0.73%

LAB 91.39, -35.57, -10.95

 

CMYK 52 / 14 / 0 / 2

HEX #79D8FA

RGB 121 216 250

HSL 195.81, 0.93%, 0.73%

LAB 81.88, -19.09, -25.27

 

CMYK 52 / 28 / 0 / 2

HEX #79B5FA

RGB 121 181 250

HSL 212.09, 0.93%, 0.73%

LAB 72.24, -0.52, -40.14

 

CMYK 83 / 0 / 0 / 3

HEX #29F8F8

RGB 41 248 248

HSL 180, 0.94%, 0.57%

LAB 89.1, -45.61, -13.49

 

CMYK 67 / 0 / 0 / 2

HEX #51F9F9

RGB 81 249 249

HSL 180, 0.93%, 0.65%

LAB 90.02, -41.92, -12.58

 

CMYK 52 / 0 / 0 / 2

HEX #79FAFA

RGB 121 250 250

HSL 180, 0.93%, 0.73%

LAB 91.39, -35.57, -10.95

 

CMYK 36 / 0 / 0 / 1

HEX #A1FCFC

RGB 161 252 252

HSL 180, 0.94%, 0.81%

LAB 93.55, -27.03, -8.6

 

CMYK 21 / 0 / 0 / 1

HEX #C9FDFD

RGB 201 253 253

HSL 180, 0.93%, 0.89%

LAB 95.9, -16.32, -5.42

 

CMYK 51 / 0 / 0 / 2

HEX #7BFBFB

RGB 123 251 251

HSL 180, 0.94%, 0.73%

LAB 91.76, -35.38, -10.9

 

CMYK 41 / 52 / 0 / 2

HEX #9379FA

RGB 147 121 250

HSL 252.09, 0.93%, 0.73%

LAB 58.77, 39.9, -61.33

 

CMYK 0 / 20 / 52 / 2

HEX #FAC779

RGB 250 199 121

HSL 36.28, 0.93%, 0.73%

LAB 83.21, 9.03, 45.66

 

CMYK 51 / 0 / 0 / 2

HEX #7BFBFB

RGB 123 251 251

HSL 180, 0.94%, 0.73%

LAB 91.76, -35.38, -10.9

 

CMYK 0 / 52 / 0 / 2

HEX #FA79FA

RGB 250 121 250

HSL 300, 0.93%, 0.73%

LAB 70.11, 65.99, -42.64

 

CMYK 0 / 0 / 52 / 2

HEX #FAFA79

RGB 250 250 121

HSL 60, 0.93%, 0.73%

LAB 96.03, -16.65, 61

 

CMYK 51 / 0 / 0 / 2

HEX #7BFBFB

RGB 123 251 251

HSL 180, 0.94%, 0.73%

LAB 91.76, -35.38, -10.9

 

CMYK 41 / 52 / 0 / 2

HEX #9379FA

RGB 147 121 250

HSL 252.09, 0.93%, 0.73%

LAB 58.77, 39.9, -61.33

 

CMYK 0 / 52 / 52 / 2

HEX #FA7979

RGB 250 121 121

HSL 0, 0.93%, 0.73%

LAB 66.04, 49.22, 23.57

 

CMYK 10 / 0 / 52 / 2

HEX #E0FA79

RGB 224 250 121

HSL 72.09, 0.93%, 0.73%

LAB 94.14, -26.73, 58.31

 

CMYK 51 / 0 / 0 / 2

HEX #7BFBFB

RGB 123 251 251

HSL 180, 0.94%, 0.73%

LAB 91.76, -35.38, -10.9

 

CMYK 26 / 52 / 0 / 2

HEX #BA79FA

RGB 186 121 250

HSL 270.23, 0.93%, 0.73%

LAB 62.52, 49.34, -55.12

 

CMYK 0 / 52 / 52 / 2

HEX #FA7979

RGB 250 121 121

HSL 0, 0.93%, 0.73%

LAB 66.04, 49.22, 23.57

 

CMYK 26 / 0 / 52 / 2

HEX #BAFA79

RGB 186 250 121

HSL 89.77, 0.93%, 0.73%

LAB 91.77, -40.71, 54.93

 

Description

Color code: HEX #7BFBFB | qconv.com Color code: HEX #7BFBFB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 251 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 251 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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